Alice in Wonderland

Tea Tree Players Presents Shirley Valentine

Alice in Wonderland Rating

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Alice in Wonderland is not an unknown story, loved and enjoyed for its unique and unpredictable storyline. To portray the story through interactive theatre, the Tea Tree Players have assembled a spectacular collection of fluorescent sets, matching props, carefully crafted costumes, and well-considered use of the stage (and audience) to tell their story of Alice and her Wonderland friends. Be prepared to cheer on the heroes’ adventures, boo the decisions of the bad guys … and maybe even be on the receiving end of some flirtatious characters.

You can expect to see the usual characters, along with some welcome fresh faces who easily draw laughter from the crowd. After being introduced to the uptight matron of the “Home for Lost & Unwanted Girls” we follow three of the girls from the home – two of whom have surprisingly deep voices – follow the Dame Edna-esque Cook down the rabbit hole to rescue Alice, who is enchanting in her iconic blue dress as she follows the hopping white rabbit and the adventurous royal gardener. The Cheshire Cat can be seen slinking about the wings, guiding our characters with an elegant purr. The Caterpillar commands the stage while Tweedle-Dee and Tweedle-Dum encourage a sing-along. The Mad Hatter and his sidekick, the March Hare, match energy, while their friend the dormouse squeaks his way into our hearts. Every actor breathes life into their character, even the younger actors whose characters have no lines are noticeable – their costumes fitting in perfectly and their presence unmissable. When it comes to the Red Queen and her hair-raising laugh, she introduces us to the card guards who take everything a little too literally (as well as expertly changing the sets between scenes), and the kind, exposition-giving King. Each character has a memorable line or moment to take away with you after the show.

Alice In Wonderland

The pantomime is a fun-filled, happy ending story, rife with fourth wall breaks and crowd participation, of which the actors expertly encourage and roll with the heckling from the audience. The lighting matches every scene and is timed perfectly with its corresponding scenes – the fluorescent lighting adds an extra layer of Wonderland mystique, especially when you spot the fluorescent props scattered throughout. Both the lighting and music had no missed cues, but on occasion the sound overwhelmed the actors’ voices. Outside of the music trying to steal the spotlight, the actors were well spoken and mostly well heard – a few times the softer spoken actors could’ve projected a tad further, but it was also clear they knew this and were working on it. I look forward to seeing those actors again and seeing how they have improved.

The costumes were handmade, and perfectly suited for each individual character, from the overall fit to the smaller details and sequins. Through the demands of the physical slapstick style, the costumes did not fail the actors and stayed in place with nary a loose thread or zipper unzipping. To pair with the costumes, the makeup was expertly applied, particularly for those with a full face of makeup – be sure to keep your eyes peeled for some small details amongst the makeup and costumes, you won’t be disappointed!

With a well-dressed cast ready to interact with the audience, Tea Tree Players presents a fun night of adventure through Wonderland well worth the interaction.

To book tickets to Alice in Wonderland, please visit https://teatreeplayers.com/production/alice-in-wonderland/.

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Alice In Wonderland

Alice In Wonderland

Alice In Wonderland Rating

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Stepping into the whimsical world of Alice in Wonderland has never felt more real than at New City Theatre’s latest production. With tea and cupcakes served upon arrival, the audience was immediately immersed in the delightful atmosphere of the Mad Hatter’s tea party, setting the tone for an evening of charm, creativity, and community spirit.

What made this production truly special was its original music. With beautiful, meaningful lyrics written by the young and talented Hannah, the songs added a fresh and emotional depth to the classic tale. A remarkable feat for such a young composer, the music elevated the production and should be an inspiration for young and old theatre makers alike.

Hannah-Jade Keppler’s performance of one of these original songs was a standout—her voice, clear and emotive and captured the emotional core of the story. Equally impressive was the choreography by Tamara Wolf, whose staging brought a dynamic energy to the production and I love how the fourth wall was crossed with the cast venturing into the audience so we could get up close and personal with them!

Among a 16-strong, cohesive cast, it was evident that age was no barrier and I loved how inclusive this theatre company is.

Danielle Ritchie shone in her debut lead role as Alice, delivering her lines with poise and singing her solo with confidence—a significant achievement for any first-time lead. Kayla Short’s portrayal of the Mad Hatter was another highlight, brimming with charisma and comic flair. Her performance of the Mad Hatter’s song was particularly memorable and confidently delivered.

The Queen of Hearts, played with razor-sharp comedic timing by Eloise Keppler was outstanding and when improvisation was required by a mishap on stage – she handled it like a pro, with grace and compassion. Another special mention goes to Summer who played Dinah the cat with incredibly believable physicality and vocality – the level of commitment to character was impressive.

Adding a heartwarming element to the production were the youngest cast members—Yusra, Bisma, and Rayne—whose presence on stage melted the hearts of everyone in the room.

New City Theatre, which has been active since 2013, continues to nurture young talent and foster community. The fact that three founding members are still performing is a testament to the lasting impact this group has had. I’d also like to acknowledge the invaluable work of the many helpers who served food and drinks and supported behind the scenes—a true community effort in every sense.

