The Heartbreak Choir

The Heartbreak Choir

The Heartbreak Choir Rating

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7

Pymble Players’ production of The Heartbreak Choir’, by Aidan Fennessy, at Zenith Theatre in Chatswood, is brilliant. The Zenith Theatre is one of Sydney’s gems. There’s something magical about a community theatre group performing a play based on a community choir. Choirs foster connections and the audience certainly connected with this production.

When a tragedy rocks a township, it dramatically affects relationships. The local choir splits into two groups. Through this upheaval, ‘The Heartbreak Choir’, emerges. A group of people with a range of ages and backgrounds, come together. These individuals are in search of their own voice and in doing so, support each other. The choir rehearses several iconic Australian pop songs in acapella-style. If you are fan of Paul Kelly, Natalie Imbruglia, Hunters and Collectors, you are in for a treat. All the performers can sing beautifully and their harmonising is spot-on. Many people in the audience were joyfully humming along.

Being an Aidan Fennessy play, the dialogue is witty, poignant and impactful. The Gospel feeling of the songs helps the characters traverse all their emotions. Barbara (psychologist and choir leader), is joined by Mack (an outspoken herb farmer), Aseni ( a heavily pregnant African doctor), Totty (a fluro-vest wearing entrepreneur), Savannah ( an anxious young woman, who whispers rather than talks, yet has a powerful singing voice), Peter (a local policeman with some interesting dance moves) and Beau (Peter’s son who forms a bond with Savannah). These characters prove that what unites us is greater than what divides us.

 

 

The life-affirming powers of music are celebrated in this show. When tragedy occurs, it’s often an involvement in music that will enact the healing process and soothe the soul. Playwright, Aidan Fennessy, was dying upon completing this play. Fennessy’s own sense of mortality adds an enormous amount of gravitas to the work. There’s a real urgent plea for people to overcome and collaborate.

The finale, ‘Lanterns’, (Birds of Tokyo song), is sung with such anthem-like passion, that everyone around me joined in. It’s lovely to see members of the Pymble Players on-stage with their lanterns, to add to the spectacle.

Heather Pitt has directed ‘The Heartbreak Choir’, with obvious enthusiasm, as she also plays the choir lead role, of Barbara. Kristin Kok, Chantal Harrison, Gina Willison, Aja Elshaikh, Trent Gardiner and Will Evans, perform their roles with aplomb. Mark Pigot, Musical Director, could be snapped up by The Voice or Australian Idol, as the singing was top-class. Wayne Chee and Nicholas Pang, did a great job with the lighting and sound. Heather Pitt also worked with Daniel Ferris to create a charming set. I had previously seen the MTC and Ensemble Theatre productions of ‘The Heartbreak Choir’. Pymble Players certainly have the heart and soul to match them.

To book tickets to The Heartbreak Choir, please visit https://pymbleplayers.com.au/the-heartbreak-choir.

Photographer: David Allsopp

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The Sound of Music

The Sound of Music

The Sound of Music Rating

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26

Saturday and I’ve already seen two shows, both same but with different child casts.

NOVA Music Theatre’s latest production of The Sound of Music is unforgettable, accompanied by an astounding orchestra (Peter Grant OAM).

Opening night I see with my piano teacher friend who long ago auditioned for ‘Louisa’ in a professional production. She did well she said but didn’t secure the role, however she has extensive knowledge of all things music, so I look forward to her feedback (LOVED!!!).

Second visit was matinee with mum-in-law; special to sit with someone who saw the legendary original movie in a theatre and this is her next experience – seeing that movie as a stage show for first time! (like me, LAUGHED and CRIED).

A large chorus of Nuns walk solemnly through a full-house to stage. Harmonious opening and in every scene they feature, a wonderful group of singers of all ages.

Playing the coveted role of ‘Maria’ is Lauren McCormack. I’ve seen and appreciated her talents before. Easy breezy beautiful voice on a mountain backdrop instantly recognisable she sings the title song with thankful eyes and true heart for both her character and this huge role honoured to her. Every note, step and expression from first meeting the children as kind and caring, to when she scolds the Captain with fierce protectiveness, is genuine from start to finish.

