Duel & Dual: Martial Arts Meets Magic

Duel & Dual

Duel & Dual Rating

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Setting the stage for competition, a bare black stage holds a red and green digital counting clock, and two chairs with identical trophies upon them. As each of the two magic champions seek to out-do the other, a playful battle for the ultimate title commences. Exploring the nuances between rivalry and camaraderie, Duel and Dual showcases the different yet complementary talents of both performers through illusionary magic, martial arts, and mime.

Close-up Magician, Tu Strange, and Stage Magician, Mu-Syuan Chang, take turns to impress the audience with their different skills and occasionally attempt to sabotage the other. Strange’s comedic and showman-like personality certainly allows him to engage up close with the audience, even including them directly in his tricks and inviting them to copy his movements to demonstrate their authenticity. He has no qualms exuberantly inviting people to join him onstage, including helping with a 52 card pick up, and often all but demanding a hug at the end of tricks without saying a word.

Chang is much quieter in demeanour yet no less talented, as he gracefully moves around the stage seemingly conjuring playing cards and coloured confetti from nothing. Accompanied by music, he almost dances as he displays incredible dexterity with various items which almost defy gravity.

Both dressed in black, the magicians almost seemed to blend into the background at times, allowing the magic of the moment to take precedence. While this wasn’t completely mimed, with a word or two uttered quietly to amusing effect, the lack of dialogue allowed all aspects of the visual spectacle to take centre stage. The alternating of acts between the performers gave the impression of gentlemen taking turns to attack rather than everything happening at once.

However, it would’ve been very exciting to have seen more of a fast-paced physical battle that utilised more of the martial arts, mime, and magic illusions together. The newfound friendliness at the end, while almost heartwarming, was a bit of an abrupt finish to the performance. There wasn’t much time allocated to working together, and there was certainly a missed opportunity of having them complimenting and helping one other’s acts in a friendly capacity rather than only as rivals.

The alternating red and blue lighting is cleverly employed in the opening few minutes of the show, highlighting the two very different competitors as dramatic foreshadowing to a serious showdown. To complement this, basic spotlighting and stage washes were utilised to great effect, as long as both performers were within in that light. The soundscape, alternating from dramatic instrumental to bursts of popular music, also felt appropriate given the contrasting personas of the performers and often allowed the music to speak for them.

Each magician commanded the small performing space in their own way, often making it feel bigger than it was – unless there was a call for audience participation; some of which could be difficult to see around the flat seating. There are also moments when it is unclear whether to applaud or to simply enjoy the spectacle in silence, particularly if you have never been to a magic show before.

Marketed as riveting tale of rivalry between champions, it operates more as a magic show in alternating styles that is loosely linked with friendly competition. A rigorously rehearsed show that encourages flexibility in audience involvement, this is a great night out for families looking for something different that’s away from the busyness of the popular Fringe gardens.

To book tickets to Duel & Dual, please visit https://adelaidefringe.com.au/fringetix/duel-dual-af2025

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Film Review- Bonhoeffer: Pastor. Spy. Assassin.

Bonhoeffer

Bonhoeffer Rating

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3

BONHOEFFER: PASTOR. SPY. ASSASSIN is not just another war movie; it is the dramatization of Dietrich Bonhoeffer’s journey as he grapples between upholding his pacifist moral convictions or joining the resistance in a plot to assassinate the Führer and save millions of Jewish lives.

A German Lutheran pastor known for his resistance to the Nazi dictatorship and his intense opposition to Adolf Hitler’s genocidal eradication of Jews, Bonhoeffer’s extraordinary human spirit in the face of adversity rises during the darkest of days despite the odds that are clearly pitted against him.

From Angel Studios, Bonhoeffer: Pastor. Spy. Assassin is written and directed by Todd Kamarnicki with Dietrich Bonhoeffer effectively represented by Jonas Dassler. This political period drama is beautiful presented with cinematic mastery visible through the creative vision of Kamarnicki. Costuming and location choices are authentic and believable as the audience is seamlessly transported back and forth between time periods.

This film is let down by some historical inaccuracy, perhaps more so by the omissions within Bonhoeffer’s story. While this does take some of the essence away from depicting the depth of his spirit, at over two hours long it does well to create impactfully dramatic moments that direct the audience toward an understanding of his loving relationship with God and family and the heart-wrenching moral and emotional conflict this man faced.

Bonhoeffer: Pastor. Spy. Assassin will be appreciated by those of Christian faith, but in saying that, those of no religion will not feel uncomfortable. Bonhoeffer’s story deserves to be told – it is respectful and reverent and well worth the investment of two hours of your time.

Tickets to Bonhoeffer will be available for purchase in 135+ cinemas nationwide through Rialto Distribution, starting March 13.

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A Journey to Little Happiness: A New Musical

A Journey To Little Happiness

A Journey To Little Happiness Rating

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10

The title says it all. This show from Taiwan is a lot of fun. The five cast members bring this new show to life on stage. It was fitting on International Women’s Day to see this cast of five women show the acting prowess coming out of Taiwan.

As we enter the venue, we are greeted by the cast in the audience space, making rhythmic sounds and movement. The house lights go out, and the cast moves straight onto the stage and into their first song. And from this first song, the audience is captivated. We know we are in for a good night of musical theatre.

