The Lightning Thief – The Percy Jackson Musical

The Lightning Thief

The Lightning Thief Rating

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Though we are sadly seeing multiple professional city shows close early in Melbourne in the current economic climate, Community Theatre in Cranbourne right now is absolutely thriving!

A fantastic cast of young people have just opened “The Lightning Thief” The Percy Jackson Musical, produced by Peoples Playhouse, and it’s a massive hit!

I knew absolutely nothing about this show prior to going on the sold out opening night and only learned this is also a series of very popular books from the friend I took along, who hadn’t seen the actual show either and equally enjoyed it. As “theatre mums” we love love love to sit back and feast on a bright new energy level. This show is full of action from the get go and it never ceases to amaze me what storytellers can weave in their imaginations.

A plot of wayward demigod teenager, Percy Jackson, the son of Ancient Greek God Poseidon, finding his purpose via a quest with other children of Gods to discover his father’s reason for not being present in Percy’s life is also a journey of bravery and self discovery. This musical, loaded with both catchy dance tunes and meaningful lyric songs, has everything in it to pack a punch with a young audience especially; the cheers didn’t stop from start to finish.

Playing ‘Percy’ is Isaac Lane from Nida Open in a huge role he handled like a pro, accompanied by Olivia Woodhouse, growing up in ballet and then discovering her love for musical theatre, she is a super strong ‘Annabeth’, and Jack Thompson studying full time at Showfit, is a true champion player in his role as Percy’s best friend ‘Grover’.

 

 

The flashbacks of the three mains as their younger selves by 11year old Jasper Sage, 11year old Ayda Melody Hendricks and 12year old Matthew Theoclitou were all well played with a lot of emotion from these experienced theatre youngsters.

The use of spotlights in this show is very effective; something I constantly noticed as enhancing what was happening on stage and there’s a LOT happening! Demon teachers, cute squirrels, frozen statues and very inventive props including the funniest tractor scene, you won’t ever guess what’s coming up next.

All the cast work exceptionally well together in the little details and the choreography is fun and energetic with some cleverly rehearsed fights and battles. Great job everyone, you were so fun to watch.

It’s always interesting to observe the versatility of cast members you’ve seen before in other shows and I was pleased to see Matthew Berend step out on stage tonight as ‘Mr.Brunner’ (aka Chiron & Ares) with his usual larger than life personality and in this show, half horse body 🙂

Christine Ferra was wonderful as Percy’s mum ‘Sally’ with such warmth in one of my favourite songs ‘Strong’ sung with Percy. Parent / Child moments in any show always get me.

A confident Alex Sabljak rocked as ‘Luke’ and Lucas Battey as ‘Mr.D’ (aka Dionysus & Hades) convincing in every role, as were Tyrah Pocock-Davies as Clarisse, Michaela Fitzpatrick as Charon, Jeanne Carlos as Medusa, Lore Burns as Poseidon and Penny Norris as The Oracle was superb.

A highly talented bunch of young ensemble members completed this show perfectly and we couldn’t have enjoyed it more!

Congratulations to Sarah Jeffs (Director), Drew Lane (Musical Director) and Sarah Hayes (Choreographer), what a triple threat trio you make!

You must all be so proud, congrats to EVERYONE, including those amazing set builders, costume gurus and organising / creative teams behind the scenes with Production Managers David Krause and Heather Rose and Peoples Playhouse President Michelle Thomas. Bravo!!!

Ticket link:
https://www.trybooking.com/events/landing/1570412

More info:
https://www.peoplesplayhouse.com

To book tickets to The Lightning Thief, please visit https://www.peoplesplayhouse.com/whats-on.

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Theatrical Inc’s Bring It On The Musical To Open At The National Theatre In July!

Feature-Bring It On The Musical

Bring It On The Musical has firmly established itself as a contemporary classic since its premiere in 2011. In July, Melbourne’s beloved independent theatre group, Theatrical Inc will bring Bring It On’s renowned athleticism and high energy to The National Theatre in St Kilda from July 11th to July 26th.

