The True History Of The Life And Death Of King Lear And His Three Daughters

The True History Of The Life And Death Of King Lear And His Three Daughters

The True History Of The Life And Death Of King Lear And His Three Daughters Rating

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WOW! Just WOW!

King Lear and his three daughters at Belvoir Street Theatre is an epic undertaking and an epic delivery on all fronts. Colin Friels plays the title character of King Lear, and commands the stage with his presence. The story revolves around an aging King Lear and his three daughters. He is dividing up his kingdom to his daughters and this is where the drama begins.

Filled with brutal murders and back stabbing and on stage blood spurts are a delight. The stage is bare but there is so much happening on stage with all parties conspiring against each other, that you barely notice.

There are live musicians scoring the play throughout, and the drums are especially unsettling.

With modern costuming you can picture this to be a family fighting over a will, or politicians fighting for power.

A special mention to the storm scene with the lighting will dazzle you.

The play has a run time of three hours and fifteen minutes with two fifteen minute intervals. You will need the intervals to process and discuss what you are witnessing.

 

 

I personally have a love hate relationship with Shakespeare but this was thoroughly enjoyable. Even if you have a mild love of Shakespeare I truly think this is a must see.

King Lear is a tragedy, but Peter Carroll as the Fool brings hilarity in every scene he is in. A truly unique and remarkable performance which will have you belly laughing throughout.

Tom Conroy as Edgar, delivers a nuanced performance which is sure to delight. His performance is truly heartbreaking.
Brandon McClelland as Kent, (King Lears most loyal companion) gave an unwavering depiction of loyalty and strength.

Special mention to Jana Zvedeniuk who plays Regan, one of King Lear’s daughters exerted a tremendous fierceness in the role. Adding believability with every line uttered.

This show is truly an ensemble piece and every piece fit. The acting was so strong that during the scenes in Dover, I was truly transported to the cliff face and they really brought the words to life. A very well done to all the actors, and backstage crew and Eamon Flacks direction was on point!

This is one of those plays that needs to be experienced to truly grasp the monumental undertaking of such a spectacle.
And dare I say that I think Mr Shakespeare would have enjoyed his play done in the way it was.

Highly recommend this show, as someone who struggles with Shakespeare I have been converted into a fan.

Well done again to all involved.

Run don’t walk to see this show.

To book tickets to The True History Of The Life And Death Of King Lear And His Three Daughters, please visit https://belvoir.com.au/productions/king-lear/.

Photographer: Brett Boardman

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Smash-hit Musical The Lovers Opens In Sydney Next Week

Feature-The Lovers

Australian pop musical sensation The Lovers opens next week on 31 October at Sydney’s Theatre Royal for two weeks only. Those audiences looking for an extra special night out will also have the chance to celebrate Halloween at the very first performance in Sydney for a chance to win best dressed prizes, purchase exclusive merchandise and fall in love with the extraordinary superstar cast.

Romantic, rebellious and irresistibly fun, this tangled tale of love is written and composed by the acclaimed Laura Murphy and directed by Nick Skubij. The Lovers catapults Shakespeare’s A Midsummer Night’s Dream into the 21st century with a pulsating pop soundtrack, a powerhouse live band and a bold new twist on the timeless comedy — bursting with energy and heart.

Audiences and critics alike have fallen head over heels for The Lovers, most recently playing at Queensland Performing Arts Centre where the show received rapturous audience response with nightly standing ovations and rave reviews. The Courier Mail called it “Truly magical, a show that looks and feels like a big-budget Broadway import, yet pulses with fresh Australian energy,” and further emphasised “Mark my words: this is Australia’s next big musical.”

