The Lightning Thief – The Percy Jackson Musical

The Lightning Thief

The Lightning Thief Rating

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27

Though we are sadly seeing multiple professional city shows close early in Melbourne in the current economic climate, Community Theatre in Cranbourne right now is absolutely thriving!

A fantastic cast of young people have just opened “The Lightning Thief” The Percy Jackson Musical, produced by Peoples Playhouse, and it’s a massive hit!

I knew absolutely nothing about this show prior to going on the sold out opening night and only learned this is also a series of very popular books from the friend I took along, who hadn’t seen the actual show either and equally enjoyed it. As “theatre mums” we love love love to sit back and feast on a bright new energy level. This show is full of action from the get go and it never ceases to amaze me what storytellers can weave in their imaginations.

A plot of wayward demigod teenager, Percy Jackson, the son of Ancient Greek God Poseidon, finding his purpose via a quest with other children of Gods to discover his father’s reason for not being present in Percy’s life is also a journey of bravery and self discovery. This musical, loaded with both catchy dance tunes and meaningful lyric songs, has everything in it to pack a punch with a young audience especially; the cheers didn’t stop from start to finish.

Playing ‘Percy’ is Isaac Lane from Nida Open in a huge role he handled like a pro, accompanied by Olivia Woodhouse, growing up in ballet and then discovering her love for musical theatre, she is a super strong ‘Annabeth’, and Jack Thompson studying full time at Showfit, is a true champion player in his role as Percy’s best friend ‘Grover’.

 

 

The flashbacks of the three mains as their younger selves by 11year old Jasper Sage, 11year old Ayda Melody Hendricks and 12year old Matthew Theoclitou were all well played with a lot of emotion from these experienced theatre youngsters.

The use of spotlights in this show is very effective; something I constantly noticed as enhancing what was happening on stage and there’s a LOT happening! Demon teachers, cute squirrels, frozen statues and very inventive props including the funniest tractor scene, you won’t ever guess what’s coming up next.

All the cast work exceptionally well together in the little details and the choreography is fun and energetic with some cleverly rehearsed fights and battles. Great job everyone, you were so fun to watch.

It’s always interesting to observe the versatility of cast members you’ve seen before in other shows and I was pleased to see Matthew Berend step out on stage tonight as ‘Mr.Brunner’ (aka Chiron & Ares) with his usual larger than life personality and in this show, half horse body 🙂

Christine Ferra was wonderful as Percy’s mum ‘Sally’ with such warmth in one of my favourite songs ‘Strong’ sung with Percy. Parent / Child moments in any show always get me.

A confident Alex Sabljak rocked as ‘Luke’ and Lucas Battey as ‘Mr.D’ (aka Dionysus & Hades) convincing in every role, as were Tyrah Pocock-Davies as Clarisse, Michaela Fitzpatrick as Charon, Jeanne Carlos as Medusa, Lore Burns as Poseidon and Penny Norris as The Oracle was superb.

A highly talented bunch of young ensemble members completed this show perfectly and we couldn’t have enjoyed it more!

Congratulations to Sarah Jeffs (Director), Drew Lane (Musical Director) and Sarah Hayes (Choreographer), what a triple threat trio you make!

You must all be so proud, congrats to EVERYONE, including those amazing set builders, costume gurus and organising / creative teams behind the scenes with Production Managers David Krause and Heather Rose and Peoples Playhouse President Michelle Thomas. Bravo!!!

Ticket link:
https://www.trybooking.com/events/landing/1570412

More info:
https://www.peoplesplayhouse.com

To book tickets to The Lightning Thief, please visit https://www.peoplesplayhouse.com/whats-on.

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Fun! Laughs! Good Times!

Sweet Charity

Sweet Charity Rating

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Opening night of Sweet Charity at Chapel Off Chapel, Friday, 19th June, 2026.

Heirlume Productions presents the iconic Bob Fosse musical, Sweet Charity, with support from Forest Collective, the award-winning Australian arts organisation founded in 2009 by composer and conductor Evan Jay Lawson. Playing at Chapel Off Chapel from 18 to 28 June, this production brings together Heirlume’s theatrical vision with Forest Collective’s musical expertise in a successful and masterful collaboration.

Sweet Charity, written by Broadway legend, Neil Simon, with a great score by Cy Coleman and lyrics by Dorothy Fields, has always been a musical fan favourite.

Taken from the plot of a 1957 Italian film about a streetwalker, Nights of Cabiria (Le notti di Cabiria), Simon’s musical rendition kept four of the film’s landmark moments. Conceived, staged, directed and choreographed by Bob Fosse for his wife, the irrepressible Gwen Verdon, Sweet Charity premiered on Broadway, New York, in 1966 and was nominated for nine Tony Awards with a win for Fosse’s unmistakeable quirky and technical choreography. Let’s just say, Fosse made it his own.

