Anywhere Festival: Set Me On Fire

Set Me On Fire

Set Me On Fire Rating

★★★★★

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Samara Louise’s play, SET ME ON FIRE, is a deeply moving play about the ugly side of family ties, the angst of artistic temperament, and the longing for a better life.

Through the erudition and articulation of her lead female character, Samara paints a poignant portrait of a girl growing into an excellent example of an independent, free-thinking femme fatale.

The list of Samara’s achievements so far seems enormous, considering her youth. Cale Dennis, the director, is also no slouch when it comes to winning awards. I foresee they both have bright futures in theatre and probably whatever else they decide to address with their talents. All members of The Silent Sky Collective, who produced the play, are emerging artists in their own right.

Rachel McMurray, playing Eden, the lead, did a wonderful job of wrapping her lips around the lines of dialogue she had to deliver, and her transitions between a coy seventeen-year-old and a savvy twenty-something, demonstrate she’s a force to be reckoned with.

Her counterpart, Mannon Davies, as Noah, the lost love interest, gives us a delightful deep dive into the psyche of a boy burdened by a mother clinging to her child. His chemistry with Rachel was obvious, and yet deftly understated, muted by the malignance of his meddling mother.

The play begins near where it ends and then backtracks to fill in the gaps. The reminiscences replicate the back story that brought the two tumultuous teens to where they meet again at the beginning of the play, through complexities that remind us that underneath each of us are layers of human experience that can and often do scar us for life.

Cullyn Beckton and Tim James, the tech team, never missed a beat. The set, sound, and lighting all enhanced the moments that made the story work so well.

It’s a thoroughly watchable work. I’d give it 4 out of 5 stars. Go see these people play now before they get so well-known that you have to pay through the nose to see them.

The production contains very occasional strong language and young adult themes. It’s part of The Anywhere Festival and is staged inside Backdock Arts, a small hall at 103 Brunswick Street, in Fortitude Valley.

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Film Review: Mr Blake At Your Service!

Mr Blake At Your Service

Mr Blake At Your Service Rating

★★★★★

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2023 French comedy-drama directed by de Gilles Legardinier in his directorial debut, Mr. Blake At Your Service stars John Malkovich, Fanny Ardant, Émilie Dequenne, Philippe Bas, Eugénie Anselin, Al Ginter, Anne Brionne, and Christel Henon and is based on the director’s novel Complètement cramé! (Completely Burnt Out!).

At times, it was slow and dragged a bit, always seemingly waiting for something to happen. The tempo was slow, the speaking was slow, and you felt the need to know more about the somewhat implausible characters, but maybe that’s part of its charm.

For most of the movie, there is a sadness that lingers over everything with an unlikely collection of lonely, odd characters.

Having seen the lead actor, John Malkovich, depict the evil guy in many movies, I found myself expecting him to suddenly turn into the big bad guy with all hell breaking loose AND then all of a sudden he sort of does!!!

It seemed like the premise held a lot of promise but never quite lived up to it. And then suddenly, it sort of just does!!! The mood goes from sad to silly, and suddenly, you almost…… I did say almost—don’t want it to end.

The plot was holey, the characters thin, and the tempo sluggish, but, despite myself, I found I was enjoying it anyway. Even though finally, after all that damned melancholy, without giving anything away, I was so happy I actually cried – real tears – maybe of relief!!

If you want a movie that you’ll probably like even with all its faults, this one’s for you. It’s especially for you if, like me, you love a happy ending (no!! Keep it classy, please!!).

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Spanish Film Festival: A Ravaging Wind

Spanish Film Festival: A Ravaging Wind

Spanish Film Festival: A Ravaging Wind Rating

★★★★★

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‘A Ravaging Wind’ is the story of a young girl, Leni, who travels with her preacher father, Reverend Pearson, around towns in rural Argentina.

He is an evangelical preacher spreading the word of God and healing sinners. It is a coming-of-age film about Leni as she is trapped in a lifestyle not of her choosing. Argentine director Paula Hernández starts the film as a road movie as we follow them from one church to another.

As they are heading to their next sermon, we start to see more of the character of Leni, played by Almudena González. As she runs errands for her preacher dad, Alfredo Castro, you start to see the doubt in her mind about the direction of her life. On the road, their aging car breaks down, and they are taken, car and all, to a local mechanic out in the middle of nowhere.

Spanish Film Festival: A Ravaging Wind

Here they met Gringo the Mechanic, played by Sergi López, who is opposed to faith and his son Tapioca, played by Joaquín Acebo. Here, we have a similarity between the two families, both being teenagers brought up by their fathers.

As the car is repaired, Reverend Pearson decides he wants to save Tapioca; in fact, he becomes obsessed with trying to save the lad. This echoes with Lenis in the story.

The quality of the acting really makes this movie stand out. Without it, the film would have been a slow-moving road movie. The cast seems to understand the characters and what the director requires of them. It’s a really nice ensemble piece and worth watching. I give it 4 out of 5 stars.

The Spanish Film Festival runs through June-July, 2024 in Adelaide, Brisbane, Byron Bay, Canberra, Melbourne, Perth and Sydney.

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Spanish Film Festival: Un Amor

Spanish Film Festival: Un Amor

Spanish Film Festival: Un Amor Rating

★★★★★

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Un Amor is a delirious dive into the torment experienced by a young woman who walked away from the stress of her work interpreting the tragic stories of refugees and moved to La Escapa, a small village deep in the Spanish countryside, only to be thrust into a story almost as horrible as the ones she was running away from.

Multi-award-winning and multi-lingual Spanish director Isabel Coixet co-wrote and directed this searing drama, told with interspersed flashbacks to the horrors of her previous work, paralleling her descent into indecency.

The cinematography is often breathtaking, showing the scope and beauty of the region and vividly bringing life to Nat’s mixed emotions. The villagers’ characterisations, foibles, intrigues, and veiled love triangles are all treated with gusto. There’s a delightful smorgasbord of humanity on display.

In a dilapidated house with an abused dog thrust into her care, thirty-year-old Natalia, or Nat (Laia Costa), faces overt hostility and sexist micro-aggressions from her landlord and covert hostility from nearly all her neighbours. Initially wooed by a slightly older man who demonstrates an artistic sensitivity with stained glass, she demurely dismisses his overtures.

Spanish Film Festival: Un Amor

Then after an extraordinary encounter, Natalia reluctantly gives in to an awkward illicit proposal from her brutish neighbour Andreas (Hovik Keuchkerian) so as to have her dwelling refurbished somewhat and made into a more liveable space. In so doing, she succumbs to a passion that punishes her and causes her to see who she really is.

The film is based on Sara Mesa’s bestselling novel of the same name. The Spanish newspaper El País named it Spain’s 2020 book of the year. Un Amor has been described as a bittersweet and striking exploration of gender roles, love, obsession, and desire.

It deftly deals with some eternally fundamental and gripping questions that have plagued humanity. What is love? Are we sexual in nature? It’s a disturbingly frank look at the dynamics of gender politics and sex as a commodity.

John Holland of Screen Daily, a website providing a real-time view of the film industry, said the film was sometimes “redolent of Coixet’s very best work.” Guy Lodge of Variety, a website featuring entertainment news and reviews, considered the film to be a return to form for Coixet.

In two top ten lists of Spanish films, it ranked 2nd (El Español) and 10th (Mondosonoro).

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