Betrayal: Chapel Off Chapel

Betrayal

Betrayal Rating

Click if you liked this article

2

For those familiar with Harold Pinter’s plays, you will know the spitfire dialogue his work is famous for, and Betrayal does not disappoint.

The story centres on a seven year affair told in a reverse order and cleverly represented through the literal drawing back of the scrim curtain as the play unfolds. Almost immediately it’s made clear that director Rachel Baring knows how to handle this play with thoughtful restrained symbolism and precise economy of movement.

Gabriel Partington’s Jerry in particular has a circular waltz-like quality which the audience enjoyed. Michaela Bedel’s portrayal of Emma was suitably poised and measured. The physical dynamic between the lovers Jerry and Emma was well choreographed and suited the intimate performance space. However it was the relationship between Jerry and the cuckolded Robert (played by Heath Ivey-Law) that truly shone.

Ivey-Law balanced his character adeptly between moments of self-preservation, cheeky sarcasm and at times potential danger. Hints of sexual power play between the two men were played off very conscientiously and successfully. You almost felt sorry for Emma being somewhat neglected in the real love affair between the men.

With a minimal set of a few choice pieces of furniture and props, the performance allowed the actors’ portrayal of their characters to take centre stage. No doubt this was a deliberate choice from director Rachel Baring in collaboration with Thursday’s Child Theatre.

The use of sound was also well-marked. Background music and ambience helped maintain the atmospheric tone for each scene and their various locations. One moment that stood out was when the sound abruptly stopped right before a scene involving physical confrontation. The contrasting silence in this moment compared to the rest of the play served as a poignant signpost of the dangers vulnerable people face in relationships.

While this play is set across seven years spanning backwards from 1977 to 1968, this time period seems irrelevant to the themes presented. The complications of infidelity and expectations placed on relationships seem universal sticking-points now as they ever were. Yet regardless of what time this particular story takes place, we understand with reverberating clarity the emotional complexity of love, partnership, loyalty and indeed betrayal.

Betrayal is showing at Chapel Off Chapel until the 25th of May and runs for 70 minutes with no interval. There is a content warning of some coarse language, adult themes and domestic violence however these depictions are not gratuitous. This play might be a bold choice for date night but it will definitely make the journey home full of conversation.

To book tickets to Betrayal, please visit https://chapeloffchapel.com.au/show/betrayal-by-harold-pinter/.

Spread the word on your favourite platform!

The Door-To-Door Bookstore: German Film Festival 2025

The Door-to-Door Bookstore

The Door-to-Door Bookstore Rating

Click if you liked this article

This heartwarming film is a beautiful reminder of the goodness in humanity and the power of unlikely friendships (and books!).

Based on the novel of the same name by Carston Henn, the story follows Carl, an older gentleman. Carl’s job involves walking around the town (in Aachen, Germany), delivering books to a variety of interesting people.

Carl is an awkward, shy, but kind man, drenched in loneliness, and obsessed by books. So much so, that he refers to his regular clients by the nicknames he has (sometimes not so secretly) ascribed to them; based on fictional book characters, who each have their own quirks.

Nine-year-old Schascha has just moved to the town. In dealing with her own sadness in losing her mother, she also finds solace in books and reading.

Schascha begins to follow Carl on his daily book delivery, and an unlikely friendship develops. The two main characters end up working together to make some big, positive changes in the lives of the people Carl delivers his books to. As well as for themselves.

This enchanting story is full of themes of friendship, community, and embracing differences. It highlights the importance of kindness in humanity and community, and is a great reminder of the power of books and reading.

This is a wonderful film that the whole family will enjoy! The acting is brilliant from the entire cast. The cinematography is stunning for what is in essence quite a simple but powerful story of humanity.

Note that the film is in German, with subtitles in English.

The German Film Festival runs from 30 April to 28 May. To book tickets to The Door-to-Door Bookstore, or to any other films in the festival, please visit https://germanfilmfestival.com.au/.

Spread the word on your favourite platform!

Event Review: The Bubbles Festival – Melbourne 2025

The Bubbles Festival

The Bubbles Festival Rating

Click if you liked this article

Few things are more delightful than a glass of sparkling wine enjoyed riverside. The Bubbles Festival delivered exactly that and more at this year’s Melbourne session at the stunning River’s Edge in Docklands.

The atmosphere was elegant without being stiff, with floor-to-ceiling windows overlooking the Yarra and the golden glow of autumn light. This wasn’t a crowded scramble for samples but a perfectly paced event where guests could relax, discover, and indulge.

