Walking into the theatre space, we heard Helen Reddyâs song booming out, âoh, yes, I am wise but itâs wisdom more than pain, yes I paid the price but look how much Iâve gainedâŠâ On came Karli Evans initially playing modern Aila Driscoll, a business woman and more macho than the men because it is still a manâs world. Now donât think this play is only for women, the men in the audience responded instantly recognising the men she was referring to as they have to deal with them as well. However; her character and the following historic female characters presented the physiological and psychological pain of a woman standing up for her rights, ethics, belief and pure love; swimming against the tide and often paying a price.
Oliver Brighton, Tech Director, provided the sound and lighting subtly changing the mood of each character via projection on a scrim. The set, a fading hotel room in the middle of a redevelopment project resisting progress, had torn wallpaper and a basic single bed and chair that provided a refuge for each character. It would cleverly change to reflect different characters and the decor of its era and without giving anything away, clever on-set costume changes reflected the fashion of the time.
Writer and producer Kerrie Simon-Lawrence has crafted an eloquent, humorous and fascinating series of monologues featuring four Australian women from different eras, each grappling with difficult decisions and the social constraints of her time, and directed by Lara Lightfoot. Mary Anne Monroe-Bentley, Molly Fink and Angie Sage are honoured for their stand and place in womenâs history and fight for their identity. Karli alters her voice and posture to tell their stories and the audience believed in each change of persona.
With all of that, it is Karli who holds your attention as she switches from being the modern Aila to jump into each of the other womenâs characters. The language changed in complexity and emotion and it was a âtour de forceâ for one actor. She ebbed and flowed as a modern woman frustrated with the business world whilst juggling her attention to her love for her partner as she is challenged with making decisions about work and family.
The characters outline womenâs need to make decisions about their bodies, their social status, how to walk through a dark park at night alone and even as a sex worker; why a condom is non-negotiable. The messages are still relevant and the monologue is arresting, emotional and even sometimes wryly humorous. The audience responded and were having discussions as we all exited the theatre. We were left wondering how Aila would manage what her next step might be and her stance as Helen Reddy sang,âI am Womanâ.
To book tickets to Crazing, please visit https://whatson.cityofsydney.nsw.gov.au/events/crazing-by-escape-artists.
