Witches, Daggers, And Dark Ambition: Macbeth Takes The Stage

Macbeth

Macbeth Rating

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Director John Grinston delivers a compelling interpretation of Shakespeare’s shortest tragedy, Macbeth, which follows the dark and ambitious rise of a Scottish general who murders his way to the throne, spurred on by his equally ruthless wife.

The production’s minimalist set – featuring a cloudy backdrop and simple, unchanging props – places the focus squarely on the actors and the power of Shakespeare’s words. While this approach demands strong performances to maintain audience engagement, the cast largely succeeded in bringing energy and verve to their roles.

Shakespearean dialogue, with its dense 11th-century language, can be notoriously difficult to render fluently. However, several actors navigated it with skill, making the text feel natural and immersive. Dimitri Armatas (Banquo) was particularly outstanding, delivering a consistently engaging and authentic performance. A standout moment came from Micah Doughty as Seyton, who stumbled in from a drunken night, weaving through the audience before joining his companions onstage. His delivery, in full Shakespearean fluency, was both amusing and believable, offering a rare moment of levity in the otherwise dark narrative.

 

As Macbeth, Jack Taylor handled the immense demands of the role well, especially considering this was his first Shakespearean performance. He had moments of true greatness, portraying Macbeth’s descent into tyranny with conviction.

Yvette Gillies played Lady Macbeth with admirable command, though her casting opposite a much younger Macbeth was an interesting choice. Indeed, some productions have depicted Lady Macbeth as older, emphasising her ambition, influence, and almost maternal guidance over her husband. Gillies’ Scottish accent was a welcome addition, lending authenticity to her portrayal, though it did contrast sharply with the rest of the cast, who spoke in more neutral tones.

Veteran actors David Stewart-Hunter (King Duncan) and John Benjamin (Doctor) added a seasoned presence to the production, bringing gravitas to their roles. Meanwhile, the trio of witches – Jasna Mars, Poppy Cozens, and Julie Burns – delivered some of the most engaging scenes of the night. Their cauldron scene, revealing the fateful prophecy that “no man born of woman can defeat him,” was particularly well-executed, creating an eerie, mystical atmosphere that resonated with the audience.

The Audience and Venue:
Opening night drew a predominantly older crowd, with more than half of attendees appearing to be over 50 or 60 – perhaps due to the presence of the actors’ families and longtime Genesian patrons. Shakespearean theatre may have a stronger appeal to older audiences, but productions like this have the potential to engage younger viewers as well.

 

More young people should experience Shakespearean theatre, as Macbeth remains strikingly relevant. While language and idioms have evolved, human nature has not, and the themes of unchecked ambition, moral corruption, and fate still captivate modern audiences. For students studying Macbeth, seeing it performed live provides an invaluable perspective on the play’s intricate dynamics.

The Genesian Theatre, at 2B Gordon Street, Rozelle, offers a viewing experience with well-tiered seating ensuring clear sightlines. The venue is air-conditioned (with two split systems), making for a pleasant atmosphere, as long as they remain on. The bathroom facilities are well-maintained, and the bar is excellent. Parking in the surrounding streets can be challenging, so allow extra time to find a spot.

Final Verdict:
This Macbeth was an enjoyable and well-executed production with a commendable cast and crew. While some moments could have benefited from greater consistency in fluency and intensity, the strong performances – particularly from Banquo, Lady Macbeth, and the witches – made for an engaging evening of theatre. Grinston’s direction, combined with Shakespeare’s enduring themes, ensured that Macbeth still has the power to thrill and unsettle, centuries after it was first performed.

To book tickets to Macbeth, please visit https://genesiantheatre.com/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Robin Hood: A New Family Musical

Robin Hood

Robin Hood Rating

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If you turn the corner in Malvern’s Central Park in the late morning, you’re greeted by winding ropes cordoning off islands to seat picnic blankets or chairs. You’ll also see set pieces straight from a primary school play: a tiny wooden island and cajón drum, green and brown paint-spattered cloths tied to trees, and details like fake rocks and a shelf of plastic food with the sign SHERIFFS PANTRY.

The team behind Melbourne Shakespeare Company’s Robin Hood uses this sequestered woody space to its fullest to craft a whimsical, ramshackle and original take on a classic story.

Robin (Billy Thomas), Dame Tuck (Jackson Cross) and Little Joan (Lucy May Knight) are going about their usual business of robbing the rich to feed the poor. But when they are caught stealing from the Sheriff of Nottingham (Kaia Reyes), he devises a new punishment: shipping them off to Australia.

There, the merry men, with the help of Bushranger Bruce (Daniel Hillman), must acclimatize to a strange new world and find their way back home. The beginning feels slow and the different scenes are somewhat disconnected and potentially difficult for a child audience to follow, but it was a pleasant surprise to see a slightly different narrative in a panto show.

 

The ensemble is charming and navigates their stage perfectly. Every line is audible, every slapstick gag is visible and tight, and every spectator gets close-up moments with the characters. Lucy May Knight as Little Joan stands out with a bubbly yet sharp physicality that’s perfect for panto.

The world-building was also fantastic at blending a familiar and fun Aussie context into a classic story. The adorable Australian animal puppets were a highlight, while all the pop culture references and self-referential jokes landed well with the adult audience.