Based on the beloved hit film franchise, Bring it On this award-winning musical follows the journey of Cameron, champion teen cheerleader Campbell, who finds herself at a crossroads when she is redistricted from her affluent high school to the rival high school, Jackson High. In a bid for victory, she joins forces with their fearless dance crew to compete against her old squad at the Cheerleading Nationals. The clever story highlights the clash between these two social worlds, bringing to the stage diverse perspectives that brought depth and comedy to the universal high school experience well ahead of its time in the early 2000s.

Boasting a prestigious creative lineage of Broadway’s finest, the show features a high-energy score collaboration between Lin-Manuel Miranda (Hamilton, In The Heights) and Pulitzer Prize-winning composer Tom Kitt (American Idiot, Jagged Little Pill) – and a witty book by Tony Award winner Jeff Whitty (Avenue Q). This powerhouse creative team led the original Broadway production to earn 2013 Tony Award nominations for both Best Musical and Best Choreography.

Director Tahra Cannon said, “We’re incredibly excited by the progress of Bring It On: The Musical. Every rehearsal continues to showcase the exceptional talent, dedication and versatility within this cast. The energy, athleticism and commitment these performers bring to the production is truly impressive, and it’s been exciting to watch the show grow week by week. Audiences can expect a vibrant, high-energy production filled with outstanding performances and plenty of heart.”

Bring It On The Musical continues the film’s legacy, centering on the idea that genuine friendship and personal identity are more significant than winning championships and navigating high school social order. The story celebrates its diverse teen characters, including Broadway’s first openly transgender high school character, as they learn to embrace their authentic selves, reject cliques, and value integrity and teamwork – over prioritizing oneself over others.

Choreographer Louise Panagiotidis said, “It’s been so exciting to watch the choreography come to life in Bring It On rehearsals. We have such a talented cast who are bringing so much passion to every number, and I can’t wait to share all of their hard work with audiences soon!”

Bring It On The Musical is bold, explosive and unapologetically fun, a full throttle celebration of ambition, identity and finding your crew. Get ready to feel the beat, raise the stakes and bring it!

Bring It On The Musical will play for a limited season at The National Theatre in St Kilda from July 11 to July 26. Tickets are now on sale at booktickets.com.au

PERFORMANCE DATES
Saturday July 11 – 1.30pm (Preview)
Saturday July 11 – 7.30pm (Opening Night)
Sunday July 12 – 1.30pm and 6.30pm
Thursday July 16 – 7.30pm
Friday July 17 – 7.30pm
Saturday July 18 – 1.30pm and 7.30pm
Sunday July 19 – 6.30pm
Wednesday July 22 – 7.30pm
Thursday July 23 – 7.30pm
Friday July 24 – 7.30pm
Saturday July 25 – 1.30pm
Saturday July 25 – 7.30pm
Sunday July 26 – 1.30pm
Sunday July 26 – 6.30pm

TICKETS
booktickets.com.au
Preview (July 11) – $65
Premium – $119
A Reserve – $65

PRODUCTION TEAM:
Executive Producer: Andrew Gyopar
Director: Tahra Cannon
Musical Director: Claire Gurrin
Choreographer: Louise Panagiotidis

CAST LIST:
Emily McDougall – Campbell
Jenna Mole – Bridget
Taylor-Anne Bright – Eva
Cara Mia Honan – Skylar
Elle Fenelon – Kylar | featured dancer
Fergus Rann – Steven
Alyssa Jandayan – Danielle
Yurina Kutsukake – Nautica
Ari Rego – La Cieniga
Flynn Hunter – Randall
Zade Nabole – Twig
Sho Tochigi – Cameron
Gemma Rushton – Ensemble
Emma Pervan – Ensemble
Sahana Paine – Ensemble
Melissa Pritsis – Ensemble
Hayley Fields – Ensemble
Hugo Barbey – Ensemble
Lucy Kitching – Ensemble
Victoria Pickard – Ensemble
Alyson King – Ensemble
Taliyah Radio – Ensemble | Featured Dancer
Imogene White – Ensemble
Trinity Kelly – Ensemble
Erin Davis – Ensemble
Georgia Kemp – Ensemble | Featured Dancer
Maria Ospina – Cheer Leader
Abbey Duckworth – Cheer Leader
Shari Pieris – Cheer Leader
Vini Ramesh – Ensemble | Danielle Cover

 

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A Twist of Fate Season 5: When Silent Film Characters Step Through the Screen

Feature-A Twist of Fate Season 5

A silent film that breaks through the screen and spills into the theatre is just one of the surprises waiting in Scary Goats Theatre’s latest anthology season. Chloe Towan, who serves as the narrator, director, and writer for A Twist of Fate Season 5, shares insights into this production, which promises shocking twists wrapped in quirky humour.

