Interwoven Lives: A Review of Various Characters

Various Characters

Various Characters Rating

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‘Various Characters’ is an aptly titled play that explores the emotional terrain of six individuals, each living in their own world and caught in the tension between isolation and connection. Their lives – diverse, troubled, and at times tender – intersect by circumstance, creating a tapestry of modern identity, dislocation, and longing.

Set in early 21st-century Sydney, the play touches on themes of multiculturalism and cultural identity, exploring how difference both separates and defines us. Through these characters, we glimpse the struggle of living in a society where connection is craved but hard-won.

Each character wrestles with personal transformation. Nina (Georgia Da Silva) is plagued by uncertainty and fear; Raoul (Tony Goh) stumbles through his inability to express himself and fit into the community; Mile (Tate Wilkinson-Alexander) grapples with identity and the burdens of responsibility. Boris, played with wide-eyed charm by Maliyan Blair, lives in a romantic fantasy. Zita (Nashy MZ) attempts to exert influence on the world around her, while Greta, portrayed with particular depth by Kate Bookallil, seeks to rewrite her future and reclaim a sense of purpose.

Bookallil’s performance as Greta, a Croatian mother, is a standout – rich in authenticity, expression, and control. Her presence brings emotional gravity to the piece. Blair’s Boris is also noteworthy, his youthful optimism providing contrast to the more subdued characters.

Though engaging and evocative, the narrative at times lacked clarity. Some character motivations felt opaque, leaving the audience uncertain as to why certain events unfolded. Still, the emotional beats mostly land, offering poignant moments of insight.

Technically, the production was tight. Set changes were executed smoothly in near darkness, a testament to the cast’s discipline. The minimalist staging adapted cleverly to both indoor and outdoor settings, and the restrained use of music helped maintain focus on the dialogue and action.

Performed at Flight Path Theatre – appropriately named, given the frequent sounds filtering in from low-flying planes – the two-sided amphitheatre ensured an intimate viewing experience, with every seat offering proximity to the stage. The theatre holds 90-100 people and has a bar with snacks. The demographic of the crowd was mostly younger with a mix of ages and ethnicities.

Written and produced by Šime Knežević and directed by Victor Kalka, ‘Various Characters’ offers a glimpse into lives trying to make sense of themselves and each other. While not every thread resolves cleanly, the performance is heartfelt, timely, and thought-provoking.

This play has an approximate runtime of 80 minutes, with no interval. The season runs from May 7 to 17, 2025. To book tickets to Various Characters, please visit https://www.flightpaththeatre.org/whats-on/various-characters.

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Event Review: The Bubbles Festival – Melbourne 2025

The Bubbles Festival

The Bubbles Festival Rating

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Few things are more delightful than a glass of sparkling wine enjoyed riverside. The Bubbles Festival delivered exactly that and more at this year’s Melbourne session at the stunning River’s Edge in Docklands.

The atmosphere was elegant without being stiff, with floor-to-ceiling windows overlooking the Yarra and the golden glow of autumn light. This wasn’t a crowded scramble for samples but a perfectly paced event where guests could relax, discover, and indulge.

Founder Natalie Pickett opened the event with warmth and wit, reminding us that sparkling wine is beautiful and should be enjoyed with all the senses. Her tasting tips were charming and personal: listen to the bubbles, take in the aroma, and always pair with food. The canapés were curated accordingly, with a seafood station offering plump prawns, fresh oysters, mussels, and calamari and a generous cheese station of soft and hard cheeses. Additional bites roved the room, matching the mood and the wine effortlessly.

On the tasting front, the festival truly delivered on its promise of diversity. There was something for every palate, with around 18 different wines available — including French Champagnes, Italian sparklings, and standout Australian drops from the Yarra Valley, Great Western and Mornington Peninsula. A personal highlight was the Flinders Bloom Elderflower Spritz, inspired by the classic Hugo. Light, floral, and utterly refreshing, it combined méthode traditionnelle sparkling wine with lemon myrtle and elderflower for what can only be described as springtime in a glass.

