The Beauty Queen of Leenane

The Beauty Queen of Leenane

The Beauty Queen of Leenane Rating

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5

Strathmore Theatrical Arts Group (STAG) has once again outdone themselves, with their final production for 2025: Martin McDonagh’s multi-award-winning play, The Beauty Queen of Leenane.

Directed by Matthew Freeman, who did an amazing job in casting four extremely talented actors, who each shone individually in their roles: Sharon Casey as Maureen, Regina Miller as Mag, Chris Mentor as Pato, and Fletcher Lodwick as Ray.

This is Matthew’s second appearance as a director at STAG, last year directing the Cripple of Inishmaan. When asked, he describes The Beauty Queen of Leenane as “a horror disguised as a bleak dramedy.” And when you see this play, you will soon find out why.

Set in the Connemara village of Leenane, Ireland, in the 1990s, the play follows 40-year-old Maureen, who lives with and cares for her 70-year-old mother Mag. From the start, we see that their relationship is extremely strained. After a neighbouring young man, Ray, arrives at the house to invite the mother and daughter pair to a farewell party for his visiting American Uncle, what follows is a story that is humorous, dark, and at times deeply disturbing.

To say that Matthew and his team have curated a masterpiece of community theatre would not be amiss. With outstanding performances from all four cast members, the brilliant writing of McDonagh was brought to life amidst a stunning set that served every need of the play and more.

Sharon is absolutely spellbinding to watch on stage. She holds such a strong stage-presence, and shift gears at all the right moments, keeping the audience utterly enthralled.

 

 

Regina was superbly nuanced in her role as Mag, delivering a magnificent standout performance in one gut-wrenching scene; the entire audience was holding their breath and on the edge of their seats (I can’t give any spoilers on the details. You will just have to see it to find out for yourself!).

Chris gave a stellar performance as Pato, really encapsulating the character. And the audience was absolutely taken in by his intimate monologue scene below the stage.

Fletcher brilliantly encapsulated the character of Ray, curating a loveable and memorable character that had so many humorous moments. He managed to find so many intricacies in this character, and it was hard to take your eyes off him when he moved around the stage.

The performances across all four of these actors was just an absolute delight to watch. They were each able to find the honest and real people within these characters, which was just magical to watch.

The intricate attention to detail with the set was outstanding; from the mould-stained walls to the era appropriate appliances, trinkets, and furnishings. The set was really a fifth character of its own. The more you looked, the more detail you would see. The fireplace cracking away so realistically really was the icing on the cake for the magnificent stage design.

With smooth and efficient set changes from the stage managers, and seamless sound and lighting, there was nothing to fault with this play. The team at STAG have pulled together a beautiful production.

This really is one special play, and if you enjoy somewhat dark dramatic plays that also injects a lot of humour, you will not want to miss this production.

‘The Beaty Queen of Leenane,’ is running at STAG from the 13th to the 22nd of November 2025. Keep an eye on STAGs website and social media accounts for their upcoming 2026 season.

To book tickets to The Beauty Queen of Leenane, please visit https://www.stagtheatre.org/.

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Draw Two

Draw Two

Draw Two Rating

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4

What would happen if you were mistaken (by a hot guy, no less) for your recently deceased twin sister in the local Woollies, but fail to correct the mistake?

How do you navigate having to take guardianship of your young, orphaned nephew when you had other life plans?

Can we ever, even as adults, fully break free from the (often stifling) parent-child relationships we grew up with as children?

And perhaps most importantly: Should you EVER let a young child win at Uno if you have the power to beat them?

These are just some of the questions raised in Draw Two; a compellingly powerful and comedic one-woman show centred around Riley, a young 20-something year old woman dealing with some very big life challenges.

Riley has returned to her hometown in the aftermath of the death of her twin sister, Mia, to pack up her sister’s house, and take her now orphaned son, Lucas, back to Melbourne to live with her and her partner.

In this process, Riley has to deal with her stifling and often disapproving mother.

 

 

And there is the fateful encounter with a childhood friend of Mia’s (Kieren), who mistakes Riley for Mia…

Georgia McGinness takes the helm in this one-woman show, performing a poignant, often hilarious, and equally gut-wrenching narrative through the eyes of Riley.

Georgia masterfully depicts all of the characters coming in and out of Riley’s life, giving enchanting and moving performances.

This show really pulls at the heartstrings, exploring some big themes of navigating grief, family dynamics, personal relationships, and finding the small joys in times of darkness.

Georgia’s performances were honest and mesmerising; seamlessly transitioning between characters, and giving a real sense of relatable, Australian life, family dynamics, and the reality of the difficulties that life can unexpectedly throw at you.

While the set itself is quite simple, throughout the show, beautifully crafted animations were projected at various stages to give more life and depth to the narrative.

