Captain Moonlite

Captain Moonlite

Captain Moonlite Rating

★★★★★

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Most Aussies are familiar with the legendary Ned Kelly but there’s another Irish born bushranger that perhaps few have ever heard of and that is Andrew George Scott, also known as Captain Moonlite.

After the show I had to look him up to check whether he was a real person or fictious and indeed, he was real whose bushranging adventures spanned from the 1860s to 1880.

The Melville Theatre Company brings his life to stage in the musical Captain Moonlite created by Jye Bryant. The musical follows Moonlite as a run of bad luck and circumstance leads him toward an unlikely gang of bushrangers. Rather than presenting the familiar colonial outlaw as a rough, swaggering folk hero, its central figure is educated, articulate and homosexual. As such, the show challenges the audience to look beyond the romanticised image of the Australian bushranger and consider the human being behind the legend.

The production is particularly effective in its attempt to move beyond the conventional bushranger myth, presenting Moonlite not simply as an outlaw, but as a complex man shaped by misfortune, identity, and circumstance.

 

 

One of the production’s strongest features is its live instrumental music. The Irish influence in the music brings a sense of authenticity to Scott’s background.

Presenting Moonlite’s life as a musical form however, does not always feel essential to the telling of his life. His story is already dramatic and compelling enough as a clergyman, a prisoner, an outsider, and ultimately a bushranger whose personal identity challenges many preconceived ideas about Australian colonial masculinity. There are moments when the song and dance interrupts rather than strengthens the force of that narrative. The attempt to present the show as comedy also felt unnecessary. The material has enough theatrical power to stand as a straight dramatic work without needing to be framed as a musical. The production is most successful when it focuses on Moonlite himself.

Nevertheless, the production team did a terrific job in presenting the show, with Jamie Lea in the lead role.

I was impressed with the production’s achievements of the seamless transition between locations, particularly from the confinement of the jail cell to the formality of the courtroom then to intimacy of the boarding lodge room. The shift from jail cell to courtroom becomes almost symbolic from isolation to spectacle.

Captain Moonlite is an ambitious reimaging of the Australian bushranger and portrayal of Andrew Geroge Scott.

To book tickets to Captain Moonlite, please visit https://melvilletheatrecompany.au/seasons-2026.

Photographer: Alan Gill

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Leonard Cohen Lives On In ‘noir’ Tour – Melbourne 26 Sept, Perth 10 Oct

Feature-COHEN NOIR

Celebrating the music, words and wisdom of Leonard Cohen
Sat 26 September 7.30pm – Melbourne Recital Centre
Sat 10 October 7.30pm – Astor Theatre, Mt Lawley, Perth

“An experience like no other… an utterly extraordinary and uplifting night of music!” – Glenn A. Baker

Rediscover Leonard Cohen
To mark ten years since the passing of Leonard Cohen, Australia’s triple ARIA Award-winning Monsieur Camembert brings their acclaimed production COHEN NOIR to Melbourne and Perth, honouring one of the world’s greatest songwriters through a richly textured evening of music, poetry and storytelling.

Some songs become part of who we are. They accompany us through life’s different seasons, revealing new meanings as we change. Leonard Cohen’s songs are among those rare companions, filled with beauty, longing, tenderness and extraordinary insight into what it means to be human.

Created and performed by Australia’s triple ARIA Award-winning Monsieur Camembert, COHEN NOIR is a rare invitation into that remarkable world.

Over the past 20 years, COHEN NOIR has evolved into one of Australia’s most acclaimed live music experiences, earning standing ovations and sold out performances at the Sydney Opera House, State Theatre, City Recital Hall and the Adelaide Cabaret Festival. Audiences return not simply to hear these timeless songs again, but to discover something new within them.

“Cohen Noir is brilliant… a confronting, mortifying, exultant celebration of the business of being human.” – John Shand, Sydney Morning Herald

An exceptional ensemble of musicians and guest artists explores Cohen’s songs, poetry and prose with imagination, sensitivity and masterful musicianship.
Drawing on jazz, tango, Latin, folk, klezmer and cinematic orchestration, the music reveals new colours and perspectives while remaining faithful to the emotional heart of the songs.

Cohen’s own recorded voice, poetry and humour weave gently through the performance, drawing audiences into the world behind the songs and revealing the wisdom, humanity and quiet grace that resonate so deeply.

For these exclusive Melbourne and Perth performances, Monsieur Camembert is joined by iOTA (Perth), Diana Rouvas, Lyn Bowtell, Susie Bishop, Timothy James Bowen (Melbourne), Daniel Weltlinger and the remarkable Bukhu, whose haunting Mongolian throat singing and horse-hair fiddle add another unforgettable voice to this rich musical landscape.

“Spirited, musically assured, eclectic and downright fun.” – Doug Spencer, ABC Radio National

More than a tribute concert, COHEN NOIR invites audiences to encounter Leonard Cohen’s work anew, discovering fresh colours, deeper meanings and the timeless humanity that continues to resonate a decade after his passing.

“Monsieur Camembert does justice to the emotional, lyrical and melodic intent of the songs while adding a new dimension.” – Tony Hillier, The Weekend Australian

Tickets and information: www.cohen-noir.com

 

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The Good Food and Wine Show

Good Food and Wine Show

Good Food and Wine Show Rating

★★★★★

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The Good Food and Wine show returned to the Perth Convention and Exhibition Centre (PCEC) for another fabulous year of tastings, cooking demos and a chance to experience the best our beautiful state, and others, have to offer.

