The Comedy of Errors

Comedy of Errors

Comedy of Errors Rating

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Merrrigong Theatre Company’s Theatre Under the Stars presenting Sport for Jove’s ‘The Comedy of Errors’ opening night was a smash hit.

Outdoor theatre is always a good idea, and this performance showed exactly why. The staging, the technical elements, the beautiful lighting and abundance of excitement from the crowd (despite the high temperatures) created the most perfect atmosphere for an unconventional night at the theatre. Paper fans were provided by the staff to keep everyone cool and in high spirits until the sun set, which was a lovely and considerate touch. I’d recommend some sunscreen if you burn easily, as the seating area is uncovered, but the sunset is the perfect background as the plot begins to pick up and the lighting comes alive.

There was a lot to love about this show. As one of Shakespeare’s earliest and most fast-paced plays, ‘The Comedy of Errors’ is often not what first comes to mind when Shakespeare is brought up. This modern interpretation is the perfect blend of traditional and current humour and faux pas. It’s very easy to do Shakespeare badly, and incorporate too much or too little modernity, but Sport for Jove’s found that perfect balance that left the audience captivated and enjoying every minute.

The stunning voice of Naomi Belet has to be talked about. Her performance, whilst not a lead character, was an absolute standout. Her presence was abundant and whether she was in the background or centre stage, she was something to watch. She deserves all the applause, accolades and opportunities in her career.

 

 

The cast as a whole, were energetic and switched on, which makes any performance, but especially a comedy, just so much fun. Whether it was physical comedy or Shakesperean humour, or modern humour, it was just genuinely funny and not forced. It’s so easy to push the audience away with a comedy, and exasperate them with miscommunications and over-done jokes, but this was just perfect. You didn’t want to look away in case you missed anything as there were subtleties from supporting characters as well as the main action. They pushed through minor technical issues that made little impact as they could be heard from the back without their microphones on the odd occasion.

For those who describe themselves as “not Shakespeare” people, but enjoy a fun night out and a laugh, I would highly recommend this play. This is such peak Shakespeare in the way that you don’t need to understand every word to be able to follow along and enjoy the performance. It is such an accessible presentation that I urge everyone to buy a ticket and come alone. It is the least intimidating Shakespearean adaptation I’ve seen (and I have seen a lot of Shakespeare in my time) and it just opens up this little slice of history for anyone and everyone.

In all honesty, I think this may be one of, if not, the best, performance I have had the pleasure to review. I cannot recommend this enough to everyone. It would be a shame to miss this, so make sure you grab a ticket, bring a picnic, check the weather and plan accordingly, and have an amazing night out! ‘The Comedy of Errors’ runs until the 22nd of February at the University of Wollongong’s Koolobong Oval.

To book tickets to Comedy of Errors, please visit https://www.sportforjove.com.au/the-comedy-of-errors-2025.

Photographer: Grant Leslie

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Squatch Watch: Conspiracy, Comedy, and Chaos

Squatch Watch: LIVE

Squatch Watch: LIVE Rating

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From 25–27 September, the performance collective Vaguely Adjacent (Nick Vagne, Sophie Florence Ward, Luke Standish, and Frank Dwyer) brought their quirky production Squatch Watch: LIVE to MerrigongX.

This experimental work set out to probe our relationship with conspiracy theories, certainty, and the noisy world of online spaces. Loosely styled as a live riff on the podcast format, the show mixed tongue-in-cheek commentary, audience interaction, and bursts of music and movement.

At its best, the comedy found sharp timing and delivered genuine laughs; at other moments, the wit fell a little flat. Still, the quartet’s energy and willingness to play with the audience kept things buoyant. The bigfoot/sasquatch/yowie conspiracy was explored with irreverent gusto, complete with dancing, improvisation, and a range of interactive stunts that drew strong engagement – especially from the largely under-25 crowd.

 

 

As devised theatre, Squatch Watch is both messy and inventive, a playful experiment that doesn’t always land but succeeds in creating a lively, participatory experience. With free tickets and a pay-what-you-like model, the company’s generosity of spirit matched their enthusiasm on stage, and the audience’s response suggested the experiment was well received.

The MerrigongX venue itself is spacious and welcoming, with excellent café offerings and plenty of room to relax pre- or post-show – an ideal setting for this sort of unconventional work.

To book tickets to Squatch Watch: LIVE, please visit https://merrigong.com.au/shows/squatch-watch-live/.

