Rosencrantz & Guildenstern Are Dead

Rosencrantz & Guildenstern Are Dead

Rosencrantz & Guildenstern Are Dead Rating

★★★★★

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1

Tom Stoppard’s Rosencrantz and Guildenstern are Dead, directed by Tony Petani is performed by Grads Theatre Company 8-11 & 15-18 October. Could a show so closely entwine with Shakespeare’s Hamlet be performed anywhere other than UWA New Fortune Theatre?

Rosencrantz and Guildenstern flips the script on Hamlet and focuses on two minor characters who are questioning the events that are unfolding (oh, are they questioning, for any parents of 3 years old, this may inspire a new game to play, for those parents of children who have grown out of the questioning phase, which I am assured does happen, this may be triggering! 😊). It is billed as a hilarious exploration of fate, free will and the nature of reality. I would add that it allows the audience to consider that, while Rosencrantz and Guildenstern are described as minor characters, we are all the main characters in our own lives and our own stories.

Yet again, Grads Theatre Company put on an outstanding performance. So often there is one actor that is the stand out, show stopper. The entire cast delivered strong, engaging performances that kept the audience captivated from the moment the lights came up. Each performer brought energy and charisma to their role, creating a lively and entertaining ensemble. It was clear the cast was having fun on stage, and that enthusiasm was infectious.

 

 

While the actors are to be commended, it would not have been half the show without the crew. Congratulations to Fiona Reid for the lighting, Yvette Wetherilt for the amazing make-up, the players masks were brilliant! Extra special mention to Merri Ford for the costumes. Wow. The costumes may have been simple*, but they spoke volumes—each piece subtly anchoring the story in its era. Congratulations to all the crew who made the show what it was. Well done. *with the exception of the waistcoats which looked anything but simple, but given how many of them there were, I imagine they got easier by the end.

Thanks also to Grant Malcolm who put together the program, so I knew who to shout out in the review. All theatre companies should take note! https://www.grads.org.au/rosandguil-prog

The only suggestion I would make is that audience members should take along warm jackets and perhaps a blanket or two. It was chilly in an outdoor theatre, despite the October performance slot.

At the time of writing, there are still 5 shows remaining. You can find out more, and purchase tickets here https://www.ticketswa.com/event/rosencrantz-guildenstern-are-dead

To book tickets to Rosencrantz & Guildenstern Are Dead, please visit https://www.ticketswa.com/event/rosencrantz-guildenstern-are-dead.

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The Edit

The Edit

The Edit Rating

★★★★★

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How far would you go to achieve your ultimate goal? Would you lie? Cheat? Manipulate? Abuse?

In ‘The Edit’, a stellar new play by Gabrielle Scawthorn, these questions take center stage—and refuse to let go. Drawing from her own experiences as a teenage reality TV contestant, along with extensive interviews with past participants and producers, Scawthorn has crafted a gripping, 90-minute dive into the constructed chaos of reality television. The result is a sharply observed, emotionally charged two-hander that leaves its audience both breathless and deeply unsettled.

At the heart of the story is Nia, a fresh-faced contestant on the dating reality show ‘Match and Snatch’, played with heartbreaking nuance by Iolanthe. Entering the world of fame-hungry hopefuls in search of love, Nia quickly finds herself under the guidance—and control—of Jess, the show’s cunning producer, portrayed with chilling precision by Matilda Ridgeway.

Jess sees more than just a contestant in Nia; she sees an opportunity. If she can engineer Nia’s victory, it could be her ticket to a coveted Executive Producer role. What follows is a masterclass in manipulation. Jess positions herself as mentor, confidante, even surrogate big sister. But as the pair become increasingly entangled, the cost of “winning” starts to become devastatingly clear.

 

 

Scawthorn’s script is razor-sharp and unflinching, laying bare the industry’s underbelly—where edits shape reality, consent becomes murky, and ethics are easily sacrificed for spectacle. The pacing never falters, with each scene escalating in tension until a breaking point is reached: an unforgivable act that shatters the fragile trust between Jess and Nia. What unfolds is not just a takedown of reality TV, but a haunting exploration of ambition, trauma, and complicity.

The performances are exceptional. Iolanthe captures Nia’s transformation from wide-eyed hopeful to hollowed-out winner with heartbreaking clarity, while Ridgeway’s Jess is terrifyingly believable—a woman whose own battles with mental health and eating disorder are buried beneath a facade of control and charisma. Together, the pair deliver a powerhouse performance that earns every second of the final ovation.

‘The Edit’ is not just a play—it’s a challenge to its audience. It asks: where is your line, and under the right pressure, could it shift? It’s a provocative, unforgettable work that forces us to question not only what we watch, but what we’re willing to do—and accept—for success.

To book tickets to The Edit, please visit https://belvoir.com.au/productions/the-edit/.

Photographer: Robert Catto

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Hilarious Musical Comedy hits WA: Urinetown, The Musical on Stage This November

Feature-Urinetown, The Musical

Western Sky Projects returns to Perth’s Liberty Theatre this November with something wildly different – Urinetown, The Musical, a riotous Tony Award-winning satire that’s equal parts bold, hilarious, and just a little bit unhinged.

