Rehearsals Have Begun For Hit Broadway Musical Gutenberg! The Musical!

Feature-Gutenberg! The Musical!

Rehearsals have commenced for the hilarious hit Broadway musical Gutenberg! The Musical! which opens at the Hayes Theatre on April 10. Directed by Richard Carroll (Pirates of Penzance, Murder for Two) this joyously funny and stupidly clever musical from the book writers of Beetlejuice gets its first Australian production since it broke Broadway records in 2024. Tickets are selling fast at hayestheatre.com.au

Starring as best friends Doug and Bud are Sydney Theatre Award winners Stephen Anderson (Titanique) and Ryan González (In The Heights). Anderson is a NIDA graduate who most recently played Donny in Sydney Theatre Company’s world premiere adaptation of The Shiralee. Prior to this, he played Ruth Dewitt Bukater in Titanique, which earned him a Sydney Theatre Award for Best Performance in a Supporting Role in a Musical. Stephen played Willy Wonka in Charlie and the Chocolate Factory and was an original cast member of the Australian production of Matilda the Musical playing Sergei, as well as understudying Miss Trunchbull and Mr Wormwood.

Ryan González is a dynamic triple-threat performer with a career spanning cabaret, film and theatre. They are most known for their Sydney Theatre Award-winning role as Usnavi in In The Heights across Australia. Ryan recently performed in Calamity Jane at the Sydney Opera House and is the Choreographer and Assistant Director of Head Over Heels, currently playing at the Hayes. Later this year, Ryan will also appear the upcoming World Premiere production of Mackenzie for Bell Shakespeare. Standby Bud/Doug is Daniel Raso (Beetlejuice, Jesus Christ Superstar).

Director Richard Caroll said “This show is so brilliantly written – it’s a gift to any director or performer who loves comedy, and Stephen and Ryan have been making me tear up with laughter since they first walked into rehearsals. I just marvel at the way they work so hard, and yet make it look so easy. That’s the key to great comedy, and I think we all need some of that at the moment. These two are going to be a double-act for the ages.”

Fresh off its hit Broadway success, Gutenberg! The Musical! is an outrageously clever and frequently absurd comedy that affectionately spoofs the world of musical theatre. Written by Tony and Emmy Award nominees Scott Brown and Anthony King, this love letter to friendship and wild ambition is told through the lens of two aspiring writers, Bud and Doug, earnestly pitching their highly inaccurate musical about the invention of the printing press, blending infectious enthusiasm, witty songs, and mind-boggling ‘historical’ twists”. Guttenberg! The Musical! is an irresistibly irreverent celebration of creativity, resilience, and the sheer joy of putting on a show – even when no one asked you to.

First look at rehearsal images can be found here
First look at rehearsal footage can be found here and on You Tube

GUTENBERG! THE MUSICAL!
Starring Stephen Anderson and Ryan Gonzalez
Director Richard Carroll
Music Director Zara Stanton
Choreographer Shannon Burns
Set Designer Lochie Odgers
Costume Designer Lily Mateljan
Lighting Designer Véronique Benett
Sound Designer Liam Roche
Assistant Director Jeremi Campese
Production Manager Abbey Pace
Stage Manager Sherydan Simson
Assistant Stage Manager Georgia Sealey

SEASON DETAILS
Venue: Hayes Theatre Co, 19 Greenknowe Ave, Potts Point
Season: 10 April – 10 May
Times: Tues 6.30pm, Wed-Sat 7.30pm, Thurs 1pm, Sat 2pm, Sunday 5pm
Price: Tickets from $79 Adult, $69 Concession/Group, $60 Under 35, Previews from $69
Bookings: www.hayestheatre.com.au | (02) 8065 7337

 

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The Heartbreak Choir

The Heartbreak Choir

The Heartbreak Choir Rating

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7

Pymble Players’ production of The Heartbreak Choir’, by Aidan Fennessy, at Zenith Theatre in Chatswood, is brilliant. The Zenith Theatre is one of Sydney’s gems. There’s something magical about a community theatre group performing a play based on a community choir. Choirs foster connections and the audience certainly connected with this production.

