Good Food & Wine Show – Melbourne

Good Food & Wine Show - Melbourne

Good Food & Wine Show – Melbourne Rating

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With eager hearts and bellies, we set about the walk down South Wharf to the Melbourne Convention and Exhibition Centre for our first taste of the 25th annual Good Food and Wine Show. This three-day foodie bender had been on our calendars for quite a while and with the Melbourne weather gods on our side, we knew the stars were aligning and we were in for a treat.

Upon entry we were met with an exciting blast of fragrances and laughter. It became clear that we needed a plan of attack for the 300 plus exhibitors before us. Often with these grand-scale conventions it’s easy to feel overwhelmed and spoilt for choice as to where to start. But armed with our complimentary wine tasting glasses, we forged forth into the throng.

The Harvey Norman stage hosted the chocolate queen herself Kristen Tibells. Audiences were treated to the eight distinct flavours of chocolate and the origins of cacao beans. Throughout the day, other A-list celebrity chefs hosted live demonstrations on this same stage. George Calombaris and Shannon Bennett took us through a culinary wonderland, their bubbly dynamic humorously punctuated by the surtitle screen above the stage providing commentary on the action happening below. Miguel Maestre also graced the stage with his infectious smile and delectable “Fiesta En La Cocina” demonstration for passionate cooking.

Being a “curd-nerd” myself (a term I learned from a friendly patron willing to let me jump the cue in front of him), I found myself instinctively gravitating toward the cheese district. First stop was the Smelly Cheese Co. grilling cheese toasties with their Quicke’s English Cloth 18 month Cheddar. Oh my heart. I would die happy. If I had all the time in the world, it wouldn’t have been enough to satiate my desire to sample every cheese stall. One such highlight was Long Paddock Cheese offering handmade artisan cheeses using organic cow’s milk from Castlemaine.

Their Bluestone was reminiscent of a creamy salty stilton and their Driftwood wrapped in spruce bark was baked to gooey perfection that you just wanted to dip a spoon in there and succumb to a cheesy coma heaven. However it was their signature cultured cream salted butter that took the spotlight. Simply spread on some crusty bread, you felt like a 17th century fop giggling over the luxury banquet before you.

Wines, gins and sakes were in abundance presenting flavours and aromas from all over the world. Lychee Estate took my eye with their “Horse’s Neck” cocktail. Located in the small Hong Kong town of Buluo, this distillery prides itself in providing “nourishment to the people and the fruit”. Their award winning lychee vodka and ten-year edition brandy boasts no less than 12 kg of lychees in every bottle. Their “Horse’s Neck” cocktail (a combination of their lychee brandy, ginger ale and lemon rind) reminded me of a great summer drink next to an Aperol spritz.

After sampling an unforgivable amount of sweets, snacks, pastries, condiments and alcohol, it was time for our slow and heavy departure. Word to the wise: next year bring a backpack for all your goodies and be sure to eat something before hitting the wines too hard.

To book tickets to the Good Food & Wine Show in your town, follow the link for session dates and times @ https://goodfoodshow.com.au/.

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Love and Information: A Joyous Exploration of Tiny Moments

Love and Information

Love and Information Rating

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Love and Information at Theatreworks offers a joyous, fast-paced journey through a series of micro-moments that illuminate the many facets of human connection. Under the vibrant direction and choreography of Belle Hansen, this production presents a kaleidoscope of vignettes, each one a tiny window into love in its countless forms: between parent and child, siblings, romantic partners at the beginning or end of a relationship, and even the more abstract, conceptual experiences of love. The result is an adventurous theatrical experience that feels both immediate and expansive.

From the moment the lights rise on Harry Gill’s cleverly designed set, rotating pieces transform with ease and projections of bright blue skies and puffy clouds by Hannah Jennings sweep the audience into a world that is as visually inventive as it is emotionally resonant. Sidney Younger’s lighting design bathes each scene in a warm palette, underscoring tenderness or tension as required. At the same time, Jack Burmeister’s sound and composition evoke the golden age of Hollywood with music inspired by Gershwin. At times, the soundtrack dances alongside the action, punctuating moments of tenderness or humour and making the transitions between vignettes feel seamless.

The cast is a diverse ensemble—Junghwi Jo, Iopu Auva’a, Jane Edwina Seymour, Jack Francis West, Charlie Morris, Felix Star, Emma Woods and Sean Yuen Halley—who bring these snapshots of life to vivid, often playful reality. There is an energy onstage that feels akin to actors exploring a Meisner exercise: words float above the subtext, and true meaning emerges from silent exchanges, body language and emotional undercurrents. Each performer embraces that challenge, allowing humour, heartbreak and wonder to coexist within a few lines of dialogue.

