A Bold, Witty, and Unflinchingly Honest Exploration of the Human Psyche in Musical Form

Initial Consult: Taking diet culture to therapy

Initial Consult: Taking diet culture to therapy Rating

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Charlotte Grimmer’s Initial Consult- Taking diet culture to therapy (2026 MICF) at The MC Showroom is a bold, witty, and unflinchingly honest exploration of the human psyche. Grimmer is a graduate of NIDA Acting program, a high school dance and drama teacher. Charlotte has performed this show in Edinburgh, Sydney and the Adelaide Fringe Festival.

Bursting straight through the waiting room, Charlotte Grimmer’s initial court-mandated therapy session begins-and we, the audience find ourselves cast as the therapist. This fresh and fearless musical invites us into a hilariously triggering session filled with tap, rap, dance, and masterful keyboards. Grimmer’s performance showcases her diverse vocals, sharp wit and impressive comedic skillset.

The shows engaging narrative grapples with mental health, diet culture, perfectionism and the messy nuances of how we cope. Charlotte works the packed audience brilliantly- making pointed uncomfortable and knowing eye contact with every “therapist” in the room in moments that are at once awkward, hilarious, and deeply relatable. One moment the audience squirms, triggered and defensive: the next, they erupt with applause and laughter.

 

 

The stage is set with minimalist flair: a chair, a keyboard, and a side table adorned with tissues, a plant, and a pot. By the end of the performance, it resembles the floor of a teenager’s bedroom. Each prop is purposefully placed and thoughtfully used. Grimmer’s inventive excellence is evident in every detail—every movement, and exaggerated facial expression, and lyric is meticulously placed—creating a remarkably clever and cohesive piece highlighting Grimmer’s inventive flair and keen attention to detail.

Sadly, Melbourne, Charlotte Grimmer has wrapped up her season and is heading back to Queensland. The MC Showroom is conveniently located near plenty of pubs and dining options and has a licensed bar for enjoying a drink during the performance —ideal for steadying one’s nerves before this funny therapeutic ride. Patrons should note that accessibility is limited, with 25 stairs and no all-access bathroom.

In a thoughtful touch, Grimmer acknowledges the show’s potentially triggering themes, directing audience members towards support organisations such as The Butterfly Foundation. This thought-provoking and playfully disarming performance will follow you home.

Deliciously daring, Initial Consult- Taking diet culture to therapy (2026 MICF) is the kind of performance that makes you laugh, wince, and reflect—sometimes all in the same breath. Side effects may include sore cheeks from smiling and the sudden urge to book a therapy session… or a tap class.

Love Aunty Kylie xo

To book tickets to Initial Consult: Taking diet culture to therapy, please visit https://www.themcshowroom.com/whatson/melbourne-international-comedy-festival-2026-initial-consult.

Photographer: Joel Devereux

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From Page to Stage: Percy Jackson Delivers

The Lightning Thief

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Art in Motion Theatre Company are back at the Don Russell Performing Arts Centre with The Lightning Thief: The Percy Jackson Musical—and as a family who love musical theatre and have devoured everything written by Rick Riordan, we were counting down the days until the show.

We arrived dressed in our finest orange and blue (as you do, IYKYK), and loved seeing so many audience members leaning into the fun—camp colours, hand-painted bead necklaces, the lot. This was an audience coming in with high expectations. Thankfully, this talented cast more than delivered.

The story follows Percy Jackson (Joshua Hollander), who discovers he’s a half-blood—his father is none other than Poseidon. After his life takes a sharp and unexpected turn, Percy finds himself at a camp for children of gods and mortals before heading off on a quest filled with monsters, riddles, and a race against time. Alongside Annabeth Chase (Una Minello) and Grover Underwood (Cosimo Trichelo), Percy must try to prevent a war among the gods.

No pressure.

