About The Musical – Monopoly: The Unauthorised Musical

Feature-Monopoly: The Unauthorised Musical

Today, we’re diving into the whimsical world of Monopoly: The Unauthorised Musical with its creator, Jasper Cruden. Described as a fantastical adventure with a touch of 80’s and 90’s nostalgia, this original musical promises a delightful journey with characters that leap straight out of your favourite games. So, grab your tokens and get ready for a tour through a reimagined board game universe that’s sure to captivate and entertain.

About Monopoly: The Unauthorised Musical

What is this Production about?

The journey of Monopoly: The Unauthorised Musical began in late 2021 when final year WAAPA composition student Jasper Cruden started thinking of clever ways to structure his graduating recital. In typical chaotic fashion, he crafted a simple but entertaining story about some of the player tokens from the classic game ‘Monopoly’ (Boot, Iron, Car, and Scottish Terrier) attempting to bring an explosive end to the rule of a tyrannical queen

Immediately following the success of that performance, Jasper and drummer Ian Tassicker began discussing ideas to further develop the project, with Ian taking on the bulk of the responsibility of re-working the existing story. The story was reshaped to expand the world and bring in characters from classic games such as Chess and Charades, and the human character Scott was added to give audiences a window into this fantastical world.

Join Scott on his unexpected adventure through a fantastical world inspired by ‘Alice in Wonderland’, and 80’s/90’s live action fantasy (‘The Princess Bride’, ‘Labyrinth’) as he meets the likes of the fierce but kindly Lady Luck, dramatic Sir Knight, verbose Miss Wordsmith, awkward Baron von Strategy, unpredictable Admiral Cannonblast, and the ruthless Mayfair.

What character are you playing, and what can you share with us about them?

I’m not playing one of the characters. I created them! I am playing drums in the band though.

Our characters include:

Scott – An uptight lawyer who is known in his town for being no fun at all. He goes on an unexpected journey in a very ‘Alice in Wonderland’ fashion and comes out the other side changed.

Lady Luck – A very hot/cold personality who switches between foul-mouthed aggression and sweet kindness. The leader of the group of heroes and the only one able to protect them from Mayfair. Avatar of cards and dice.

Miss Wordsmith – An overly verbose nerd who struggles to get the other characters to understand her. Avatar of word spelling games.

Sir Knight – A courageous but often overly dramatic warrior. Is compelled to deliver a soliloquy on death every time he sees a skull. Only walks in ‘L’ shapes. Avatar of Chess.

Baron von Strategy – A somewhat cowardly, awkward chap who suffers from the curse of no one ever having heard of his game: ’99 Gnomes That Know How to Knit’.

Admiral Cannonblast: A rambunctious pirate who acts as an agent of chaos among the group. Drinks homemade booze made from sea slugs. Avatar of games where you blindly guess where the opponents boats are and attempt to sink them via a grid reference.

Mayfair – The evil tyrant and antagonist of our story. Forces our heroes to play games for her amusement, and drags the losers away to be trapped forever as she attempts to cement her monopoly on power.

What’s challenging about bringing this script to life?

Bringing an entirely original idea into the world is always difficult, but especially so when it’s a full length musical! This project has been in development for 2 years, and it’s been countless hours of drafting, reading, then re-drafting scripts and music. We’re also learning how to function as producers and marketers as we go!

I’ve never been this busy, but I wouldn’t trade it for anything at this point.

Why did you want to be involved in this production?

Creating an original work that means something to people is something I’ve always wanted to do. I’ve also come away from every show I’ve ever played as a musician going ‘I think that script could have worked better if XYZ were changed’, and this is my chance to prove myself right.

What sort of person is going to love this show?

Anyone who is young at heart and finds joy in playing games! There’s something in this show for all ages, and we’ve got such a wide range of characters that everyone should find someone to root for.

 

What will the audience be thinking about in the car as they drive home after this show?

Personally, I hope they go home thinking about finally getting around to organising that games night they keep putting off!

What’s going to surprise people about this show?

Probably how professional it all looks and sounds! I think most people hear the words ‘Original Musical’ or ‘Debut Show’ and it sets off alarm bells about lower production values or aspects of the show being a bit under-cooked.

Our team is comprised entirely of people who are either in the professional space already or actively working towards entering it, so we’re executing at a high level.

How is this production bringing something new to this story?

The entire story is new, so I’ll answer instead by saying that we’re aiming to bring something new to the theatre scene in Perth, and ideally, the world.

Is there anything else you’d like to add?

Only that ticket sales are going pretty well, and we’re expecting a full house on opening night. Don’t miss your opportunity to be there for the premiere of something special!

Where can patrons purchase tickets to this production?

To book tickets to Monopoly: The Unauthorised Musical, please visit https://www.trybooking.com/events/landing/1464504.

Thank you for sharing the captivating journey of Monopoly: The Unauthorised Musical with us. Best wishes for a jam-packed opening night and a fantastical run! May the adventures of Scott and the other beloved characters bring joy and smiles to every corner of the theatre.

Other production interviews can be viewed in our About The Production Series.

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Rosencrantz & Guildenstern Are Dead

Rosencrantz & Guildenstern Are Dead

Rosencrantz & Guildenstern Are Dead Rating

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Tom Stoppard’s Rosencrantz and Guildenstern are Dead, directed by Tony Petani is performed by Grads Theatre Company 8-11 & 15-18 October. Could a show so closely entwine with Shakespeare’s Hamlet be performed anywhere other than UWA New Fortune Theatre?

