Interactive Storytelling Once Upon a Grimm Night

Once Upon a Grimm Night

Once Upon a Grimm Night Rating

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5

Picture this. It’s 8pm and you’re driving through a forest. It’s pitch black, except for the beam of your headlights cutting through the stillness. Lining one side of the single gravel road, silhouettes of inky branches reach over, like fingers beckoning you to continue to the house. Old Government House in Parramatta, Sydney. I have to shake off thoughts of ghoulish entities and murderous strangers hiding in the shadows! Maybe my imagination had run awry because we’d just entered Halloween month. Most likely though, it’s because I was on the way to see Once Upon a Grimm Night, an interactive play by Odyssey Theatre! Just the title had scary connotations.

I need not have worried, because I arrived safely and in one piece at Old Government House’s door. After we were greeted by The Narrator, it became clear that in Once Upon a Grimm Night, guests were adventurer travellers and not hapless victims, and this was going to be a live theatre experience with tons of humour, not horror.

Once Upon a Grimm Night is the brainchild of Emily McKendry, who wrote and directed the play. Emily says that her love of all things magical and fantastical inspired her to write about characters from the fairy tale realm. Once Upon Grim Night is set in the world of Everafter, and due to cosmic forces, our world and theirs have crossed for a short time, and we needed to help find a special something.

The Narrator, played with delicious relish and cheeky trickery by Jared Gerschwitz, was a chaos-loving mischievous character who reminded me of Loki with wicked laugh. He guided us in a quest to save Everafter, introducing the wayfarer travellers along the way to the other characters.

We first met Cly, AKA The Maiden, in the garden playing with a frog. Cly had an earnest innocence about her. I loved the way Phoebe Lumley Tow portrayed Cly, who was quick to deliver some very funny lines in response to audience participation . As Cly started singing, I had the impression that she was channelling Snow White, or Cinderella, or any another female stereotypical female fairytale character (which I think may have been the point).

 

 

The third character whose namesake is in the title, is Grimm Volkov, resident Everafter’s hero / heartthrob with fabulous fairytale prince-like hair. Grimm is played with a natural charm by Harlee Timms. Grimm assisted us travellers (or, “Princes” as he nicknamed us all) in the quest to find what we needed to save the realm.

Grimm led us to meet The Witch, a character who we could not help but warm to because of her sarcastic yet hilarious humour. Emily McKendry portrayed The Witch, and her spin on this character was unique. She wasn’t really an evil wicked witch as fairytale land stereotypically paints witches to be. Emily was quick to improvise answers with funny quips and respond to our questions, making us feel comfortable in her dark and dank basement. One of the highlights of the performance was held in the basement, where The Witch chose different audience members / travellers to interact with the magic potions to uncover a mystery.

The set up of Once Upon a Grimm Night is very original, with physical puzzles for us travellers to discover and solve in certain rooms. The Narrator was there to encourage us to work together and to ensure that most guests had a turn.
The costumes of all the characters added to the fairy tale feel. The cast had taken care to ensure their characters looked the part, right down to little details like the jewellery they wore, (especially The Narrator’s extended silver sharp finger ring) waist belts, corsets, billowy sleeves and black boots.

Odyssey Theatre selected the heritage-listed Old Government House as a fitting location for their performance. It was a former country residence, home to Governors and their families from 1800 to 1847. The play was performed both outdoors and indoors, allowing the audience to explore the rooms and experience a set that matched the story. The performance lasted one hour, though I would have liked more time to explore the house and its rooms.

Once Upon a Grimm Night was a unique and enjoyable experience. The small group I attended with was lively, and there was a lot of laughter throughout the evening as the audience banded together to solve puzzles. The interactive nature of this play would be an excellent opportunity for companies to bring their staff together for bonding. With the holiday season coming up, it would make a fantastic choice for an end-of-year Christmas party. Whether you go solo or with a group of friends, it is certainly worth taking a trip into Everafter where you can enjoy a hands-on potion-making activity and take part in clue-solving challenges that are perfect for clue finding sleuths.

