Dirty Rotten Scoundrels

Dirty Rotten Scoundrels

Dirty Rotten Scoundrels Rating

★★★★★

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In 1988, out came rave reviews from the critics for the movie of DIRTY ROTTEN SCOUNDRELS.

I, nor my husband, have seen it on stage until tonight. So, after a lovely dinner next door at the Gracious Grace Cafe (highly recommend), we take our seats for the musical version playing currently at a reminiscent olde-world theatre in Lilydale.

The story is predominantly still about a comedic trio, what we’d not-so-politely call ‘scammers’ today, but this is a classic rendition much more exciting than a quick swipe stealing of your credit card or bank account warning. This is true art; a well-thought out and well-played in-person scam with a twist.

A suave British con artist ‘Lawrence Jameson’ brought sophisticatedly to life by Phil Lambert wearing the best high-class suits, devours the purses of wealthy women whilst living in a fancy mansion having had successful rich-tourist season assistance for years from the local Chief of Police.

In contrast, the unapologetic American ‘Freddie Benson’, a newcomer to the sun-drenched Beaumont-sur-Mer resort town, works his own style on gullible ladies who can less afford his attention. I can’t tell you how many times Rob Blowers steals the show here playing lovable larrikin Freddie with ease on comic timing and a definite natural acting ability to liven his character to the max.

Exceptionally well played by both actors; I observed ‘Lawrence’ on purpose watching ‘Freddie’ in some scenes and wondered how on earth Phil didn’t break his serious demeanor for even a split second at Rob’s hilariously acted antics. Experience shows, Phil is in his eighth show at his favourite Melbourne theatre and Rob is making his debut here but on the circuit for a decade – so both bound to asked back again. Sometimes I wish stage shows could also play ‘behind the scenes and bloopers’ like films do (maybe in the foyer afterwards). I’d love to see how much the cast laugh and if the Director can always keep a straight face. We certainly couldn’t between these two!

Anyway, two prospecting men after unsuspecting females enjoying the French Riviera at the same time soon becomes overly competitive for each to survive financially. A ‘winner takes all’ challenge is set, and the unhinged duo’s team target is aimed at the arriving Soap Queen ‘Christine Colgate’. Her father’s factory must produce the most popular washing powders and fabric softeners, she must be worth a bet of say….$50,000?

 

Whoever can convince Christine to part with her fortune will win! The losing swindler will walk away from their thefty tricks upon this ultra-luxurious territory.

‘Christine’ played with kind innocence by Madeleine Magetti (instantly recognized her voice from seeing her play the lead in Sweet Charity), is fantastic in this role allowing her to be two personalities in one with a switch up not everyone will see coming.

As with all shows holding space in a time gone by, I look forward to seeing all the clothing sourced for costuming. I particularly loved Christine’s pristine mint green dress, admired the trailing red satin gown and many pieces from this golden era in the opening numbers.

Gabi Bergman, one multi-talented performer for sure is shown off in her ‘western swing’ attire as ‘Jolene’ enthusiastically driving the song ‘Oklahoma?’ with plenty of smiles as the ensemble dance up chaos around her. This energy also gets a few gasps from onlookers to see the flexible talent of Phil as he spins Lawrence into a heel tap and toe before a high kick! What a scene!!

Woo-Hoo Phil, you’re an inspiration to my hubby who used to be a dancer, proof that everyone should just keep dancing for joy, or as my hubby said perhaps pulling a hamstring 😉

We laughed and laughed and there were so many scenes in which we did – the romantic night/morning between Andre and Muriel was a stand out with such clever lyrics, and Freddie’s ‘Great Big Stuff’ got a great big cheer from the audience. Many memorable lines from the movie are turned into these song and dance spectacles with the ensemble taking a large part to encompass the whole set – fabulously simple but effective in changing constant props. Whether it be a feather duster dancing around or a candlestick holder amusingly used, it all makes the show very creative with some ad-lib moments too (I’m pretty sure reference to Trump is not in the original script).

