Oh My God! A Comedy of Biblical Proportions

Oh My God! A Comedy of Biblical Proportions

Oh My God! A Comedy of Biblical Proportions Rating

★★★★★

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In the beginning… there was darkness. And behold… God popped out from behind the scenery and said, ‘Let there be light!’ And lo. The stage lights did come up and we were treated to Popular Playhouse’s ‘Oh My God! A Comedy of Biblical Proportions.’

The earth did shake, rattle and roll, Lucifer did shimmy in the Garden of Eden, Sarah did do a pregnancy test on the toilet, a plague of rubber toads did descend upon Pharaoh, and, as it was foretold, the audience were thoroughly entertained, while the occasional Boeing 747 flew overhead.

‘Oh My God! A Comedy of Biblical Proportions’ is the prequel to Popular Playhouse’s riotous hit ‘Christ Almighty.’ If you were lucky enough to bear witness to their romp through the life and death and life again of Jesus, then you know what the Bible’s Old Testament is in for.

No stone tablet is left un-overturned in their pursuit of laughs and the jokes come quickly and without warning, not unlike The Great Flood.

James Hartley commands the stage (and the Universe) as God, channelling Charlton Heston and Heston Blumenthal with a pinch of Sir Lawrence Olivier in Clash of the Titans.

His on again / off again partner for the evening (and eternity), is Lucifer, played with devilish relish by the remarkable Joseph Rotondella.

Sparks fly whenever these two are on stage together. It’s a beautiful thing. God may be wrathful, petty and frankly murderous at times, Lucifer is diabolical, cunning and spiteful, but ultimately, they’re two soft hearts struggling with the complexities of love.

Jesus makes a recurring guest appearance in the form of Oscar Wills, a humble chippy and sandal-clad stoner who helps hammer together a highlights reel from across the Old Testament.

 

We meet Eve and Adam, Emma Flynn and Max Dÿkstra, facing endless days playing rock and stick. Sarah and Abraham, Natasha Cheng and Oscar Baird, praying for a child and rapidly repenting when Isaac is delivered unto them in form of Roslyn Hicks.

Noah and Mrs Noah, Jamie Sturgess and Erin Pacholke, are joined on their Ark by a fabulous menagerie of animals (and a bird) including a panda and a delicious looking koala.

Rounding out the cast is the mountainous Daniel Moxham as Goliath. Most of the cast take on multiple roles and all throw themselves into the play headfirst.

There’s a noble tradition of popping religions’ self-important bubbles with comedy. Monty Python’s ‘The Life of Brian’ was banned outright in Ireland, Norway and parts of the UK when it was first released in 1979. Critics accused the movie of blasphemy and sacrilege.

‘Oh My God! A Comedy of Biblical Proportions’ owes something to the fabulous Mel Brooks and his irreverent hits ‘History of the World, Part I’ and the ingeniously titled ‘History of the World, Part II.’

Especial manna must be bestowed on Tommy James Green as Writer, Director and Producer. The Pythons and Mel Brooks are most excellent company to keep.

If you’re worried that you might be offended… you probably will be, so you should buy two tickets and take a friend so you can be offended in company.

‘Oh My God! A Comedy of Biblical Proportions’ is now on at Flight Path Theatre, running from 15 to 31 October.

You can follow Popular Playhouse at:
https://www.instagram.com/popularplayhouse

Tickets are now available at: https://www.flightpaththeatre.org/whats-on/oh-my-god-another-comedy-of-biblical-proportions

To book tickets to Oh My God! A Comedy of Biblical Proportions, please visit https://www.flightpaththeatre.org/whats-on/oh-my-god-another-comedy-of-biblical-proportions.

Photography: Othniel Mani/TreeOak Media

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The Musical That The Australian Musical Theatre Industry Desperately Needed

Dangerous When Wet: The Musical

Dangerous When Wet: The Musical Rating

★★★★★

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Dangerous When Wet is a fabulous new musical comedy celebrating the friendship and rivalry of local swimmers Fanny Durack and Mina Wylie - Australia's first female Olympic representatives and winners of Gold and Silver in the 100m freestyle at the 1912 Stockholm Olympics.

