JESUS CHRIST SUPERSTAR: Reimagined, Restaged, Reborn

Jesus Christ Superstar

Jesus Christ Superstar Rating

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JESUS CHRIST SUPERSTAR – Lyrics by Tim Rice, Music by Andrew Lloyd Webber.

Reimagined, Restaged, Reborn

Those three words above probably sum it up best; this show is a modern take on JESUS CHRIST SUPERSTAR and it has rocked into Berwick as the latest production by Upstage Theatre Company and its set in the ruthless world of Hollywood in 2026 – yep, right now!

The Synopsis reads: the meteoric rise of Jesus, a global celebrity whose message of hope captivates millions through social media. As his influence grows, the powerful Priests, elite studio executives controlling the entertainment industry, see him as a threat to their empire. Judas fears fame is corrupting the movement, while producer Pontius Pilate struggles between public opinion and personal conscience. Director King Herod turns suffering into spectacle for ratings and clicks. In a world driven by cancel culture, celebrity obsession, and viral outrage, one question remains; who controls the narrative?

It’s a good thing I read that to my mother-in-law sitting beside me before the show started, because she may have thought ā€˜what???’ otherwise (huge fan of original show way back when it first came to Melbourne). Expectations of this show are high, so I am very pleased to say she was smiling and toe tapping many times, accepting the new look of modern clothing, mobile phones, social media updates by screen in the background and even very loud music. In her 80s now, I think that is a really good testament. She loved it!

I hadn’t seen the show before, this version, nor an original, so I had not a prior to compare it with, but this one was probably far more interactive. The music is the same of course, and doing that justice for power in vocals are four soaring voices of Jordan Poyser (Jesus Christ), Lilliana Braumberger (Judas Iscariot), Jessica La Mari (Mary Magdalene), Scott J Hili (Pontius Pilate) and Cathy Lee Lord (King Herod).

 

ā€˜Jesus’ is portrayed by Jordan perfectly in this modernization. I’ve seen Jordan before but not in role like this one. He smashes those biblical times into the future as if it were here and now and I must say by ā€˜The Crucifixion’ everyone is blown away by his voice.

ā€˜Judas’ has an opening that is just the beginning of a major role Lilliana trumps at every scene. I look in the program and note it’s a dream role for her, so can definitely tick that one off!

ā€˜Mary’ has Jessica show incredible talent raising the bar each time she has the stage and it couldn’t be possible anyone could have played her better. When she sings ā€˜I Don’t Know How to Love Him’ it’s the type of listening sensation that goes right through you.

ā€˜Pilate’ in Pilate’s Dream sees Scott sound with conviction and the ensemble pair the nightmare into a modern twist of action.

ā€˜King Herod’ is a scene stealer for Cathy who plays the role today. She is outstanding! Also loved the costuming in ā€˜King Herod’s Song’ in particular and the ā€œtap breakā€ was my favourite part if I had to recall one single minute where I was thinking to myself ā€œthis show has everythingā€. I’m a sucker for a Charleston wherever it lands in any show. With an older audience primarily attending, I’m guessing there were many jigging along with my mother-in-law.

Finally, 39 whips; Jordan made every one of them look a little different to the last and the comments on a digital screen above (like a live feed) ā€œhow is Jesus still trending?ā€ made this scene actually quite interesting and entertaining, even though the topic is horrendous and blood costuming was good!!

You won’t be disappointed if you like the original version as my mother-in-law proved and if you’re new to it (or younger) there’s appeal in it all from crazy head gear getups to taking ā€œselfiesā€ with a dying Jesus. I just don’t know how to explain that and make it sound OK (art with a strong message), but the show will take you there.

The entire cast is to be commended!

Impressed shout out too for the band, there’s nothing like this music to wake you up!

CAST
Jesus Christ – Jordan Poyser
Judas Isacariot – Lilliana Braumberger
Mary Magdalene – Jessica La Mari
Pontius Pilate – Scott J Hili
King Herod – Cathy Lee Lord (also played by special guest artists Jonno White, Kirsty Nisbet, Julia Roper, Cody Riker)
Caiaphas – Bernadette Hughes
Annas – Rebecca O’Connor
Simon Zelotes – Trystan Warren-Smith
Peter – Shona Andrew Williams
John – Ryan Hughes
James – Tania Hallisey
Thaddius – Jessica Rawlins
Matthew – Megan Truong
Andrew – Felicity Field
Nathaniel – Shelby Dixon-Wright
Priests – Grace Jasinski, Lisa Maddford, Christine James, Kylie Greenaway
Dancers – Katherine Gloss, Lana Kleesh, Sara Cullen

BAND – Sean Lambert (Conductor), Lenni Hui, Monique Kuhn, Bradley Marshall (keyboards), Dan Johnson and Darryl Thompson (guitars), Isaac Parsons (base), Kevin Woodhouse (reeds), Kevin Close (horn), Noah Robertson (trumpet), Conor Bruce (drums), Leonie Daly-Turner (percussion)

VENUE: Tony Sheumack Centre for Performing Arts, 92 Kangan Dve (enter gate 2), part of Beaconhills College is a superb venue with well tiered and very comfortable seating. They ran a canteen before show and at interval and their colour program is great! So important to support community theatre in every aspect, so grab that cuppa or choctop.

Tickets and more information via: https://www.upstagetheatrecompany.com/

To book tickets to Jesus Christ Superstar, please visit https://www.upstagetheatrecompany.com/.