When a tragedy rocks a township, it dramatically affects relationships. The local choir splits into two groups. Through this upheaval, ‘The Heartbreak Choir’, emerges. A group of people with a range of ages and backgrounds, come together. These individuals are in search of their own voice and in doing so, support each other. The choir rehearses several iconic Australian pop songs in acapella-style. If you are fan of Paul Kelly, Natalie Imbruglia, Hunters and Collectors, you are in for a treat. All the performers can sing beautifully and their harmonising is spot-on. Many people in the audience were joyfully humming along.

Being an Aidan Fennessy play, the dialogue is witty, poignant and impactful. The Gospel feeling of the songs helps the characters traverse all their emotions. Barbara (psychologist and choir leader), is joined by Mack (an outspoken herb farmer), Aseni ( a heavily pregnant African doctor), Totty (a fluro-vest wearing entrepreneur), Savannah ( an anxious young woman, who whispers rather than talks, yet has a powerful singing voice), Peter (a local policeman with some interesting dance moves) and Beau (Peter’s son who forms a bond with Savannah). These characters prove that what unites us is greater than what divides us.

 

 

The life-affirming powers of music are celebrated in this show. When tragedy occurs, it’s often an involvement in music that will enact the healing process and soothe the soul. Playwright, Aidan Fennessy, was dying upon completing this play. Fennessy’s own sense of mortality adds an enormous amount of gravitas to the work. There’s a real urgent plea for people to overcome and collaborate.

The finale, ‘Lanterns’, (Birds of Tokyo song), is sung with such anthem-like passion, that everyone around me joined in. It’s lovely to see members of the Pymble Players on-stage with their lanterns, to add to the spectacle.

Heather Pitt has directed ‘The Heartbreak Choir’, with obvious enthusiasm, as she also plays the choir lead role, of Barbara. Kristin Kok, Chantal Harrison, Gina Willison, Aja Elshaikh, Trent Gardiner and Will Evans, perform their roles with aplomb. Mark Pigot, Musical Director, could be snapped up by The Voice or Australian Idol, as the singing was top-class. Wayne Chee and Nicholas Pang, did a great job with the lighting and sound. Heather Pitt also worked with Daniel Ferris to create a charming set. I had previously seen the MTC and Ensemble Theatre productions of ‘The Heartbreak Choir’. Pymble Players certainly have the heart and soul to match them.

To book tickets to The Heartbreak Choir, please visit https://pymbleplayers.com.au/the-heartbreak-choir.

Photographer: David Allsopp

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The Sound of Music

The Sound of Music

The Sound of Music Rating

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26

Saturday and I’ve already seen two shows, both same but with different child casts.

NOVA Music Theatre’s latest production of The Sound of Music is unforgettable, accompanied by an astounding orchestra (Peter Grant OAM).

Opening night I see with my piano teacher friend who long ago auditioned for ‘Louisa’ in a professional production. She did well she said but didn’t secure the role, however she has extensive knowledge of all things music, so I look forward to her feedback (LOVED!!!).

Second visit was matinee with mum-in-law; special to sit with someone who saw the legendary original movie in a theatre and this is her next experience – seeing that movie as a stage show for first time! (like me, LAUGHED and CRIED).

A large chorus of Nuns walk solemnly through a full-house to stage. Harmonious opening and in every scene they feature, a wonderful group of singers of all ages.

Playing the coveted role of ‘Maria’ is Lauren McCormack. I’ve seen and appreciated her talents before. Easy breezy beautiful voice on a mountain backdrop instantly recognisable she sings the title song with thankful eyes and true heart for both her character and this huge role honoured to her. Every note, step and expression from first meeting the children as kind and caring, to when she scolds the Captain with fierce protectiveness, is genuine from start to finish.

Playing ‘Captain von Trapp’ is Tristan Everett. He must bring strength in many emotions; controlling, stern, sadness, love, care, anger, worry, and leadership in taking his family out of Austria to safety away from the Anschluss. Tristan is just the right fit, no wonder he has done 30+ musicals.

‘Mother Abbess’ played by Meagan Gaffney – what can I say to even do her justice? Meagan has a vocal career in part as Principal Artist for Opera Australia and her ‘Climb Ev’ry Mountain’ is breathtaking. I can add even the little girl with pigtails sitting in front of me was absolutely still. When this song closes there’s not a person in this room who hasn’t felt it to their core. It was indeed a privilege to hear Meagan sing a song that was an integral part of her musical family upbringing. Thank you!