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The Pirates of Penzance

The Pirates of Penzance

The Pirates of Penzance Rating

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Hayes Theatre Co has made their way to the Wollongong stage at the Illawarra Performing Arts Centre, with a fresh and flamboyant flair to Gilbert and Sullivan’s seminal classic of The Pirates of Penzance (or The Slave of Duty).

Usually, a cast of around 40 actors, this delightful production decided to challenge their performers by asking the five of them to play the entire ensemble. This feat could very easily have become confusing and overwhelming for both the actors and the audience, but this cast made the stage their own and gave it their all to create a fast-paced and dynamic performance with seamless or in Billie Palin’s case, intentionally comedic on-stage quick-changes.

The use of the piano was very well done, becoming a change-room, a monologue-worthy soap box, and an off-stage curtain, all while pouring out beautiful scores. That piano is arguably the sixth and most dynamic cast member. Whilst a few of the cast members played it during the 2-hour performance, it is the dedication and consistency of Trevor Jones that should be commended as he somehow managed to continue playing whilst being carted around and changing costume in the blink of an eye, and have the audience in stitches with his lyric changes and commendable diction and pace during ‘I Am the Very Model’.

It’s a personal favourite when a performance becomes an immersive experience like this one, and I adore it when the theatre staff take the theme in stride as the IPAC has done. From small costume additions to the ushers to a special cocktail for the event, in addition to on-stage seating and audience-actor interactions, The Pirates of Penzance had it all. Some of the audience members really stole the show during their five minutes of fame and it just made for a beautiful and joyful experience.

Amid some technical difficulties, the cast remained cool and level-headed. Aside from one hiccup, where the audience stepped in to maintain morale and keep the energy high, the cast didn’t miss a beat.

The vocals and dynamic accent work of Brittanie Shipway was absolutely breathtaking. Her operatic range and ability to stay in and switch between such polarising opposite characters is just incredible. She brought the “wow” factor times ten, which is especially hard to maintain when you’re onstage for all but a few moments of a show of this length. In the company of a big name like Jay Laga’aia who exudes passion and charisma, and is just such a treat to watch, Shipway made certain that she was not to be forgotten.

Maxwell Simon was everything that Fredric should be. His voice had such power and his portrayal of a naïve but determined to be self-assured boy was utterly hilarious. His physical comedy was just brilliant, capturing the attention of the audience whether he was in the spotlight or not.

The Pirates of Penzance is the perfect show to watch to end the week, so make sure to grab yourself a ticket before they sail away from Wollongong by heading to the Merrigong Theatre Company’s website for the remaining shows this weekend!

To book tickets to The Pirates of Penzance, please visit https://merrigong.com.au/shows/the-pirates-of-penzance/.

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Diana McLaren is Defective

Diana McLaren is Defective

Diana McLaren is Defective Rating

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Wollongong Comedy Festival’s ‘Diana McLaren is Defective’ was a cozy affair in Wollongong’s Side Door Theatre. A hidden paradise for up-and-coming artists, the Side Door Theatre provided the perfect backdrop for Diana’s hour of comedy.

McLaren’s style of comedy relied mainly on her personal experiences, ranging from her journey with mental health, navigating the dating pool when emotionally unavailable, and circling back to specific and “weird” sex stories.

The quaint setting made for a very intimate evening without needing to undertake extensive crowdwork. Some audience members seemed disappointed at the prospect that they wouldn’t be randomly picked to talk, so they would do it when they felt they had something to contribute.

Diana’s section of her set that focused on mental health and therapy, whilst deeply personal, was an excellent display of further breaking down the taboos and stereotypes that surround diagnoses like ADHD and dysfunctional families.

She reminded us that even if we are in therapy or are thinking about going to therapy, that doesn’t mean that something is wrong or broken inside; it just means that you’ve decided to work on yourself.

I thoroughly enjoyed her analogy of driving a car that was clearly breaking down, making noises that it shouldn’t be making, the blinkers turning on the windshield wipers, and just generally being wholly unsafe and not roadworthy but saying, “This is fine! I’ll keep driving.”

Instead of going to a mechanic and getting it checked at the first sign of something not working the way it should. If you wouldn’t do that with a car, why do that to your brain?

It was a thoroughly enjoyable performance, and we hope to see Diana on stage again soon. Check-in here for more information about Diana Mclaren.

In addition, Wollongong Comedy Festival has many upcoming shows and events across July; check them out and treat yourself to an evening filled with laughter!

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