Comic-Con: A Con for connection, and a love letter to local artists.

Oz Comic-Con: Adelaide

Oz Comic-Con: Adelaide Rating

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Oz Comic-Con is not only for comic book fans (although the con does boast a comic book lounge, equipped with bean bags and comic books to borrow), but for fans of any following. As you walk around the showground, you may spot Deadpool and Wolverine hanging out, but you could run into John Wick, the Doctor and his TARDIS, Darth Vader or Captain Rex, Freddy Fazbear, Hatsune Miku, and countless others.

There’s a consistent buzz of excitement in the air while like-minded people meet others from within their fandoms during the community space meetups; exchanging fan theories, trading cards, and keyrings at the trading post; giving tips on how to improve your cosplay game at the workshop stage; and meeting the voice actors from popular shows such as “Hazbin Hotel”, “Genshin Impact”, “Fire Emblem Heroes”, and more. If you ever get lost, the volunteers roaming the space are all very friendly and more than happy to help.

The big names (in alphabetical order) for Oz Comic-Con, with schedules for autographs, photo opportunities, meet and greets, and Q&A’s, consisted of: Brandon Rogers (“Helluva Boss”; “Hazbin Hotel), Catherine Tate (“The Catherine Tate Show”; “Doctor Who”), Giancarlo Esposito (“Breaking Bad”; “The Mandalorian”), Laila Berzins (“Genshin Impact”; “HunterXHunter”), and Ratana (“Genshin Impact”; “Fire Emblem”). The lines to meet these talented actors and voice actors were so thick, the tables for the talent were not visible, only their official Oz Comic-Con signs on the wall above their heads. Seating for the Q&A’s filled rapidly for each new guest – if you wanted to see your favourite actor, you had to be sure to line up early!

Along the outskirts of Artists Alley, there is a Comic-Con store, for all your previous Comic-Con guests’ autograph needs; a space for tabletop gaming, where a collection of games, including “Catan” and “Rummikub”, are available to play with your friends; the Australian eSports League has a setup of PC and consoles to show off your skills; learn to play “Magic: The Gathering” trading card game with friends or strangers; and show off your dance moves on the Just Dance stage. The South Australian chapter of “Ghostbusters” can be found roaming, keeping everyone safe, while Daleks stand on guard next to the main stage, whether they were ready to pose with fans, or pose a threat, remained unclear.

Roaming Artists Alley, be sure to give yourself time to look at each booth, otherwise your neck may snap from trying to take in everything at once! The booths range in size, giving a marketplace, or bazaar-like, experience, with t-shirts, oversized biscuits, anime and manga collectables, Funko Pop Characters, local-made honey and mead (yes, at the same booth), handmade tankards and leather goods, framed insects, handmade jewellery, Melbourne’s Dr. Pickles tattoos, and even the ADF and Beyond Blue, talking to curious customers about how to join or volunteer with them.

The smaller booths consist of six rows of local artists showcasing their talents and merchandise on single tables – some with shelving, some with displays almost six feet high, and some with simple printouts – ranging from keychains to art posters to novels and much, much more. Artists were local, most being from Adelaide, but some hailed from interstate, excited to meet fans and introduce their work to new people. All the artists are more than excited to talk about their work, answering questions and having a casual conversation in general.

Kylie Chan, Queensland author of the “Dark Heavens” series, said she found herself excited to be meeting the next generation of fans. Owen Heitmann, Adelaide comic creator, explained that people come to cons to see and buy what they know, so the con provides an opportunity for local artists to expand their network, without having to rely on social media – a statement that both Keelan Ash of killustrate_illustrations and Lushie from Lushie’s Art both agreed with.

Oz Comic-Con is more than a home base for fans to emerge and converge, it’s an opportunity for local artists to show themselves to a wider audience, and it’s a fun, safe space for exhibitors, attendees, guests, and volunteers alike. Service pets are allowed, the spaces are wide enough for electric wheelchairs and scooters to roam freely (the throngs of people may be the largest obstacle), and the Code of Conduct means Oz Comic-Con protects those of all ages and dis/abilities.