In many moments with Mother Abbess and Maria are ‘Sister Margaretta’ (Julie Wright), ‘Sister Berthe’ (Bec Muratore) and ‘Sister Sophia’ (Samantha Mason); all fun and I loved watching eye movements and facials communicating often without speaking.

‘Baroness Schraeder’ played by Lauren King (once amongst lucky kids in the Qantas Australia advert), she is fantastic in this posh role and dressed appropriately rich.

‘Max Detweiler’ is played by John Leahy brilliantly! In theatre for over twenty years his lines are delivered with gut experience and comedic interaction. NOVA could not have cast better.

Max Geddes who plays ‘Rolf’ is exceptional; never falters from full commitment every time I see him in a production, showing off his training from graduating at Victorian College of the Arts Secondary School. Samara Trimble playing opposite him is on par as eldest child ‘Liesl von Trapp’, stepping up in this much sought after role to dance beside him and with a gorgeous voice – Samara currently a VCASS student. Their ‘Sixteen going on Seventeen’ is to be commended also in cute choreography (Wayne Robinson) well suited to limits of doing this loved scene on stage. When Rolf jumps on his bike after he lands that famous kiss from Liesl (in moving arabesque) and Liesel squeals with delight, it’s Woo-Hoo for these two!

There are of course some very foreboding moments over and above the love stories. Thunder! Stormtroopers! Swastika flags loom frightening reality. Insightful and scary to when the real von Trapp family survived. Credit due to sound tech, lighting and set construction.

One lighter and more lovely stunning scenery change is when the kids are teaching themselves to dance; a pictured backdrop suddenly goes up revealing a ballroom of exquisitely costumed guests waltzing in the von Trapp mansion. Hats off to costume designer Stephanie Lumb and Director/Set Designer Noel Browne/Brenton van Vliet.

Pamela Braithwaite as ‘Housekeeper’ great accent, along with Ben Geddes as ‘Butler’, Hannah Brodribb as ‘Maid’, David Sly as ‘Gauleiter’, Richard Budge as ‘Baron’ and Michael Capon as ‘Admiral’, they all superbly act their parts.

Finally, the adorable children; those fabulous roles of the other six von Trapps; Gretl played by Harriet Staples/Ivy Hall (both super cute, loved sleeping on stairs), Marta played by Anthea Ellis/Scout Kwong (both super young actresses, loved pink parasol line), Brigitta played by Ella Wursthorn/Arabella Brockhurst (both super expressive, loved you telling Maria your father loved her), Kurt played by Aiden Cooper/Charlie Rainey (both super star actors, loved antics in The Lonely Goatherd), Louisa played by Prudence Rosel/Olivia Simos-Garner (both super convincing, loved advice to Maria) and Friedrich played by Daniel Spillane (outstanding stage skills no doubt on cast-call for many shows to come).

Ensemble applause: Tamsin Ashdown, Amber Gedge, Marina Batikha, Pavlo Bittikha, Lusia Kho, Lauren Bolzonello, Neave McGeehan, Stephen Brennan, Ben Milkins, Madeleine Brown, Davied Nicholls, Stephen Burton, Robyn Parker, Felicity Byrnes, Hannah Powell, Ewan Charlton, Vini Ramesh, Carrie Chiu, Fional Rosel, Miranda Choo, Brian Sweetman, Nicole Cooper, Phoebe Whitehead, Oscar Geddes, Cindy Yan and Kate Judge – extra clap for Kate’s ‘bowing woman’ – played well through to finale, very funny!

‘So Long, Farewell’ this musical will always be one of ‘My Favourite Things’.

To book tickets to The Sound of Music, please visit https://www.theround.com.au/soundofmusic.