Playing ‘Captain von Trapp’ is Tristan Everett. He must bring strength in many emotions; controlling, stern, sadness, love, care, anger, worry, and leadership in taking his family out of Austria to safety away from the Anschluss. Tristan is just the right fit, no wonder he has done 30+ musicals.

‘Mother Abbess’ played by Meagan Gaffney – what can I say to even do her justice? Meagan has a vocal career in part as Principal Artist for Opera Australia and her ‘Climb Ev’ry Mountain’ is breathtaking. I can add even the little girl with pigtails sitting in front of me was absolutely still. When this song closes there’s not a person in this room who hasn’t felt it to their core. It was indeed a privilege to hear Meagan sing a song that was an integral part of her musical family upbringing. Thank you!

In many moments with Mother Abbess and Maria are ‘Sister Margaretta’ (Julie Wright), ‘Sister Berthe’ (Bec Muratore) and ‘Sister Sophia’ (Samantha Mason); all fun and I loved watching eye movements and facials communicating often without speaking.

‘Baroness Schraeder’ played by Lauren King (once amongst lucky kids in the Qantas Australia advert), she is fantastic in this posh role and dressed appropriately rich.

‘Max Detweiler’ is played by John Leahy brilliantly! In theatre for over twenty years his lines are delivered with gut experience and comedic interaction. NOVA could not have cast better.

Max Geddes who plays ‘Rolf’ is exceptional; never falters from full commitment every time I see him in a production, showing off his training from graduating at Victorian College of the Arts Secondary School. Samara Trimble playing opposite him is on par as eldest child ‘Liesl von Trapp’, stepping up in this much sought after role to dance beside him and with a gorgeous voice – Samara currently a VCASS student. Their ‘Sixteen going on Seventeen’ is to be commended also in cute choreography (Wayne Robinson) well suited to limits of doing this loved scene on stage. When Rolf jumps on his bike after he lands that famous kiss from Liesl (in moving arabesque) and Liesel squeals with delight, it’s Woo-Hoo for these two!

There are of course some very foreboding moments over and above the love stories. Thunder! Stormtroopers! Swastika flags loom frightening reality. Insightful and scary to when the real von Trapp family survived. Credit due to sound tech, lighting and set construction.

One lighter and more lovely stunning scenery change is when the kids are teaching themselves to dance; a pictured backdrop suddenly goes up revealing a ballroom of exquisitely costumed guests waltzing in the von Trapp mansion. Hats off to costume designer Stephanie Lumb and Director/Set Designer Noel Browne/Brenton van Vliet.

Pamela Braithwaite as ‘Housekeeper’ great accent, along with Ben Geddes as ‘Butler’, Hannah Brodribb as ‘Maid’, David Sly as ‘Gauleiter’, Richard Budge as ‘Baron’ and Michael Capon as ‘Admiral’, they all superbly act their parts.

Finally, the adorable children; those fabulous roles of the other six von Trapps; Gretl played by Harriet Staples/Ivy Hall (both super cute, loved sleeping on stairs), Marta played by Anthea Ellis/Scout Kwong (both super young actresses, loved pink parasol line), Brigitta played by Ella Wursthorn/Arabella Brockhurst (both super expressive, loved you telling Maria your father loved her), Kurt played by Aiden Cooper/Charlie Rainey (both super star actors, loved antics in The Lonely Goatherd), Louisa played by Prudence Rosel/Olivia Simos-Garner (both super convincing, loved advice to Maria) and Friedrich played by Daniel Spillane (outstanding stage skills no doubt on cast-call for many shows to come).