Popular culture is alive, thriving, and … popular! Don’t miss out on a chance for those collectables, and a chance to meet like-minded fans.

To book tickets to Oz Comic-Con in your city, please check for dates and times @ https://ozcomiccon.com/.

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The Bubbles Festival: Two hours of bliss!

The Bubbles Festival

The Bubbles Festival Rating

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Who doesn’t like champagne, surely there can’t be anyone? The Bubbles Festival is currently touring around Australia spreading champagne love and we’re glad they are!

Devised by founder Natalie Pickett who created the idea during a meditation and so “divinely inspired”, it is a must for all lovers of the heavenly grape.

The event is an initiative of the Bubbles Review, supported by The Heart and Soul Group and is for people who like champagne and other bubbles! The Bubbles Review debunks the myths of champagne and makes the art of drinking champagne accessible.

The Festival is held at the iconic National Wine Centre, Adelaide which has the necessary ambience for a perfect two hours of education, tasting, giveaways and specials for the canny buyer.

The event begins with an introduction by Natalie Pickett herself who gives us an insight into tasting– picking the right glassware and how to taste (how the bubbles sound, the colour, the ‘nose’ or smell, the taste or where the champagne lands on the palate, and how it makes the consumer feel).

We also learn about the different methods of blending and the history of champagne. Natalie is the doyen of champagne and is a font of knowledge. I must confess, it took me all my strength not to taste the first offering before me on the table. I lasted till the tasting, some others didn’t!

We are then let loose to taste for ourselves, armed with tasting notes and our Riedel tasting glass, which we can take home as part of our ticket to the event.

There are representatives from six wineries scattered in the tasting room – George’s Folly, Goldings, Babo, Levrier, Kaeslar Wines and Champagne Abele 1757. The pace of tasting is just right, the representatives friendly and eager to share their stories (and wine) and the room is not too crowded.

The wines come from the Barossa Valley, the Adelaide Hills, Eden Hills, the Fleurieu, Italy and France. It is a world of wine for the discerning taster!

As well as the amazing selection of sparkling wines, there are canapes to encourage responsible drinking and to accentuate the flavour of the wines. The canapes are 5 star in presentation and taste and has something for every food group (great vegetarian options).

This was my first Bubbles Festival and it certainly won’t be my last! I increased my knowledge of champagne and tasting, met some fellow champagne lovers, enjoyed pairing restaurant quality food with wine and met the founder of the event, all packaged in the perfect venue for tasting!

The Bubbles Festival is a must for any lover of the grape. It is a heavenly two hours enjoying amazing wines. As Natalie says, it is a ‘Divinely inspired” event!

To book tickets to The Bubbles Festival next stop, please visit https://thebubblesreview.com/the-bubbles-festival/

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Spanish Film Festival: El 47

El 47

El 47 Rating

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The timing of the Spanish Film Festival could not be better, as Sydney plunges into winter, the warmth of the stories, the sun drenched cinematography, and the hot stories from Spain, are truly what the soul needs.

One of the stand outs of the program is the critically acclaimed, multi award winning film about a humble bus driver in charge of route 47 in Barcelona. Little did I expect to be so emotionally moved by a story about a bus driver! But what Manolo stands for is much more than his job, his bus route or career. He comes from a suburb on the outskirts of Barcelona, where each house was built by hand, brick by brick, by Spanish refugees escaping the impoverished and corrupt Andalusian and Extremaduran communities.

Even though the locals bought the land in the Torre Baro district with their own money, they have lived for years as second class citizens of Barcelona, with barely any access to running water, paved roads or political representation.

When Manolo, driving for the city Transport Services, sees the neighbourhood losing its young people, with his own home beginning to crumble away and his wife begging to move away, he decides on one last act of rebellion. After all other politically correct avenues fail – he decides to hijack his bus and take it up to the suburb which politicians labelled unreachable.

