Booze & The Bard: Macbeth! The Scotch Play

Booze & the Bard: Macbeth! The Scotch Play

Booze & the Bard: Macbeth! The Scotch Play Rating

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With the show’s title named Booze & The Bard: Macbeth, I had a feeling this wouldn’t be your typical Macbeth play. As part of Perth’s annual Fringe Festival, five young actors bring a loose adaptation of Shakespeare’s infamous Macbeth to the stage.

Held at Four5Nine Bar at the Rosemount Hotel, a cosy little venue, the audience and the actors had no idea how the play would pan out. The concept reminded me a little bit of those “choose your own adventure books” where the reader’s choices determine the main character’s actions.

The play started off smoothly; all the standard lines are acted out with an injection of modern language sprinkled throughout (I loved this because, as someone who myself am not a big follower of Shakespeare’s plays, it made the play easier to follow and understand). When the play continued too smoothly, that’s when the actors shook things up a bit. There were drinking games (audience members could also participate if they wished), but either way, the actors are drinking throughout the play.

The major shakeup of the show was the spinning wheel. The spinning wheel had a variety of rules that the chosen actor had to follow when the tab landed on any of these rules, and this could happen at any moment throughout the entire show. The narrator would usually bring the spinning wheel to an audience member to spin.

 

For example, when it landed on ‘accent’ the chosen actor had to say his lines in an Irish accent for remainder of the play. I especially though it was funny when it landed on ‘western’ and the actor playing Macbeth, Ethan Milne, had to act out the rest of the play as though he was in a western movie, topping it off by wearing a poncho.

There were moments when the actors would be calling out ‘noooo’ when the spinning wheel was pulled out. I could feel their pain. It would not be easy to recite a Shakespeare play and then force put a spin on it at the last minute.

It’s ironic that Macbeth is actually a tragedy, but this show was far from tragic. The Booze & the Bard’s Macbeth, the Scotch Play was a fun, chaotic, silly, comedic retelling of a Shakespeare classic with many twists.

You certainly do not have to be a Shakespeare fan or understand Shakespeare to enjoy this show. It’s clear the actors were all having a lot of fun, and this naturally pulled the audience in.

If you are looking for a light-hearted show with plenty of laughs and, of course, drinking, then this is the show for you.

To book tickets to Booze & the Bard: Macbeth! The Scotch Play, please visit https://fringeworld.com.au/whats_on/booze-the-bard-macbeth-the-scotch-play-fw2025

This year’s Fringeworld Festival Perth runs from 17 January to 16 February. For more information, please visit https://fringeworld.com.au.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Esther Hicks: So….What’s it like in the Vortex?

Esther Hicks is Vibrationally Speaking

Esther Hicks is Vibrationally Speaking Rating

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3

Last night I joined Esther and Jerry along with their ethereal counterpart ‘Abraham’ for “Esther Hicks is Vibrationally speaking” at the intimate PIP theatre space in Brisbane. The show is an engaging and quirky parody of the real-life teachings of American inspirational speakers Esther and Jerry Hicks.

From the very outset – and before we even take our seats, we’re allocated participant lanyards and instantly plunged into a simulated workshop that promises closer alignment to the vibrations inside the vortex and the laws of attraction!

The audience buzzed with playful anticipation of what was ahead of us. In just under an hour, award-winning director Elizabeth Millington cleverly guides us through the simulated interactive self-help workshop. Woven into this timeline is Jerry and Esther’s behind-the-scenes journey to inspirational speaking, which also hints at their increasingly tense relationship.

Claire Pearson (actor, writer, producer, comedian) and Kyle Walmsley (actor, comedian and RAW National finalist, 2012) hilariously bring Esther and Jerry Hicks to life with heart and conviction. Claire’s adept ability to morph into the entity ‘Abraham’ with such physical intensity made it impossible not to laugh! The show’s interactive nature encouraged the audience to ‘co-create’, ‘manifest’, and, in a mantra-like style, engage in a call-and-response communication, highlighting the powerful conformity of group behaviour.

Opposite Claire, Kyle delivers a strong portrayal of Jerry Hicks, the Ex-Amway businessman focused on sales, who grounds Claire’s whimsical Esther in the earthly plane.

The chemistry between Claire and Kyle is so palpable and convincing in their delivery that at one stage during the ‘workshop’ I found myself, along with other audience members reaching under our seats to find that elusive latest release book, which they hinted was there. They drew the audience into their world effortlessly, creating a shared experience that felt communal but also individual.

The minimalist set used subtle lighting to divide the stage, ensuring Esther and Jerry could be the central focus. They seamlessly moved from the cooler ‘on-stage’ left side to the warmer, soft purple glow of their home on the right side. The use of projected wall images effectively supports real-life excerpts of writings, teachings, and even a real video clip of Esther Hicks speaking.

The apt use of sound effects and music reminded me of the vibrations of a theremin instrument with an overlay of heartbeat sounds, adjusting the mood and pace of the show. The music signalling the show’s end was much more joyous and almost childlike.

Whether you’re a fan of self-help teachings or a curious sceptic, this show will resonate and make you laugh. Whilst there have been other iterations of inspirational teachings and books over the years, “Esther Hicks is Vibrationally Speaking” makes a brave move in highlighting the absurd attempts people make to find their true happiness.

If Abraham could speak to us now, he might say: “Are you ready to launch your rockets of desire and find your bliss?” With a blend of humour, tension, and unforgettable ‘mantra’ moments, “Esther Hicks is Vibrationally speaking” will leave a lasting impression and will likely resonate with audiences long after.

