Les Misérables

Les Misérables

Les Misérables Rating

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Upstage Theatre Company have surely upstaged some here with their current amazing production of Les Misérables. It is certainly up there with the best I’ve seen.

https://www.upstagetheatrecompany.com

It may be difficult to find a better amateur production playing in suburbia right now and there are many excellent ones around. However you cannot go past the professionalism of this show. Highly skilled orchestra. Expertly designed and placed story-telling stage sets. Lighting working cohesively together with sound. Costuming complimenting every other aspect of the show. And, of course, an extensive cast who will have you feeling every ounce of the emotional turmoil lived in nineteenth century France.

Chains and crimes of the imprisoned and bleak futures of so many in peasantry are woven into a narrative for a musical like no other. A musical where everything is told by song. And such powerful songs at that. This is what theatre lovers simply call ‘Les Mis’

It goes unsaid Les Misérables is known the world over and back again. Step by step and song by song, settle down in your seat and take it all in…. This is live theatre at its best!

 

 

‘Jean Valjean’ is played by Ryan Purdy with instinct for his lead character magnificently realized on all levels. There’s no question when he opens with the words ‘What Have I Done?’ he’s got this!

Adrian Glaubert playing ‘Javert’ gives his ‘bucket list’ role everything, with noticeable presence on stage and depth in a psychological complexity required.

‘Fantine’ played by Jessica La Mari performs every inch of this coveted role superbly, her ‘I Dreamed a Dream’ gave me goose-bumps, and had the audience silenced before erupting in applause like there was going to be no other chance.

‘Eponine’ played by Alyssa Jandayan. Obvious young ambition here is going to see this girl on stages for a long time. Her ‘On My Own’ opening Act II nailed both song and expression.

‘Marius’ played by Nickolas Brown has really stepped up to greater heights since I saw him in his lead debut in The Pirate Queen; many more leads to come I think! Equally talented Olivia Falls playing ‘Cosette’ looked stunning with that famous long blonde crimped hair and again her costuming to compliment was spot on.

Felicity Eastwood as Madame Thenardier’ coupled with Matt Jakowenko as Thenardier’ are brilliant together, bloody brilliant!!! They’ll undoubtedly have you hating these loathsome characters, but their theatrics will have you in stitches.

Mike Armada gives ‘Enjolras’ a charismatic quality in one of his ‘dream roles’.

Accompanying roles played by Anthony Cirocco (Bishop/Fauchelevant) Daniel Chalmers (Foreman/Combeferre), Nick Sheridan (Courfeyrac), Joel Blashki (Joy/Jean Prouvaire), Chloe Neal (Claquesous), Brock Downie (Bamatbois/Montparnasse), Tom Acaro (Babet), Kenny Cheng (Brujon/Feuilly/Lesgles) are all very commendable and when paired with dramatic lighting effects, the fight scenes especially were well planned and executed.

It would be remiss not to mention the ensemble making the scenes extremely real and full of life, be it sad or happy, angry or tragic. Each individual wholly giving it their all in character all the time: Alannah Woods, Berny Hughes, Celeste Marinelli, Jessica Davy, Christine James, Stephanie Thao My Nguyen, Mia Knudson and Pippi Clarke whom I recognized immediately from her role in Upstage’s ‘Chicago’; there’s always incredible talent in the ensemble. Not just background actors, the ensemble make a show what it is on a grander scale and these people certainly did that 100 times over. ‘Master of the House’ for comedy and ‘Lovely Ladies’ for dancing were our favourites to watch you all – excellent!!

This production has talented youngsters among the cast too. I saw Maggie Lord as ‘Young Cosette’. This is a special role and I fondly remember my own daughter learning ‘Castle on a Cloud’ so it brought tears to my eyes watching Maggie sing it so beautifully – thankyou. I love how live theatre can do this and that personal re-visit made my day! (No doubt Daphne Tchantcho sharing the Young Cosette role also gives a memorable performance). Adding Alexis Hill to the junior cast as ‘Young Eponine’ she gave compelling confidence acting it out with her onstage mum, and 11year old Reuben Koronczyk was definitely the right fit to play ‘Gavroche’; funny, naughty and herosome all in one show! Shining as young ensemble members are Helayna Cirocco, Oscar Cirocco and Noah Glaubert – must be great to be amongst the stars in a show with your Dads on the same stage. Theatre gives children unique opportunities.

Congratulations to Director Cody Riker and team, Lana Kleesh (Movement Director), Anna Castle (Vocal Director), Scott J Hili (Prod Designer, Set and Costumes), Sam Victoria (Lighting), Malcolm McCaffery (Conductor), Simone Lim (Properties), Pete Oliver (Sound) – you have all produced a MUST-SEE!

As said by Upstage Theatre Company’s President Tim Warren-Smith, thank you for supporting community theatre. It truly means the world!