 

 

The show runs for around two hours (plus intermission) and is fantastic value for a community theatre production. A huge congratulations to the cast—these performers can sing. As well as the 3 lead characters, hats off to the other performers who seamlessly transitioned between so many characters. The live band was incredible (and honestly, live music just lifts a show in a way nothing else can), their enthusiasm was contagious. This is Liam Tickner’s directorial debut, and what a strong one it is. The set design by Craig Delbridge is clever and effective, using simple elements to bring scenes to life (the statue garden was a standout). Costume designer Kylie Martin has also done a great job capturing the essence of each character.

I was asked before going, “Isn’t that for kids?”
And look… not no…

The recommendation is 13+, but if your younger kids are okay with some fight scenes, they’ll likely love it. The books are aimed at around 9+, and I’d happily take an 8 or 9-year-old. That said, this absolutely holds its own for adults—I’d have enjoyed it just as much without the kids (although I suspect I would never have been forgiven) and there were lots of adults there of all ages without children.

If you love Percy Jackson, mythology, urban fantasy, or just a good musical, this one is well worth your time. The show is still running from 16–18 April (with two performances on the 18th). You can find more information here: https://www.gosnells.wa.gov.au/news-events/events/lightning-thief

To book tickets to The Lightning Thief, please visit https://drpac.sales.ticketsearch.com/sales/salesevent/160626.

Photographer: Perfectly Picturesque Photography

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School of Rock The Musical: Towering, Empowering and Crackling with Energy

School of Rock

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10 years since its Broadway debut, School of Rock The Musical is back at the top of the class, thanks to Passion Productions. A musically catchy, infinitely quotable and enormously demanding show, SORTM is delivered with such courageous energy and commendable execution, the audience feel like they’re in the band, on top of mount rock – sticking it to the man!

Based on the 2003 Jack Black film, SORTM follows Dewey Finn (Lachey Gleadhill), a struggling musician crashing with his friend Ned Schneebly (Jackson Kellaway) and Ned’s partner Patti Di Marco (Isabella Farry) – to Patti’s vocal and repetitive disapproval. Under pressure to start contributing financially – and suffering from a hangover, in addition to the indignity of being kicked out of the band he started himself – Dewey pretends to be Ned, taking up a substitute teaching assignment under his assumed identity, at the prestigious but stuffy and structured Horace Green Prep School.

While at Horace Green, Dewey quickly wins over the students with his unorthodox exuberance and enthusiasm, polishing their musical potential, entering them in The Battle of the Bands. However, his legitimacy and longevity at Horace Green hang in the balance; Will the school faculty or parents uncover Dewey’s deceit? Will Horace Green empower the students to succeed, when their chosen path subverts set expectations?

As Dewey Finn, Lachie Gleadhill is well cast, gaining momentum throughout the performance. Gleadhill has a natural rapport with scene partners, especially the youngsters. This is perhaps unsurprising, where Gleadhill is a high school music teacher by trade. It is nice to see the grumpier, hung over Dewey lighten into the more youthful and optimistic incarnation in the second half; Dewey Finn works best when played loose and light.

Jackson Kellaway is an affable Ned Schneebly, providing a centred counterpoint to Dewey’s manchild character; a rocker at heart, like Dewey, but unlike Dewey he has abandoned his dream of musical fame in favour of a respectable day job, reconciling himself to a grounded, grownup reality under the thumb of Patti (Isabella Farry). As Patti, Farry is an entertaining study; While she is perhaps the stories chief antagonist, naggingly judgmental, putting Dewey down at every opportunity, on some level we can sympathize with her predicament, dealing with an inconsiderate, freeloading friend of her partner, outstaying his welcome.

 

 

My favourite adult performance comes from Isabel Kruse as Miss Mullins, bringing deft nuance to her character’s story arc, in addition to a remarkable operatic voice, which also lends strongly to the show’s more contemporary fare. Kruse’s number ‘Where Did the Rock Go’ beautifully illustrates the show’s deeper counter theory- that real life requires compromise, where people settle for lower risk realities, in favour of pursuing their wilder dreams.

