About The Production – Three Sisters

Feature-Three Sisters

We recently sat down with the talented cast and crew behind the upcoming production of Three Sisters. This adaptation of Anton Chekhov’s masterpiece captures all the comedic, tragic, and bittersweet moments of life. Meet the ensemble who are pouring their hearts into making this timeless tale resonate as deeply today as it did over a century ago.

About Three Sisters

What is this Production about?

After the death of their parents, something essential is lost in the lives of the Prozorov sisters – direction, purpose, and hope. In a small provincial Russian town, their days pass quietly, filled with memory, longing, and unspoken desire; Irina longs to work and lead a life of independence. The fiery Masha is married to the sweet but unpassionate Kulygin, and privately burns for excitement. And Olga, the eldest, intelligent and loyal, has found herself living a life of subservience; she gives, and gives, and gives. All three look to Moscow as a symbol of the happiness they believe awaits them somewhere along the horizon – their lost paradise. 

In Three Sisters, life unfolds between what is and what might have been. In this fragile space, faith, hope, and love rise like quiet prayers. The balance between laughter and tears is delicate; people talk with the deepest regrets while pouring tea, and dream of better futures while tripping over their own feet. 

Written with humour, nostalgia, and deep compassion, Chekhov’s masterpiece tells a story of the passage of time and the persistence of hope. These characters are not distant figures from another time – they are us today, with all our joy, fear, desperation, desire, loneliness, and silence.

What’s challenging about bringing this script to life?

It’s quite the undertaking for our little company! We are working with the largest cast we’ve had thus far (11 people), using improvisation and Stanislavsky exercises to introduce freedom of movement and spontaneity while also being conscious of the size of the Old Fitz. Our director has carefully cast each of the characters, so we are in that stage of the rehearsal process where we are bringing detail and specificity to our performances whilst also remaining open to one another and trusting such a large ensemble to deliver a stellar piece of work. After all, this is a play that has no leading characters – we are each just a small piece in the grand picture of this play.

Toby

What sort of person is going to love this show?

Those who love Chekhov, and hopefully those who don’t! Every writer has a style and ethos. We hope to create a whole new following of his plays and stage it in a way we believe hasn’t quite been done yet. His unique humour and persistence in the face of adversity is a story that rings true even now – especially now. It’s easy to fall into the trap of making his plays dramatic and serious, but when has life been only that? Our aim is to show it all – from the tragic, to the comedic, to the in-between sweetness where our lives often sit. As one of our characters says: ‘Je suis content. Je suis content.”

What will the audience be thinking about in the car as they drive home after this show?

Hopefully, they’ll be thinking of themselves and who they’re going home to. ‘Three Sisters’ is as relatable now as it was then, 125 years ago. We want the people in the audience to see in each of our characters someone they’ve loved, someone they’ve lost – someone familiar, someone that’s just like them. How much has our need for family and kinship really changed since this play was first staged in 1901?

Another important facet of this family is that they are dreamers. “We will go to Moscow”, “Brother will become a professor”, “I shall work”, “I will be happy”. But, as the story progresses, how many of these beliefs manifest? This is as much of a cautionary tale as it is a family drama. At the risk of sounding cliché, people should leave the theatre thinking “This is my dream. And I MUST achieve it”. Don’t wait like they did. Don’t let life happen to you. What do you want out of your story? At the very least, it should revitalise you, make you want to be a good person.

No pressure.

Call someone out by name: who must come see this production?

Joel Edgerton!!!

As a collective of young, aspiring actors and creatives, his story keeps inspiring us to put out work we want to see on the big and small stages across Sydney and beyond (and the big screen too, one day). The greatest gift we have as a small company is working with each other, surrounding ourselves with like-minded and brave artists. People who have something to say. Likewise, his and his friends’ drive to produce work they believe in and to share stories that perhaps aren’t told very often echoes in our philosophy as well.

And his work! Most notably, his recent feature ‘Train Dreams’ is one we were all moved by. It’s something that immediately draws you in, creating an atmosphere that earns its sprawling moments of silence and tension. It’s about a simple man in a simpler time, with simple ambitions of starting a family and working.

Sound familiar?

Where can patrons purchase tickets to this production?

To book tickets to Three Sisters, please visit https://www.lastwaltzproductions.com/three-sisters.

Thank you so much for sharing your insights today. Break a leg; we are looking forward to Three Sisters filling the Old Fitz with laughter, tears, and plenty to reflect on in the quiet moments of life.

Other production interviews can be viewed in our About The Production Series.

