Opening Night Festival – Biopic Meets Psychological Thriller

My Duchess

My Duchess Rating

★★★★★

Click if you liked this article

My Duchess directed by Mike Newell and starring Joan Collins and Isobella Rossillini opened the Russell Hobbs British Film Festival at the Palace Cinema, Moore Park.

Before the screening we were able to enjoy delightful British fare from Angelwood Pies, live music from string duo Aquila, sparkling, red and wine or mocktail, a delicious sticky toffee pudding of Russell Hobbs and many cinema snacks. Plus, each guest received a special Russell Hobbs festival gift bag with many goodies inside it.

The British Consul General and Deputy Trade Commissioner for Australia and New Zealand, Anna Louise Shotbolt, officially opened the festival with a lovely speech.

We were shown many of the highlighted trailers of other films shown throughout the festival, such as the special presentation film Ink, the centrepiece premiere film Prima Farcie and the closing night film Elsinore. There are so many exciting films to see throughout the festival that runs until December 6th.

The Palace Cinema in Moore Park is a very enchanting venue with extremely spacious and comfortable lounge seating; there really isn’t a bad seat in the house. The staff there are very kind and helpful.

The film My Duchess charts the final years of Wallis Simpson, the American divorcee who became the Duchess of Windsor after marrying the former King Edward VIII, the British King who chose love over duty. It starts off as a typical biopic but quickly grips you into an insane phycological thriller. It is based on true events

The film starts shortly after former King Edward VIII has died and Wallis Simpson is trying to find her way of life after such a tragedy. Luckily, she has a lot of support from close friends and many devoted staff.

 

Wallis is out late one evening with friend, Jean-Claude de Montalbon, and is papped giving charity to some local sex workers. Wallis employs lawyer, Suzanne Blum, to catch the photographer and get rid of the negatives. After that is completed, they talk about doing other business together. Blum is instantly enraptured by Wallis, but Wallis can’t stand her.

Slowly but surely Blum takes every step to take control of all of Wallis’s financial and legal affairs. Unfortunately, Wallis’s health starts to decline, and Blum uses this to isolate her from her friends and the loyal staff she has. It gets far worse and a surprise ending but I don’t want to spoil the film for those who plan to see it.

Joan Collins got the idea for this film about 30 years ago when she met the former King Edward VIII and Wallis Simpson’s former valet, Sydney Johnson, at the Hotel Ritz Paris. She has stated, “I’ve always been fascinated by Wallis, because I think she was unfairly treated.”

This determination proves good things come to those who wait. At 91 years old she delivers a career defining performance. For someone who is known for glitz and glamour, that is very much removed as the film goes on. The true fear portrayed in the later parts of the film make you catch your breath. Isobella Rossillini’s portrayal of the sinister Blum is scary. Her drive for power and control is not to be reckoned with. The rest of the supporting cast are fabulously cast and the performances of Buom Tihngang, Laurent Lafitte and Roxane Duran deserve a special mention.

The pace of the film is well timed and has you gripping the edge of your seat. This is well worth seeing on the big screen as every frame is fabulously shot.

To book tickets to My Duchess, please visit https://britishfilmfestival.com.au/films/bff26-my-duchess.

Spread the word on your favourite platform!

A Well Deserved Standing Ovation

Sydney Harbour Ensemble presents: Beethoven's Emperor

Sydney Harbour Ensemble presents: Beethoven’s Emperor Rating

★★★★★

Click if you liked this article

2

It was an utter joy to experience Sydney Harbour Ensemble perform Beethoven’s Symphony No. 4 and the monumental Emperor Piano Concerto, featuring pianist Joshua Han on Saturday night at the ACO on the Pier.

This is Sydney Harbour Ensemble’s third concert in their inaugural year. Their mission is to pair live orchestral music with landmark harbour settings and local history. While focusing on celebrating emerging Sydney talent. This orchestra is certainly packed with talent.

Hearing Beethoven’s Symphony no. 4 in B flat major Opus 60 makes you understand why we still want to hear and play his music today, even though it was composed in 1806, over 200 years ago. Especially when it is played as superbly as it was on Saturday night.

All 36 instrumentalists in the orchestra played with great passion and were strongly connected with each other the entire time. They dazzled with expression, large ranges of dynamics and soared through the very fast passages in the symphony. Their Timpanist, Bryn Wood, has an amazingly expressive face and you could tell he was in his element of utter joy the entire time.

 

Benjamin Crowe, their artistic director and conductor, held great poise and determination throughout the night. His conducting was very graceful and clear. We felt very safe in his hands… pun intended. I believe he has a big future ahead of him.

For the second half of the concert, Beethoven’s Emperor Piano Concerto, featuring pianist Joshua Han, was absolutely magical. I could not keep my eyes off Joshua Han the entire time. His fingers gracefully dancing up and down the keys with immense passion. His perfectly quaffed hair moved effortlessly with the music and his face embodied intense emotion that then instantly transferred to fingertips. I am not surprised he has won so many piano competitions locally and internationally. I’m sure there will be many more to come.

The night ended with a well deserved standing ovation by all and we were treated to a beautiful encore by Joshua Han. You could tell all of the orchestral players were just as enamoured by Joshua Han as the audience were. They all looked mesmerised by his playing, now that they were able to watch him for the encore.

I can see many more exciting concerts in this orchestra’s future. I hope they continue to do more of Beethoven’s work as they play them so exquisitely and they have more collaborations with pianist Joshua Han.