Narrated by Australia's first Hollywood Superstar, Annette Kellerman, this vaudeville-styled, hilarious and touching show will have you laughing, crying, singing along and rejoicing in Australia's swimming history.

It was such a joyous experience to be at opening night of this wonderful new musical. Based on a true story, with an all female cast and nearly all female creative team. It was truly an amazing way to celebrate many fabulous female Australian icons. We need more of this!

This has a beautiful score by Joanna Weinberg and had me humming many of the tunes as I left the theatre. It is so refreshing to hear such glorious legit musical theatre singing by all cast members. The melodies and counter melodies with gorgeous harmonies shone through. The music in act two is where this particularly shines and has one showstopper number after the next. Just when you think you’ve heard the best song in the show, the next song comes in to knock your socks off. Hopefully they consider doing an original cast album.

 

The cast of 8 not only play their respective principal roles but many other smaller parts as well. There was much great strength in stamina by all.

Megan Walshe as Annette Kellerman is an absolute star. The creative team must have thanked all the gods when she auditioned. Excellent comic timing, velvet toned speaking voice and bell like singing voice and oh can she dance. The Olympic song in act two was a highlight of the show. By the way, she also choreographed the show.

Cypriana Singh as Fanny Durack and Grace Trainor as Mina Wylie were perfectly cast in their leading roles. They sounded exquisite when singing individually and together. Their acting was so genuine and heartfelt. I think we will be hearing from both of them a lot in the future.

Jacinta Gregory as Cecil Healy was hilarious from start to finish and it’s exciting to hear a rich female tenor voice. Annerose de Jong as Mrs Mack and Eliane Morel as Rose Scott/Alick Wickham we fantastic comedy duo sparring team in the main and supporting roles. Addy Robertson and Vida Cullen were great support to the rest of the cast.

Darryl Wallis (Musical Director, Arranger and Accompanist) was the one man band for the show, he played beautifully and it fitted the vaudevillian style of the show.

Lyndal Loves costumes for Megan Walshe’s Annette Kellerman were particularly stunning.

I do hope that they get more opportunities to do this again. If the show gets licenced, it would be perfect for many universities and community musical theatre groups to perform.

I look forward to finding out what happens next to Dangerous When Wet the Musical.

To book tickets to Dangerous When Wet: The Musical, please visit https://dangerouswhenwet.com.au/.

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Six: The Musical Has Arrived In Sydney!

Feature-SIX the Musical

After rave reviews and sold-out performances in Melbourne, the highly anticipated international smash-hit phenomenon SIX the Musical has arrived in Sydney. The queendom will descend on Sydney’s Theatre Royal to celebrate the newly coronated cast of queens. The official opening night of this award-winning global sensation will be on Wednesday 14 October at Theatre Royal Sydney. The production will then be heading to QPAC’s Playhouse Theatre in Brisbane from January 2027.

Tickets on sale now: https://www.sixthemusical.com.au

The opening night Purple Carpet is expected to bring out Sydney’s finest. Media can make their way to the Theatre Royal for 6.30pm guest arrival, with the performance kicking off at 7.30pm sharp.

Guest List for SIX Opening Night

Amanda Keller; Andy Trieu; Damien Leith; Donny Galella; Georgie Parker; Jeremy Fernandez; Kate Ritchie; Leigh Sales; Melissa Hoyer; Penny McNamee; Richard Reid; Savannah Clarke; Steve Pennells.

Angelina Thomson; Ash Magic; Darren Palmer; Emily Weir; Ian Stenlake; Jessica Redmayne; Kathryn Eisman; Lisa Wilkinson; Nancye Hayes; PJ Lane; Rob Mills & Georgie Tunny; Simon Burke; Taylor Haynes.

Annabel Crabb; Belinda Russell; Deborah Hutton; Erika Heynatz; Jay Laga’aia; John Pearce; Kerri-Anne Kennerley; Mitch and Mark; Nikki Webster; Rachael Beck; Rodger Corser; Sophie Dillman; Tina Bursill.

From Tudor Queens to Pop Icons, the six wives of Henry VIII—Catherine of Aragon, Anne Boleyn, Jane Seymour, Anna of Cleves, Katherine Howard and Catherine Parr—turn up the mics remixing five hundred years of history into an 80-minute electrifying pop-concert musical.