Founder Natalie Pickett opened the event with warmth and wit, reminding us that sparkling wine is beautiful and should be enjoyed with all the senses. Her tasting tips were charming and personal: listen to the bubbles, take in the aroma, and always pair with food. The canapés were curated accordingly, with a seafood station offering plump prawns, fresh oysters, mussels, and calamari and a generous cheese station of soft and hard cheeses. Additional bites roved the room, matching the mood and the wine effortlessly.

On the tasting front, the festival truly delivered on its promise of diversity. There was something for every palate, with around 18 different wines available — including French Champagnes, Italian sparklings, and standout Australian drops from the Yarra Valley, Great Western and Mornington Peninsula. A personal highlight was the Flinders Bloom Elderflower Spritz, inspired by the classic Hugo. Light, floral, and utterly refreshing, it combined méthode traditionnelle sparkling wine with lemon myrtle and elderflower for what can only be described as springtime in a glass.

VIP guests were treated to a tasting of Champagne Philippe Fourrier Millésime 2017 Blanc de Noirs, a refined pinot noir as elegant as the event itself. With a private tasting, RIEDEL glasses to take home, and a charitable contribution to Sacred Heart Mission.

Beyond the wine, guests could browse and purchase Susan Kerian’s gorgeous Parisian-style illustrations, a lovely visual complement to the day.

If you’re a sparkling lover, this event isn’t just worth attending — it’s essential. Whether you’re discovering a new favourite Prosecco or sipping vintage Champagne, The Bubbles Festival is a celebration in the truest sense.

Visit The Bubbles Festival website to book tickets and discover more about each city’s event; dates for 2025 are:
Melbourne – 3 May 2025
Brisbane – 9 & 10 May 2025
Sydney – 16 & 17 May 2025
Adelaide – 31 May 2025
Perth – 21 June 2025

To book tickets to The Bubbles Festival, please visit https://thebubblesreview.com/the-bubbles-festival/.

Spread the word on your favourite platform!

The Beep Test: An Airtight, Raucous Hoot Of Nostalgia.

The Beep Test

The Beep Test Rating

Click if you liked this article

1

The Beep Test follows Jane, Zach, Cooper and Sandra in their year 7 beep test and Sir, the PE teacher enforcing this hell upon them. The show explores the pressures and high stakes of high school, the importance of finding your own worth and what an absolute nightmare the beep test is, all in a short and sweet 60 minute run time.

At the first toll of the titular ‘beep’ you could practically feel the shiver that went down the spine of every audience member. Sat beside a friend of mine from high school, she gripped my arm, bracing for impact. Such a clever concept to take one of the most hated Australian school activities and draw it out to interrogate the themes that affect teenagers of this age.

Like high school, the stakes feel ridiculously high, the perfect vessel for big laughs, which The Beep Test delivered on at every point. The show crammed as much comedy as it could into its 60 minute run time, milking every second of stage time and every ounce of physicality to ensure our cheeks hurt by the end. With a full audience, not a single joke didn’t land. Through this, what I most admired was how each emotional beat still landed. Neylon and Peele balanced the stakes for these characters while keeping us laughing, but never at the expense of rushing through appropriate character development. It was almost pantomime how quickly the show had the whole audience uproariously laughing, to then cooing with a sea of “aww’s” as the romantic storyline progressed, or as another detail was revealed about a student’s depressing home life.

Each actor really shone as well, hitting the comedic beats and every note. The vocals were particularly impressive from the leads Sara Reed and Axel Duffy who portrayed Jane and Zach respectively. Similarly, I adored the chemistry between Sebastian Li, who played Cooper and Carly Jaz, who played Sandra. I was hook, line and sinker for every moment of their storyline. With the exception of the musical number ‘Zachiarah Nicholson’, the songs between these two characters won my heart over every time.

The staging was great. The back wall of the school gym was riddled with graffiti and secret silly details, and my friend and I spent each moment before the lights went down and as the lights came out pointing out to each other and giggling. It was a really well-executed use of space, immersive and simple, with essentially the only key props being a bench seat and the cones the characters had to run between.

There were a few aspects of Jane’s storyline I wanted slightly more from. For me, she was the character who had the least backstory, and her motivation felt a little one note. Sara Reed performed as Jane fantastically; however, with so much of the dialogue in the show putting her down for being a girl, with that simple term being used as an insult, I wanted more rage from her character. It’s clear she wants to beat Zach to prove to herself that she can, but I almost feel like there was further possibility for comedy in pushing that motivation further and tying it into the playground misogyny that is consistently thrown her way.

The Beep Test is an undeniably charming comedy musical bursting with passion, heart and consistent laughs.

To book tickets to The Beep Test, please visit https://www.theatreworks.org.au/2025/the-beep-test.

Spread the word on your favourite platform!