VIP guests were treated to a tasting of Champagne Philippe Fourrier Millésime 2017 Blanc de Noirs, a refined pinot noir as elegant as the event itself. With a private tasting, RIEDEL glasses to take home, and a charitable contribution to Sacred Heart Mission.

Beyond the wine, guests could browse and purchase Susan Kerian’s gorgeous Parisian-style illustrations, a lovely visual complement to the day.

If you’re a sparkling lover, this event isn’t just worth attending — it’s essential. Whether you’re discovering a new favourite Prosecco or sipping vintage Champagne, The Bubbles Festival is a celebration in the truest sense.

Visit The Bubbles Festival website to book tickets and discover more about each city’s event; dates for 2025 are:
Melbourne – 3 May 2025
Brisbane – 9 & 10 May 2025
Sydney – 16 & 17 May 2025
Adelaide – 31 May 2025
Perth – 21 June 2025

To book tickets to The Bubbles Festival, please visit https://thebubblesreview.com/the-bubbles-festival/.

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Persian Film Festival: The Great Yawn of History

The Great Yawn of History

The Great Yawn of History Rating

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The Great Yawn of History is a multi-layered debut piece written and directed by Aliyar Rasti, featuring as part of the 11th Persian Film Festival, Australia. Opening in Sydney and then touring both Melbourne and Armidale from the 24th of April to the 11th of May 2025, the program includes an official competition of feature and short film categories, which culminates in the Festival Jury presenting the Golden Gazelle Award to the best film in each section.

Staring Mohammed Aghebati known for When There Were Trees (2023) A Hero (2021), They (2018) and as the Director for 1001 Frames (2025), and Amirhossein Hosseini, an Iranian actor and visual artist, known for his diverse performances in cinema and theatre, The Great Yawn of History follows the journey of Beitollah (Mohammed Aghebati), a religious man who experiences constant and vivid dreams of finding gold coins at the end of a dark cave.

His religious beliefs mean that recovery of this lost treasure is haram, or more specifically, ‘sinful’, and therefore religiously forbidden in Islam. Due to this, Beitollah engages the assistance of the agnostic Shoja (Amirhossein Hosseini) to travel with him as he grapples with his ethical, moral and religious beliefs.

Throughout their journey, both actors bring different energies to the roles as they unpack the complex and specific character types – Aghebati expertly delivers an overbearing, sharp and to-the-point performance while Hosseini’s burdened posture translates into a believable portrayal of the worn-out and sceptical companion.

Iran’s staggering unemployment is also reflected in the manner in which Shoja is chosen for the task as Beitollah drops fake $100 bills on the street knowing that only a non-believer would pick up money found in this way, leading to the paradox lying at the heart of the storytelling – a contrasting moral dilemma – just the thing needed to ensure a successful and purposeful outcome.

Rasti combines faith and superstition with visually engaging cinematography that effectively displays the harsh landscape of Iran, providing the viewer with insight into its reality. Some prior knowledge of the Muslim religious belief system may be advantageous for a deeper connection to this meditative journey; however, this is not a ‘must’ to be able to discern the conflict of the opposing beliefs that are portrayed in this partnership and journey.

The Great Yawn of History is a slow and steady burn full of multidimensional layers.

The Persian Film Festival will run from 24 April to 11 May 2025 in Sydney, Melbourne, and Armidale. For session details and to book tickets to this and other films, please visit https://www.persianfilmfestival.com.

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Lord Arthur Savile’s Crime: Planning the Perfect Murder Can Be Chaotic!

Lord Arthur Savile's Crimes

Lord Arthur Savile’s Crimes Rating

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Published in 1891 as a short story by Oscar Wilde, Lord Arthur Savile’s Crime was the basis of this satire adaptation by Constance Cox and presented by the Genesian Theatre Company. Although I had previously seen productions over many years at their historic 70-year venue on Kent St in Sydney’s heart of the city, this was the first time I had seen a Genesian Theatre Company’s production in 2025 in their purpose-built new theatre. Lord Arthur Savile’s Crime was performed in their new venue at Rozelle, complete with high ceilings, air conditioning, with every comfortable plush seat having an unobstructed view of the stage.