So, no surprise the opening night audience at Chapel Off Chapel were bustling with excitement ready to soak in its many hit songs and, to experience that fabulous Fosse feeling, however, we were not prepared for how tight, fabulous and professional this production and its cast were going to be.

Director, Madison Lee, has reinvigorated the beloved characters and legendary score with a “queer love story and a tale of self-acceptance.” In her Program Director’s Note, Madi reminds us that “Charity Hope Valentine is a woman who wants to be loved completely resisting against a world that has given her very little reason to keep believing….” Except for, “…her chosen family, the people who hold us when we get back up and remind us who we are when the world tries to tell us otherwise.”

 

 

Lee has directed a female ensemble so strong and diverse, most playing multiple parts, I haven’t seen the likes of together in years:

Experienced VCA graduate, Erica Wild, fresh back from West End, U.K., embodies Charity Hope Valentine with honesty and sweetness. Wild is hardly ever offstage but gives everything she has to this role, with all her innocence and energy. She is easy to love.

Producer, Heirlume founder and Productions Artistic Director, Manda Rozen-Flannery, says of Charity, “…something feels inherently neurodivergent … about her.” Wild captures this perfectly.

Wild is supported by second leads, Madeline Pratt as Nickie and Hannah Gutierrez Cañon as Helene, playing two seasoned dance hall girls weathered and baffled by Charity’s naivety.

Choreographer and educator, Pratt is powerful in singing, acting and dancing.

For Cabaret performer and former National Latin dance Champion, Cañon, new to the Musical Theatre industry, her dance expertise is obvious.

As is the dance talent of Tyler-Rose Shattock, who charmed us as an excellent Frug Girl in the nightclub scene. Shattock also stands out with all her other characters.

Extremely talented and versatile Sara-Louise Younger plays both the Herman and Daddy characters. Her version of ‘Rhythm of Life’ along with the whole cast, was simply transformational. Singing gospel one minute and opera the next, her range and voice is unique to Australia.

Supported by Alessandra Negro as Ursula, Eden Holmes as Carmen, Lisa-Marie Coad as Betsy and Bridie Erwin-Keirl as Rosie, all playing multiple other roles, the hard work and camaraderie of the whole troupe beams and was just a pleasure to watch.

Clancy Enchelmaier plays the only three male roles, from Charity’s bad choice of boyfriend at the start to movie star, Vittorio, to romantic lead, Oscar. His distinguished voice and range is strong.

This show is also excellent creatively:

The audience was delighted with Jesse Matthews’ choreography. He is resident performer and choreographer for Forest Collective. Matthews paid tribute to Fosse’s unmistakeable 60’s style keeping the line of the classic number, ‘Big Spender’ while adding a touch of difference.
Even in this smaller production, the choreography shines and was one of the highlights of this show.

The iconic dance scene from the Sweet Charity movie, titled, “The Aloof” is a perfect blend of elegance, satire, and stylistic brilliance in storytelling. There is no expression on any of the dancers’ faces in “The Aloof”, however, in this production, Matthews / Lee have decided to arm Shattock’s Frug girl with sexiness and smiles, energising us into the vibe of a nightclub, also switching us away from the dim of the dance hall.

Forest Collective Artistic Director, contemporary composer, singer and conductor, Evan J Lawson, and Composer, Pianist and Musical Director, Max Kielly are co-musical directors on Sweet Charity and are sharing time in the conducting of the orchestra, with Orchestrator, Shanon Whitelock. It’s obvious this has been a very successful collaboration.

An energetic score that is usually undertaken by a full orchestra has been executed with precision by this award winning and versatile crew of six musicians, Thomas English on woodwind, Bodhi Scott-Jones on trumpet, Max Kielly on keys,
Felix Gilmour on percussion, Benjamin Lamb on guitar and Ian Crossfield on upright & electric bass.

The shows’ Costume Designer, Zachary Dixon, has pieced together items that tell a story throughout each scene, from Charity’s gingham print summer dress – she probably wore from her hick town into the big city dance hall for work – to Nickie and Helene’s Lingerie variations, to Daddy’s hippie church group collections, the costumes are colourful and timely in the best way.

Lighting Designer, Ruben Laine, Sound Designer, Lukas Battey and stage manager, Samara Louise have connected all of these dots seamlessly to present to us a stage of scaffolding representing the dance hall above and the dressing rooms below, as well as the highs and the lows of their lifestyle.

I enjoyed this show so much, I may attend once more.
If you can get tickets, hurry up and get them now before they sell out.
This show is not to be missed.