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About The Show – Bloody Good Time

Feature-Bloody Good Time

Get ready for a ride of hilarity with Cat and Caz as they bring their brand of physical sketch show comedy “Bloody Good Time”, to the stage. Incorporating a whirlwind of characters, the show includes a delightful dose of the bizarre and absurd. Buckle up for laughs, shocks, and a fresh perspective on baked beans!

About Bloody Good Time

What is this Production about?

A bonkers, goofy physical sketch show with too many props, too many costumes, too many fake accents and too many dance numbers.

What character are you playing, and what can you share with us about them?

Cat and Caz are playing over 20 characters in this show, from the duo; a Femme Fatale Canine tooth and Toothbrush Detective Brosse Dente the detective, socially inept wannabe actor Sally Carrot, existential babies and their mothers, hapless renters and shifty landlords, and some larrikin tradies Larry and Louie.

What sort of person is going to love this show?

Someone who loves the bizarre, the absurd, and the over the top. Those who laugh at a parody, and love a cheeky dance number, or 5! The songs and pop culture references will definitely resonate with millennial women.

What will the audience be thinking about in the car as they drive home after this show?

They’ll probably wonder what the hell we were on when we came up with the show! Hopefully, they will be a bit shocked and can’t think about the show without being weirded out and laughing. It will make them think of baked beans very differently.

What’s going to surprise people about this show?

Just how many bad accents and dance numbers can we fit into one 50-minute show!

Who has the best costume?

Cat, as Cavatina Canine. She is a femme fatale with a white-blonde bob, a sparkly beret, a black-and-white outfit, and, most importantly, she is a tooth.

Where can patrons purchase tickets to this production?

To book tickets to Bloody Good Time, please visit https://www.comedyfestival.com.au/browse-shows/bloody-good-time/.

Thanks so much for chatting with us! We can’t wait to see Bloody Good Time light up the stage. Best of luck with the show, and here’s to loads of laughs and unforgettable moments. Break a leg!

Other production interviews can be viewed in our About The Production Series.

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About The Show – Consent

Feature-Consent

Today, we sit down with Samantha Lambert, one of the stars of the upcoming, much-anticipated legal drama Consent, a courtroom and relationship drama replete with fierce wit and an intense exploration of justice and humanity.

About Consent

What is this Production about?

When two emotionally desensitised friends take opposing briefs on a sexual assault case, can justice be served?
Ultimately, Consent is a fierce and witty courtroom/relationship drama, about a group of lawyers and their private lives, and how their jobs impact their humanity.

Full synopsis:
Why is Justice blind? Is she impartial? Or is she blinkered?

Friends Ed and Tim take opposing briefs in a rape case. The key witness is a woman whose life seems a world away from theirs. At home, their own lives begin to unravel as every version of the truth is challenged.
A powerful, painful, funny play that sifts the evidence from every side and puts Justice herself in the dock.

★★★★★ “Jammed with ideas, rich with humanity… A modern classic.” – The Times
★★★★★ “One of Nina Raine’s most enjoyable and intelligent plays. Unreservedly recommended.” – The Independent
“A tense, entertaining modern-day tragi-comedy.” – Telegraph
“Modern classics don’t come along very often. Consent is, without a shadow of a doubt, just that: an intricately constructed philosophical drama that does for love, law and language what Michael Frayn’s Copenhagen did for particle physics and Tom Stoppard’s Arcadia did with time.” – Variety

Mature Audiences (16+ Event). Content Warning: Discussions and depictions of sexual violence, coarse language, smoke haze, and themes of suicide.

What character are you playing, and what can you share with us about them?

I’m playing Kitty, the wife of a charming, professionally callous barrister, Edward, who is cross-examining a key witness in a sexual assault case. Kitty and Ed’s friends are also barristers, making Kitty the only non-barrister in the room. She is incredibly empathetic and intelligent, but indulges her emotionally detached friends and their blunt, somewhat inhumane opinions.

What’s challenging about bringing this script to life?

I think there’s an incredibly challenging balance between the quick-paced, charming but fiery wordplay and the emotionally impactful drama of the script.

What sort of person is going to love this show?

Anyone who enjoys black comedy, legalistic witty wordplay, and courtroom/relationship dramas.

What’s going to surprise people about this show?

I think being such an impactful drama, the meaty chunks of vibrant comedy throughout the piece, are not only an audience reprieve, but as insight into these seemingly amoral, charming humans.

Is there anything else you’d like to add?

Poster Images by Joerg Lehman (@joerg_lehmann_photography).
Rehearsal photos by Madeline Ballie (@madeline.baillie)

Where can patrons purchase tickets to this production?

