Small theatre is always such a joy. Seeing stories created with such a deep passion across all facets of production is so unique and a far more touching experience than say a large national tour. Final Two from Reprise Theatre is no exception to this.
Written by Arthur Brown, the play follows the journey of the last remaining contestants on a Bachelor-type reality TV show who, naturally, summon a ghost of a prior contestant the night before their season finale.
Stepping into the Hayman Theatre (shoutout to all the directions and signage on the way in!) was like reverting back to the 2000s – it was pink, sparkly, and Katy Perry was blaring. While a defining era of ‘when’ the play took place was never stated, I appreciated this nostalgic tone to the show and its consistency throughout.
The five-man cast all gave committed performances earning great reactions for the small but reception audience. Phoebe Eames is well-grounded as Chloe; the unlikely reality show contestant. She bounces well off Maia Whitelaw’s Shaz, the pretty-in-pink, ditsy blonde whose every life choice has led to being on the show. Together the pair are a great yin and yang, working well to propel the story.
Marquis Tajaran was fierce as the hard-done-by Vanessa, dominating the stage with great flair and attitude. While I would’ve loved to see more of Jarrad Whitehurst’s Declan who offered who’s endearing performance (and life) was short-lived.
My personal stand out was Zachary Borthwick as Matt Maker, garnering plenty of laughs with his sass and verve. His portrayal felt quite candid comparatively to his castmates. If I was to offer any feedback, I’d be mindful of projection in such a small venue. It at times felt actors were equating emotion to volume which at times came across a little harsh.
The set was fairly simplistic with two differing room locales on opposite sides of the stage, and a turning truck inviting audiences to a third setting. Designed by Setare Mogharebin it was effective in placing scenes while still leaving the actors space to do the heavy lifting. I do however feel Chloe’s room (in part to the pink walls/bedding etc.) felt more reflective of Shaz’ character than her own, but that’s neither here nor there.
I enjoyed Adrijan Teddy Levis’ direction, particularly the use of the TV style projections/cutaways to showcase the characters’ inner monologues throughout. Pay attention to closing off the audience, as there were a few moments where actors were entirely cut off with their backs to us, losing some of the scene. His slew of masking tape props also did not go unnoticed, a small testament to the clear amount of time, preparation and love put into this production.
The 2025 Curtin Alumni have come together to present a loud, camp and fun production – with Final Two a celebratory display of the cohort’s hard work throughout their studies. Well done to all involved.
To book tickets to Final Two, please visit https://reprisetheatre.com/shows/final-two/.