Ticket link: https://www.upstagetheatrecompany.com/

ON NOW: 10 – 19 April 2026

Les Misérables is playing at the impressive Tony Sheumack Centre, Beaconhills College, a huge relatively new school theatre with fantastic viewing from well tiered seats. I was grateful the Upstage welcoming team had someone guiding us from carpark and offered a free tea or coffee straight away on arrival coming in from the dismal rainy day outside – so thoughtful, and they had a great canteen for snacks.

Upstage Theatre Company’s next production is Jesus Christ Superstar in Sept/Oct. Auditions and information: Instagram @upstagetheatreco

To book tickets to Les Misérables, please visit https://www.upstagetheatrecompany.com/.

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A Bold, Witty, and Unflinchingly Honest Exploration of the Human Psyche in Musical Form

Initial Consult: Taking diet culture to therapy

Initial Consult: Taking diet culture to therapy Rating

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Charlotte Grimmer’s Initial Consult- Taking diet culture to therapy (2026 MICF) at The MC Showroom is a bold, witty, and unflinchingly honest exploration of the human psyche. Grimmer is a graduate of NIDA Acting program, a high school dance and drama teacher. Charlotte has performed this show in Edinburgh, Sydney and the Adelaide Fringe Festival.

Bursting straight through the waiting room, Charlotte Grimmer’s initial court-mandated therapy session begins-and we, the audience find ourselves cast as the therapist. This fresh and fearless musical invites us into a hilariously triggering session filled with tap, rap, dance, and masterful keyboards. Grimmer’s performance showcases her diverse vocals, sharp wit and impressive comedic skillset.

The shows engaging narrative grapples with mental health, diet culture, perfectionism and the messy nuances of how we cope. Charlotte works the packed audience brilliantly- making pointed uncomfortable and knowing eye contact with every “therapist” in the room in moments that are at once awkward, hilarious, and deeply relatable. One moment the audience squirms, triggered and defensive: the next, they erupt with applause and laughter.

 

 

The stage is set with minimalist flair: a chair, a keyboard, and a side table adorned with tissues, a plant, and a pot. By the end of the performance, it resembles the floor of a teenager’s bedroom. Each prop is purposefully placed and thoughtfully used. Grimmer’s inventive excellence is evident in every detail—every movement, and exaggerated facial expression, and lyric is meticulously placed—creating a remarkably clever and cohesive piece highlighting Grimmer’s inventive flair and keen attention to detail.

Sadly, Melbourne, Charlotte Grimmer has wrapped up her season and is heading back to Queensland. The MC Showroom is conveniently located near plenty of pubs and dining options and has a licensed bar for enjoying a drink during the performance —ideal for steadying one’s nerves before this funny therapeutic ride. Patrons should note that accessibility is limited, with 25 stairs and no all-access bathroom.

In a thoughtful touch, Grimmer acknowledges the show’s potentially triggering themes, directing audience members towards support organisations such as The Butterfly Foundation. This thought-provoking and playfully disarming performance will follow you home.

Deliciously daring, Initial Consult- Taking diet culture to therapy (2026 MICF) is the kind of performance that makes you laugh, wince, and reflect—sometimes all in the same breath. Side effects may include sore cheeks from smiling and the sudden urge to book a therapy session… or a tap class.

Love Aunty Kylie xo

To book tickets to Initial Consult: Taking diet culture to therapy, please visit https://www.themcshowroom.com/whatson/melbourne-international-comedy-festival-2026-initial-consult.

Photographer: Joel Devereux

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From Page to Stage: Percy Jackson Delivers

The Lightning Thief

The Lightning Thief Rating

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Art in Motion Theatre Company are back at the Don Russell Performing Arts Centre with The Lightning Thief: The Percy Jackson Musical—and as a family who love musical theatre and have devoured everything written by Rick Riordan, we were counting down the days until the show.

We arrived dressed in our finest orange and blue (as you do, IYKYK), and loved seeing so many audience members leaning into the fun—camp colours, hand-painted bead necklaces, the lot. This was an audience coming in with high expectations. Thankfully, this talented cast more than delivered.

The story follows Percy Jackson (Joshua Hollander), who discovers he’s a half-blood—his father is none other than Poseidon. After his life takes a sharp and unexpected turn, Percy finds himself at a camp for children of gods and mortals before heading off on a quest filled with monsters, riddles, and a race against time. Alongside Annabeth Chase (Una Minello) and Grover Underwood (Cosimo Trichelo), Percy must try to prevent a war among the gods.

No pressure.

 

 

The show runs for around two hours (plus intermission) and is fantastic value for a community theatre production. A huge congratulations to the cast—these performers can sing. As well as the 3 lead characters, hats off to the other performers who seamlessly transitioned between so many characters. The live band was incredible (and honestly, live music just lifts a show in a way nothing else can), their enthusiasm was contagious. This is Liam Tickner’s directorial debut, and what a strong one it is. The set design by Craig Delbridge is clever and effective, using simple elements to bring scenes to life (the statue garden was a standout). Costume designer Kylie Martin has also done a great job capturing the essence of each character.

