JESUS CHRIST SUPERSTAR: Reimagined, Restaged, Reborn

Jesus Christ Superstar

Jesus Christ Superstar Rating

★★★★★

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JESUS CHRIST SUPERSTAR – Lyrics by Tim Rice, Music by Andrew Lloyd Webber.

Reimagined, Restaged, Reborn

Those three words above probably sum it up best; this show is a modern take on JESUS CHRIST SUPERSTAR and it has rocked into Berwick as the latest production by Upstage Theatre Company and its set in the ruthless world of Hollywood in 2026 – yep, right now!

The Synopsis reads: the meteoric rise of Jesus, a global celebrity whose message of hope captivates millions through social media. As his influence grows, the powerful Priests, elite studio executives controlling the entertainment industry, see him as a threat to their empire. Judas fears fame is corrupting the movement, while producer Pontius Pilate struggles between public opinion and personal conscience. Director King Herod turns suffering into spectacle for ratings and clicks. In a world driven by cancel culture, celebrity obsession, and viral outrage, one question remains; who controls the narrative?

It’s a good thing I read that to my mother-in-law sitting beside me before the show started, because she may have thought ‘what???’ otherwise (huge fan of original show way back when it first came to Melbourne). Expectations of this show are high, so I am very pleased to say she was smiling and toe tapping many times, accepting the new look of modern clothing, mobile phones, social media updates by screen in the background and even very loud music. In her 80s now, I think that is a really good testament. She loved it!

I hadn’t seen the show before, this version, nor an original, so I had not a prior to compare it with, but this one was probably far more interactive. The music is the same of course, and doing that justice for power in vocals are four soaring voices of Jordan Poyser (Jesus Christ), Lilliana Braumberger (Judas Iscariot), Jessica La Mari (Mary Magdalene), Scott J Hili (Pontius Pilate) and Cathy Lee Lord (King Herod).

 

‘Jesus’ is portrayed by Jordan perfectly in this modernization. I’ve seen Jordan before but not in role like this one. He smashes those biblical times into the future as if it were here and now and I must say by ‘The Crucifixion’ everyone is blown away by his voice.

‘Judas’ has an opening that is just the beginning of a major role Lilliana trumps at every scene. I look in the program and note it’s a dream role for her, so can definitely tick that one off!

‘Mary’ has Jessica show incredible talent raising the bar each time she has the stage and it couldn’t be possible anyone could have played her better. When she sings ‘I Don’t Know How to Love Him’ it’s the type of listening sensation that goes right through you.

‘Pilate’ in Pilate’s Dream sees Scott sound with conviction and the ensemble pair the nightmare into a modern twist of action.

‘King Herod’ is a scene stealer for Cathy who plays the role today. She is outstanding! Also loved the costuming in ‘King Herod’s Song’ in particular and the “tap break” was my favourite part if I had to recall one single minute where I was thinking to myself “this show has everything”. I’m a sucker for a Charleston wherever it lands in any show. With an older audience primarily attending, I’m guessing there were many jigging along with my mother-in-law.

Finally, 39 whips; Jordan made every one of them look a little different to the last and the comments on a digital screen above (like a live feed) “how is Jesus still trending?” made this scene actually quite interesting and entertaining, even though the topic is horrendous and blood costuming was good!!

You won’t be disappointed if you like the original version as my mother-in-law proved and if you’re new to it (or younger) there’s appeal in it all from crazy head gear getups to taking “selfies” with a dying Jesus. I just don’t know how to explain that and make it sound OK (art with a strong message), but the show will take you there.

The entire cast is to be commended!

Impressed shout out too for the band, there’s nothing like this music to wake you up!