A full house and a standing ovation are two hallmarks of a crowd-pleasing show; and Draw Two was extremely well-deserved to receive both of these on the opening night of its run at Theatreworks in Melbourne this September.

Written by Meg McDonald and directed by Lauren Bennett, Draw Two is a perfect example of the sheer talent Australia is currently producing in the theatre space, and the entire team should be congratulated on a spectacular show.

This is not one to miss, with performances until the 27th of September at The Explosives Factory, Theatreworks, Melbourne.

Playwright & Co-Producer: Meg McDonald
Director: Lauren Bennett
Composer, Sound, & Voice Coach: Clare Hennessy
Set & Costume Designer: Ishan Vivekanantham
Visual Art Designer: Lauren Goodfellow
Lighting Designer & Production/Stage Manager: Sam Gray
Co-Producer: Ruby Busuttil
Cast: Georgia McGinness

To book tickets to Draw Two, please visit https://www.theatreworks.org.au/2025/draw-two.

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Marian Or The True Tale of Robin Hood

Marian Or The True Tale of Robin Hood

Marian Or The True Tale of Robin Hood Rating

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5

Strathmore Theatrical Arts Group (STAG) has opened their third season for 2025 with a rambunctious jaunt through Sherwood Forest and Nottingham Castle.

If you thought you knew the story of Robin Hood and his Merry Men, think again (and think ‘more merry’, and ‘less men’…).

‘Marian, or the True Tale of Robin Hood’ details the ‘real’ story of Robin Hood, where all is not as we thought: Robin Hood is actually Maid Marian in disguise, The Merry Men are by and large made up of women pretending to be men, and love runs (very!) rampant in all its glorious forms across Nottingham Castle and Sherwood Forest.

Director Brian Edmond has drawn together an utterly fabulous cast, who all bring their individual and diverse characters to life in hilarious fashion. Each actor gave strong and nuanced performances across the board. The sometimes witty and sometimes crass humour kept the audience smiling and laughing throughout the entire show.

‘Marian’ is a smorgasbord of entertainment: wall-to-wall jokes, strong and quirky characters, an abundance of action and fight scenes, and love in all its glory (be that queer love, straight love, lost love, self-love, and of course plenty of sex).

 

 

The play has a strong (and overtly obvious) theme of sexuality and gender identity, very cleverly approached through humour. Using such a well-known story as Robin Hood to tackle these important topics is a testament to the play’s writer, Adam Szymkowicz. It really is a genius way to address issues and ideas around gender and sexuality in a way that can easily appeal to a wide audience.

STAG has really done a fabulous job bringing ‘Marian’ to life, with a simple but effective set and lighting, fabulous costumes, and oodles of (very fun to watch) fight choreography.

If you want an entertaining night out a good laugh, definitely go and see ‘Marian’!

‘Marian or the True Tale of Robin Hood’ is on for a limited season at STAG from Thursday 21 August to Saturday 30 August 2025. With some shows already sold out, make sure to book in quickly to not miss out!

Keep an eye out for the fourth and final season for 2025 from STAG, ‘The Beaty Queen of Leenane’, directed by Matthew Freeman, with performances running from the 13th to the 22nd of November 2025.

To book tickets to Marian Or The True Tale of Robin Hood, please visit https://www.stagtheatre.org/.

Photographer: Dave Swann

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The Door-To-Door Bookstore: German Film Festival 2025

The Door-to-Door Bookstore

The Door-to-Door Bookstore Rating

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1

This heartwarming film is a beautiful reminder of the goodness in humanity and the power of unlikely friendships (and books!).

Based on the novel of the same name by Carston Henn, the story follows Carl, an older gentleman. Carl’s job involves walking around the town (in Aachen, Germany), delivering books to a variety of interesting people.

Carl is an awkward, shy, but kind man, drenched in loneliness, and obsessed by books. So much so, that he refers to his regular clients by the nicknames he has (sometimes not so secretly) ascribed to them; based on fictional book characters, who each have their own quirks.

Nine-year-old Schascha has just moved to the town. In dealing with her own sadness in losing her mother, she also finds solace in books and reading.

Schascha begins to follow Carl on his daily book delivery, and an unlikely friendship develops. The two main characters end up working together to make some big, positive changes in the lives of the people Carl delivers his books to. As well as for themselves.

This enchanting story is full of themes of friendship, community, and embracing differences. It highlights the importance of kindness in humanity and community, and is a great reminder of the power of books and reading.

This is a wonderful film that the whole family will enjoy! The acting is brilliant from the entire cast. The cinematography is stunning for what is in essence quite a simple but powerful story of humanity.

Note that the film is in German, with subtitles in English.

The German Film Festival runs from 30 April to 28 May. To book tickets to The Door-to-Door Bookstore, or to any other films in the festival, please visit https://germanfilmfestival.com.au/.

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