Surprisingly a romantic subplot between Lawrence’s crooked authority ally, ‘André’, played tongue-in-cheek perfectly by Tim Murphy, and character ‘Muriel’ portrayed with pzazz by Lauren Seymour, adds an extended side story all of its own.

When ‘Jolene’ entertainingly calls out Lawrence for far more than he bargains, hidden away ‘brother’ “Ruprecht” (alter-ego Freddie) comes to the rescue with Rob smashing out this quirky character equally.

Despite having some differences, and of course lots of songs added, the original story remains and is just as enjoyable in fun as the 1988 film.

This production of DIRTY ROTTEN SCOUNDRELS is OK for all ages I think in today’s world (note there is one swear word yelled in fun and some even funnier suggestive innuendoes) but it will probably be especially popular with an older generation and anyone who loved the movie will be impressed.

Congratulations to:
Director: Alan Burrows
Musical Director: Mark Cluning
Choreographer: Nicole Kapiniaris-Anson
Asst. Director: Francesca Carl
Music Supervisor: Colin Prowasky
Set Designer: Barry Pearce
Lighting Designer: Deryk Hartwick
Costume Designer: Maria Smedes
Props: Gina Ingham & Steve Turner
Production Manager: Nicholas Ryan
Stage Manager: Steve Tanner
Asst. Stage Manager: Bella Da Silva

CAST
Lawrence – Phil Lambert
Freddie – Rob Blowers
Andre – Tim Murphy
Christine – Madeleine Magetti
Jolene – Gabi Bergman
Muriel – Lauren Seymour

ENSEMBLE
Gaynor Borlase
Abby James
Jess Lowman
Gary Barcham
Horatio Yen

DIRTY ROTTEN SCOUNDRELS is playing NOW at the Lilydale Athenaeum Theatre from 10 – 26 September
Venue address: 39-41 Castella St, Lilydale, Victoria (free street parking). The theatre itself is adorned inside with historical stories to read about including the Dame Nellie Melba room – so interesting. They provide free tea/coffee and snack at interval, plus a complimentary pre-show and after-show drink.

Ticket link: www.lilydaleatc.com

Box Office tel.: (03) 9735 1777 if vouchers suit better as an excellent gift idea for the person who has everything!
Next show up is ONE MAN TWO GUVNORS playing 19 Nov – 5 Dec 2026

To book tickets to Dirty Rotten Scoundrels, please visit https://latc2020.sales.ticketsearch.com/sales/salesevent/152495.

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Cast Of Dirty Rotten Scoundrels Announced For Hayes Theatre Co

Feature-Dirty Rotten Scoundrels

Producer Redfern Lane Productions is thrilled to announce the outrageously talented cast for Dirty Rotten Scoundrels, the devilishly cheeky, fun-filled Broadway musical opening at Hayes Theatre Co this May. In a glittering new production that’s all charm, chaos, and con artistry at its most delicious, this cast brings star power, impeccable comic timing, and just enough respectability to make the scams feel almost classy. Tickets are on sale now from www.hayestheatre.com.au

Music theatre star and Hayes Theatre Co favourite, Blake Erickson leads the cast as Lawrence Jamieson, a suave conman who believes in tricking corrupt, rich people out of their money to finance his lavish lifestyle. Currently on stage in the national tour of Cluedo, Blake most recently wowed audiences with his hilarious performance as Roger de Bris in The Producers and will later be seen on stage in My Fair Lady.

The cocky small-time American hustler Freddy Benson will be played by star of screen and stage, Rowan Witt who will make his welcome return to the Hayes. Rowan has starred in blockbuster productions Hamilton and Book of Mormon and played the leading role of Georg Nowak in She Loves Me at the Hayes. Currently, he can be seen in television series Ghosts Australia and Totally Completely Fine.

Christine Colgate, the naive and wealthy American heiress who is the target for Lawrence and Freddy’s con, will be played by Kristina McNamara (Ned Kelly, CHICAGO), and Jordan Shea (The Producers) plays police chief Andre Thibault. Two of the women conned by the pair, Muriel Eubanks and Jolene Oakes, are played by up-and-coming musical theatre stars Aurélie Roque (Pippin) and Scarlet Lindsay (Guys and Dolls). Rounding out the cast in the ensemble Oliver Clisdell, Emma Feliciano, Brendan Godwin, Madelene Kirkwood and Christopher Tendai.