About The Show – A Twist of Fate Season 5

What is this show about?

A Twist of Fate is an anthology series inspired by The Twilight Zone and Black Mirror. The show features four short plays, each with a devastating twist or reveal.

Season 5 features the following plays:

Not So Black and White by Chloe Towan
Come with us back to the Silent Era as we present a silent comic melodrama, where not everything is as it seems…

We Live to Serve by Charlie Simmons
In a world ravaged by global warming, an outmoded butler vies for the last ticket on a transport to a better place.

Muffin Day by Richard Mealey
In a modern office, Ronnie is forced to re-live the worst day of her life. But, is there way she can find forgiveness?

Two Characters in Search of a Memory by Chloe Towan
When two people wake up in a dark void with no memory of who they are or what happened to them, they must work together to uncover the truth.

How would you describe this show to someone who has never seen anything like it before?

The show is like The Twilight Zone meets Black Mirror, but with a lot of campy humour!

What is the moment in the show you most look forward to performing?

I play the Narrator and do little introductions to each play which are always a lot of fun. I’ve also directed one of the plays and written two of them.

This season we’re really experimenting with genre and form and have some really exciting concepts we can’t wait to get in front of an audience. There are some really shocking twists this season, and I can’t wait to see the audience reacting to them!

How did this show come together? What was the creative starting point?

I originally came up with the idea of A Twist of Fate in 2024 at Halloween, when I thought an anthology show would be a great way to get some cool and experimental theatre on the stage. We launched A Twist of Fate in January 2025, and have now performed four main seasons and two specials.

Chloe Towan

What is the element of the show that is hardest to explain but unmissable in person?

This season features a silent film story. It starts off as a silent film we’ll project onto the screen, but when it reaches the halfway point the characters discover a portal that leads into the theatre. It’s like nothing we’ve ever done before and we think people will be really surprised by what we’ve created.

Who is this show for? Who is going to have the time of their life?

SGT pride on ourselves on making ‘theatre for misfits, by misfits’. Anyone who likes their theatre a little on the dark, kooky or unhinged side will have an absolute blast at the show.

What is going to genuinely shock or delight people?

Each of the four plays has its own twist (or, in some cases, twists). The fun in A Twist of Fate is always in trying to guess the twist as you watch the show, and I think audiences will have a ball trying to work out what’s going on in these three plays.

How long have you been developing this material, and what has changed along the way?

We operate on a two-month turnaround. Our writers meet up to create their plays, we go through a workshopping process, and then we rehearse the plays with our talented ensemble of actors.

What do you want the audience to feel in the final moment?

The plays we have this season, despite their unusual premises, each tell stories of hope, forgiveness and perseverance, and we hope our audiences can leave the theatre feeling inspired in these dark times.

What is the best reaction you have ever had from an audience to a moment in this show?

In our last season, we had the audience cheer when a particularly nasty character was defeated. We’re particularly hoping to get some very loud audience interaction in our silent film play.

Is there a story behind one of the key routines or segments?

My silent film play I’ve written is a deep love letter to silent cinema and features many visual call-outs to some of my favourite silent films.

Is there anything else you would like to share?

We hope audiences come to and enjoy A Twist of Fate!

Thanks to Chloe for pulling back the curtain on what sounds like the most genre-bending season of A Twist of Fate yet; that silent film portal concept alone sounds unmissable. If you like your theatre dark, kooky and delightfully unhinged, grab your tickets through Eventfinda and see if you can guess the twists before they hit.

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Comedy Legend Stephen Curry Is The King Of The Castle In Monty Python’s Spamalot!!!