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The new SIX Queens are played by an Australian cast: Sarah Murr (Catherine of Aragon), Mia Paris Scalise (Anne Boleyn), Cara Bessey (Jane Seymour), Kadesa Honeyhill (Anna of Cleves), Angela Brischetto (Katherine Howard), and Lorinda May Merrypor (Catherine Parr).

Swings include Lauren Goetz, Geena Hutton, Thalia Smith (Dance Captain/Swing) and Cristina D’Agostino (Associate Choreographer/Assistant to the Director/Alternate Swing). The on-stage band includes Claire Healy (Music Director/Keys), Heidi Maguire (Assistant Music Director/Keys), Kathryn Stammers (Drums), Danielle Colligan (Guitar) and Matilda Yang (Bass). The company works under Australian Associate Director Sharon Millerchip.

SIX tells the story of the six wives of King Henry VIII who step out of the shadow of their infamous husband and reclaim their own narratives. Written by Toby Marlow and Lucy Moss, this pop-inspired musical portrays these historical figures as influential pop stars.

SIX has won 38 international awards including two Tony Awards and has a Platinum certified soundtrack listened to over 5.5 billion times. Since debuting at the Edinburgh Festival Fringe in 2017, it has played in over 15 countries.

Creative team: Book, lyrics and music by Toby Marlow and Lucy Moss; directed by Lucy Moss and Jamie Armitage; choreographed by Carrie-Anne Ingrouille; set design by Emma Bailey; costume design by Gabriella Slade; lighting design by Tim Deiling; sound design by Paul Gatehouse; orchestrations by Tom Curran; musical supervisor Joe Beighton. Originally produced by Kenny Wax, Wendy & Andy Barnes, and George Stiles. Produced in Australia by Louise Withers, Michael Coppel and Linda Bewick.

Tickets on sale now
Sydney – Theatre Royal Sydney – until December 20
Brisbane – Playhouse Theatre, QPAC – from January 2
https://www.sixthemusical.com.au

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Blanc De Blanc Returns To The Grand Electric

Feature-BLANC DE BLANC

The champagne is back on ice and Sydney is invited to indulge as the five-star BLANC DE BLANC returns by popular demand, opening 28 October 2026 at one of Sydney’s hottest destinations for live entertainment, The Grand Electric, Surry Hills.

Celebrating 10 years since BLANC DE BLANC first burst onto the stage at the Sydney Opera House in 2016, this dazzling new season brings together the very best in its most ambitious Sydney staging yet.

A heady cocktail of high-energy performances from world-class acrobats, dancers and aerialists, cheeky comedy, cabaret, burlesque and vintage glamour, BLANC DE BLANC has seduced audiences from London’s West End to Las Vegas with its intoxicating blend of high-energy entertainment and sophisticated mischief.

Producer Jess Copas said, “This remount will be one of our most ambitious stagings of the production yet and will herald many new theatrical surprises and will bring back some beloved classics including a rather infamous hot-tub scene!”

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The all-new cast includes your charismatic host, Alex Makardish (USA) direct from extended seasons in London and Melbourne alongside world champion contortionist Misha Makarov. Joining them are award-winning aerialists − Duo Coco & Marie, Marie Lebot (France) and Corentin Lemaitre Auger (Canada). This will be the first time all four performers have appeared on a Sydney stage.

Previous Sydney seasons have won over audiences and critics alike:
“Awe-inspiring and fun.” Megaphone Oz
“A scintillating night of entertainment.” Scenestr
“A deliciously hedonistic evening of escapism.” Broadway World
“Delightfully decadent” Theatre People
“Spectacular” The AU Review
“Flawless, and it’s a toast to the boundless creativity and joy that cabaret brings” Stage Whispers

Provocative, playful and deliciously decadent, BLANC DE BLANC is an invitation to leave everyday at the door, pop the cork and surrender to a night of champagne-fuelled revelry.

Venue: The Grand Electric, 199 Cleveland Street, Surry Hills
Season: From 28 October 2026
Showtimes: Wed to Fri 7pm; Sat 4pm & 7pm; Sun 5pm
Tickets: From $75 to $449 for a Möet Chandon Champagne table for two
Bookings: https://blancdeblancshow.com/sydney

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