Photographer: Gavin D Andrew Photography

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Little Anastasia Cast Members Revealed For Hit Broadway Musical Anastasia’s Sydney Premiere

Feature-ANASTASIA

Producers of the hit Broadway musical ANASTASIA have today revealed the talented young Sydney performers who will be sharing the role of Little Anastasia in the highly anticipated musical opening in April at the spectacular Lyric Theatre Sydney. The local performers who scored the coveted role amongst many keen auditionees are Arianna Lorusso aged 9 and based in Beacon Hill; Maya Porragas aged 10 from Cremorne; Willa Valaris aged 10 from Allambie Heights and Willow Wilson aged 11 from Lisarow.

The crowd-favourite musical made its Australian debut in December at Melbourne’s Regent Theatre wowing audiences and critics alike, and is now playing in Perth. New tickets for the Sydney season go on sale today for the final performances from 8 – 19 July.

Time Out Melbourne called the musical a “charming theatre experience” that was “destined to deliver theatrical magic” while The Music said it was “a theatrical spectacle that dazzles on every front and will leave you spellbound” and Beat Magazine said that the musical’s “dazzling Australian premiere is rich with powerful performances.”

These hugely talented young performers will join cast members Georgina Hopson as Anya, Robert Tripolino as charming con artist Dmitry, Joshua Robson in the role of antagonist Gleb, Rodney Dobson as Vlad, the much-loved Rhonda Burchmore as Countess Lily and theatre icon Nancye Hayes AM in the role of the Dowager Empress.

The ensemble cast includes Sophia Bae, Elliot Baker, Nicholas Cunningham, Davis Giotopoulos Moore, Todd Goddard, Stephanie Kurlow, Keian Langdon, Bella Minniti, Nathan Stafford, Alexis Van Maanen, Patrick Volpe, Annie Wilson, Deone Zanotto and Andrea Zappacosta with the swings team featuring Manon Gunderson-Briggs, Iosefa Laga’aia, Nathan Pinnell and Emma Russell.

Inspired by the mysterious tale of Grand Duchess Anastasia Romanov’s rumoured escape in the dawning days of the Russian Revolution, and the 1997 Oscar nominated animated film of the same name, ANASTASIA has been brought to life on the stage by the Tony Award-winning creative team of Terrence McNally, Stephen Flaherty and Lynn Ahrens.

ANASTASIA is a lavish musical for all ages, transporting audiences from the twilight years of the Imperial rule to the euphoria and exuberance of Paris in the 1920s, as a brave young woman named Anya sets out to discover the mystery of her past. Pursued by an army officer determined to silence her, she enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.

Directed by Tony Award winning director Darko Tresnjak, ANASTASIA premiered on Broadway in March 2017. It received a Tony Award nomination for Best Costume Design in a Musical and won more than 15 major international awards including Best Musical awards in Germany, the Netherlands and Spain.

The book for ANASTASIA was written by the late five time Tony Award winning writer Terrence McNally, whose credits include Love! Valour! Compassion!, Master Class, Kiss of the Spider Woman and Ragtime.

Music and lyrics for ANASTASIA were written by the renowned writing team of Stephen Flaherty and Lynn Ahrens who have been referred to as “one of the greatest songwriting teams in Broadway history.” (Chicago Tribune).

“Fantastical, intelligent, well-crafted, and exhilarating, ANASTASIA deserves a coronation!” – The Wall Street Journal
“Captivating, beautifully staged and emotionally vital. ANASTASIA hits the sweet spot!” – The Hollywood Reporter
“One of the most gorgeous shows in years! Luscious, lavish, and a joy that leaves you cheering. This is a grandiloquent feast for the senses you won’t soon forget.” – The New York Observer

ANASTASIA – THE BROADWAY MUSICAL
Produced by John Frost for Crossroads Live and Opera Australia in special collaboration with Stage Entertainment Productions, Tom Kirdahy, Hunter Arnold and Dan Hinde

SYDNEY SEASON DETAILS
Venue: Sydney Lyric Theatre
Season: From 7 April
Performance Times: Tue-Thurs at 7pm, Fr-Sat 7:30pm, Wed 1pm, Sat 2pm, Sun 1pm, 3pm or 6pm (performance times vary each week)
Prices: From $69.90 (Transaction fees apply)
Bookings: anastasiathemusical.com.au or 136 100
Groups 8+ email groups@ticketmaster.com.au

Festival Theatre Adelaide from August
Lyric Theatre QPAC, Brisbane from September

 

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