Mahika Kai: A Discussion Of Culture, Conservation And Connection

Mahika Kai

Mahika Kai Rating

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Mahika Kai introduces a group of Māori conservationists and cultural custodians on a quest to rehabilitate ecological systems and food sources, and in turn the identities and wellbeing of their people.

Filmed in picturesque Wānaka, located in New Zealand’s South Island, we learn about the interconnectedness of physical and spiritual elements in the Māori world view and the kaitiaki (guardians) seeking to reconnect with and promote traditional Māori knowledge to create healthier modern lives, in harmony with nature.

As narrator Tūmai Cassidy explains, Mahika Kai is the procurement of food, including gathering, harvesting, preserving, sharing and, pertinently, caring for food. The mission of caring for food is illustrated here with specific reference to the plight of tuna (eel) populations, whose wetland habitats, and very survival, are imperiled by hydroelectric dams restricting their migration pathways;

As Cassidy notes, the impact of this plight is not isolated, as their destruction – effecting 90% of wetlands in the Otago region alone – means the loss of identity and traditional ways of life. We are told it needn’t be this way, where hydroelectric dams overseas are designed and operate without impacting crucial migration pathways, or harming respective species.

The kaitiaki hope through greater awareness of the issue, the local community and government will support their conservation kaupapa (objectives) and re-prioritize the life and health of habitats and species, which support life and health among human communities.

In addition to the conservation kaupapa of Mahika Kai, the kaitiaki share their pepeha (a traditional Māori introduction including details of connection to land) waiata (song) and kapa haka (performing arts). These koha (gifts) beautifully portray the life-force connecting past and present, physical and spiritual, and memorably highlight the kaupapa which makes Mahika Kai timely and important viewing – which I highly recommend.

To book tickets to the Maori Mini Film Festival, please visit https://www.bunjilplace.com.au/events/maoriland-film-festival

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Maori Mini Film Festival: A Worthy Individual

Tai

Tai Rating

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It’s quite hard to review an animated film objectively when we are so accustomed to big-budget games and movies with high-end graphics, like Pixar Shorts.

However,Ta’i is a poignant short animated film by Mii Taokia about the wanton and targeted destruction of the abundantly resourced and beautiful pacific islands by the ‘Island Eaters’ – a system of corrupt government scientists.

The pastel-hued, blurred visuals heighten the islands’ lushness and give a sense of dreamlike beauty, juxtaposed against the more sinister imagery of their oppressors. This is all underscored by a modern lo-fi soundtrack that subtly contrasts the intimate devastation.

Even the island Gods, goaded into action, are unable to stop the destruction until they combine their powers and share them with a ‘worthy individual’.

The film’s central tenet is that a place’s most valuable but overlooked resource is its people and that sometimes, they are the only way to create real change.

Indeed, an individual taking a stand for what is right and good is all that has ever effected change, and this message feels especially resonant in today’s political climate.

To book tickets to the Maori Mini Film Festival, please visit https://www.bunjilplace.com.au/events/maoriland-film-festival

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Maori Mini Film Festival: Walking Between Worlds

Tuia Ngā Here

Tuia Ngā Here Rating

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It was a real pleasure to review this soulful short film by Ngā Aho Whakaari as part of the Maori Short Film Festival and not just because it’s so impressive to see filmmakers who can create something so beautiful, with such incredible production values, on a small budget.

Exploring important themes of land and belonging – environmental protection, the preservation of cultural identity and intergenerational familial relationships – we are introduced to 16-year-old Hiwa who returns home from boarding school to discover her beloved grandfather, the local ‘land legend’, is seriously ill and unable to tend to the forest he has spent his life protecting.

Whilst her younger brother Pōtiki, who has clearly inherited his grandfather’s deep affinity for the ‘whenua’ (land), is determined to follow in his Korua’s footsteps, Hiwa struggles to integrate her simple, traditional values with the ‘modern’ world she inhabits at school.

Both children wrestle with the shifting dynamics in their family, and the darkly green and lush scenery is a beautiful but ominous metaphor, reflecting both Hiwa and Pōtiki’s realisations of the importance of their new roles as the next generation of guardians for the land and their family.

This film was part warning, part love letter to land and culture. As someone who has a deep connection to land myself, it was an invitation to recognise the ways in which we are called to stand as protectors for that to which we ‘belong. ‘ It’s definitely one to watch.

To book tickets to the Maori Mini Film Festival, please visit https://www.bunjilplace.com.au/events/maoriland-film-festival

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Indian Film Festival: My Melbourne

My Melbourne

My Melbourne Rating

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My Melbourne—aahhh, I love that city; it is vibrant, alive, and pulsing with stories. Joyfully, that is what the film My Melbourne also presents to the audience: four main characters at a turning point in their lives… an intimate brief look.

The cinematography has few flaws, and the short films blend effortlessly, thrusting the viewer into the middle of a new story. All stories are relatable to the viewer: the parents’ disappointment in their son’s life choices, the marriage that sees the culture questioned, the talented dancer with a progressive disease, and the refugee with the burden to be successful.

But what is human nature if not a trial and a fight to succeed? These stories are about hope, acceptance, fulfilment, and belonging. They are beautifully brought to life, each with elements of truth based on real-life experiences.

It’s well worth a trip to the cinema so you can sit and enjoy, feel real-life emotions, and feel a sense of gratitude. What happened to bring these characters to this point in their lives, and where do they go from here?

My favourite was the story of Setara—the interaction between her, her sister, and her mother didn’t need translation. The glimpses of her father were meaningful and moving. This would be a movie I would enjoy on the big screen or the television.

Keep an eye out for the screenings of My Melbourne, which will be released in Australia on March 6. Take a good friend and a box of tissues just in case. For more information about the Indian Film Festival of Melbourne, please visit https://www.iffm.com.au/.

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