It is apparent that collaborative work between the director and actors was central to the rehearsal process, and moments of genuine spontaneity lit up the stage.

Movement and choreography are integral to this production. The actors flow across the stage, interacting with set pieces, props and each other in ways that feel organic. Choreographed movement ranges from subtle shifts in posture to more overt group sequences that push the action forward. The rotating set becomes a character in its own right.

Costume design by Harry Gill is a highlight: the soft, inviting palette feels both lush and approachable. Each colour choice seems deliberate, through oranges, blues and earth tones that mirror the emotional tenor of each vignette. The textures of fabric invite the audience into a human, tactile world. The actors’ wardrobes become an extension of emotional colour, visually echoing the subtext beneath their brief but potent scenes.

If there is one area where a gentler touch might allow the emotional truth to breathe even more, it is during the second half of the show. As the pace quickens and the stakes rise, certain confessions or confrontations feel rushed, as though the performance is intent on maintaining momentum rather than lingering in nuance. A few extra beats here or there, just a fraction of pause, could allow subtle shifts in expression or tone to blossom more fully. That being said, the ensemble remains fully committed, and any sense of haste never feels careless or rushed.

Overall, Love and Information is an inspiring theatrical adventure that marries inventive design, spirited performances and moments of genuine emotional resonance. Belle Hansen and her creative team have delivered a production that celebrates the beautiful complexity of human relationships. Theatreworks provides the perfect intimate setting for these fleeting stories to land with impact. If you have ever wondered how a few lines of dialogue can carry an entire universe of feelings, this is the show to catch. I wholeheartedly encourage everyone to experience this vibrant, daring exploration of love at TheatreWorks.

To book tickets to Love and Information, please visit https://www.theatreworks.org.au/2025/love-and-information.

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Spanish Film Festival: El 47

El 47

El 47 Rating

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The timing of the Spanish Film Festival could not be better, as Sydney plunges into winter, the warmth of the stories, the sun drenched cinematography, and the hot stories from Spain, are truly what the soul needs.

One of the stand outs of the program is the critically acclaimed, multi award winning film about a humble bus driver in charge of route 47 in Barcelona. Little did I expect to be so emotionally moved by a story about a bus driver! But what Manolo stands for is much more than his job, his bus route or career. He comes from a suburb on the outskirts of Barcelona, where each house was built by hand, brick by brick, by Spanish refugees escaping the impoverished and corrupt Andalusian and Extremaduran communities.

Even though the locals bought the land in the Torre Baro district with their own money, they have lived for years as second class citizens of Barcelona, with barely any access to running water, paved roads or political representation.

When Manolo, driving for the city Transport Services, sees the neighbourhood losing its young people, with his own home beginning to crumble away and his wife begging to move away, he decides on one last act of rebellion. After all other politically correct avenues fail – he decides to hijack his bus and take it up to the suburb which politicians labelled unreachable.

The beautiful subtlety of the main actor tugs on the heart strings as you witness what one man’s act of rebellion can achieve. Too often we are told one ‘man’ cannot achieve anything against the ‘greater machine’ but in this true story, that one man’s act of rebellion changes everything!

I stand with Manolo! I want to hijack my own proverbial bus and make a change for the better.

Follow this link to book tickets to El 47 or any other Spanish Films Festival showings @ https://spanishfilmfestival.com/.

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Elvis Tribute Artists: Jack Gatto & Charlie Gaylard

Jack Gatto & Charlie Gaylard Show

Jack Gatto & Charlie Gaylard Show Rating

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10

The promo read: For the first time ever, two of Australia’s finest Elvis tribute artists share the stage for an unforgettable night of music! Charlie Gaylard, the 16-year-old sensation from Colac who’s putting the Elvis world on notice, joins Jack Gatto, the Geelong powerhouse with arguably the best Elvis voice in the world. Backed by the world-renowned Tributes In Concert Band—soon to perform for Elvis Presley Enterprises in Memphis—this two-hour spectacular promises electrifying performances, classic hits, and the ultimate tribute to The King.

Jack Gatto, 29, is a born entertainer; a vocalist, guitarist and drummer, with exceptional versatility; he understudied for The Wiggles. So, yes, even without perfecting his tribute in performing the vocals, charisma and audience interaction of ‘Elvis’, he’s a very accomplished and engaging performer. Unexpectedly, I learn that he’s also a wildlife and zoo reptile keeper, but tonight he dons a blue studded jumpsuit and leaves the crocodile shows behind for something else mesmerizing on stage….ELVIS!