However, SORTM truly belongs to the talented young cast, who each deserve hearty recognition for their great work. It is wonderful to see such dedication to detail, presenting fully realised characters who are alive and fully fleshed-out, filling the stage with interesting shapes, serving the scene even when they are not at the centre of the dialogue, avoiding any dead moments.

Particular highlights from the younger cohort include Saana Chang as Summer Hathaway, turning in a lively performance with charisma and excellent dance and gymnastics ability, Emily Winwood as Zara Mooneyham with her natural stage presence, emotional gravity and superlative musical abilities, and Alessia Lily Monteverde as Tomeka Spencer-Williams, showing incredible vocal ability, with precise vocal runs and excellent pitch.

Chloe Coleman as Freya Hamilton catches the eye with rhythm and commanding confidence belying her youthful age, while Henry Hedger is a charismatic Billy with terrific comedic timing and the perfect amount of sass.

A talented ensemble cast play multiple adult roles seamlessly, while the onstage band capably guide the tempo and bring atmosphere to the show.

While on preview night there were a couple or minor sounds issues, and an occasional flat note, such criticism is picky, when SORTM is such irresistible fun. Huge credit is due to the Production Team, led by Director Connor Clarke, alongside Musical Director Jacqueline Atherton and choreographer Stephanie O’Shea, to triumphantly present a complex show like SORTM at this scale and quality. Overall, an entertaining, family friendly night out, that is towering, empowering, and crackling with energy.

To book tickets to School of Rock, please visit https://events.humanitix.com/the-school-of-rock.

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Cast Announced For Pride And Prejudice* (*sort Of)

Feature-Pride and Prejudice* (*sort of)

The cast for the 2026 Australian tour of the musical comedy Pride and Prejudice* (*sort of) was announced today. The five performers who will portray the iconic roles of Elizabeth Bennet, Mr Darcy, Jane Bennet, Charles Bingley, Mr and Mrs Bennet and all other characters, will be Amy Lehpamer, Zoe Ioannou, Kaori Maeda-Judge, Ruby Shannon and Teo Vergara. Amy Lehpamer has led the cast of national tours of & Juliet as Anne Hathaway and The Sound of Music as Maria, as well as lead roles in Dusty, Beautiful: The Carole King Musical, The Who’s Tommy, School of Rock, Dirty Rotten Scoundrels, Once, Rock of Ages, The Rocky Horror Show and Shane Warne the Musical. A NIDA graduate, Zoe Ioannou most recently appeared in the Australian tour of Grease, understudying the roles of Sandy, Frenchy and Jan. Other performance credits include Hairspray, West Side Story, The Wizard of Oz and at the Hayes Theare Co, Dubbo Championship Wrestling, Bridges of Madison County and Big Fish. Kaori Maeda-Judge’s varied career has seen her in productions of David Bowie’s Lazarus, White Pearl for Sydney Theatre Company, The Dismissal for Squabbalogic, The Hello Girls and Meg March in Little Women at the Hayes Theatre Co, and Jack Thorne’s Tony Award winning A Christmas Carol, as well as TV’s Neighbours. A recent graduate of QUT, Ruby Shannon is making her professional debut in Pride and Prejudice* (*sort of). Since graduating, Ruby has collaborated on several independent theatre, film and development projects. Teo Vergara is an actor, singer, dancer and a graduate of the VCA, who made their screen debut in the ABC series Crazy Fun Park and followed this by starring in the queer and gender diverse series Turn Up The Volume for the ABC. Teo was a member of the original Australian cast of Jagged Little Pill, and starred in the original Australian musical Converted! for ATYP.

“It has been a long-held dream to undertake this tour with our take on Austen’s masterpiece,” said writer and original director Isobel McArthur. “This show is a true celebration of love and romance so, now that the match-making is done, I cannot wait to watch Pride & Prejudice* (sort of) and its Australian audiences fall head over heels for each other.”