“Esther Hicks is Vibrationally Speaking” was performed as part of Pip Theatre’s annual Toucan Club festival, running until 21st December. For more details, visit www.piptheatre.org/toucanclub/.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Christmas in Caulfield: Melbourne’s Christmas Wonderland

Melbourne’s Christmas Wonderland

Melbourne’s Christmas Wonderland Rating

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Christmas has come early to Caulfield with Melbourne’s Christmas Wonderland.

Walking into the Big Top, Christmas lights adorn the enclosure. There is a lot to see and do, and the first stop is the Frosty the Snowman jumping castle.

It’s then onto the Ball Pit before a ride on Rudolf’s train.

At 8:15 pm, we are invited into the Big Top for a circus show with Mrs. Claus and the Elves. We are delighted by acrobatics and aerial artists. Mrs. Claus narrates a Christmas story while we witness thrilling stunts.

Then it’s over to decorate elk antlers with festive stickers before visiting Mrs Clause’s Bakery to decorate gingerbread men’s cookies. It’s a simple yet fun activity for the whole family.

In a separate tent, we meet Santa and his Elves and pose for photos. Photo packages start at reasonable prices, and each visit comes with a surprise present from Santa.

 

Just outside Santa’s workshop is plaster statue painting, a fun activity for everyone. Paint a Santa, penguin or Christmas tree to take home and keep.

Every part of the experience is immersive, and Christmas has been magically brought to life under the Big Top with all your favourite Christmas characters.

The Christmas Wonderland is a fun experience for adults and children with plenty of activities. Whether it’s photo opportunities in Santa’s workshop with shiny baubles or roller skating, there is something for everyone.

Melbourne’s Christmas Wonderland is returning to Caulfield Racecourse from November 29th to December 24th, 2024. It is advised for children 10 and under.

To book tickets to Melbourne’s Christmas Wonderland, please visit https://www.melbourneschristmaswonderland.com.au/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Karate Man – A Brilliantly Clever Interactive Live Action Comedy

Karate Man

Karate Man Rating

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6

If you have ever played a video game, you’d feel the excitement of pressing a combination of different buttons on the controller and moving your character around the screen – to fight villains, explore different rooms and make decisions. The game always has a goal, often several, with riddles and various quests to complete before the goals are met, before you finally win the game. Perhaps it has taken hours to play. Imagine this. You know what I mean. Now think about the characters jumping out of the screen and are standing right now in front of you, swaying from one foot to the other, patiently waiting for you to give them a command on your controller. Your game has come to life – and you get to make decisions about what happens next. This is what happens in this comedic show Karate Man.

Co-creators and directors Bruno Dubosarsky and Daniel Scarratt have produced a truely unique and hilarious interactive play…and play we did! All audience members participated and became immersed into the story, by taking turns with the controller and pushing buttons, directing Karate Man to do what they wanted in response to the story’s many challenges.

The buttons were typical gaming commands such as kick, throw, punch, jump, grab as well as move left / right/ down and up, all of which Karate Man had to do immediately on command as soon as the it was read out by the game’s narrator. The sound effects added to the authenticity of a video game, complete with repeating sounds when the characters were waiting to be directed what to do.

 

This video game character was portrayed perfectly by Bruno Dubosarsky and done with such robotic fluidity that it was believable, his movements imitating the basic gaming commands of the 1980’s video games. As you can imagine, the fight between Karate Man, moving in a step by step controlled fashion (eg “right, right, jump, right, kick. Left, left, down, punch”) and his arch enemy Ross Roundkick, played with cheeky wickedness by Daniel Scarratt in the year 198X was hilarious and one of the highlights of the show for me. I was laughing so much as poor Karate Man was directed to move in ridiculous excess due to the audience still getting used to using the controls at the beginning of the show – it would have been exhausting for Bruno. At one stage, Karate Man was directed by the controller “left, left, left, left, left” right off the stage – the audience was crippled with laughter! I had never been to a Choose Your Own Adventure show like this before, and I loved it.

The story of Karate Man takes us into the lives of Karate Man and his wife Kara. Her name being half of his name seemed to be on purpose, and added to the cheesy charm of the show. Kara was played by Stephanie Ryan and her mannerisms of a video game character were spot on. Karate Man had to complete some challenges in this game and the audience was given three choices which led to different scenes and more goals to achieve. As the audience were making the decisions about where Karate Man was going to go next in our rendition of the play, I could see how the show would completely change on different nights. It would be interesting to return to experience another scenario and set of goals.

 

The supporting cast, Tim Dunk as the Time Fish, Juliet Rae Timmerman as Alex Coober and Maddie Atkins lent keen exaggeration into their video game characters and were very entertaining. All of the actors at different times were so funny, and I believe that some lines may have been impromptu.

The script was clever and contained some references to pop culture embedded. Prop designer Stephanie Ryan kept the stage simple. A few painted large posters were used, as well as a few other props, and was all this show needed as it was more reliant on the physical comedy and the script.

Shown as part of the Sydney Fringe Festival 2024, Karate Man was spectacularly funny and one of the most original interactive shows to hit the stage! Instead of playing video games at home, head out to the PACT Centre for Emerging Artists in Erskineville to have your own personalised adventure with Karate Man.

Show run: 17-21 September 2024
Tickets: $30 – $38
www.sydneyfringe.com/events/karate-man-a-live-action-video-game

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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