Ensemble applause: Tamsin Ashdown, Amber Gedge, Marina Batikha, Pavlo Bittikha, Lusia Kho, Lauren Bolzonello, Neave McGeehan, Stephen Brennan, Ben Milkins, Madeleine Brown, Davied Nicholls, Stephen Burton, Robyn Parker, Felicity Byrnes, Hannah Powell, Ewan Charlton, Vini Ramesh, Carrie Chiu, Fional Rosel, Miranda Choo, Brian Sweetman, Nicole Cooper, Phoebe Whitehead, Oscar Geddes, Cindy Yan and Kate Judge – extra clap for Kate’s ‘bowing woman’ – played well through to finale, very funny!

‘So Long, Farewell’ this musical will always be one of ‘My Favourite Things’.

To book tickets to The Sound of Music, please visit https://www.theround.com.au/soundofmusic.

Photographer: Gavin D Andrew Photography

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Little Anastasia Cast Members Revealed For Hit Broadway Musical Anastasia’s Sydney Premiere

Feature-ANASTASIA

Producers of the hit Broadway musical ANASTASIA have today revealed the talented young Sydney performers who will be sharing the role of Little Anastasia in the highly anticipated musical opening in April at the spectacular Lyric Theatre Sydney. The local performers who scored the coveted role amongst many keen auditionees are Arianna Lorusso aged 9 and based in Beacon Hill; Maya Porragas aged 10 from Cremorne; Willa Valaris aged 10 from Allambie Heights and Willow Wilson aged 11 from Lisarow.

The crowd-favourite musical made its Australian debut in December at Melbourne’s Regent Theatre wowing audiences and critics alike, and is now playing in Perth. New tickets for the Sydney season go on sale today for the final performances from 8 – 19 July.

Time Out Melbourne called the musical a “charming theatre experience” that was “destined to deliver theatrical magic” while The Music said it was “a theatrical spectacle that dazzles on every front and will leave you spellbound” and Beat Magazine said that the musical’s “dazzling Australian premiere is rich with powerful performances.”

These hugely talented young performers will join cast members Georgina Hopson as Anya, Robert Tripolino as charming con artist Dmitry, Joshua Robson in the role of antagonist Gleb, Rodney Dobson as Vlad, the much-loved Rhonda Burchmore as Countess Lily and theatre icon Nancye Hayes AM in the role of the Dowager Empress.

The ensemble cast includes Sophia Bae, Elliot Baker, Nicholas Cunningham, Davis Giotopoulos Moore, Todd Goddard, Stephanie Kurlow, Keian Langdon, Bella Minniti, Nathan Stafford, Alexis Van Maanen, Patrick Volpe, Annie Wilson, Deone Zanotto and Andrea Zappacosta with the swings team featuring Manon Gunderson-Briggs, Iosefa Laga’aia, Nathan Pinnell and Emma Russell.

Inspired by the mysterious tale of Grand Duchess Anastasia Romanov’s rumoured escape in the dawning days of the Russian Revolution, and the 1997 Oscar nominated animated film of the same name, ANASTASIA has been brought to life on the stage by the Tony Award-winning creative team of Terrence McNally, Stephen Flaherty and Lynn Ahrens.

ANASTASIA is a lavish musical for all ages, transporting audiences from the twilight years of the Imperial rule to the euphoria and exuberance of Paris in the 1920s, as a brave young woman named Anya sets out to discover the mystery of her past. Pursued by an army officer determined to silence her, she enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.

Directed by Tony Award winning director Darko Tresnjak, ANASTASIA premiered on Broadway in March 2017. It received a Tony Award nomination for Best Costume Design in a Musical and won more than 15 major international awards including Best Musical awards in Germany, the Netherlands and Spain.

The book for ANASTASIA was written by the late five time Tony Award winning writer Terrence McNally, whose credits include Love! Valour! Compassion!, Master Class, Kiss of the Spider Woman and Ragtime.

Music and lyrics for ANASTASIA were written by the renowned writing team of Stephen Flaherty and Lynn Ahrens who have been referred to as “one of the greatest songwriting teams in Broadway history.” (Chicago Tribune).