CAST
Jesus Christ – Jordan Poyser
Judas Isacariot – Lilliana Braumberger
Mary Magdalene – Jessica La Mari
Pontius Pilate – Scott J Hili
King Herod – Cathy Lee Lord (also played by special guest artists Jonno White, Kirsty Nisbet, Julia Roper, Cody Riker)
Caiaphas – Bernadette Hughes
Annas – Rebecca O’Connor
Simon Zelotes – Trystan Warren-Smith
Peter – Shona Andrew Williams
John – Ryan Hughes
James – Tania Hallisey
Thaddius – Jessica Rawlins
Matthew – Megan Truong
Andrew – Felicity Field
Nathaniel – Shelby Dixon-Wright
Priests – Grace Jasinski, Lisa Maddford, Christine James, Kylie Greenaway
Dancers – Katherine Gloss, Lana Kleesh, Sara Cullen

BAND – Sean Lambert (Conductor), Lenni Hui, Monique Kuhn, Bradley Marshall (keyboards), Dan Johnson and Darryl Thompson (guitars), Isaac Parsons (base), Kevin Woodhouse (reeds), Kevin Close (horn), Noah Robertson (trumpet), Conor Bruce (drums), Leonie Daly-Turner (percussion)

VENUE: Tony Sheumack Centre for Performing Arts, 92 Kangan Dve (enter gate 2), part of Beaconhills College is a superb venue with well tiered and very comfortable seating. They ran a canteen before show and at interval and their colour program is great! So important to support community theatre in every aspect, so grab that cuppa or choctop.

Tickets and more information via: https://www.upstagetheatrecompany.com/

To book tickets to Jesus Christ Superstar, please visit https://www.upstagetheatrecompany.com/.

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Jesus Christ Superstar – Therry Theatre

Jesus Christ Superstar

Jesus Christ Superstar Rating

★★★★★

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Review: Jesus Christ Superstar – Therry Theatre

Therry Theatre has produced a joyous and excellent version of Jesus Christ Superstar receiving a standing ovation on the opening night adding to their outstanding history of superb musical productions – the whole season is sold out but beg, borrow or steal a ticket if you can!

Arguably Jesus Christ Superstar is Andrew Lloyd Webber and Tim Rice’s best musical/rock opera and the third they had written together, but not being able to find financial backing they initially were forced to release it as a concept album in 1970 which featured Murray Head, Ian Gillian and Yvonne Elliman. After the success of the album, it debuted on Broadway in 1971 then it ran for over eight years in its West End production holding the record for the longest running musical until it was overtaken by Cats in 1989. It has also travelled the world including highly successful Australian versions and was revived in the West End this year. If the Therry Theatre felt any pressure from this huge past success, they shouldn’t have because they have done an impressive job of the material.

Well past the point of worrying about spoilers of this story, after the Overture, Act 1 begins with Judas (Daniel Hamilton) concerned about followers of Jesus (Nicholas Munday) getting out of hand and threatening the establishment with the song ‘Heaven on Their Minds’. The apostles ask Jesus about his plans, but he tells them not to worry with ‘What’s the Buzz’. Judas reproaches Jesus about his relationship with Mary (Rebecca Pynor) ‘Strange Thing, Mystifying’. Caiaphas (Chris Coulter) and Annas (Parisya Mosel) and the High Priests plot Jesus’ downfall with ‘This Jesus Must Die’. This leads to one of the best songs of the musical/rock opera of ‘Everything’s Alright’. Then as Act 1 progresses another highlight of ‘I Don’t Know How to Love Him’ is wonderfully performed by Pynor.

 

 

Act 2 leads through Judas’s betrayal of Jesus, his trial then an absolutely brilliant version of ‘King Herod’s Song’ with Herod (Toby Strudwicke) and his courtiers dressed as clowns and tap dancing. The act then moves through to a glorious version of ‘Superstar’ and a respectfully handled crucifixion.

The set design by Ben Todd and the construction crew have produced a very useful and versatile space which easily switches from outdoor meeting places to indoor palaces. The Musical Director, Matthew Rumley and the band are to be commended for a great performance, if there were any missed notes they went unnoticed. Rebeka Stonelaitken’s choreography fits the production perfectly as well as the mix of old and new costumes.

Ben Todd’s direction has led to a magnificent production. In the leads, Hamilton, Munday and Pynor are stellar along with the rest of the spectacular cast.

As a testament to what audiences knew Therry Theatre would produce with this production of Jesus Christ Superstar, the whole season was sold out well before the opening night.

Reviewed by Rob McKinnon
Rating; 5/5

Jesus Christ Superstar runs 23 JULY – 1 AUGUST 2026
Venue: Arts Theatre, 53 Angas Street, Adelaide
Tickets: Sold Out

To book tickets to Jesus Christ Superstar, please visit https://therry.org.au/.