The beautiful subtlety of the main actor tugs on the heart strings as you witness what one man’s act of rebellion can achieve. Too often we are told one ‘man’ cannot achieve anything against the ‘greater machine’ but in this true story, that one man’s act of rebellion changes everything!

I stand with Manolo! I want to hijack my own proverbial bus and make a change for the better.

Follow this link to book tickets to El 47 or any other Spanish Films Festival showings @ https://spanishfilmfestival.com/.

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The Penelopiad: The Untold Odyssey

The Penelopiad

The Penelopiad Rating

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The Penelopiad is a novella written by Margaret Atwood as a mythological reimagining of the classic Greek tale of Homer’s Odyssey. But, unlike Odyssey, The Penelopiad follows a linear structure, making the tale somewhat easier to follow. Atwood’s storytelling gives Odysseus’ wife, Penelope, a voice and allows the account to be told from her perspective. As such, Atwood has been accused of writing a feminist story, which she denies, but given her well-publicised views on feminism, this is an interesting consideration. What this storytelling does is highlight the difference a perspective can make.

From the Underworld, Penelope begins by telling of her childhood, at which time her father tried to drown her, but she survived, saved by a flock of ducks. Her twelve maids, who were later hanged by Penelope’s son, Telemachus and Odysseus, often interrupt her storytelling to voice their experiences, which contrast with Penelope’s privilege, as they recount their suffering. Penelope’s marriage to Odysseus is built on a lie as he cheats in a running race to win her hand, but ultimately she does fall in love with him and is not aware of the deception.

Odysseus spends 10 years in Troy defending the honour of King Menelaus and over this time Penelope is tasked with finding another suitor as Odysseus is not returning home. Following Penelope’s orders, The Maid’s plight ends horribly. When Odysseus eventually returns home, he engages his childhood nurse Eurycleia to tell him which of Penelope’s maids have been disloyal to him and he and his son Telemachus hang the disloyal twelve.

Penelope’s maids avoid her in the Underworld, and she still blames Helen (King Menelaus’ wife) for the Trojan War. She also continues to meet Odysseus whenever one of his new lives ends, as he consistently chooses to be reborn into the world of the living. However, the maids are tireless in their pursuit of Odysseus, haunting him on earth and in the Underworld.

The University of Adelaide Theatre Guild has taken on the mammoth task of bringing this story to life and, overall, the cast worked cohesively and were clearly committed to making the production a success. The Twelve Maids choral work was a welcome interlude as they executed Kristin Stefanoff’s original music beautifully, especially when considering their primary job was as dramatic performers. Costuming was effective and better utilised in the second half when the maids’ roles as both male and female characters were distinguished by the wearing of masks.

The moving of a seating prop was somewhat noisy and distracting – hopefully, this will not be the case in upcoming performances. The fight scene was well-choreographed but lacked intensity, although this may develop throughout the run of the production. Direction was imaginative in its use of the intimate space that the University’s Little Theatre provides.

Jane Ford portrayed Penelope with a convincing level of believability (a massive role full of lengthy monologues that this actor performed without one stumble – bravo), Theo Papazis did a credible job of his portrayal of Odysseus, but his Australian accent broke the characterisation on occasion. The Twelve Maids were committed to their roles; however, the wearing of modern nail polish, face piercings and modern jewellery felt out of place in this production. Kudos for a standout performance for this reviewer was Fredrick Pincombe as Telemachus – this is an actor to be watched!

The Penelopiad runs from 23 May to 1 June 2025; remaining session dates and times are as follows:-
– Wednesday 28 May at 6:30pm (with post-show Q&A)
– Thursday 29 May at 7:30pm
– Friday 30 May at 7:30pm
– Saturday 31 May at 3pm
– Sunday 1 June at 3pm

To book tickets to The Penelopiad, please visit https://www.trybooking.com/events/landing/1324503.

Photography: Maggie Morris of The Multimedia Emporium

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