The story is simple yet beautiful. It revolves around an email written 10 years previously. This then causes the five friends to have a reunion. Not a traditional reunion, but one at their old childhood hideout. This causes a range of childhood memories as they embark on playing some of their favourite games. Long-forgotten memories are released whilst playing the games. The audience participates by spinning a chocolate wheel to pick games. We have hopscotch, skip rope, and kick the can. As they play these games, it stirs their memories of gentler times.

And how, now, 10 years later, life has changed. It is more complex. The joys of childhood have faded. But the games do, in fact, strengthen their friendships, and they vow to meet again. It shows how important our early friendships are in our lives. We need to cherish these memories and friendships as they shape us for adulthood.

The choreography and musical pieces significantly enhance the narrative. The music includes elements of traditional Taiwanese musical instruments and rhythms. Chien-Lin Chen wrote the music, and Cindy Chen choreographed. The costumes are based on what children would have worn, with adult elements.

The venue is a little on the echoey side for a musical, but the audio team and cast coped well, and the mixing was clean and crisp. The lighting was a little on the turn on lights to see, until the end when colour was introduced. This colour element helps reinforce the strengthening of their friendships and a brighter future.

This cast works well as an ensemble. The natural acting style makes it very believable. The cast consists of Hsaio Lu, Zhao Zhao, Cynthia Yang, A Hsin, and Pei Chi. The cast is directed by Qiu-Yi-Bao Lai. He has a great sense of the story being told. This is a worthwhile show to see, so keep an eye open for it.

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About The Production – Cancer and Cartwheels

Dr Jo Prendergast - Cancer And Cartwheels

Today, we chatted with Dr Jo Prendergast for an About The Production chat about her show, Cancer and Cartwheels.

Cancer and Cartwheels is an inspiring, comedic solo show that takes audiences on a journey through Dr Jo’s breast cancer experiences, blending standup, musical numbers, and storytelling. With a mix of humor and heart, the show tackles everything from early cancer detection to menopause and health care inequalities—all wrapped up in a cartwheeling good time!

About Cancer and Cartwheels

What is this Production about?

Cancer and Cartwheels is an uplifting solo comedy show which celebrates my breast cancer survivorship and regaining my cartwheeling ability. I wrote the show during my cancer treatment as a way of coping and finding purpose. I take my experiences in funny, absurd directions via comedic skits and musical numbers and narrate via storytelling, standup comedy and use of images and video clips.

The show aims to entertain, and also to educate. I hope to increase awareness via comedy with messaging about early detection of cancer, menopause symptoms that are rarely talked about and living with the effects of cancer treatment. I also explore broader themes such as toxic positivity, body neutrality and health care inequality. Laugh and learn with an hilarious night of meaningful comedy.

What’s challenging about bringing this script to life?

The biggest challenge has been writing a script that finds the humour in my experiences as obviously cancer is inherently a tragic topic! With comedy about difficult topics, I think it’s essential to focus on our own personal experiences and not make generalised statements.

I use metaphors a lot in this show; after surgery I ended up with a perky B cup on the cancer side and on the other side, an age-appropriate semi flaccid D cup. I decided it was like I had a Millennial Boob and a Boomer Boob, so of course that required a skit of Generation Wars taking place in my bra! I noticed words that seemed inappropriate for cancer, such as it being ‘triple positive’; how uplifting is that!? I don’t think other illnesses get the ‘triple treatment’ – imagine if you were told you had triple gonorrhoea!

What sort of person is going to love this show?

My audience for this show has been diverse, from young people in their 20s who are interested in hearing my story and learning about cancer survivorship, to older folk in their 70s and 80s. The majority of my audience has been women 45-65, some of whom are breast cancer survivors and others who find the broader material about aging and menopause relatable.

There is also a health professional audience for the show, and this is likely to grow as I perform excerpts of the show at medical conferences. The health professional audience includes cancer society groups, doctors and nurses and others working in the area. While the focus of the show is my cancer survivorship story, there are also broader themes about coping with change, health care inequality, body neutrality and toxic positivity that are relatable to many people. Almost everyone’s lives have been touched by cancer, and the early detection messages are important for all to be reminded of.

What will the audience be thinking about in the car as they drive home after this show?

From what previous audiences have said, they are surprised at how much they laughed and learnt! I hope the audience leaves with a somewhat sore tummy and facial muscles from laughing so much. Also, that they takeaway some of the key health messages such as check for lumps in boobs and balls and find out your breast density. Hopefully, audiences leave with more understanding of the ongoing impact of breast cancer treatment or feeling that their own experiences have been portrayed on stage. Perhaps they may leave with a slightly lighter wallet if they decide to make a donation to the charity I am fundraising for, Breast Cancer Network Australia. And perhaps they take away a wish to try cartwheeling (no responsibility taken!).

Is there anything else you’d like to add?

To find out more, people can learn more about me at the Dr Jo Prendergast website or listen to me talking about the show here:

Where can patrons purchase tickets to this production?

Cancer And Cartwheels runs at the Adelaide Fringe from March 11th-15th, with show sessions commencing at 6:30 pm.

The show then goes on the road, travelling up the East Coast of Australia to Melbourne, Sydney and Brisbane for the following dates/times:-

  • Adelaide – 11th March to 15th March (6:30 pm sessions) – Book Tickets
  • Melbourne – 31st March to 6th April (5:45 pm sessions) – Book Tickets
  • Sydney – 26th April (5:15 pm) – Book Tickets
  • Brisbane – 17th May to 18th May (3:45 pm & 4:45pm) – Book Tickets

To learn more about Dr Jo Prendergast’s Comedy and other activities, please visit https://linktr.ee/joprendergast