The Lovers’ star-studded cast includes Natalie Abbott (Muriel’s Wedding The Musical, Zombie! The Musical) as Helena, Jason Arrow (Hamilton, Guys and Dolls) as Demetrius, Jayme-Lee Hanekom (Tina The Tina Turner Musical, The Book of Mormon) as Puck, Loren Hunter (SIX The Musical, American Psycho) as Hermia, Stellar Perry (Jesus Christ Superstar, The Rocky Horror Show) as Oberon and Mat Verevis (Beautiful, Tina The Tina Turner Musical) as Lysander. Rounding out the cast are Indigo Hunt (Hamilton), Jenni Little (Titanique, Tina The Tina Turner Musical) and Nic Van Lits (Jesus Christ Superstar, The Rocky Horror Show).

Supporting them is a team of some of the country’s most revered creatives including Director Nick Skubij (Frankenstein), Choreographer Yvette Lee (Follies), Music Director Heidi Maguire (SIX The Musical), Designer Isabel Hudson (Dear Evan Hansen), Lighting Designer Trent Suidgeest (Frankenstein) and Tony® Award nominee David Bergman (The Picture of Dorian Gray) as Video and Sound Designer.

Get set for a totally modern love story — where nothing goes as planned, but everything happens for a reason.

Shake & Stir Theatre Co and John Frost for Crossroads Live present The Lovers A musical by Laura Murphy

Venue: Theatre Royal Sydney
Season: 31 October – 16 November
Performance Times: Tue 7pm, Wed 1pm & 7pm, Thu 7pm, Fri 7:30pm, Sat 2pm & 7.30pm, Sun 1pm
Prices: From $69 (Transaction fees apply)
Bookings: theloversmusical.com.au or 1300 163 808
Groups 8+ call 1300 163 808

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Macbeth in The Lounge

Macbeth

Macbeth Rating

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‘Come You Spirits’ Theatre Incorporated’s production of Macbeth is being performed in the intimate and engaging space of The Lounge at the Concourse Theatre Chatswood. It creates the perfect atmosphere for delivering a truly personable Shakespearean performance.

There was a lovely welcoming message from the cast and they also concluded the performance with a heartfelt message of thanks. Although the actors were not amplified, they were heard clearly due to their perfected voice projection and the nature of the small space. I really appreciated the clarity, articulation and dramatic delivery, which ensured a well-absorbed performance. Shakespeare can often be difficult to digest, as the script is comprehensive, and sometimes players tend to rush through the complex dialogue. However, this was definitely not the case during this presentation. It was engaging and delivered in a timely, dramatic fashion, which had me – and certainly the entire audience- enthralled. The entire cast of six was of the highest professional caliber and all gave a spectacular performance.

Macbeth and Lady Macbeth were played by Charles Mayer and Jo Bloom, who portrayed a natural connection and chemistry on stage. They both brought great emotional depth in their leading role characters and delivered a solid convincing performance.

Charles Mayer displayed the overly ambitious character of Macbeth with great conviction throughout. He showed passion, ambition and then later portrayed the tortured, battered soul of his character.

Jo Bloom delivered the greatest of sincerity to the ever-goading, ruthlessly ambitious, Lady Macbeth. Jo also doubled as the Second Witch and skillfully transitioned between the two contrasting characters.

 

 

Banquo was played by David Halgren, who gave a haunting and eerie rendition of his character. He also showed great skill in his theatrical movements leaping on and off the table and in his ghost-like manoeuvres.

Ciaran O’Riordan’s performance as Macduff was heartfelt and convincing. He portrayed Macduff with all the passion the character deserves.

I really appreciated the well-projected clarity and dramatic delivery of Willa King’s portrayal of the First Witch. Her
resonating, clear vocal tones were deeply impactful.

The homage to our traditional Aboriginal custodians was beautifully and seamlessly interwoven throughout the performance. Ella Havelka, who beautifully portrays the Third Witch, is an alumnus dancer with the Bangarra Dance Theatre and honoured her heritage as a member of the Wiradjuri people by flawlessly incorporating traditional influenced movements in her portrayal as the Third Witch.