Feature-MONTY PYTHON'S SPAMALOT

MELBOURNE & SYDNEY: Drew Anthony Creative is thrilled to reveal the sensational new cast for the upcoming east coast season of MONTY PYTHON’S SPAMALOT. Legendary Australian actor and comedian Stephen Curry will make his musical theatre debut, stepping into the regal shoes of King Arthur. Sharing the spotlight with Stephen will be powerhouse vocalist and theatre performer Jaz Flowers, who will star as the enchanting Lady of the Lake for the Melbourne season – while the celebrated musical theatre star Marney McQueen assumes the mystical role for the Sydney performances. The production will also feature the sharp comedic wit of rising stand-up comedian and Tik Tok sensation Nick White, tackling the formidable role of Man of Many Characters.

Stephen Curry is a household name in Australian entertainment, etched into the national psyche since his breakout role as Dale Kerrigan in the cinematic classic The Castle. A versatile and celebrated character actor, his recent screen triumphs include standout roles in Population 11, Bay of Fires, and Ten Pound Poms, as well as an appearance in the blockbuster Thor: Love and Thunder. His distinguished career across the small screen spans beloved titles such as Fisk, Rake, Cloudstreet, and The Secret Life of Us. Stephen’s masterful portrayal in The King earned him the trifecta of an AFI Award, a Silver Logie, and an ASTRA Award for Best Actor. Further accolades include a Film Critics Circle Award for his work in Hounds of Love and a prestigious 2024 Silver Logie nod for Bay of Fires.

Award winning performer, Jaz Flowers will take on the role of the mystical diva, The Lady of The Lake at Melbourne’s Athenaeum Theatre from September 16 until October 4. Jaz is best known for her Sydney Theatre Award-winning and Helpmann-nominated portrayal of Tracy Turnblad in Hairspray. Her stage career includes acclaimed roles as Veronica Sawyer in Heathers The Musical, Oz in We Will Rock You, and April in Hot Shoe Shuffle. Jaz’s other credits include a Helpmann-nominated performance in Fame The Musical, as well as roles in Shane Warne the Musical and Cabaret. She was also a featured artist on The Voice on Keith Urban’s team.

Charismatic Australian performer Marney McQueen, who recently delivered a stellar performance as Celine Dion in the hit show Titanique is widely regarded as one of Australia’s most versatile performers. For the season at the Sydney Event Centre at the Star Sydney from 15 – 18 October, and the Coliseum Theatre in Western Sydney from 22 – 25 October, Marney will bring her comedic and vocal prowess to the role of The Lady of The Lake. Marney’s extensive career has seen her tour the world in both musical theatre and comedy. Her theatrical credits include her debut in the Australian premiere of Priscilla Queen of the Desert – The Musical, starring as ‘Velma Von Tussle’ in Hairspray, and appearing as ‘Nina’ in Dreamlover alongside David Campbell.

One of the fastest-rising figures in Australian comedy, Nick White has built a massive following with his unique blend of sketch comedy, characters, and impressions making him an ideal choice for the demanding role of Man of Many Characters. After originally training as an architect, Nick transitioned to comedy full-time in 2022 and has since amassed an enormous following on social media, and performed at some of the world’s most iconic stand up comedy venues. This role will also be Nick’s musical theatre debut.

“I am absolutely thrilled to unveil such an exceptionally gifted company of performers. This production is both hilarious and inspiring, and this cast is perfectly poised to breathe life into these wonderful characters,” said producer/director Drew Anthony. “Following our stellar run in Perth, the initial reaction to this show on the east coast has been astounding. People are clearly looking for the brighter side of life right now! I encourage everyone to secure their seats soon as possible!”

Further cast announcements will be made in the coming weeks.

MONTY PYTHON’S SPAMALOT features Eric Idle’s book and lyrics alongside a score by Idle and John Du Prez, offering a hilarious and irreverent parodic of musical theatre filled with show-stopping vocals and tap-dancing knights. A contemporary landmark, SPAMALOT won three Tony Awards after its 2005 Broadway debut.

MONTY PYTHON’S SPAMALOT will play at the Athenaeum Theatre from 16 September until 4 October. The show will play at the Sydney Event Centre at the Star Sydney from 15 – 18 October, before transferring to Coliseum Theatre in Western Sydney where it will play from 22 – 25 Oct 2026.

Tickets will go on sale to the general public for Melbourne on Friday 19 June and for Sydney on Monday 29 June via www.ticketmaster.com.au.

This production is recommended for audiences 12 years +.

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