Perhaps the most remarkable takeaway from Alice in Wonderland was what it says about the capabilities of young people. Given the space, trust, and encouragement, they created something wholly their own—original, ambitious, and utterly delightful. This show wasn’t just a performance; it was a statement: young people are more creative, intelligent, and capable than we often give them credit for.

A resounding success and a beautiful reminder of the power of youth, imagination, and community.

To book tickets to Alice In Wonderland, please visit https://www.taztix.com.au/event/nct/.

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Venture Down the Rabbit Hole with Alice in Wonderland

Alice In Wonderland

Alice In Wonderland Rating

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4

Under a sunny and exceptionally warm Autumn Saturday, families with young children arrive at the Pioneer Gardens expecting to see beloved characters from Alice in Wonderland. They were soon introduced to the White Rabbit (Stella Coppola), who bounded amongst the picnic blankets, announcing she was late, late, late!

So begins this outdoor performance in the Pioneer Garden by The Australian Shakespeare Company. It’s always a challenge to entertain children in the younger age bracket, as their attention span can be limited at times. I wondered how the company would capture their attention for the 80-minute show.

It was a clever move to have a “children’s only” space in front of the brightly coloured set; no adults were allowed. This enabled the kids to be a captive audience and, therefore, able to be directly talked to by the characters. The regular encouragement of audience participation engaged the little people, as they were able to yell out answers and sing chants.

The director, Dennis Manahan (also acting in the show as Bill the Lizard and The Mad Hatter), has put together an entertaining show, giving the actors opportunities to explore their character quirks with dancing, singing and merriment. Alice (Madeline Calder) led the storyline. There was clever staging as she encountered the various characters, particularly the huge caterpillar played by Ross Daniels. With various parts of this rather large caterpillar spilling out of different windows, with the head above the roof and the bottom half on the floor, the magnitude of this caterpillar was clearly achieved.

Another imaginative part showed that Alice had grown to giant proportions. Oversized inflatable arms extended from the open windows and flapped around, almost squashing the other characters. This made for a funny scene where the children laughed uncontrollably.

Original songs carried on the storyline, combined with some catchy dancing that added to the light-heartedness of the show. The silliness of Tweedle Dee and Tweedle Dum’s song and dance was very amusing to watch.

The make-up and costumes of all characters were carefully constructed to make them believable. Even Humpty Dumpty made an appearance as a face on a high wall with puppet arms and legs, which I found quite endearing.

The involvement of adults who they asked to be a part of the volunteer ‘card deck march’ would have been a highlight for kids to see. The giant cards slipped over the adults’ heads sandwich board style, which was a clever way to involve the audience in a game on the grass. The caterpillars (the children) entered a caterpillar crawling race, finding their way from the start to the finish line whilst avoiding the card adults’ legs!

At the end of the show, The Mad Hatter invited children to have a cast photo with them. This was a lovely gesture to complete the Alice in Wonderland performance. The Australian Shakespeare Company showcased a lovely afternoon’s entertainment for children and their accompanying adults, which included grandparents as well. Children aged around 3 -5 would love this show.

Alice in Wonderland is playing at The Pioneer Gardens at the Royal Botanical Gardens Sydney from 13 -28 April 2024. Tickets range from $25 in the off-peak period to $30 in peak time. A group of 4 admission tickets are $110. Children under 12 months are admitted free.

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Alice in Wonderland – A Timeless Classic

Alice in Wonderland

Penny Farrows’s production of Alice in Wonderland is a colourful and creative retelling of Lewis Caroll’s classic tale and the marvellous adventures his Alice gets up to.

This production also weaves in a few other references from Caroll’s works that broaden the performance beyond the original text. The performance runs for 60 minutes and focuses on the key moments in Caroll’s Alice in Wonderland.

The stage design, props, and puppets are all grand for this production, with a lot of thought clearly put into perspective. An excellent example of this is how Alice’s character really does seem to shrink as she drinks out of a jar that gets bigger and bigger with each sip.

The costumes in this performance are grand and majestical, making the audience feel like they are down some weird and wonderful rabbit hole. Be it Tweedle Dee and Tweedle Dum’s humorously disproportionate garments or the overly large ears of the March Hare, the audience is genuinely transported into Alice’s new world with these new and zany characters.

It was lovely to see the cast working as an ensemble from start to finish on opening night as the play opened and closed in a joint narration. Physical theatre was employed as the cast shared the storytelling, and it was a joy seeing the actors weave in and out of their costumes throughout the performance as they embodied such whacky and whimsical characters.

Although I found myself laughing out loud many times during this performance, I found the pacing lagged occasionally with some noticeable gaps. It became particularly problematic in the water scene, where the audience first meets some odd characters of Wonderland. There needed to be a stronger pulse to keep the chaos in order.

That said, I really enjoyed this Alice in Wonderland performance, as did my children who came with me. This show is for all ages and would be a shame to miss!

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