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Jesus Christ Superstar: A Modern, Mesmerizing and Immersive Experience

Jesus Christ Superstar

Jesus Christ Superstar Rating

★★★★★

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It’s opening night in Brisbane after a successful Australian tour, and there is no denying that Jesus Christ Superstar rises again. For those uninitiated, the action focuses on the final days of the man himself, culminating in his crucifixion. However, this is no ordinary bible story – nor ordinary musical; Jesus Christ Superstar is conceptual rock n roll, and this production brings the classic firmly into 2025, with the help of eminent Australian pop, rock and soul musicians, inspired choreography, and exemplary calibre of cast. This is a show even for people who don’t typically enjoy music theatre, while still delighting those of us who do.

I’ve seen Jesus Christ before, both the fantastic 1973 movie and an enjoyable high school production many years ago, which featured my sister in the orchestra. However, it has been long enough for me that events unfolding seem surprising and fresh, while I realize the master plan toward which they culminate. This interpretation feels right now but retains the campy strut and sensibility of early iterations; A feature of Jesus Christ Superstar is how well it translates into different eras, being so beautifully open to experimentation.

As Jesus, Michael Paynter’s singing is exceptional, with clarity, control and conviction. An experienced professional musician with success in the pop charts, this show is Paynter’s first foray into the musicals; While I consider that he grows in stature throughout the performance (he is firing on every cylinder in the second act), the more I think about it, his calm, innocent, nearly boy-like portrayal in the first act is an appropriate and effective character choice.

Mahalia Barnes as Mary is also new to musical theatre; However, JCSS can be fairly considered part of the rock realm, so more her world than most musical theatre. Like Paynter, she is a music industry veteran, and a beautiful interpreter of song; She gets to sing some of my personal favourites in this show, giving soulful tone and connection, while radiating wholesome beauty. Her duet with Peter (Tana Laga’aia) is notable, bringing some gentler reflection into the strident second act.

As the flamboyant Herod, Reuben Kaye’s beauty is somewhat less wholesome than Barnes’s, but nonetheless riotously evident. Kaye is a force of nature, and while his stage time is shorter than the other cast, his presence is indelible, eating up the stage with electric energy, sinister sexuality and some impressive vocal histrionics – spanning from gargle to whistle and back again. No stranger to controversy himself, and certainly willing to ‘go there’ (watch his 2023 interview on The Project re: his love of Jesus, if you’re unfamiliar/not easily offended), Kaye goes all out as Herod, his courage and charisma perfectly cast in the role.

Javon King as the maligned but misunderstood Judas blends exuberance and anguish into a very memorable portrayal. Judas gets some of the show’s absolute banger musical numbers, and King handles them royally, with soulful elevation and powerful falsetto. While remembered for his betrayal, Judas is a complex character with arguably noble intentions, who errs, then cannot bear the burden of his own conscience. King captures these contrasts with phenomenal energy, nuance and commitment.

Other especially memorable performances are given by Elliot Baker, oozing machismo as Caiaphas, and Graeme Isaako, giving grit and sincerity as Simon. The standard of the whole cast is superb, and the production feels alive and in the moment. This show is not about main members singing stationarily in the spotlight, but rather the entire cast exploding throughout the stage, creating texture and dynamism both visually and narratively.

Special mention must be given to Choreographer Bree Tipoki, for her input behind such a captivating feature of the show; The dance and movement bring fascinating life and shape to the stage, and to the story. The live band, costuming, stage design and lighting are all dialled into the highest professional standard. As a whole, Jesus Christ Superstar gives life, as the plot takes one away. Yet, there are no sins to speak of; The shows deeper commentary on society’s casual detachment, desensitization and perverse voyeurism toward the suffering of one we raise up only to smack down – is thought provoking. Each distinct element blends vibrantly to create a modern, mesmerizing and immersive experience, that should not be missed.

To book tickets to Jesus Christ Superstar, please visit https://www.qpac.com.au/whats-on/2025/jesus-christ-superstar.

Photographer: Jeff Busby

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