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Les MisƩrables

Les MisƩrables

Les MisƩrables Rating

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Upstage Theatre Company have surely upstaged some here with their current amazing production of Les MisĆ©rables. It is certainly up there with the best I’ve seen.

https://www.upstagetheatrecompany.com

It may be difficult to find a better amateur production playing in suburbia right now and there are many excellent ones around. However you cannot go past the professionalism of this show. Highly skilled orchestra. Expertly designed and placed story-telling stage sets. Lighting working cohesively together with sound. Costuming complimenting every other aspect of the show. And, of course, an extensive cast who will have you feeling every ounce of the emotional turmoil lived in nineteenth century France.

Chains and crimes of the imprisoned and bleak futures of so many in peasantry are woven into a narrative for a musical like no other. A musical where everything is told by song. And such powerful songs at that. This is what theatre lovers simply call ā€˜Les Mis’

It goes unsaid Les MisĆ©rables is known the world over and back again. Step by step and song by song, settle down in your seat and take it all in…. This is live theatre at its best!

 

 

ā€˜Jean Valjean’ is played by Ryan Purdy with instinct for his lead character magnificently realized on all levels. There’s no question when he opens with the words ā€˜What Have I Done?’ he’s got this!

Adrian Glaubert playing ā€˜Javert’ gives his ā€˜bucket list’ role everything, with noticeable presence on stage and depth in a psychological complexity required.

ā€˜Fantine’ played by Jessica La Mari performs every inch of this coveted role superbly, her ā€˜I Dreamed a Dream’ gave me goose-bumps, and had the audience silenced before erupting in applause like there was going to be no other chance.

ā€˜Eponine’ played by Alyssa Jandayan. Obvious young ambition here is going to see this girl on stages for a long time. Her ā€˜On My Own’ opening Act II nailed both song and expression.

ā€˜Marius’ played by Nickolas Brown has really stepped up to greater heights since I saw him in his lead debut in The Pirate Queen; many more leads to come I think! Equally talented Olivia Falls playing ā€˜Cosette’ looked stunning with that famous long blonde crimped hair and again her costuming to compliment was spot on.

Felicity Eastwood as Madame Thenardier’ coupled with Matt Jakowenko as Thenardier’ are brilliant together, bloody brilliant!!! They’ll undoubtedly have you hating these loathsome characters, but their theatrics will have you in stitches.

Mike Armada gives ā€˜Enjolras’ a charismatic quality in one of his ā€˜dream roles’.

Accompanying roles played by Anthony Cirocco (Bishop/Fauchelevant) Daniel Chalmers (Foreman/Combeferre), Nick Sheridan (Courfeyrac), Joel Blashki (Joy/Jean Prouvaire), Chloe Neal (Claquesous), Brock Downie (Bamatbois/Montparnasse), Tom Acaro (Babet), Kenny Cheng (Brujon/Feuilly/Lesgles) are all very commendable and when paired with dramatic lighting effects, the fight scenes especially were well planned and executed.

It would be remiss not to mention the ensemble making the scenes extremely real and full of life, be it sad or happy, angry or tragic. Each individual wholly giving it their all in character all the time: Alannah Woods, Berny Hughes, Celeste Marinelli, Jessica Davy, Christine James, Stephanie Thao My Nguyen, Mia Knudson and Pippi Clarke whom I recognized immediately from her role in Upstage’s ā€˜Chicago’; there’s always incredible talent in the ensemble. Not just background actors, the ensemble make a show what it is on a grander scale and these people certainly did that 100 times over. ā€˜Master of the House’ for comedy and ā€˜Lovely Ladies’ for dancing were our favourites to watch you all – excellent!!

This production has talented youngsters among the cast too. I saw Maggie Lord as ā€˜Young Cosette’. This is a special role and I fondly remember my own daughter learning ā€˜Castle on a Cloud’ so it brought tears to my eyes watching Maggie sing it so beautifully – thankyou. I love how live theatre can do this and that personal re-visit made my day! (No doubt Daphne Tchantcho sharing the Young Cosette role also gives a memorable performance). Adding Alexis Hill to the junior cast as ā€˜Young Eponine’ she gave compelling confidence acting it out with her onstage mum, and 11year old Reuben Koronczyk was definitely the right fit to play ā€˜Gavroche’; funny, naughty and herosome all in one show! Shining as young ensemble members are Helayna Cirocco, Oscar Cirocco and Noah Glaubert – must be great to be amongst the stars in a show with your Dads on the same stage. Theatre gives children unique opportunities.

Congratulations to Director Cody Riker and team, Lana Kleesh (Movement Director), Anna Castle (Vocal Director), Scott J Hili (Prod Designer, Set and Costumes), Sam Victoria (Lighting), Malcolm McCaffery (Conductor), Simone Lim (Properties), Pete Oliver (Sound) – you have all produced a MUST-SEE!

As said by Upstage Theatre Company’s President Tim Warren-Smith, thank you for supporting community theatre. It truly means the world!

Ticket link: https://www.upstagetheatrecompany.com/

ON NOW: 10 – 19 April 2026

Les MisĆ©rables is playing at the impressive Tony Sheumack Centre, Beaconhills College, a huge relatively new school theatre with fantastic viewing from well tiered seats. I was grateful the Upstage welcoming team had someone guiding us from carpark and offered a free tea or coffee straight away on arrival coming in from the dismal rainy day outside – so thoughtful, and they had a great canteen for snacks.

Upstage Theatre Company’s next production is Jesus Christ Superstar in Sept/Oct. Auditions and information: Instagram @upstagetheatreco

To book tickets to Les MisƩrables, please visit https://www.upstagetheatrecompany.com/.

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