Maxwell Simon’s (Muriel’s Wedding) original score is fun and full of laugh-out-loud lines, but there was only one song where the children were directly encouraged to play along. It felt like the whole show missed out on many opportunities for audience participation, and this led to some clear confusion and lost attention among the kids at some points.

While Robin Hood has its moments of missed potential, it’s definitely a worthwhile and unique experience for the theatre-loving family. It’s a scrappy, feel-good show that keeps the much-loved traditions of panto alive in a timeless yet modern story for an audience of all ages.

To book tickets to Robin Hood, please visit https://www.melbourneshakespeare.com/robinhood

Photography: Sare Clarke Photography

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

A Midsummer Nights Dream Come True

A Midsummer Nights Dream

A Midsummer Nights Dream Rating

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3

It’s a scorching 38-degree day, the sun is beating down fire-like rays, and I cannot stop sweating, and yet, when I am welcomed into Williamstown Botanic Gardens, everything feels a little bit cooler. Leaves en masse create dappled shade, and as I am guided on where to put my seat, my body temperature drops ever so slightly as my excitement rises.

I am here today to see Ozacts Midsummer Night’s Dream and, as an avid Shakespeare lover and student of the performing arts myself, this little clearing in these gardens suits me perfectly. A stretch of rope lines off the stage of gravel and grass, and shortly after, the play begins!

There truly is no better play well suited to a clearing in the gardens than a Midsummer Night’s Dream, and this company made full use of the different entrances and exits that were allowed in this setting. It truly felt as if the audience were a birds’ eye into the forest where all this beautifully comedic mayhem took place.

The beauty of this stage was that, apart from some pillows and blankets, the set design was stunningly simplistic and fully allowed the actors to tell the story without getting caught up in props and tidbits.
There was an attempt at sound and music, but as it was a rather open space, this got slightly lost. However, when heard, it created an ambience that further told the story in all its glory.

I want to give a (virtual) round of applause to every actor in this show. Each character had such a solid foundation, and I felt like I knew who they were. As an ensemble, each joke, each moment, and each word bounced superbly between both them and the audience. It was truly something magnificent to behold.

However, a special mention must go out to a few of this magic ensemble. LYSANDER, played by Ryan Stormland (who also played the Lion), had comedic timing as quick as a whip. As the Lion, the true feeling of just wanting to be involved was spot on, and as Lysander, each insult to Hermia(played by Kim Devitt) not only rolled off the tongue so splendidly but truly hit home not just to Hermia but also to us as an audience. HELENA, played by Maddie Roberts, (who also played ensemble parts) also displayed such a captivating array of feelings, from confused to offended to deeply madly in love, I fell for it all as hard as she fell for Demetrius!

All of this was further emphasised by gorgeous costumes. I loved the concept of Nick Bottom(played by Andy Delves) having donkey ears attached to his top hat and this reveal openly made me cackle. Titania’s costume was also an absolute sight to behold and created such a stunning silhouette which Carli Jones used to full advantage.

It’s so difficult to get an audience to understand Shakespeare, especially if they know nothing beforehand, but as a part of that audience, this ensemble transported us to a frolicking forest of fairies and fickle love that made us laugh, gasp and openly cringe and I would have it no other way. So if you wish to while away a balmy afternoon, I would highly suggest checking out Ozact and their Shakespeare in the Gardens. You will not be disappointed!

To book tickets to A Midsummer Nights Dream, please visit https://www.ozact.com/home/dates-locations/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Othello: Presented by The Actors Hub

Othello

Othello Rating

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5

Taking on any play by William Shakespeare is no easy feat, especially in theatre, where actors are required to memorise heavy and complicated dialogue. Amanda Crewes, through the talented cast at The Actors Hub, has done a tremendous job bringing Othello to life.

Although the play is set in what appears to be the present time, this is evident from the clothing worn by the cast, Amanda has remained true to Shakespear’s words.

For those who are not big fans or accustomed to Shakespearean talk, you should not be put off. Extra concentration may be needed (as in any Shakespeare story) to follow every interaction between the characters. However, you should still be able to understand the essence of the play and the storyline.

The protagonist and title character Othello, who, despite his ethnicity, has risen through the ranks of a white society to become a General in Venice and marry a white woman, the noble Desdemona. Roderigo, a wealthy man, longs for Desdemona. He is heartbroken upon learning the news of Desdemona’s marriage to Othello.

Trouble ensues when Lago, who serves under Othello, is overlooked for the position of lieutenant in favour of a less experienced soldier, Michael Cassio. Filled with bitterness and resentment, Lago devises a web of lies in his plot to bring down Othello as revenge for this perceived injustice. On his path to destroy Othello, he manipulates those around him, cunningly convincing Othello of Desmonda being unfaithful, which leads to devasting consequences.

Amanda cleverly uses a giant chess board as the central focus of the stage, with the characters performing in and around the board. Every move Lago makes on the chess board is matched with a move he makes in destroying Othello.

The play is long, which makes me applaud the amazing cast, which never misses a beat. Leo Rimmer, Bernard Bolum, Kayla Merritt, Jayk Thomas, and Jet Fairlie are exceptional in portraying their characters.

Even if you are not a Shakespeare fan, the play is worth viewing to see these rising young actors.

To book tickets to Othello, please visit https://actorshubperth.com.au/productions/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.