The dimly lit setting created an eerie atmosphere for the supernatural elements, which constantly wove throughout the play.
I was particularly taken with the regal, gothic themed dining room staging, complete with lit candelabras, tablecloths and goblets. Also, the staging for the infamous “Double, double, toil and trouble” witches scene, presented with a smoking cauldron and appropriate props was equally striking.

The costuming was very impressive and gave authenticity to the period. It was brought to my attention that the costuming, sets and props were all predominantly sourced second-hand. This is a credit to the Art Director Letitia Hodgkinson who passionately sourced a suitable array of fabrics and materials. Her actions are most admirable and show a great commitment to environmental sustainability, while maintaining a high standard of creativity and artistic sense.

The musical compositions by Brandon Read, music composer and producer, elevated and intensified the performance. The recorded soundtrack was impactful and creatively accompanied the dramatic themes, providing a more full bodied performance.

I would also like to mention the fantastic work of the Lighting technician Adam Applebaum. He made splendid use of spotlights and coloured lighting to enhance themes and poignant moments as well as amplify the eerie scenes.

‘Come You Spirits’’ presentation of Shakespeare’s Macbeth is brilliant and captivating. Their rendition is condensed into a fast paced 90 minute performance centered around six main characters. A highly enjoyable performance with a stupendous professional cast.

To book tickets to Macbeth , please visit https://www.theconcourse.com.au/event/macbeth-in-the-lounge/.

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About The Show – Romeo & Juliet/Macbeth Double Bill

Romeo & Juliet/Macbeth Double Bill

G’day everyone! Today, we’re thrilled to have a yarn with the lead actor from the imaginative Romeo & Juliet/Macbeth Double Bill. These unique 90-minute musical adaptations shed a fresh light on the Bard’s timeless tales. Hang tight as we dive into this creative fusion and hear all about the joys and challenges of bringing such an intriguing performance to life.

About Romeo & Juliet/Macbeth Double Bill

What is this Production about?

This production is a double bill of 90-minute musical versions of Romeo and Juliet and Macbeth, with Australasian Indie-Folk and Bluegrass/Americana music, respectively. Music, Mischief, and Magic—It’s Shakespeare like you’ve never seen it.

What character are you playing, and what can you share with us about them?

The cast for both shows is the same, so all actors play roles across both shows. In this iteration of these shows, I play Romeo and Lady Macbeth. It’s been a lot of fun revisiting Romeo after a year away from the show, rediscovering all the little intricacies that made that character feel so special to me. Playing a gender-swapped Lady Macbeth was a daunting challenge, but one that has been so rewarding.

What’s challenging about bringing this script to life?

Bringing Shakespeare into a more modern context without losing what makes it such a timeless and special sort of show is always a challenge, especially when you throw musical elements into the mix, but I think we handle the material with just the right amount of revelry and rebellion all at once.

What sort of person is going to love this show?

We like to think that our shows are for everyone, whether you like the bard’s work or not, but it is always a particularly special moment when someone who before coming along would have said they categorically hated Shakespeare tells us after the show that they finally feel like they get why people love his works so much. So I would say, in particular, people who don’t like Shakespeare will love our Shakespeare.

Call someone out by name: who must come see this production?

I want to see any of the Australian musicians whose songs we use come along to the show. It’s been so special to get to connect with some of the Kiwi artists we’ve used music from, and I’d love to get that connection across the ditch as well! So that means I want to see: the band Dragon, the band Jet, The Dreggs, Divinyls, and Kyle Lionheart at the show!

Where can patrons purchase tickets to this production?

The production runs from 27 May – 1 June at Chapel Off Chapel. To book tickets to the Romeo & Juliet/Macbeth Double Bill, please visit https://chapeloffchapel.com.au/show/the-barden-party-shakespeare-double-bill/.

Thank you so much for sharing your insights and excitement for the Romeo & Juliet/Macbeth Double Bill. Wishing you all the best for the upcoming performances – may they be filled with all the music, mischief, and magic that makes Shakespeare unforgettable! Break a leg!

Other production interviews can be viewed in our About The Production Series.

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