Season run: Friday 3 October – Saturday 25 October. 3 session available at 5.30pm, 7pm and 8.30pm
Duration: One hour, no intermission
Old Government House. Parramatta Park, Pitt St entrance. Limited parking is available nearby.
Tickets: www.odysseytheatre.com.au/once-upon-a-grimm-night-parramatta

To book tickets to Once Upon a Grimm Night, please visit https://www.odysseytheatre.com.au/once-upon-a-grimm-night-parramatta
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Powerful, Passionate, and Fantastic

The Comedy Games with Coach Mon

The Comedy Games with Coach Mon Rating

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3

Comedy Games With Coach Mon is now on at the Ivanhoe Library & Cultural Hub’s Yarra-me Djila Theatrette as part of the Melbourne Fringe. Aimed at children age 4 and up, the show is a really fun way to introduce your junior primary and pre-school kids to interactive live theatre. It’s a great antidote to the effects of too much screen time – it’s upbeat, inclusive, funny and interactive. It stimulates the imagination and reminds us how to play. The age appropriate humour is infectious, and a lot of it is supplied organically by the children themselves. I highly recommend it.

The theatrette is cosy, clean and family-friendly. Coach Mon makes your child feel at home by introducing herself to each child and learning their names before the show starts, so I recommend getting there a little early to settle into the space. There is ample parking at the Ivanhoe venue which also has a lovely café and a library on the same level.

The theme of the show is sports. Coach Mon’s dream is to be a sports coach and she is looking for athletes who are Powerful, Passionate, and Fantastic. There’s a good dose of the ridiculous, which kids love, so we’ll be starting with eyebrow push-ups and weight-lifting with marshmallows on a skewer, for starters. Sometimes Coach Mon might need some coaching herself. Does she really know what hurdles are? Why is she asking for child hurdles – “churdles”? Will she jump over them or fly?

 

 

Adults – you will not be bored! Coach Mon knows how to keep the kids’ attention with singing, acrobatics, jokes, miming and clowning-skills, all with a warm connected personality. She knows how to keep them quietly in their seat, if needed, and, conversely, how to get them up and noisy depending on the scene of the show. You’ll be able to relax and enjoy the antics with your child, and possibly even take part in some synchronised swimming!

The fast pace of the show is underscored by well-chosen classical and pop-rock songs. For example, who doesn’t like a slow-mo running race with Chariots of Fire as the soundtrack? I loved that this show was exposing the young ones to really good music from Peer Gynt Suite’s Hall of the Mountain King to Eye of the Tiger. We might know these songs, but it might just be the first time the little ones get to hear it.

After the show, Coach Mon stayed to chat to kids and adults as they were leaving. I had a chat to her too and discovered that Coach Mon is the multi-talented Monique Warren who is an actor, musician, educator, choir director and clown. She grew up singing in the Australian Girls Choir and then stayed on as a choir teacher for 12 years. Her inspiration for the show came out of blue one day while she was teaching an online co-curricular drama class online during COVID lockdown in 2021. Worn out by the sheer boredom she had had enough and walked away from the faces on the computer screen. A minute later, she was back with sports cap on and tennis ball in hand and announced “I’m Coach Mon. Let’s play!”.

Monique Warren’s dream is to build her kids show to be a regular school holiday gig. The joy she gets from doing the show is from bringing people together and that is her passion. It’s a Passion that is Powerful and her show is Fantastic! Go see it before it closes. Let’s play!

To book tickets to The Comedy Games with Coach Mon, please visit https://www.melbournefringe.com.au/whats-on/events/the-comedy-games-with-coach-mon.

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Squatch Watch: Conspiracy, Comedy, and Chaos

Squatch Watch: LIVE

Squatch Watch: LIVE Rating

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0

From 25–27 September, the performance collective Vaguely Adjacent (Nick Vagne, Sophie Florence Ward, Luke Standish, and Frank Dwyer) brought their quirky production Squatch Watch: LIVE to MerrigongX.

This experimental work set out to probe our relationship with conspiracy theories, certainty, and the noisy world of online spaces. Loosely styled as a live riff on the podcast format, the show mixed tongue-in-cheek commentary, audience interaction, and bursts of music and movement.

At its best, the comedy found sharp timing and delivered genuine laughs; at other moments, the wit fell a little flat. Still, the quartet’s energy and willingness to play with the audience kept things buoyant. The bigfoot/sasquatch/yowie conspiracy was explored with irreverent gusto, complete with dancing, improvisation, and a range of interactive stunts that drew strong engagement – especially from the largely under-25 crowd.

