Shark Island Presents: The Pool

The Pool

The Pool Rating

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After making waves at the Sydney Film Festival, Ian Darling’s The Pool will be released this November. The film presents Bondi Icebergs as we know them and as we have never seen them. Darling offers a portrait of an icon of Sydney’s most famous beach and the community that surrounds it, one that is both intimate and far-reaching.

We are treated to long, smooth shots of sparkling water in sunshine, the bright turquoise of the pool and surrounding churning waves, and the slow grace of the swimmers moving through the water.

The Pool lulls you into a dream-like world with its beauty of composition, the long drone shots, the fury and destructive power of the storms, and the soft lights on the shore as the first swimmers arrive on a bracing winter morning. Yet here and again, the film changes tack, and we also see the swimmers’ activity and brightness, the flurry of movement down the pool, and the organised chaos of the Sunday races.

 

Yet it is through the people, the community of the Bondi Icebergs Swimming Club, that we reach the heart of the film. The club has been going for almost a hundred years, bringing people together from many and varied backgrounds over their shared love of swimming. As the film says, we are all equal when we have our swimmers on.

The Pool has a beautiful and otherworldly quality. From the very first frame, we dive into a hushed world of light, water, and colour. We see dark silhouettes stretching before a Bondi sunrise, drops of water gilded by sunlight that slowly explode against a brilliant blue sky. Yet these images would have remained almost disconnected without seeing the love and dedication of the people through the stories shared.

For screenings, please check venue and session times here:- https://www.madman.com.au/the-pool/#session-times-panel

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Falling into Place: British Film Festival

Falling into Place

Falling into Place Rating

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1

Set against the stark backdrop of a bleak Scottish winter, “Falling into Place” invites viewers into a world where two lost souls briefly collide in a bar, igniting a day filled with fleeting joy and profound connection. Directed and written by Aylin Tenzel, who also stars as the film’s emotionally troubled protagonist, the narrative explores the depths of despair and the search for solace in unexpected places.

Tenzel’s character is an artist grappling with the aftermath of a painful breakup, her self-worth at an all-time low. She isolates herself from her family, terrified that revealing her struggles will expose her vulnerabilities. Tenzel embodies this emotional turmoil with a raw honesty that resonates deeply, showcasing her talent as an actress and storyteller.

Opposite her is Chris Fulton, known for his roles in “Outlander” and “Bridgerton,” who plays a man equally enshrouded in grief. His character battles the aftermath of his sister’s suicide attempts and a relationship that has long since soured. Together, Tenzel and Fulton create an intense chemistry that pulses through the film, offering a glimpse of hope amidst their mutual pain. Their connection is not one of idealized romance but rather a bond forged in shared suffering—a recognition of their own self-destructive tendencies.

What sets “Falling into Place” apart is its unflinching portrayal of mental health issues. The film does not shy away from presenting its protagonists in an unflattering light; rather, it embraces their flaws and struggles, allowing audiences to empathize with their journeys. This authenticity is refreshing in a genre often dominated by idealized relationships.

While the film’s pacing may feel slow at times, the emotional weight it carries makes the eventual payoff worthwhile. Tenzel’s directorial debut is a powerful commentary on the healing power of shared experiences, making it a must-watch for those who appreciate intimate, character-driven storytelling.

The British Film Festival 2024 runs from Nov – Dec 8.

To book tickets to this or other films click https://britishfilmfestival.com.au/ for session and venue details.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Pymble Players: The 39 Steps

Pymble Players 39 Steps

Pymble Players 39 Steps Rating

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8

For their final production, before they move to Chatswood, the Pymble Players present The 39 Steps. David Allsopp directed Patrick Barlow’s 2005 play, which was adapted from John Buchan’s 1915 novel and, of course, Alfred Hitchcock’s 1935 film.

If you are not already familiar with the story, let me assure you that you already know it even if you have yet to see it. The 39 Steps is easily where we get the plot of every spy thriller ever written. There is a beautiful woman with a mysterious accent who drags a hapless Englishman into a wild caper involving secret plans and hidden agents, which leads to a madcap chase across the Scottish moors. What is offered is a delightfully self-aware parody that the audience is invited to be a part of, and all of this is done by a stellar cast of only four actors.

Leading the cast and leading us through the story is Daniel Ferris as Richard Hannay. Richard, an average Englishman who was reluctantly dragged into the plot. At his side is Cassandra Gorman as Annabella, Margaret and Pamela, all of whom are very distinct from each other. The highlight of the evening, however, are Mitch Doran and Faith Jessel as our two clowns, playing at least 100 characters between them.

This rapid-fire performance required rapid costume changes, sometimes even on stage in the middle of dialogue, and all were done flawlessly without disrupting the comedic timing. If Ferris and Gorman form the structure of the play, Doran and Jessel are very much the energy.

Allsopp’s minimalist production design means the focus is almost entirely on our actors. I say “almost” because it is quite cheeky to see the stage managers directly interact with our cast, whether it’s a hand taking a prop or even two of them visible onstage with a fog machine and a pedestal fan.

