Melbourne is no stranger to unusual, intimate show venues, but it takes a lot of creativity, planning and passion to make full use of unconventional stages. This is especially true for a play like 1 Man 2 Guvnors by Richard Bean, which opened at London’s National Theatre and was a major career stepping-stone for James Cordon. As a company, J&L Presents clearly rises to challenges like this, explaining that “each production [of theirs] is carefully tailored to its surroundings, with the venue itself becoming a character that informs and enhances the narrative”.
For this show, their chosen ‘character’ is Piano On Swan in Richmond, and an otherwise unassuming bar space is converted into a traverse stage. The small audience takes up half the walkway in front of the bar and a little nook close to the entrance, the tech operator looms above the bar and needs a ladder to get down, and the only exits are out the front door and up a small flight of stairs to the toilets. In short, there’s not a lot of space and plenty of obstacles for the actors to navigate – and they do so beautifully.
The play itself is set in Brighton in 1963, and follows the unemployed working-class Francis Henshall (played by Daragh Wills). The character quickly becomes a dogsbody to two employers: gangster Roscoe Crabb (Zoe Rose), and white-collar criminal Stanley Stubbers (Johno White). As Francis struggles to meet the demands of two masters, other subplots pile onto the whirlwind hilarity, including a twin sister posing as her dead brother; a ‘love triangle’ between Crabb, aspiring actor Alan (Dylan Mazurek) and dimwitted socialite Pauline (Emilie); and Francis falling for the feminist bookkeeper Dolly (Sharon Wills). Trust me – it’s much easier to follow when you watch it unfold over two hours, with plenty of slapstick, wordplay and melodrama in between.
The script itself was popular fifteen years ago for a reason. It was inspired by an Italian commedia dell’arte play from 1743 and takes a lot of inspiration from classic British period comedies from the likes of P. G. Wodehouse. However, the writing sprinkles in modernisms that add to the comedy instead of distracting from it. The swearing, gender swap shenanigans, fourth wall breaking and audience participation keep the gags constant, fresh and fun. The ensemble cast’s perfect sense of timing augments every joke; they aren’t afraid to let awkward silences sit because they make the moments of chaos even more uproarious.
J&L Presents’ love of performance space shows to the fullest, as every inch of the small barroom is used. Actors stand on the bar, fall behind it, rush out onto the street and back in, haul heavy trunks and trolleys every which way – everything is frenetic and chaotic in the best way possible. The blocking was also impressive because aside from a scant few times when some people’s faces weren’t visible, nothing was missed and every visual joke was clear to see. Wills is a fantastic lead getting laughs from the minute of walking onstage and had us in the palm of their hand. The other cast members fantastically embody their characters, understanding that ‘more is more’ and pushing their mannerisms and their voices to the maximum. The comedy was tight and well-planned, but also had a fluidity which made so many moments feel improvisational and any gaffes like additions to the fun. Everyone was enjoying themselves so much that they could do no wrong.
After this show, I can’t imagine 1 Man, 2 Guvnors being performed on a larger, traditional stage. The closeness cultivated between the audience and the characters feels integral to the show working as well as it does. There was a constant sense of excitement, not knowing which character was going to pop out of where, or how things could possibly get worse for our comic heroes. When I went, the audience ranged from very young kids to older people, and from the conversations I heard in the interval and afterwards, everyone seemed to have a fantastic time. This production is intimate, clever, packed with laugh-out-loud moments, and a perfect theater experience for most if not all audiences.
To book tickets to One Man, Two Guvnors, please visit https://www.comedyfestival.com.au/browse-shows/one-man-two-guvnors/.
Photographer: Darcy K Scales