Please keep an eye out for more concerts by Sydney Harbour Ensemble, they are not to be missed.

To book tickets to Sydney Harbour Ensemble presents: Beethoven’s Emperor, please visit https://sydneyharbourensemble.com.au/.

Spread the word on your favourite platform!

Do We Carry On As Normal, Live In Up Or Party Like There’s No Tomorrow?

Cruise

Cruise Rating

★★★★★

Click if you liked this article

Cruise by Jack Holden
Directed by Sean Landis
Produced Maybelline San Juan
Movement Director Jeremy Lloyd
Starring Fraser Morrison

Cruise is an intergenerational monologue spanning four decades and over 20 characters, celebrating queer nightlife and paying tribute to a generation lost to the AIDS crisis.

Our two central story characters, one a young twink volunteering at an LGBTQIA+ helpline call centre just months before the Covid-19 Pandemic and Michael Spencer, the caller to the helpline. The young twink is left alone one Saturday and Michael calls on a particular anniversary that meaningful to him.

The plot is backlit by the clubs of London’s Soho in the 19802, Michael is living with HIV in 1984, he’s told by doctors that he has just four years to live. The show questions how to survive and what to do when given this type of information. Do we carry on as normal, live in up or party like there’s no tomorrow? And if you survive, how can he go on living?

This is a beautiful but heart wrenching play, filled with many fabulous characters to help us breath and have lighter moments in some of the darkest times during the trenches of the AIDS epidemic. Some of my favourite characters were the older ladies depicted in the play.

 

Fraser Morrison has a Mount Everest to climb and does so with great energy and enthusiasm. It’s an emotional, vocal and physical roll coaster.

The lighting by Tom Hicks is stunning and makes stepping into so many different settings a lot easier with the very limited set that is used.

I did find some of the accents off putting, as I did not know what part of the UK they were from or they were more Australian than British. Having lived in the UK a long time and seen most of the country, it stands out like a sore thumb when they waiver or are a strange amalgamation of several at once. This could have been opening night nerves.

The play runs nearly two hours straight through. I personally felt there should have been an intermission and there are two cliffhanger points where it could have clearly happened. I think this would have let the audience breath a bit more.

Take tissues with you and use the bathroom before the show starts. I think it’s definitely worth seeing.

Cruise runs at the Seymour Centre until October 31st.

To book tickets to Cruise, please visit https://www.seymourcentre.com/event/cruise/.

Photographer: Abraham de Souza

Spread the word on your favourite platform!

The Musical That The Australian Musical Theatre Industry Desperately Needed

Dangerous When Wet: The Musical

Dangerous When Wet: The Musical Rating

★★★★★

Click if you liked this article

20

Dangerous When Wet is a fabulous new musical comedy celebrating the friendship and rivalry of local swimmers Fanny Durack and Mina Wylie – Australia’s first female Olympic representatives and winners of Gold and Silver in the 100m freestyle at the 1912 Stockholm Olympics.

Narrated by Australia’s first Hollywood Superstar, Annette Kellerman, this vaudeville-styled, hilarious and touching show will have you laughing, crying, singing along and rejoicing in Australia’s swimming history.

It was such a joyous experience to be at opening night of this wonderful new musical. Based on a true story, with an all female cast and nearly all female creative team. It was truly an amazing way to celebrate many fabulous female Australian icons. We need more of this!

This has a beautiful score by Joanna Weinberg and had me humming many of the tunes as I left the theatre. It is so refreshing to hear such glorious legit musical theatre singing by all cast members. The melodies and counter melodies with gorgeous harmonies shone through. The music in act two is where this particularly shines and has one showstopper number after the next. Just when you think you’ve heard the best song in the show, the next song comes in to knock your socks off. Hopefully they consider doing an original cast album.

 

The cast of 8 not only play their respective principal roles but many other smaller parts as well. There was much great strength in stamina by all.

Megan Walshe as Annette Kellerman is an absolute star. The creative team must have thanked all the gods when she auditioned. Excellent comic timing, velvet toned speaking voice and bell like singing voice and oh can she dance. The Olympic song in act two was a highlight of the show. By the way, she also choreographed the show.

Cypriana Singh as Fanny Durack and Grace Trainor as Mina Wylie were perfectly cast in their leading roles. They sounded exquisite when singing individually and together. Their acting was so genuine and heartfelt. I think we will be hearing from both of them a lot in the future.

Jacinta Gregory as Cecil Healy was hilarious from start to finish and it’s exciting to hear a rich female tenor voice. Annerose de Jong as Mrs Mack and Eliane Morel as Rose Scott/Alick Wickham we fantastic comedy duo sparring team in the main and supporting roles. Addy Robertson and Vida Cullen were great support to the rest of the cast.

Darryl Wallis (Musical Director, Arranger and Accompanist) was the one man band for the show, he played beautifully and it fitted the vaudevillian style of the show.

Lyndal Loves costumes for Megan Walshe’s Annette Kellerman were particularly stunning.

I do hope that they get more opportunities to do this again. If the show gets licenced, it would be perfect for many universities and community musical theatre groups to perform.

I look forward to finding out what happens next to Dangerous When Wet the Musical.

To book tickets to Dangerous When Wet: The Musical, please visit https://dangerouswhenwet.com.au/.

Spread the word on your favourite platform!

Subscribe to What's The Show

Reviews, show news and what is on, straight to your inbox.