 

 

As devised theatre, Squatch Watch is both messy and inventive, a playful experiment that doesn’t always land but succeeds in creating a lively, participatory experience. With free tickets and a pay-what-you-like model, the company’s generosity of spirit matched their enthusiasm on stage, and the audience’s response suggested the experiment was well received.

The MerrigongX venue itself is spacious and welcoming, with excellent café offerings and plenty of room to relax pre- or post-show – an ideal setting for this sort of unconventional work.

To book tickets to Squatch Watch: LIVE, please visit https://merrigong.com.au/shows/squatch-watch-live/.

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Wits and Whisky – Dorothy in Oz, An Immersive Cocktail Adventure

Dorothy In Oz: An Immersive Cocktail Adventure

Dorothy In Oz: An Immersive Cocktail Adventure Rating

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2

Writer and director Alex K. Wregg brings his lifelong love of the Oz books by L Frank Baum to life at the 2025 Sydney Fringe Festival. His latest imaginative experience Dorothy in Oz is introduced as an experience where guests attend a birthday celebration for Princess Ozma of Oz. I had no idea about what lay ahead in our adventure and the mystery of this added to the suspense.

We started our journey in Kansas, sitting on hay bales and drinking a preshow drink from the bar titled Baum’s Marvellous Medicines – Potions, Tinctures, Remedies. It is here we met Dorothy, played with girlish charm by Bethan Williams. She was the guide that lead us safely into the world of Oz after she suspects a tornado was on the way.

The theme of the different lands where we begin is clear when we step through the tornado tunnel. There are tables beautifully decorated in vibrant colours, representing the different lands. As with all things magical, there were fairy lights adding to the atmosphere. The guests were greeted by The Scarecrow, played by Adam Watt, and we were able to gravitate to whatever table colour we wished to sit at to begin our night. Throughout the performance, Adam maintained the thoughtful and sweet nature of the Scarecrow and deserves a shout out for when he answered some of my questions with quick witted Oz related answers multiple times.

Production designer and build, Paul Bujak created a space that appealed visually and made me want to explore the area (the different lands) immediately! I did go for a wander around when I first came in.

 

 

On one wall, there was a poster of Oz, titled “The Marvellous Land of Oz” and it pulled together the five different lands; Winkie Country, Gillikin Country, Munchkin Country, Quadling Country, all of which surrounded the famous Emerald City. Bordered on four sides by the Great Sandy Waste, Shifting Sands, Impassable Desert and Deadly Desert, this map’s artwork was truly beautiful, and I could have studied it for hours.

In dual character roles, Marni Collier played Tip with a light-heartedness zeal and Ozma, and Kirsty McGuire’s performance as Mombi and Glinda made me laugh a few times! The four cast members bounced off each other to keep the flow going throughout the night and were there to support the guests if we got into any confusion about how to solve the given puzzles. There were lots of puzzles to be solved as a team (your country), and this was one of the highlights of the experience! I didn’t find the puzzles too difficult – think Escape Room meets family friendly World of Oz, and you can understand the fun to be had when working together with other people. I was on a table of five, but this number can vary, depending on the number of guests on the night. The puzzles were cleverly thought out to space separately the places where we went to complete the challenges.

Dorothy in Oz, An Immersive Cocktail Adventure, wasn’t your typical sit-down theatre performance. Instead, it was an interactive experience where guests became part of the story. Without giving too much away, it turned out to be a wonderfully fun journey into the Land of Oz that will captivate everyone, from the young to the young at heart. Although it has ‘cocktail’ in the title, the experience also caters for non-drinkers and has family friendly sessions, which will suit younger guests who have curious minds and wonderful imaginations.

If you want a diversion in our busy and hectic world, use your wits then relax with a delectable whisky-based cocktail, transport yourself to Marrickville Town Hall this September! For Sydneysiders, my message borrowed from The Wizard of Oz is “If I ever go looking for my heart’s desire, I won’t look any further than my own backyard.” Explore your own backyard and book tickets to this experience, before the tornado hits town!

Season Run: September 3-28, 2025
Venue: Marrickville Town Hall
Run Time: Approximately 1 hour 20 minutes
Tickets: www.dorothyinoz.com

To book tickets to Dorothy In Oz: An Immersive Cocktail Adventure, please visit https://www.dorothyinoz.com/.

Photography: Phil Erbacher

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