It is the late 1800’s and Aristocrat Lord Arthur Savile (Brock Cramond) is engaged to Sybil Merton (Catherine Layard), the daughter of haughty Lady Julia Merton. Lady Julia, portrayed with relish by Roslyn Hicks, clearly doesn’t approve of Lord Arthur as a suitable husband for her beloved daughter. Roslyn’s performance as Lady Julia was a standout. Her disdain towards her future son-in-law, highlighted by her finger pointing and sharp words, as well as her outrageously ostentatious white bird hat, made the audience laugh many times! With the hope of getting a dire warning and thus having an excuse to cancel the engagement, Lady Julia brings a famous cheiromantist (fortune teller) Mr Podgers (Kees Harmsen), to see Lord Arthur, who predicts the past and future by reading palms. Kees’ portrayal of a serious soothsayer was excellent, and as he loomed over Lord Arthur, cloaked in a dark suit wearing a black tophat, he created a sense of mystery and foreboding, and was reminiscent of a human grim reaper. Well done to the costume designers, Molly Haddon and Susan Carveth.

Mr Podgers predicts that Lord Arthur is going to commit a crime of the most serious nature – murder! He keeps this news from Lady Julia, and admits it only to Lord Arthur, who then decides he must complete this murder before his upcoming marriage. With the help of his loyal man servant Baines, impeccably dressed in a black suit with tails (Oliver Harcourt-Ham) Lord Arthur goes about planning to poison his dear Aunty, Lady Clementina. The circumstances surrounding this murder change as he tries to implement his plan, and the audience is left holding their breath waiting to see what happens. Lady Clementina was portrayed by Diedre Campbell, who created a character that was so likeable, it left me hoping she wasn’t going to be a victim.

The following attempts as he goes through his possible family murder victim list, conveniently given to him by an earnest and helpful Baines, involve his other Aunty, Lady Windermere (Julia Burns) and the Dean of Paddington (Christopher Hamilton). Involved with the planning and the supplier of certain possible murder items was a member of the Anarchy Society, Herr Winkelkopf, played with comical overzealousness by Sebastian Lodge. His interactions with Lord Arthur and Baines were earnest in his offer to help, and providing items of the explosive type, (that may or may not work, no spoilers) was one of the highlights of the play. The scene where he was delivering a ‘bomb’ dressed in the exact two shade colours of the wall, so as to ‘blend in’, was hilarious!

A supporting character, Maid Nellie, (Amy Silvana Thomas) added to the wealth of the Savile family. At one point, whether intentional or not, I got the impression that Nellie may be more than whom she seems with her intentions.

The playwright’s characters are quite the caricature of Britain’s high society’s wealthy people, as well as the hired help. Every character had some funny quips, which made the 2 hour, 10 min play flow at a good pace.

The music was suited to the era and emotive theme. Sound Designer Rhea Moloo set a scene of intrigue and trepidation during the introduction and interval, with classical songs, such as Palladio by Virtuoso and Ivan Dohovic, Concerto in G Minor and Flight of the Bumblebee.

Lord Arthur Savile’s Crime was masterfully directed by Molly Haddon and has all the elements of a traditional Victorian Crime – with the murder choices popular during that time, spliced with comedic drama. There is the underlying sense of social class motivations of mixed-up morality, as Lord Arthur is continually supported by ‘his people” as he desperately tries to fulfil his supposed future murder prophecy. The result is a very satisfying comedic play with unexpected twists!

To book tickets to Lord Arthur Savile’s Crimes, please visit www.genesiantheatre.com.au.

The Genesian Theatre
2B Gordon St, Rozelle
25 April – 7 June 2025
Running time: 2 hours 30 minutes (including 20 min interval)
Tickets: Full $35 / Concession, Groups 10+ $30

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