To book tickets to Consent, please visit https://www.trybooking.com/DKLHJ.

Thank you so much for sharing your insights and giving us a peek behind the scens of “Consent”. Break a leg as you delve into the challenging world of legal ethics and personal truths.

Other production interviews can be viewed in our About The Production Series.

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About The Musical – Maytide’s It Is Well with My Soul: The Musical

Feature-Maytide's It Is Well with My Soul: The Musical

Prepare to be enchanted and deeply moved by Maytide Theatre Company’s latest production, “It Is Well with My Soul: The Musical.” Today, we have the pleasure of speaking with Andrew Broadbent, the Production Manager and Co-Author behind this powerful adaptation of the heartrending true story of Anna and Horatio Spafford.

About Maytide’s It Is Well with My Soul: The Musical

What is this Production about?

This beautiful tale of tragedy and faith is based on the true story of Anna and Horatio Spafford. It follows Anna’s journey from her Norwegian roots to 19th-century Chicago and later Jerusalem, capturing the couple’s faith and resilience after losing their four daughters in the S.S. Ville du Havre shipwreck. The narrative explores themes of grief, hope, redemption, and spiritual transformation, brought to life through original music, heartfelt performances, and rich historical context. The famous hymn “It Is Well with My Soul,” written by Horatio Spafford, has inspired our stage musical.

What’s challenging about bringing this script to life?

Co-writing this adaptation of the story, it was challenging not only in the discovery of the many historical details needed to ensure accuracy, but also in ensuring it conveyed a captivating story across the stage for audiences. We have created more than just a retelling of a story – it’s a healing hymn in theatrical form.

Why did you want to be involved in this production?

I got a message from Director and Owner of Maytide Theatre Company, Ally Gum, about this play that was spoken about in a radio interview that had piqued her interest, and after she was done telling me about it, I was also hooked. I had always wanted to be involved in an Adelaide Fringe production, and I think the stars really aligned with this project

What sort of person is going to love this show?

In a Fringe festival that is full of short acts, and one-acts, It Is Well with Our Soul is a production that audiences can sink their teeth into, ingest something gritty for their brain to absorb.
This story is also inspired by a hymn that is now 153 years old, and well known across the globe in varying christian circles and churches, so parishioners will be keen to get their tickets too

What will the audience be thinking about in the car as they drive home after this show?

Hopefully the audience will be reflecting on any comparisons in their life – if they’re going through a hard time, struggling with issues – they’ll be able to find the courage to reach out to their communities and seek assistance in their faith. Or maybe they’ll even find a new creative they want to follow on social media…

What’s going to surprise people about this show?

This show isn’t a comedy. When I think about the Fringe, keywords such as comedy, cabaret, experimental come to mind. But this is a historical drama that has been fleshed out by actors passionate in their craft that want to give their best to audiences

Who has the best costume?

We’ve had a sneak peek at the costumes already – Anna and her daughters in Act One have matching red/maroon costumes that look amazing together. Horatio’s early costume while he’s still young is also pretty schmick.

Is there anything else you’d like to add?

In 2026, people face many struggles in their lives – the economic crisis, homelessness, unemployment, discrimination… the list goes on. Through this story, we learn, and want our audiences to learn that we not only survive but prosper through our communities and our faith.

In the 1800s, the Spafford family faced many struggles themselves – the Great Chicago Fire, leaving ⅓ of the population homeless; the Ville du Havre shipwreck, losing their four daughters. They were surrounded by disaster, and even losing a child to scarlet fever and were lost until they found their community and focussed on their faith.

By penning the lyrics to It Is Well with My Soul, Horatio has helped and given comfort and guidance to many people over the last 150 years.

It Is Well inspires reflection and compassion, reminding viewers that sorrow need not define a life, and that love, service, and faith can chart a path forward. It offers not just a retelling—but a healing hymn in theatrical form. We are blessed for the chance to be sharing this story.

Where can patrons purchase tickets to this production?

To book tickets to Maytide’s It Is Well with My Soul: The Musical, please visit https://adelaidefringe.com.au/fringetix/maytide-s-it-is-well-with-my-soul-the-musical-af2026.

Thank you so much for sharing your incredible journey and insights with us. We wish you all the best for “Maytide’s It Is Well with My Soul: The Musical” at the Adelaide Fringe. May your performances continue to inspire and move audiences with the powerful story of the Spafford family. Break a leg!

Other production interviews can be viewed in our About The Production Series.

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