Rosencrantz and Guildenstern flips the script on Hamlet and focuses on two minor characters who are questioning the events that are unfolding (oh, are they questioning, for any parents of 3 years old, this may inspire a new game to play, for those parents of children who have grown out of the questioning phase, which I am assured does happen, this may be triggering! 😊). It is billed as a hilarious exploration of fate, free will and the nature of reality. I would add that it allows the audience to consider that, while Rosencrantz and Guildenstern are described as minor characters, we are all the main characters in our own lives and our own stories.

Yet again, Grads Theatre Company put on an outstanding performance. So often there is one actor that is the stand out, show stopper. The entire cast delivered strong, engaging performances that kept the audience captivated from the moment the lights came up. Each performer brought energy and charisma to their role, creating a lively and entertaining ensemble. It was clear the cast was having fun on stage, and that enthusiasm was infectious.

 

 

While the actors are to be commended, it would not have been half the show without the crew. Congratulations to Fiona Reid for the lighting, Yvette Wetherilt for the amazing make-up, the players masks were brilliant! Extra special mention to Merri Ford for the costumes. Wow. The costumes may have been simple*, but they spoke volumes—each piece subtly anchoring the story in its era. Congratulations to all the crew who made the show what it was. Well done. *with the exception of the waistcoats which looked anything but simple, but given how many of them there were, I imagine they got easier by the end.

Thanks also to Grant Malcolm who put together the program, so I knew who to shout out in the review. All theatre companies should take note! https://www.grads.org.au/rosandguil-prog

The only suggestion I would make is that audience members should take along warm jackets and perhaps a blanket or two. It was chilly in an outdoor theatre, despite the October performance slot.

At the time of writing, there are still 5 shows remaining. You can find out more, and purchase tickets here https://www.ticketswa.com/event/rosencrantz-guildenstern-are-dead

To book tickets to Rosencrantz & Guildenstern Are Dead, please visit https://www.ticketswa.com/event/rosencrantz-guildenstern-are-dead.

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Hilarious Musical Comedy hits WA: Urinetown, The Musical on Stage This November

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Western Sky Projects returns to Perth’s Liberty Theatre this November with something wildly different – Urinetown, The Musical, a riotous Tony Award-winning satire that’s equal parts bold, hilarious, and just a little bit unhinged.

From the team that brought Perth audiences last year’s acclaimed production of She Loves Me, Western Sky’s brand-new production of Urinetown, The Musical brings together 18 powerhouse WA performers, a live 5-piece band, and a story that flushes conventional musicals down the drain.

Running at the Liberty Theatre in Perth from 7–15 November, Urinetown, The Musical is a fast-paced black comedy set in a town gripped by a catastrophic water shortage. As amenities dry up, even the most basic human rights are privatised – including the right to pee.

When one man leads a rebellion against the corporate-controlled toilets, chaos ensues in this anarchic and hilariously self-aware satire. Expect big voices, big laughs, and more than a few revolutions.

Written by Greg Kotis (book and lyrics) and Mark Hollmann (music and lyrics), Urinetown ran for over 960 performances on Broadway, and won three Tony Awards including Best Book and Best Original Score. Known for its razor-sharp wit, bold political commentary, and gleeful subversion of musical theatre tropes, the show has since been staged in over 30 countries worldwide.

Directed by Andrew Baker, with musical direction by Taui Pinker, choreography by Tess Howieson, set & costume design by Rhi Walker and lighting by Tess Reuvers, Urinetown continues Western Sky Projects’ mission to present ambitious, artist-led productions made right here in Western Australia.

Tickets are now on sale at www.trybooking.com/DBHAY

Audiences can choose between two ticket types:

Executive Tickets: Premium seating and a complimentary drink — perfect for those who prefer to and watch in style.

Rebel Tickets: General admission for the bold and brave.

Urinetown, The Musical
Liberty Theatre, Perth
7–15 November 2025
Evenings at 7.30pm | Saturday matinee at 2pm

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Hansard

Hansard

Hansard Rating

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Hansard is a sharp, fast-paced play by English playwright Simon Woods. Lively and bitingly witty, it still delivers a devastating message that feels just as urgent today as when it is set.

The story unfolds in 1988, the year Margaret Thatcher’s controversial Section 28 legislation was passed. It was a week of national upheaval in the UK as the act sought to “prohibit the promotion of homosexuality,” in direct response to a children’s book, Jenny Lives with Eric and Martin, which introduced young readers to different kinds of families. Its introduction ignited fierce protests and unrest across the country.

The play follows Conservative MP Robin Hesketh and his liberal wife Diana, whose ideological sparring is a demonstration on how politics can invade our homes and corrode even the closest bonds. The scene is set on a summer morning. Robin returns from parliament to his Cotswold home of thirty years, where Diana, hungover from a night on the gin, greets him amid the chaos of foxes tearing up his prized lawn and garden. What begins as a razor-sharp, playful exchange quickly darkens, as Diana challenges Robin’s defence of Section 28. In minutes, their banter spirals into something raw and searing, unearthing old wounds and unleashing devastating truths.

 

 

This is a remarkable production. It’s a true marathon for its two leads, Grant Malcolm and Suzannah Churchman. Across nearly two hours without intermission, their performances never falter. Together with director Barry Park, they masterfully balance biting humour with heartbreaking vulnerability, pulling the audience from raucous laughter into hushed, breath-held silence as the play drives towards its shattering conclusion.

The set design is thoughtful, working seamlessly with the flow of the play, and the cast is supported by a great team behind the scenes. Tarek Jabado is the Stage Manager, and Andre Beidatsch is the Assistant Stage Manager. Lighting design is by Mark Nicholson, and the costume design by Merri Ford.

Hansard is currently showing at the Garrick Theatre in Guildford and runs until October 11.

To book tickets to Hansard, please visit https://www.taztix.com.au/event/garricktheatre/.

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