The Lark

The Lark

The Lark Rating

★★★★★

Click if you liked this article

Noni Hazlehurst stars in a one woman show called ‘The Lark’ which has made its way to Wollongong, opening at the Illawarra Performing Arts Centre last night.

‘The Lark’ is an outstanding display of growth, love, and loss. It was despicably poignant and my vision got a little blurry about halfway through as I was just so invested in this story. Her nuanced facial expressions and body language were just so authentic and it felt very Australian. Despite sitting a packed theatre, it felt so intimate. It was just like listening to your own grandmother telling a story about how she grew up and getting distracted by stories about characters from the past with her little quips and side notes that are quintessential to the story even if you’re not really sure why. There were some well-placed laughs to break up the heavy feelings of moving on.

The premise of the story is so simple and yet, so beautiful. An old pub is about to be torn down as the suburb gentrifies and when it does, all these memories will be gone alongside it. People in 5, 10, 20 years will walk past and have no idea about the people who lived, worked, drank, laughed and cried in that building. From the first moment the lights went down and the sound effects of people chatting away in that very distinctive white noise only a pub can provide, I was leaning forward in anticipation. Hearing and seeing the love a daughter has for her father and the heartache of watching your parent grow old and fade away in front of you had me emotional.

 

Not only was the delivery astounding, but the writing was also well done. A script can make such an impact on the performance, as an actor can only do so much with the material in front of them, but ‘The Lark’ proved what can happen when a dynamic and well-curated script is brought to life by the right person. It was an hour and 15 minutes of just her on stage talking and it was like time warped and we had nowhere else to be. This story could’ve gone on forever and I would’ve been sat all the same. I could’ve grown old staring at that bar and listening to Noni Hazlehurst talk about anything at all.

The staging was elegant. Alongside her description of the interior, the actual set of just three bar stools, a single table and chair, the most beautiful wooden bar with a single beer tap with the empty shelves behind brought you straight into the little hole in the wall. Once the light came streaming in as the sun came down, I found myself holding my breath a little as we finally got to see just how lovely and peaceful that view was after she had talked about it throughout the show.

I feel like I could go on and on about each tiny moment of this production until I’m blue in the face or I too begin to sound like rain. I felt like a totally different person coming out of that theatre and I genuinely feel like it’s the kind of story that everyone should hear, as we all have some kind of story that deserves to be listened to.

Buy a ticket from the Merrigong website https://merrigong.com.au/shows/the-lark/ and call your parents or grandparents to tell them you love them. (Or take them with you to let Noni Hazlehurst say it for you).

To book tickets to The Lark, please visit https://merrigong.com.au/shows/the-lark/.

Photographer: Cameron Grant, Parenthesy

Spread the word on your favourite platform!

Balloon Dog

Balloon Dog

Balloon Dog Rating

★★★★★

Click if you liked this article

0

Indian Ink Theatre Company’s performance of ‘Balloon Dog’ has made its way across the ditch to Wollongong, with a limited run at the Illawarra Performing Arts Centre.

This show is jam packed with design choices that come together to create a playful expression of the cyclic nature of life and culture. I enjoyed the incorporation of live music, and having the musician on stage and utilised for comedic timing, 4th wall breaks and the occasional ‘The Office’-style glances at the audience.

The theatrical style felt like watching the creation of some kind of surreal or absurdist painting with the intermittent dance breaks and the mix of boxy and airy music. It felt the way I would imagine Picasso felt when he took a step back to decide if whatever painting he was working on at the time was finished. The set design added to that feeling. The overall boxy design with different levels of the stage, and the almost Minecraft-style painting of the house and backyard complemented the artistic nature of Ravi and his pursuit of a creative flow.

That’s not to say the material or the acting was absurd, in fact, the foundation of the play, ‘Would you open your door to a stranger?’, is incredibly relevant. Our desire to protect our families and loved ones from perceived threats and the seemingly never-ending horrors and dangers of the world, we miss out on opportunities to learn and expand our horizons by letting in new people. Not only new people, but different people.

 

 

I’m a big fan of modern takes on historical texts, and I agree with the creative team with their assessment of Western cultural limitations when it comes to literature. So much of what we consume is the same, and we miss out on a lot because of language and cultural barriers. I invite prospective audience members to go in with an open mind and zero expectations, and I guarantee you’ll be pleasantly surprised with how much you absorb and are absorbed into the show.

While I think this show brings audiences a healthy dose of whimsy, it’s important to not let the joy and playfulness completely overshadow the evocative script and delivery of each character. The complementing and contrasting objectives of each character form this dialogue about the lengths parents will go to in order to protect their children, even when the threat is nothing more than bias and fear of the unknown. I loved the use of shadow puppetry between Kabir and Minnie, the innocence clashed with the darkness of the stage and despite Minnie being an accumulation of each actor, and their ability to use the empty space around them, rather than being portrayed by an individual, her “presence” was such a driving force for the story’s emotion. Watching an invisible child grow up sounds a little silly, but it was done so well and set up such a casually devastating finale. I commend the creative team and the performers for all their work.

Expand your horizons and see something a little different this week. Head over to the Merrigong Theatre Company website to grab a ticket to ‘Balloon Dog’ and enjoy the performance from one of New Zealand’s most successful theatre companies, right here in Wollongong. Don’t miss out: https://merrigong.com.au/shows/balloon-dog/

To book tickets to Balloon Dog, please visit https://merrigong.com.au/shows/balloon-dog/.

Spread the word on your favourite platform!