The sound design brings richness to the performance, but even that is not above having a joke with us. When the phone keeps ringing after the character picks it up, was that deliberate or an opening night flub? I don’t care; either way, I’m laughing.

 

But I think what I admired the most was the real intimacy of the production, all the more emphasised by Pymble Players’ being in a small theatre. The action is not confined to the stage; the actors come through the audience and play part of the scene even directly in front of where I was sitting.

In the end, I think I enjoyed the play far more than I enjoyed watching Hitchcock’s film. Much has happened in the almost ninety years since the film first appeared. And while back then, Hitchcock played it completely seriously; now we can all have a lot of fun being part of the joke.

There are not many productions that can purport themselves to be “Hitchcock meets Monty Python” and can actually deliver on that promise. If you’d like to see it, I suggest you get in quickly as tickets are selling rapidly and it is easy to see why.

The season is almost SOLD OUT.

For a chance to purchase tickets to Pymble Players The 39 Steps please get to this link urgently @ https://pymbleplayers.com.au/the-39-steps

Session Dates/Times
November 1 Friday at – 8:00 PM
November 2 Saturday at – 3.00 PM
November 3 Sunday at – 3.00 PM
November 8 Friday at – 8:00 PM
November 9 Saturday at – 3:00 PM
November 10 Sunday at – 3.00 PM
November 13 Wednesday at – 8:00 PM
November 14 Thursday at – 8:00 PM
November 15 Friday at – 8:00 PM
November 16 Saturday at – 3:00 PM
November 17 Sunday at – 3:00 PM
November 22 Friday at – 8:00 PM
November 23 Saturday at – 3:00 PM
November 23 Saturday at – 8.00 PM

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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A Serene Soundscape: Noonan & Schaupps Southern Skies Volume 2

Songs Of The Southern Skies

Songs Of The Southern Skies Rating

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2

On the traditional lands of the Dharug people, The Parramatta Riverside Theatre played host to a celestial journey through the works of Australia’s brightest female songwriters and singers. Katie Noonan and Karin Schaupp’s “Southern Skies Volume 2” reimagines the timelessness of Australian music including industry royalty such as Aunty Ruby Hunter, Kate Ceberano, Missy Higgins, and Sia.

Amidst the pulsing, frenetic energy of Parramatta’s Eats.Beats.Art Festival, Noonan and Schaupp’s performance provided a serene oasis, a pocket of tranquillity in a world that seems to never stop. The crowd, a mix of ages and backgrounds, was visibly captivated by their heartfelt interpretations and innovative arrangements. These carefully curated selections showcased the enduring appeal, depth and diversity of Aussie music, reaching as far back as the 70’s. It was an intimate experience showcasing the talent of two extraordinary artists.

Noonan’s ethereal vocals, paired with Schaupp’s masterful guitar work, breathed new life into iconic and some lesser known gems. Their performance was a stunning tribute to the extraordinary talent of Australian female singer-songwriters, culminating in a meditative and memorable evening.

With less-is-more magic, they paid homage to the original songwriters and singers. This stripped-back approach highlighted the strength of the songwriting itself, revealing unexpected soul in familiar tracks. Who would have thought that Olivia Newton-John’s “Xanadu” or Kylie Minogue carried such spiritual messages and connections?

Noonan’s voice is truly something special. Her incredible range effortlessly bridges the spectrum of human experience. She wields a unique ability to transform a song, cradling the soft moments while reverently holding space for the lyrics, before ascending to operatic heights. Every note is infused with a sage sense of love and authenticity as we witness the music flow through her. Her respect for her craft and why she does it is inspiring and evident in every note.

 

Noonan is also a natural storyteller. She is so warm, inviting and humorous, introducing each song and their creators with quips, memories or anecdotes – like she’s welcoming you into her living room.

Classical guitarist Karin Schaupp, an internationally sought-after recitalist and soloist, is the perfect musical foil for Noonan. Her technical brilliance and intuitive playing style provided subtle support, intricate harmonies, and emotional depth. A new found appreciation for this instrument and its artists was discovered.

While this performance was a minimalist masterpiece, featuring only Noonan’s vocals, Schaupp’s intricate guitar work, and some sparse percussion, the album itself features guest singers. Make sure you check out Kate Ceberano’s fabulous new version of “Brave” that reveals the raw power of her incredible ability and emotional expressiveness. ‘I Thought You Were God’ with the brilliant Clare Bowditch is a lesson in harmonising and the magic that happens when two great voices come together.

Noonan and Schaupp are a dual talent that sustain, fiercely advocate for, and shape the Aussie music industry scene. There’s a reason these ARIA-winning powerhouses are celebrated. Deceptively simple but deeply profound, “Southern Skies Volume 2” is music that calms the heart, ignites the imagination, and offers enlightenment.

A soundtrack for creative expression or quiet contemplation, Noonan and Schupps are a symbiotic testament to the universal beauty of words and music and the way they can move and inspire.

Don’t just listen to it, experience it.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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