This all-new Australian production of Dirty Rotten Scoundrels is directed by Rebecca McNamee (Abigail Williams), musically directed by Dylan Pollard (Woman on the Verge of a Nervous Breakdown) and making his choreography debut is Cameron Boxall.

Director Rebecca McNamee said “From seasoned professionals to talented graduates, the cast of Dirty Rotten Scoundrels is an exciting mix of diverse, worldly experiences! It is such an honour to work with talent who jump feet first into joy, nonsense and complex storytelling. Dirty Rotten Scoundrels is a big show and we have found the skill and energy to match! There is a reason that performers from some of Australia’s most successful productions want to be part of Dirty Rotten Scoundrels – because all their talents will be in full display. I can’t wait for you to join us in the Riviera.”

Based on the hit 1988 film starring Michael Caine and Steve Martin, this Tony-nominated musical comedy follows two cunning conmen — the elegant, ruthless Lawrence Jamieson and the wildly unpredictable Freddy Benson — as they go head-to-head on the French Riviera in a winner-takes-all game of deception. Their target? A sweet, unsuspecting American heiress. But in a world built on lies and reinvention, nothing — and no-one — is quite what they seem.

With a razor-sharp book by Jeffrey Lane and an irresistibly cheeky score by David Yazbek (The Band’s Visit, Tootsie, The Full Monty), Dirty Rotten Scoundrels is a riot of farcical foolishness, toe-tapping tunes, and whip-smart satire. Expect bold physical comedy, razor-edged elegance, and performances as dazzling as a Riviera sunset.

DIRTY ROTTEN SCOUNDRELS
Director Rebecca McNamee
Music Director Dylan Pollard
Choreographer Cameron Boxall
Set Designer Soham Apte
Costume Designer Angelina Daniel
Producer Ebony Tucker
Associate Choreographer Carla Venezia
Assistant Choreographer Lauren Mitchell
Lighting Designer James Wallis

SEASON DETAILS
Venue: Hayes Theatre Co, 19 Greenknowe Ave, Potts Point
Season: 22 May – 21 June
Times: Tues 6.30pm, Wed-Sat 7.30pm, Thurs 1pm, Sat 2pm & Sunday 1pm
Price: Tickets from $79 Adult, $69 Concession/Group, $60 Under 35, Previews from $69
Bookings: www.hayestheatre.com.au

 

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Conmen At Work – Dirty Rotten Scoundrels

Dirty Rotten Scoundrels is a fun and witty musical. Put on by the Metropolitan Players at the SPCC Theatre. 

The show is set on the French Riviera, where Lawrence Jameson is a successful working conman. When a young rival, Freddy Benson, invades his territory. Lawrence whimsically takes Freddy under his wing to teach him the tricks of the trade. The arrival of a well-endowed American heiress starts a battle to see who can con her first.

Khalil Khay, who plays Laurence did an amazing job carrying the show through the twist and turns of the cons. However, the character that stole the show was Jolene, played by Lizzy Lindus, the comedic tone and energy she brought to the character leapt off the stage. 

The ensemble was full of talented people who kept the world alive. Standouts from the ensemble were Wade Neilson and Megan Kennedy. Their dance ability and facials were incredible. The whole ensemble did a fantastic job playing multiple different characters and doing astonishingly quick costume changes. 

Now the thing that truly makes this musical stand out and who is generally overlooked. The production team, set dressing, lighting and costumes were incredible. I believe this show should definitely be up for CONDA for Excellence in Lighting and Audio Visual Design. 

All in all it was a good show with belly laughs throughout. 

Tickets are on sale for the final week of this production (19th through 22nd July) from the SPCC Theatre website, with 7pm sessions on Wed, Fri, Sat and a 1pm matinee session on Sat 22nd.

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