Co-Director Simon Harvey said, “I am delighted with the stellar cast of Australian talent we have been able to assemble for this production and can’t wait to travel down under to begin rehearsals. I feel sure that the wit, physical comedy and karaoke sound track of Isobel MacArthur’s take on Jane Austen’s timeless classic (sort of), will chime with Aussie audiences.”

Direct from its triumph in the West End where it won the Olivier Award for Best Comedy, Pride and Prejudice* (*sort of) is a unique and audacious retelling of Jane Austen’s most iconic love story. Men, money and microphones are fought over in this irreverent but affectionate adaptation where the stakes couldn’t be higher when it comes to romance.

This “smart, laugh out loud funny” (Daily Telegraph) show features a string of pop classics including Young Hearts Run Free, Will You Love Me Tomorrow and You’re So Vain. Coming to Australia for the first time, these five fearless women bring Austen’s world of love, class and chaos to life with heart, humour and unstoppable energy in this modern take on one of the world’s most adapted pieces of literature.

★★★★★ “Faithful to the book, it’s also a raucously irreverent romp” – Daily Mail
★★★★★ “Riotously funny… gloriously entertaining… frankly sensational” – Variety
★★★★★ “Layer and layer of brilliance” – The Scotsman

PRIDE AND PREJUDICE* (*sort of)
By Isobel McArthur after Jane Austen
Original production directed by Isobel McArthur
Co-Director Simon Harvey
Produced by Neil Gooding Productions and Woodward Productions by arrangement with David Pugh Limited

SEASON DETAILS

MELBOURNE
Venue: Atheneum Theatre
Season: 18 June – 12 July
Performance Times: Tues-Wed 7pm, Thurs-Sat 7:30pm, Wed & Sat 2pm, Sun 3pm
Prices: From $65 (Transaction fees apply)
Bookings: ticketmaster.com.au or phone (03) 9650 1500
Groups 8+ visit ticketmaster.com.au
Groups 20+ email groups@ticketmaster.com.au

SYDNEY (Presented by Sydney Opera House)
Venue: Drama Theatre, Sydney Opera House
Season: 16 July – 30 August
Performance Times: Tues-Sun 7pm, Wed & Sat 2pm, Sun 1 or 2pm (times vary weekly)
Prices: From $69 (Transaction fees apply)
Bookings: https://www.sydneyoperahouse.com/theatre/pride-prejudice-sort-of or (02) 9250 7777
Groups 8 + call (02) 9250 7777

WOLLONGONG (Presented by Merrigong Theatre Company)
Venue: IMB Theatre, IPAC
Season: 2-13 September
Performance Times: Tue 6.30pm, Wed-Thurs 6:30 or 7:30pm, Fri-Sat 7:30pm, Thurs 11am, Sat & Sun 1:30pm (times vary weekly)
Prices: From $84 (Transaction fees apply)
Bookings: merrigong.com.au or (02) 4224 5999
Groups 8+ call (02) 4224 5999

CANBERRA
Venue: Canberra Theatre, Canberra Theatre Centre
Season: 16-27 September
Performance Times: Tues 6:30pm, Wed-Sat 7:30pm, Wed, Sat & Sun 1:30pm, Sun 6:30pm (times vary weekly)
Prices: From $65.90 (Transaction fees apply)
Bookings: canberratheatrecentre.com.au or (02) 6275 2700
Groups 4+ call (02) 6275 2727

BRISBANE
Venue: Playhouse Theatre, QPAC
Season: 30 September – 18 October
Performance Times: Tues-Thurs 7pm, Fri-Sat 7:30pm, Wed, Thurs & Sat 2pm, Sun 3pm (times vary weekly)
Prices: From $65 (Transaction fees apply)
Bookings: qpac.com.au or phone 136 246
Groups 8+ call (07) 3840 7466

 

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