@heirlume.productions
@evanjlawson
@itsmadilee
@erica_wild
@manda.rozenflannery
@madeline.pratt
@chacha_chilena
@tylerrose_shattock
@slyoungerparker
@clancy.ench
@jesse_matthews99
@maxkielly
@shannondw

To book tickets to Sweet Charity, please visit https://chapeloffchapel.com.au/show/sweet-charity/.

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A Joyous New Musical

Uked!

Uked! Rating

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Uked! by Jane Cafarella, is a sing-along, play-along, bring your ukulele along, new musical at Bondi Pavilion Theatre. Like all charming romantic comedies, Uked! ensures you have a rollicking fun time.

The audience is introduced to Karla (Josephine Birch) who got dumped on her 50th birthday, by violin-playing Brian. We meet Karla in her lounge room. It’s a lovely set design by Tom Fahy, complete with a daggy sofa, large screen and life-size You-Tube display. Determined not to wallow, Karla embraces the quest to master the ukulele. This quest sees her accessing numerous You Tube channels that teach how to play the ukulele. Birch is one of those performers with instant likeability. She plays Karla with such warmth and an endearing goofiness. Here’s a woman who is single and has to look after her ailing Mum, whilst trying to find love. It’s a story many single people can relate to, as loneliness is increasing in our society.

Ian Stenlake (Stingers, Sea Patrol, 39 Steps), plays a multitude of ukulele teachers and a potential love interest. Characters such as Tiny Tom (yes, a Tiny Tim send-up), Spruiken Uken Luke, Baba Bill and Pierre Vert. Stenlake has a fabulous voice and brings these online tutors to life with distinctive accents and personalities. Stenlake oozes charm. It’s obvious he’s having a ball. I know actors don’t like being compared to other actors, but Stenlake can certainly match Hugh Jackman in talent and charisma.

As Karla learns songs, the audience can indeed play-along and sing-along, as the large screen displays lyrics and the chords. Gorgeous songs such ‘Happy Together’, ‘Mr. Sandman’, ‘Love Is In The Air’ and ‘Cabaret’, all feature along with many other toe-tapping tunes. Musicians, Kristin Harris and Jamie Sturgess bring a bounciness to the music. When all four performers pluck their ukuleles, it’s sheer magic.

 

 

This musical is relevant. It brings our reliance on the internet into complete focus. Many of us search for love via the Web, which of course, can be a tricky space to navigate. Karla learns the hard way that not all people are authentic. Yet, in typical Karla style, she moves on and discovers true love may be closer than she thinks.

Jane Cafarella’s ‘Uked’, is full of laugh-out-loud one liners. Karla announces that she went on a g and t diet and lost 2 days! There’s NUTS (Newstead Ukulele Troupe) and GRUBS (Guilford Regional Ukulele Band). It’s playful!

Ever since I saw Billy Connolly plucking his ukulele on stage, decades ago, I have been in love with this quirky instrument. The fact that Uked! is an interactive show adds to the enjoyment. If you don’t have a ukulele, you can buy one or hire one at the box office. David Spicer, the producer of the show, will make sure you have a ukulele in-hand.

Ali Bendall has directed this production with a sense of collaboration. All the performers have a wonderful ease with each other. Uked! draws parallels with ‘Muriel’s Wedding’, ‘Once’ and ‘Mamma Mia’. Overcoming heartbreak to reach a happy ending, is worthy of celebration.

The Bondi Pavillon Theatre’s semi-circle seating plan ensures everyone has a fabulous seat. Uked! is show you could see again and again, it’s that charming.

To book tickets to Uked!, please visit https://www.bonditheatrecompany.com.au/shows/uked-the-first-play-along-ukulele-musical.

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& Juliet (& A Free Lip Balm!)

& Juliet

& Juliet Rating

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12

Easy drive and easy find, we join a HUGE crowd to see ‘Romeo & Juliet’….. whoops, no, that would be ‘& Juliet’ – phew, we are in the right place! (must’ve sped-read the brief haha)

“Welcome” – handed a cute pink ‘teen style’ Booklet Program. FANTASTIC with FREE lip balm!! Great impression already – reminded me of Dolly Magazine (if you’re old enough to know what that is). Yes, a Collector Poster inside too; ideal for autographs.

Now I’m going to start this review repeating the best recommendation I heard on opening night from the lucky friend I took along. She had just seen the professional production of ‘& Juliet’ on Broadway two weeks ago. Her words straight out when we exited the theatre were “well comparing to what I saw in New York that was right up there, didn’t lack anything”. So, in other words, comparatively to what we compare is the best place in the world to see shows, the team at Windmill Theatre Company have created a show that well deserves praise and recognition.

Grab a ticket for your entire family now to have the very best time with a Shakespeare classic gone POP!

