Coming To Regional Victoria In 2025-2026 – Ozact’s The Tempest

Feature-The Tempest

Ozact has been bringing the Bard’s works to life in Victoria’s most stunning outdoor venues for over three decades. This production promises to transport audiences to an enchanted world of sorcerers, spells and shipwrecks.

Since its founding by Professor Bruce Widdop in 1995, Ozact Theatre Company (Ozact) has built a legacy of loyal audiences by merging the natural environment with timeless theatre. This year’s production will be no exception.

Banished to a remote island, a powerful sorcerer and Milanesian nobleman, his daughter and a few magical spirits exact revenge on those who have wronged him. But the strings of certain hearts are plucked by romance causing chaos along the way. The Tempest has been heralded as Ozact’s flagship show having performed this play to thousands of people up and down the Shipwreck Coast in Victoria and South Australia.

This year, The Tempest will be staged in numerous locations across Greater Melbourne and Victoria where the lush beauty of nature will be showcased in Shakespeare’s most beloved tragicomedy. We will perform at Kirks Reservoir in Ballarat, Williamstown Botanic Gardens, Cloudehill Gardens in Olinda, Leura Park Estate on the Bellarine Peninsula, Mont De Lancey in Yarra Valley, Coolart Homestead in Somers, Camperdown Botanic Gardens and Heatherlie Quarry in Grampians.

Leura Park Estate is a new location, added due to popular demand. Also, due to the complete sell out of shows at Cloudehill Gardens in Olinda last year, we will perform on back-to-back weekends in January 2026.

Andy Delves, who has been with Ozact for 25 years, helms the production as director and in the role of Prospero. ‘We have performed The Tempest countless times and we are known for performing it at stunning places like Loch Ard Gorge. With the indefinite closure of Loch Ard Gorge, we had to rethink how we approach this work. To that end, I saw this as an opportunity for us to change how we express this story. I wanted to inject some new energy and new voices into the production. I hope audiences enjoy this new perspective that would not be possible without the incredible cast and crew we are lucky to work with.’

Sorcha Breen who has been with Ozact for nearly a decade plays Gonzala, a fresh take on the beloved character Gonzalo. ‘It’s not just the time on stage that I look forward to every year, it’s the thousands of repeat and new faces that I get to greet, it’s the stunning locations that I get to travel to, it’s the team of creatives that I get to work with but most of all it’s the living history that I get to share with our fans. Ozact is known for its lineage of loyal fans who continue to choose to buy tickets to see us in a cost-of-living crisis.’

Prepare for a day enchantment, as Ozact Theatre Company brings The Tempest to its 2025/2026 season.

Kirks Reservoir, BALLARAT – December 26 & 27
WILLIAMSTOWN Botanic Gardens – January 3 & 4
Cloudehill Gardens, OLINDA – January 10, 11, 17 & 18
Leura Park Estate, BELLARINE PENINSULA – February 13 & 14
Mont De Lancey, YARRA VALLEY – March 7 & 8
Coolart Homestead, SOMERS – March 14 & 15
HEPBURN Mineral Springs Reserve – March 21 & 22
CAMPERDOWN Botanic Gardens – March 28 & 29
Heatherlie Quarry, GRAMPIANS – April 4 & 5

Bookings @ www.ozact.com

 

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The True History Of The Life And Death Of King Lear And His Three Daughters

The True History Of The Life And Death Of King Lear And His Three Daughters

The True History Of The Life And Death Of King Lear And His Three Daughters Rating

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WOW! Just WOW!

King Lear and his three daughters at Belvoir Street Theatre is an epic undertaking and an epic delivery on all fronts. Colin Friels plays the title character of King Lear, and commands the stage with his presence. The story revolves around an aging King Lear and his three daughters. He is dividing up his kingdom to his daughters and this is where the drama begins.

Filled with brutal murders and back stabbing and on stage blood spurts are a delight. The stage is bare but there is so much happening on stage with all parties conspiring against each other, that you barely notice.

There are live musicians scoring the play throughout, and the drums are especially unsettling.

With modern costuming you can picture this to be a family fighting over a will, or politicians fighting for power.