I was asked before going, “Isn’t that for kids?”
And look… not no…

The recommendation is 13+, but if your younger kids are okay with some fight scenes, they’ll likely love it. The books are aimed at around 9+, and I’d happily take an 8 or 9-year-old. That said, this absolutely holds its own for adults—I’d have enjoyed it just as much without the kids (although I suspect I would never have been forgiven) and there were lots of adults there of all ages without children.

If you love Percy Jackson, mythology, urban fantasy, or just a good musical, this one is well worth your time. The show is still running from 16–18 April (with two performances on the 18th). You can find more information here: https://www.gosnells.wa.gov.au/news-events/events/lightning-thief

To book tickets to The Lightning Thief, please visit https://drpac.sales.ticketsearch.com/sales/salesevent/160626.

Photographer: Perfectly Picturesque Photography

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School of Rock The Musical: Towering, Empowering and Crackling with Energy

School of Rock

School of Rock Rating

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10 years since its Broadway debut, School of Rock The Musical is back at the top of the class, thanks to Passion Productions. A musically catchy, infinitely quotable and enormously demanding show, SORTM is delivered with such courageous energy and commendable execution, the audience feel like they’re in the band, on top of mount rock – sticking it to the man!

Based on the 2003 Jack Black film, SORTM follows Dewey Finn (Lachey Gleadhill), a struggling musician crashing with his friend Ned Schneebly (Jackson Kellaway) and Ned’s partner Patti Di Marco (Isabella Farry) – to Patti’s vocal and repetitive disapproval. Under pressure to start contributing financially – and suffering from a hangover, in addition to the indignity of being kicked out of the band he started himself – Dewey pretends to be Ned, taking up a substitute teaching assignment under his assumed identity, at the prestigious but stuffy and structured Horace Green Prep School.

While at Horace Green, Dewey quickly wins over the students with his unorthodox exuberance and enthusiasm, polishing their musical potential, entering them in The Battle of the Bands. However, his legitimacy and longevity at Horace Green hang in the balance; Will the school faculty or parents uncover Dewey’s deceit? Will Horace Green empower the students to succeed, when their chosen path subverts set expectations?

As Dewey Finn, Lachie Gleadhill is well cast, gaining momentum throughout the performance. Gleadhill has a natural rapport with scene partners, especially the youngsters. This is perhaps unsurprising, where Gleadhill is a high school music teacher by trade. It is nice to see the grumpier, hung over Dewey lighten into the more youthful and optimistic incarnation in the second half; Dewey Finn works best when played loose and light.

Jackson Kellaway is an affable Ned Schneebly, providing a centred counterpoint to Dewey’s manchild character; a rocker at heart, like Dewey, but unlike Dewey he has abandoned his dream of musical fame in favour of a respectable day job, reconciling himself to a grounded, grownup reality under the thumb of Patti (Isabella Farry). As Patti, Farry is an entertaining study; While she is perhaps the stories chief antagonist, naggingly judgmental, putting Dewey down at every opportunity, on some level we can sympathize with her predicament, dealing with an inconsiderate, freeloading friend of her partner, outstaying his welcome.

 

 

My favourite adult performance comes from Isabel Kruse as Miss Mullins, bringing deft nuance to her character’s story arc, in addition to a remarkable operatic voice, which also lends strongly to the show’s more contemporary fare. Kruse’s number ‘Where Did the Rock Go’ beautifully illustrates the show’s deeper counter theory- that real life requires compromise, where people settle for lower risk realities, in favour of pursuing their wilder dreams.

However, SORTM truly belongs to the talented young cast, who each deserve hearty recognition for their great work. It is wonderful to see such dedication to detail, presenting fully realised characters who are alive and fully fleshed-out, filling the stage with interesting shapes, serving the scene even when they are not at the centre of the dialogue, avoiding any dead moments.

Particular highlights from the younger cohort include Saana Chang as Summer Hathaway, turning in a lively performance with charisma and excellent dance and gymnastics ability, Emily Winwood as Zara Mooneyham with her natural stage presence, emotional gravity and superlative musical abilities, and Alessia Lily Monteverde as Tomeka Spencer-Williams, showing incredible vocal ability, with precise vocal runs and excellent pitch.

Chloe Coleman as Freya Hamilton catches the eye with rhythm and commanding confidence belying her youthful age, while Henry Hedger is a charismatic Billy with terrific comedic timing and the perfect amount of sass.

A talented ensemble cast play multiple adult roles seamlessly, while the onstage band capably guide the tempo and bring atmosphere to the show.

While on preview night there were a couple or minor sounds issues, and an occasional flat note, such criticism is picky, when SORTM is such irresistible fun. Huge credit is due to the Production Team, led by Director Connor Clarke, alongside Musical Director Jacqueline Atherton and choreographer Stephanie O’Shea, to triumphantly present a complex show like SORTM at this scale and quality. Overall, an entertaining, family friendly night out, that is towering, empowering, and crackling with energy.

To book tickets to School of Rock, please visit https://events.humanitix.com/the-school-of-rock.

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