Two Weeks

Two Weeks

Two Weeks Rating

★★★★★

Click if you liked this article

8

‘Two Weeks’ by Siobhan Doran-Chaston made its Wollongong debut at the Illawarra Performing Arts Centre last night. As part of the MerrigongX Program, where artists and creatives are encouraged and supported to develop their craft for the stage, ‘Two Weeks’ is a deeply intimate and inviting experience for everyone trying to figure out how to live and grow in this world.

Set across a period of two weeks, the audience is invited into the home of a young couple as they live out the good, the bad, the mundane and everything else in between. It took me a moment to place what the countdown was for in the background, which I feel a little silly admitting in public, but I was so focused on the actors that I couldn’t tell at first whether it was counting up or down. There were so many different elements collaborating to bring this story to life. The countdown across the back, the frame over the fridge dictating when a different day was starting or ending, as well as portraying medical charts and tests, and the seemingly never-ending amount of props kept out of view until they pierced what could’ve been overwhelmingly heavy moments. The audience was in stitches over the intermittent Facebook doomscrolling projected onto the big screen, and the use of both characters phone screens and messages was so incredibly clever. It had us believing one thing and drawing conclusions all the way until the end.

If you’ve read some of my work, you’d know that I’m very big on staging and sets, as I am a firm believer that a set can make or break a performance. This set was so well done. It was messy in all the right places and homey in all the others. The duality of it being a living room, a kitchen, a doctor’s office and an airport all without moving any furniture and yet being so believably immersive is just outstanding.

 

 

I have to commend both Jess Spies and Nathan Langworthy for delivering such authentic performances. I was sitting close enough that I could see every expression and little glance, which was so odd to see in the theatre as it’s typically an over-exaggerated setting to ensure that even the people the furthest away are still able to follow along. I don’t know whether those moments were conscious decisions or just how it happened in the moment, but it made me feel like I was watching a movie that was clawing out of the screen and coming close enough to for me to touch, which is so rare in the theatre, especially when there’s only two people on the stage. It was so authentic and it really did feel like we were just watching two people trying to figure out how to live life in amongst all the outside pressures and the garbage that comes with chronic illness and capitalism.

Grief is never easy to portray as it looks and feels different to everyone, but I adored the conversations and the theories around where people go after they die. It was so sweet and light-hearted whilst still projecting the undercurrent of sadness and loss. I just love the dynamics of this show, and I truly believe this will go on to tour and be well-loved and well-received all over the country and the world if they wanted it to.

Well done guys. I am utterly unravelled by you.

‘Two Weeks’ is only at the IPAC for two more shows and is part of MerrigongX’s Pay What You Feel experiences, so make sure to reserve your seat ASAP at https://merrigong.com.au/shows/two-weeks/

To book tickets to Two Weeks, please visit https://merrigong.com.au/shows/two-weeks/.

Photographer: Tracey Leigh Images

Spread the word on your favourite platform!

A Place in the Sultan’s Kitchen

A Place in the Sultan's Kitchen

A Place in the Sultan’s Kitchen Rating

★★★★★

Click if you liked this article

The charming production of ‘A Place in the Sultan’s Kitchen’ (or ‘How to Make the Perfect One-Pot Chicken Curry’) has made its way to its mainstage premier at the Illawarra Performing Arts Centre.

At the core of this production, is the theme of self-discovery and belonging. Joshua Hinton, with his brother Dominic at the technical helm, tell stories of their grandparents’ formative experiences throughout not just their family history, but major historical events as well. Josh interweaves monologues and recordings to tell decades of stories, all the while cooking his grandmother’s one-pot chicken curry.

The technical elements of this production and the use of the cooking utensils and pots as props to tell stories was incredibly well thought out. Dominic’s sporadic interjections and his use of physical theatre at key moments really heightened the storytelling, and moments of humour that displayed their sibling relationship. I absolutely adored the imagery and the use of the world map throughout the show. Using spices as they are and as tools to showcase different people within the stories being told was a genius move. The mix of lighting and sounds with spices as fires and bowls as buses was next level. It can be really difficult to keep an audience engaged for an hour or so when it’s just one person on stage, but with all the technical elements like the use of the audio, video and photos were really well utilised that it didn’t feel like a one man show.

 

 

It was really cool to see a whole meal be cooked on stage whilst being invited into a family’s history. It was an intimate experience pieced together with a grandmother’s love for her grandchildren and an equally beautiful reciprocation of the adoration and respect of a grandchild for their grandparents. I love the idea of breathing new life into old stories, as well as keeping a loved one’s legacy alive even after death. Hinton used a really powerful analogy, likening grief to that of the process of cooking the curry, and I just found that so beautifully poignant.

Finally, sharing the spotlight to close out the show with an original song, the Hinton brothers gave their all in a soft goodbye and see you later to their Pop. Thank you for sharing that beautiful tribute with us and for following it up with some delicious curry! Dinner and a show? Sign me up!

‘A Place in the Sultan’s Kitchen’ is in Wollongong for a few more shows, finishing on Saturday August 23 at 7:30pm, before moving on to the Shoalhaven Entertainment Centre and Brisbane Festival. Grab a ticket at the Merrigong website or stay tuned for its next stops!

To book tickets to A Place in the Sultan’s Kitchen, please visit https://merrigong.com.au/shows/a-place-in-the-sultans-kitchen-2025/.

Spread the word on your favourite platform!

Subscribe to What's The Show

Reviews, show news and what is on, straight to your inbox.