A special mention to the storm scene with the lighting will dazzle you.

The play has a run time of three hours and fifteen minutes with two fifteen minute intervals. You will need the intervals to process and discuss what you are witnessing.

 

 

I personally have a love hate relationship with Shakespeare but this was thoroughly enjoyable. Even if you have a mild love of Shakespeare I truly think this is a must see.

King Lear is a tragedy, but Peter Carroll as the Fool brings hilarity in every scene he is in. A truly unique and remarkable performance which will have you belly laughing throughout.

Tom Conroy as Edgar, delivers a nuanced performance which is sure to delight. His performance is truly heartbreaking.
Brandon McClelland as Kent, (King Lears most loyal companion) gave an unwavering depiction of loyalty and strength.

Special mention to Jana Zvedeniuk who plays Regan, one of King Lear’s daughters exerted a tremendous fierceness in the role. Adding believability with every line uttered.

This show is truly an ensemble piece and every piece fit. The acting was so strong that during the scenes in Dover, I was truly transported to the cliff face and they really brought the words to life. A very well done to all the actors, and backstage crew and Eamon Flacks direction was on point!

This is one of those plays that needs to be experienced to truly grasp the monumental undertaking of such a spectacle.
And dare I say that I think Mr Shakespeare would have enjoyed his play done in the way it was.

Highly recommend this show, as someone who struggles with Shakespeare I have been converted into a fan.

Well done again to all involved.

Run don’t walk to see this show.

To book tickets to The True History Of The Life And Death Of King Lear And His Three Daughters, please visit https://belvoir.com.au/productions/king-lear/.

Photographer: Brett Boardman

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Smash-hit Musical The Lovers Opens In Sydney Next Week

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Australian pop musical sensation The Lovers opens next week on 31 October at Sydney’s Theatre Royal for two weeks only. Those audiences looking for an extra special night out will also have the chance to celebrate Halloween at the very first performance in Sydney for a chance to win best dressed prizes, purchase exclusive merchandise and fall in love with the extraordinary superstar cast.

Romantic, rebellious and irresistibly fun, this tangled tale of love is written and composed by the acclaimed Laura Murphy and directed by Nick Skubij. The Lovers catapults Shakespeare’s A Midsummer Night’s Dream into the 21st century with a pulsating pop soundtrack, a powerhouse live band and a bold new twist on the timeless comedy — bursting with energy and heart.

Audiences and critics alike have fallen head over heels for The Lovers, most recently playing at Queensland Performing Arts Centre where the show received rapturous audience response with nightly standing ovations and rave reviews. The Courier Mail called it “Truly magical, a show that looks and feels like a big-budget Broadway import, yet pulses with fresh Australian energy,” and further emphasised “Mark my words: this is Australia’s next big musical.”

The Lovers’ star-studded cast includes Natalie Abbott (Muriel’s Wedding The Musical, Zombie! The Musical) as Helena, Jason Arrow (Hamilton, Guys and Dolls) as Demetrius, Jayme-Lee Hanekom (Tina The Tina Turner Musical, The Book of Mormon) as Puck, Loren Hunter (SIX The Musical, American Psycho) as Hermia, Stellar Perry (Jesus Christ Superstar, The Rocky Horror Show) as Oberon and Mat Verevis (Beautiful, Tina The Tina Turner Musical) as Lysander. Rounding out the cast are Indigo Hunt (Hamilton), Jenni Little (Titanique, Tina The Tina Turner Musical) and Nic Van Lits (Jesus Christ Superstar, The Rocky Horror Show).

Supporting them is a team of some of the country’s most revered creatives including Director Nick Skubij (Frankenstein), Choreographer Yvette Lee (Follies), Music Director Heidi Maguire (SIX The Musical), Designer Isabel Hudson (Dear Evan Hansen), Lighting Designer Trent Suidgeest (Frankenstein) and Tony® Award nominee David Bergman (The Picture of Dorian Gray) as Video and Sound Designer.

Get set for a totally modern love story — where nothing goes as planned, but everything happens for a reason.