“Fantastical, intelligent, well-crafted, and exhilarating, ANASTASIA deserves a coronation!” – The Wall Street Journal
“Captivating, beautifully staged and emotionally vital. ANASTASIA hits the sweet spot!” – The Hollywood Reporter
“One of the most gorgeous shows in years! Luscious, lavish, and a joy that leaves you cheering. This is a grandiloquent feast for the senses you won’t soon forget.” – The New York Observer

ANASTASIA – THE BROADWAY MUSICAL
Produced by John Frost for Crossroads Live and Opera Australia in special collaboration with Stage Entertainment Productions, Tom Kirdahy, Hunter Arnold and Dan Hinde

SYDNEY SEASON DETAILS
Venue: Sydney Lyric Theatre
Season: From 7 April
Performance Times: Tue-Thurs at 7pm, Fr-Sat 7:30pm, Wed 1pm, Sat 2pm, Sun 1pm, 3pm or 6pm (performance times vary each week)
Prices: From $69.90 (Transaction fees apply)
Bookings: anastasiathemusical.com.au or 136 100
Groups 8+ email groups@ticketmaster.com.au

Festival Theatre Adelaide from August
Lyric Theatre QPAC, Brisbane from September

 

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Jesus Christ Superstar

Jesus Christ Superstar

Jesus Christ Superstar Rating

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2

The Redcliffe Musical Theatre Production of Andrew Lloyd Webbers Jesus Christ Superstar has completely left audience members robustly cheering whilst ascending from their seats in appreciation of this spectacular local production.

The main cast members consisting of Jeandre Le Roux as Jesus, Erickson Ilustre as Judas, Stephanie Collins as Mary Magdalene, Jonathan Johns as Pilate and Kuna Smith as Simon Peter, were supported by an amazing local cast of performers as they enthusiastically brought the production to life. Whilst Act 2 section 6 consisting of Jake Hollingsworth who plays King Herod, completely stole the show by winning over the audience with his cheeky musical performance of King Herod’s Song.

Jeandre Le Roux who plays Jesus arrived on stage to both cheers and applause showing a respectful amount of acknowledgement from his fanbase within the audience and sharing with us his skills as a Tenor. Jeandre’s outstanding vocal ability shone as he progressed through each song as Jesus, projecting his vocals to each audience member.

An outstanding performance was given by Stephanie Collins as Mary Magdalene performing the classic ballad “I Don’t Know How To Love Him”. As an avid fan of the song for many years, I was engulfed in goosebumps with the tone and passion of the performance. The vocals of the support cast excelled and effectively aided each of the main cast as a fully functioning team whilst also providing effective dance performances and highlighting the true meaning of live musical theatre.

 

Due to the setting and the historical elements of the storyline the use of smoke and simple yet effective use of beige and khaki outfits for the costumes, represented the time period of the story as this was believed based on the visuals whilst effectively showing emotions via carefully crafted dramatic expressions. The Last Supper settings were simplified with the Apostles, Jesus and a very sparce table setting which considering when the storyline was set, was perfectly situated within the stage.

Set design was kept in a simplistic design of metal platforms and higher situated balcony’s in order to showcase the performers and not have a focus on fancy over designed pieces which based on the storyline was not in a need to be overly occupying of the stage space.

Lighting highlighted different sections of the production which in turn allowed the main performers to be thrust into the spotlight allowing them to shine when it was their turn to tell their story. The music was provided by a band consisting of modern day pieces such as electric guitar, drums, flute and a percussion section which made a highly effective impact for dramatic pieces of the storyline.

Although a modern day rendition of an original much loved London musical by Andrew Lloyd Webber and Tim Rice it has since its first stage incarnation on 12 October 1971 at The Mark Hellinger Theatre in London made an impact for many decades around the world with its cast carefully crafting the drama and cruelty of the past.

Jesus Christ Superstar is a theatre must-see.

To book tickets to Jesus Christ Superstar, please visit https://www.redcliffeentertainmentcentre.com.au/.

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