Western Australia is known for its wine regions, with the Swan Valley just a hop, skip and a jump for most of us to reach and of course the stunning Margaret River and surrounds where you will find most of Perth as soon as a long weekend pops up on the calendar. While several WA wineries were on display this year, those who can’t quite justify the exorbitant flight prices east were in for a treat, with tastings from South Australia’s best across the Barossa, McLaren Vale and Clare Valley.

My taste in wine has usually leaned towards whites and the occasional rosé, but in recent years I’ve become partial to a lightweight red to complement a meal. The Barossa is known for its Shiraz, so it was the perfect chance to sample a few. Wine not your thing? Never fear. The growing number of distilleries was exciting to see, with my unofficial award for prettiest display (and best name) going to Billy Stitch Distillery. The most unexpected pop-up had curious customers sipping peanut butter whisky, which I’m still not quite sure about.

There’s something for everyone, with general admission from $49.95 and the option to add a tasting glass. Serious foodies and winos could upgrade to one (or several) of a large selection of masterclasses, or the cooking school. The ultimate experience on offer, though, would have to be the VIP Lounge presented by Singapore Airlines. At $185 it includes a three course lunch inspired by their First and Business Class menus, five glasses of wine plus a bottle to take home. For those of us who dream of sitting at the pointy end of the plane, this might be the closest we get.

 

 

Just making the most of the included offerings? The cooking stage, aka The Good Food Kitchen, was the place to be, with standing room only for Miguel Maestre. You never know what you’re going to get from Miguel, and he did not disappoint. From wielding a samurai sword as part of his food prep to a musical interlude on a toy saxophone backed by a drummer, you didn’t want to look away. And don’t get me started on the mouthwatering katsu sandwiches he was making… yum!

The SmoothFM Drinks Lab was a popular, calmer option, with complimentary 30-minute tasting sessions showcasing different regions and a Spirit Lovers Masterclass to end the day. Sessions were walk-in only, so you had to be quick. We sadly weren’t, but still enjoyed listening in.

You can spot the seasoned attendees a mile off, wheely trolleys at the ready. Those without the boot space, or who came in on the train, could wander over to Australia Post’s Pick and Pack to have their wine home delivered. Spotting this early on felt seriously dangerous, removing any excuse of “we can’t carry all this”.

Those just there for the food could graze between stalls offering tastings of cheese, nuts and even water drops (which I had no idea was a thing).

The Good Food and Wine Show may be over for another year, but I’m sure most attendees headed home with more than a couple of bottles of a new favourite wine, or like me, a dish they’re determined to recreate. Although I think I’ll leave the samurai sword to Miguel.

To book tickets to Good Food and Wine Show, please visit https://goodfoodshow.com.au/perth-show-26/.

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The Shawshank Redemption On Stage Across Australia In 2027

Feature-The Shawshank Redemption

The celebrated stage adaptation of one of the most popular and enduring films of all time, The Shawshank Redemption, is coming to Australia. Direct from its acclaimed UK tour, The Shawshank Redemption will play in Sydney, Melbourne, Perth and Adelaide from January next year, with other cities to be revealed. Waitlist now at ShawshankLive.com.au to be first in line to purchase tickets and receive the latest news including casting announcements, exclusive behind-the-scenes content and tour updates.

The Shawshank Redemption is a powerful stage production that places you just metres from the action. Raw, intimate and deeply moving, this is theatre at its most compelling – where every moment unfolds live before your eyes. Based on Stephen King’s celebrated novella, this gripping adaptation tells an unforgettable story of hope, friendship and the resilience of the human spirit.

Wrongly convicted of the brutal murders of his wife and her lover, Andy Dufresne is sentenced to life imprisonment in the notorious Shawshank prison. As he navigates the harsh realities of incarceration, he forms an unlikely friendship with fellow inmate Red, discovering that even in the darkest of places, hope can endure. But when the corrupt Warden seeks to exploit Andy’s talents for his own gain, a quiet and daring plan begins to emerge, one that will challenge the very walls of Shawshank itself.

“Electrifying – it truly is a must see show” – The Observer
“This production has nailed it … Gripping live theatre” – Broadway World

“The Shawshank Redemption has captivated audiences around the world because it speaks to something universal, the enduring power of hope. We’re honoured to bring this extraordinary story to Australian stages and share an unforgettable theatrical experience with audiences across the country,” said producer Craig Donnell. “Great theatre doesn’t just entertain; it stays with you long after you’ve left the auditorium. The Shawshank Redemption is one of those rare stories that continues to resonate across generations, a story of hope, courage and perseverance, and I can’t think of a more important story to share with audiences today.”

Adapted for the stage by Owen O’Neill and Dave Johns, and directed by David Esbjornson who directed Angela Lansbury and James Earl Jones in the Australian tour of Driving Miss Daisy, this acclaimed production captures the emotional power and humanity that have made The Shawshank Redemption one of the world’s most enduring stories.

The 1994 film adaptation, nominated for seven Academy Awards, has become one of cinema’s most beloved classics. Now, experience a story of hope, friendship and redemption brought vividly to life in an unforgettable live theatrical event.

THE SHAWSHANK REDEMPTION
Adapted for the stage by Owen O’Neill and Dave Johns, based on the novella Rita Hayworth and Shawshank Redemption by Stephen King
Directed by David Esbjornson
Produced by Impresario Productions, by arrangement with Bill Kenwright Limited
By arrangement with Knight Hall Agency Ltd in association with Paradigm Talent Agency

SEASON DETAILS
Theatre Royal Sydney – From 2 January 2027
Playhouse, Arts Centre Melbourne – From 4 February 2027
Regal Theatre, Perth – From 12 March 2027
Her Majesty’s Theatre, Adelaide – From 1 April 2027
Other venues still to be announced

Waitlist for all cities now at ShawshankLive.com.au

 

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