Charlie Gaylard has already got his ETA (Elvis Tribute Artist) career kicking goals (after being inspired by Baz Luhrmann’s 2022 movie – he wasn’t even a fan before seeing it) and he has only been doing this for a year and a half.

At the huge annual Parkes Elvis Festival in January, which I attended, a lady behind me said (as Charlie rolled by in a pink suit in the vintage car street parade), ‘Hubba Hubba Who’s That?’; someone replied ‘It’s Charlie! How can you not know him?’, another said ‘Yeah, he’s the boy Go Charlie!’ LOL – Charlie smiled his perfected Elvis lip and waved back (bonus that he does look alike). These fans were in their 70s, and definitely not the usual fanbase for a 16 year old singer, but next time, given Charlie’s rapidly growing popularity, they may be bringing their grandchildren.

There were apparently (according to my chats with locals) more young people at the NSW Parkes festival this year than any prior and probably same with the growing Geelong Elvis Festival (according to the owner of the motel I stayed at this weekend), and, whilst my daughter (19) was no doubt one of the youngest audience members at this show in Geelong, she is a huge Elvis fan and was singing the words just as well as the grey haired gentleman with a walker aide on the aisle; both of them having a great time.

For two non-stop hours we enjoyed toe tapping tunes, hard-belt lyrics and soft sweetness up there on that stage with banging traditional lighting as good as any nightclub, an extraordinary band and in-theme back-up singers. Along with a bit of comedy from both Jack and Charlie, the crowd loved every second from everyone contributing to the spectacle and the two hours flew by.

My Mum played ‘Elvis’ a lot (she was one of those actual teen fans of his heyday, just like most watching this sold out concert at The Sphinx). I knew pretty much all his music by the time I was 12, thanks Mum! In recreating the love, there were quite a lot of ladies like my Mum eagerly going up for a scarf given out by Jack, just as the real Elvis did for his lucky fans.

My favourite song is and always has been HOUND DOG and tonight was no exception with LOVE ME TENDER a close follow up. I could list a heap of others also that were mind blowingly good; Suspicious Minds, Blue Suede Shoes, Burning Love, etc. etc. each and every one totally authentic; our jaws dropped in disbelief on multiples, “just like watching the real thing” my daughter agreed.

My daughter didn’t once look like she’d had enough, the atmosphere of seeing live music she has discovered is far better than ‘clubbing’. Her faves were LITTLE LESS CONVERSATION by Charlie and the duet rendition of JAILHOUSE ROCK where Charlie and Jack were on stage together for the end of the show.

Throughout the night, every single person of any age around us was smiling and cheering in astonishment at the likeness of Elvis as a young performer by Charlie and as a more mature man with Jack on the mic. They were both incredible at showing us his different eras. Jack was generous in giving the scarves out to the ladies too, it was all such fun!

Elvis was one of the most incredible entertainers of all time and what a privilege for these two to keep his stage presence alive, Vegas style! Love love loved!!

Follow @domarpaproductions for updates and give them a huge round of applause for everything they are doing to bring Elvis back for the ‘oldies’ and hopefully introduce more of his undying music to the ‘youngies’.

If you didn’t fly to America in your youth to see Elvis live in concert (or you weren’t born then); you CAN be transported back in time – just go see Jack Gatto and Charlie Gaylard. The two speak highly of each other; they know they are not the real Elvis and the crowd knows it of course; everyone goes along because they loved everything about Elvis from his famous voice to perhaps his even more famous dance style which shocked the world – it’s all part of the fun and the memories and these two tribute artists do Elvis proud! Both Jack and Charlie are down-to-earth and humble of their ability to light up the lives of those watching them as ‘Elvis’ for a night. “Thank-you very much!”

You might likely catch Jack and Charlie together again in November – book quick because they sell out quick, they just have added this new show by popular demand.

See: https://geelongelvisfestival.com.au/ in Geelong or keep posted on all shows ‘Elvis’ via promoters DOM ARPA PRODUCTIONS https://domarpaproductions.com.au/

Venue & Parking: can’t miss the huge “Sphinx” so easy to find and venue has plenty of parking, but it was fairly full for this event so go early, we did however queue outside for a while.

Accommodation: Geelong is an easy commute from Melbourne. We stayed at Rippleside Park Motor Inn a 5min drive from the venue and can highly recommend as a great basic affordable motel centrally located for seeing any show in Geelong – it’s always nice to go away for a night as well to see a show out of town and Geelong has a lot to offer.

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