Playing until June 21, 2026
Ticket link: https://www.bunjilplace.com.au/events/juliet-windmill-theatre-company

There have been so many adaptations of William Shakespeare’s ROMEO & JULIET, into plays, into ballets, into movies, you name it, but no-one would have ever thought that songs we’ve all danced away to at every wedding since they hit the charts for Britney Spears, Katy Perry, Justin Timberlake, Bon Jovi and Backstreet Boys, amongst others, would be used to re-write the ending (and journey of self-discovery) of probably the most famous romance of all time.

 

 

Adding to the electric pop music is a set that doesn’t stop with the action. Each piece of the story has props, towers, beds, balconies, small, big, whatever is needed and often combined with giant geometrical shapes in ever-changing patterns of light. Movement and use of strobes, spots, softness and subtleties make it probably the best high visual lighting I’ve seen create this sort of impact in an amateur production ever. It’s good!!!!

Tudor style is entranced into the crazy colourful costuming where sequins glitter, puffed sleeves expand, armour is polished, roller shoes are on and popularized hairstyles of space buns and bubble braids fly around the stage in demanding jazz and hiphop choreography (with a partner flip or two) that makes total sense of chaos! This musical is contagious FUN. You’ll wish you’d worn your medieval velour dress hiding in the back of your costume cupboard (at least that’s what I thought I should’ve pulled out LOL).

To bring this new story to life in boastful expression you need a new type of ‘Juliet’. Rachel Dwyer has grabbed this lead role with all she has and doesn’t let go. She’s every bit the fierce determined strong young woman and sings with those same qualities like a popstar. This is a very different ‘Juliet’ and she’s amazing!!

Alongside Juliet is her friend ‘April’ being controlled by ‘Anne’ narrating (Shakespeare’s wife with her preferred version of the story her husband is writing for Juliet). A virtuoso voice, Samantha Hammersley definitely suits her name as she hammers out both these roles with the utmost skill and precise timing 100% plus some.

‘William Shakespeare’ himself is played by David Torr and pulled off with ease bickering with his wife about changing his star-crossed lovers’ story, and particularly Romeo’s death (or not, with ‘take that’ attitude)

Inclusivity is paramount in any show and here it was in ‘I Kissed a Girl’ flawlessly performed by Addie Casamento playing ‘May’ and Sean Rentero playing ‘Francois’.

That one goddess showstopper vocal queen; hmmm… a few here, but my jaw dropped with the power of Katelyn Anitema playing ‘Angelique’

Goofy funster at the heart of the show; well done in acting it up to Tom Liszukiewicz playing ‘Romeo’.

The Boy Band comeback – as this is my era I can’t not mention the laughter from everyone where I was sitting on “am I sexual?” – Adam Kirk obviously enjoying his role as Lance Do Bois – brave line, BRAVO!

Sam Lyons and Finley Oldmeadow playing ‘Lord and Lady Capulet’ were very in with their characters and Finley’s bit role (giving opinion to ‘Shakespeare’) showed they can switch up any lines.

Ensemble stars – Afua Adjei, Benjamin Lee, Caitlin Furlong, David Vien, Gabbi Watson, Imogen Galbraith, Liam Canavan, Mack Williams, Michael Zinner, Nabs Adnan, Olivia Exposito, Olivia Fletcher, Shanae Thomas-Williams, Tineque Law, Sujanthan Satkunarajah, Alice Cooper, Breanne Ashwood, Colin Hartly, Kyan Esler, Merryn Purdy, Sean McBride, Sienna Levy, Sophie Cashin and Tom Fitzgerald.

Congratulations to this dynamic team. I am really looking forward to seeing more from Windmill Theatre Company.

Director: Sienna Iscaro
Music Director: Rachel Gorman
Choreographer: Guada Banez
Assistant Director: Mathew Arter
Assistant Choreographer: Joel Richardson
Producer: Peter Verhagen
Production Designer: Danny Ginsberg
Sound Designer: Tom Conroy
Lighting Designer: David Brown
Costume Designer: Amy Planner
Set Design: Ed Giling, Sean van Geyzel
Props Manager: Alison Robbie
Stage Manager: Karen Bates
Intimacy Coordinator: Josh Richardson
Program Designer: Luke Martin

More info: https://www.windmilltheatre.com.au/

Theatre Venue: Bunjil Place 2 Patrick NE Dr, Narre Warren is a magnificent theatre in outer Melbourne south east, lots of parking, next to a major shopping centre Fountain Gate. Exceptional canteen/cafe and tons of restaurants nearby.

To book tickets to & Juliet, please visit https://www.bunjilplace.com.au/events/juliet-windmill-theatre-company.

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