Shake & Stir Theatre Co and John Frost for Crossroads Live present The Lovers A musical by Laura Murphy

Venue: Theatre Royal Sydney
Season: 31 October – 16 November
Performance Times: Tue 7pm, Wed 1pm & 7pm, Thu 7pm, Fri 7:30pm, Sat 2pm & 7.30pm, Sun 1pm
Prices: From $69 (Transaction fees apply)
Bookings: theloversmusical.com.au or 1300 163 808
Groups 8+ call 1300 163 808

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Macbeth in The Lounge

Macbeth

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‘Come You Spirits’ Theatre Incorporated’s production of Macbeth is being performed in the intimate and engaging space of The Lounge at the Concourse Theatre Chatswood. It creates the perfect atmosphere for delivering a truly personable Shakespearean performance.

There was a lovely welcoming message from the cast and they also concluded the performance with a heartfelt message of thanks. Although the actors were not amplified, they were heard clearly due to their perfected voice projection and the nature of the small space. I really appreciated the clarity, articulation and dramatic delivery, which ensured a well-absorbed performance. Shakespeare can often be difficult to digest, as the script is comprehensive, and sometimes players tend to rush through the complex dialogue. However, this was definitely not the case during this presentation. It was engaging and delivered in a timely, dramatic fashion, which had me – and certainly the entire audience- enthralled. The entire cast of six was of the highest professional caliber and all gave a spectacular performance.

Macbeth and Lady Macbeth were played by Charles Mayer and Jo Bloom, who portrayed a natural connection and chemistry on stage. They both brought great emotional depth in their leading role characters and delivered a solid convincing performance.

Charles Mayer displayed the overly ambitious character of Macbeth with great conviction throughout. He showed passion, ambition and then later portrayed the tortured, battered soul of his character.

Jo Bloom delivered the greatest of sincerity to the ever-goading, ruthlessly ambitious, Lady Macbeth. Jo also doubled as the Second Witch and skillfully transitioned between the two contrasting characters.

 

 

Banquo was played by David Halgren, who gave a haunting and eerie rendition of his character. He also showed great skill in his theatrical movements leaping on and off the table and in his ghost-like manoeuvres.

Ciaran O’Riordan’s performance as Macduff was heartfelt and convincing. He portrayed Macduff with all the passion the character deserves.

I really appreciated the well-projected clarity and dramatic delivery of Willa King’s portrayal of the First Witch. Her
resonating, clear vocal tones were deeply impactful.

The homage to our traditional Aboriginal custodians was beautifully and seamlessly interwoven throughout the performance. Ella Havelka, who beautifully portrays the Third Witch, is an alumnus dancer with the Bangarra Dance Theatre and honoured her heritage as a member of the Wiradjuri people by flawlessly incorporating traditional influenced movements in her portrayal as the Third Witch.

The dimly lit setting created an eerie atmosphere for the supernatural elements, which constantly wove throughout the play.
I was particularly taken with the regal, gothic themed dining room staging, complete with lit candelabras, tablecloths and goblets. Also, the staging for the infamous “Double, double, toil and trouble” witches scene, presented with a smoking cauldron and appropriate props was equally striking.

The costuming was very impressive and gave authenticity to the period. It was brought to my attention that the costuming, sets and props were all predominantly sourced second-hand. This is a credit to the Art Director Letitia Hodgkinson who passionately sourced a suitable array of fabrics and materials. Her actions are most admirable and show a great commitment to environmental sustainability, while maintaining a high standard of creativity and artistic sense.

The musical compositions by Brandon Read, music composer and producer, elevated and intensified the performance. The recorded soundtrack was impactful and creatively accompanied the dramatic themes, providing a more full bodied performance.

I would also like to mention the fantastic work of the Lighting technician Adam Applebaum. He made splendid use of spotlights and coloured lighting to enhance themes and poignant moments as well as amplify the eerie scenes.

‘Come You Spirits’’ presentation of Shakespeare’s Macbeth is brilliant and captivating. Their rendition is condensed into a fast paced 90 minute performance centered around six main characters. A highly enjoyable performance with a stupendous professional cast.

To book tickets to Macbeth , please visit https://www.theconcourse.com.au/event/macbeth-in-the-lounge/.

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