From the team that brought Perth audiences last year’s acclaimed production of She Loves Me, Western Sky’s brand-new production of Urinetown, The Musical brings together 18 powerhouse WA performers, a live 5-piece band, and a story that flushes conventional musicals down the drain.

Running at the Liberty Theatre in Perth from 7–15 November, Urinetown, The Musical is a fast-paced black comedy set in a town gripped by a catastrophic water shortage. As amenities dry up, even the most basic human rights are privatised – including the right to pee.

When one man leads a rebellion against the corporate-controlled toilets, chaos ensues in this anarchic and hilariously self-aware satire. Expect big voices, big laughs, and more than a few revolutions.

Written by Greg Kotis (book and lyrics) and Mark Hollmann (music and lyrics), Urinetown ran for over 960 performances on Broadway, and won three Tony Awards including Best Book and Best Original Score. Known for its razor-sharp wit, bold political commentary, and gleeful subversion of musical theatre tropes, the show has since been staged in over 30 countries worldwide.

Directed by Andrew Baker, with musical direction by Taui Pinker, choreography by Tess Howieson, set & costume design by Rhi Walker and lighting by Tess Reuvers, Urinetown continues Western Sky Projects’ mission to present ambitious, artist-led productions made right here in Western Australia.

Tickets are now on sale at www.trybooking.com/DBHAY

Audiences can choose between two ticket types:

Executive Tickets: Premium seating and a complimentary drink — perfect for those who prefer to and watch in style.

Rebel Tickets: General admission for the bold and brave.

Urinetown, The Musical
Liberty Theatre, Perth
7–15 November 2025
Evenings at 7.30pm | Saturday matinee at 2pm

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Riverside’s National Theatre of Parramatta ignites the stage with Daytime Deewane

Feature-Daytime Deewane

Riverside’s National Theatre of Parramatta (NTofP) is thrilled to present the Australian premiere of Daytime Deewane, a bold, immersive coming-of-age experience from acclaimed and award-winning UK playwright Azan Ahmed, running from the 16 to 25 October at Riverside Theatres, Parramatta.

Step into 1997. A London daytime nightclub pulses with Bhangra beats as two cousins – one quiet, one wild – dive headfirst into a rave that pulses with possibility. Set over a single afternoon, Daytime Deewane follows Farhan and Sadiq as they wrestle with generational expectations, brotherhood, and what it means to be a “good Muslim boy” and a “proper British man”. They’ve got until 6pm to figure it out.

Directed by Sepy Baghaei (Gate Theatre’s Wish You Were Here) and starring Ariyan Sharma (STC’s Dear Evan Hansen) and Ashan Kumar (Mainstage Debut), this high-octane, deeply moving work blends spoken word and dancefloor euphoria into a theatrical gig-night mash-up.

Playwright Azan Ahmed said, “I’m so thrilled and deeply honoured to have Daytime Deewane on at NTofP. Very grateful to Joanne Kee and the team for believing this slice of British South Asian history can have global impact. Looking forward to welcoming you all to the rave!”

Director Sepy Baghaei added, “It’s very special for me to direct this story at home in Parramatta, where I was born and raised. Azan’s writing is vibrant and vital – a fresh voice championing South Asian and Muslim perspectives with nuance, humour and heart”.

NTofP’s Creative and Executive Producer, Joanne Kee, said, “Imagine a daytime rave, pumping Bhangra music, people lost in the groove. Then layer on themes of family, friendship and betrayal for a turbo-charged production. Check out our nightclub vibe for a daytime rave”.

Riverside Theatres Director, Craig McMaster added “We’re excited to present this exhilarating new and innovative work! We look forward to welcoming guests from across Sydney as we continue to support Western Sydney’s extraordinary artists and creatives in the heart of Parramatta”.

With a story rooted in British South Asian history and a soundtrack designed to get audiences on their feet, Daytime Deewane is a celebration of culture, conflict, and joy.

PLAYWRIGHT Azan Ahmed DIRECTOR Sepy Baghaei STARRING Ariyan Sharma, Ashan Kumar COSTUME DESIGNER Rita Naidu LIGHTING AND SET DESIGNER BROCKMAN PRODUCTION MANAGER D. Andrew Potvin STAGE MANAGER Justice Georgopoulos MUSIC CONSULTANT Deeper Alam DIALECT/VOICE COACH Linda Nicholls-Gidley.

CHOREOGRAPHER AND MOVEMENT DIRECTOR Shyamla Eswaran FIGHT DIRECTOR Tim Dashwood CULTURAL CONSULTANT Aleena Rizvi.

DAYTIME DEEWANE: Dates: Thursday 16 – Saturday 25 October, 2025.

Location: Lennox Theatre, Riverside Theatres, Parramatta NSW 2150.

Tickets: https://riversideparramatta.com.au/whats-on/daytime-deewane/

Performance Warnings: As part of depicting the experience of British South Asians in the 1990s, at times characters in the play refer to language which is racially offensive.

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