Orpheus – A One Of A Kind Captivating Performance

Orpheus

Orpheus Rating

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The ‘Orpheus’ show was mesmerising, and I was utterly captivated by Shakti’s creative brilliance. ‘Orpheus’ is part of the Newcastle Fringe Festival performances, and last night’s show was held at the REX Royal Exchange Newcastle Salon Theatre. I had not previously attended the quaint theatre before, but I will endeavour to return there again soon. The staff were welcoming and friendly and did their best to make everyone feel relaxed and ready to enjoy the performance.

‘Orpheus’ is a solo dance show performed by Shakti, a seasoned professional dancer who has graced stages all over the world, including New York, Moscow, Paris, London, Kyiv, India, Israel and Germany. Her self-choreographed performance is rooted in inspiration from the Greek mythical character Orpheus and his tragic story.

The Greek mythology tale of Orpheus can be traced back to the 5th Century BCE and has captivated and inspired people worldwide for thousands of years. To quickly refresh your memory of the tragic tale, the mythological character Orpheus, gifted with seemingly superhuman musical abilities, is madly in love with his newlywed wife, Eurydice. Shortly after their wedding, Eurydice tragically succumbs to a snake bite, leaving Orpheus in a state of horrific grief. He travels to the underworld to beg Hades and Persephone to allow him to take his beloved wife back to the surface world.

Orpheus’ enchanting musical abilities successfully persuade Hades and Persephone to allow him to return home with his beloved wife on one condition: he must not look back at Eurydice until they reach the surface. Unfortunately, Orpheus doesn’t heed the warning and turns back to check that his beloved is trailing behind. As he does so, Eurydice instantly vanishes, and Orpheus is once again overcome with grief. Orpheus later meets a brutal death, being torn to pieces by frenzied maenads who were scorned by Orpheus’s rejection of their advances.

Through her dancing, Shakti explores the philosophy of life, death and the underworld. At the end of her performance she briefly discussed the concept of the underworld and how we won’t know what happens next until we get there. Will it be life’s greatest adventure? She philosophized how cultures all around the world, throughout time, have been intrigued by death and the various versions of beliefs regarding the age-old question- what is the afterlife?

Shakti’s choreography appeared to be a blend of contemporary dance styles beautifully enriched with Asian influence. Incredible emotion oozed into Shakti’s captivating performance. Her portrayal of torturous grief and loss was powerfully performed through every essence of her being. The use of flickering lights and darkness contributed splendidly in complementing and reinforcing the deeply emotive scenes. Likewise, her utilisation of exquisite materials as coverings and props was both visually impressive and emotive.

Shakti displayed true artistry at its finest in her performance. Her show was unique and extremely creative. I have utmost appreciation and admiration for this inspiringly talented woman. If you missed her at this year’s Fringe Festival, she promised to return next year to captivate audiences once again with her one-of-a-kind dance performance.

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Magpie – Fearless and Brave

Magpie

Magpie Rating

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3

I had the pleasure of reviewing EJ Mann’s comedy show MAGPIE at Bernie’s Bar Newcastle. In her own words, “It’s a musical comedy show about being brave and living like one of Australia’s most fearless birds- the Magpie.”

EJ Mann is a Brisbane based comedian on tour for the Fringe Festival. She has been gaining great momentum in the comedy circuit and receiving wonderful acclaim and reviews from her shows. In a relatively short period, of only a few years, she has certainly made her mark in the comedic world as a RAW State Finalist, Funny Coast Laughable Finalist, and Brat Pack People’s Choice Winner.

EJ Mann’s references to Uber drivers, Elon Musk, and keyboard warriors on neighbourhood Facebook pages made the show incredibly relatable and hilarious. There is a meld of Facebook posts and comments from her neighbourhood page, which EJ brilliantly and most creatively creates into a humorous song. I recommend she join my local page, as there is great content there if she is after new material for her next show. Facebook community pages definitely seem to bring the most brazen characters out of the woodwork.

It was most endearing to hear EJ intertwining various quotes and stories from her beloved late grandmother into her performance and songs. She made various mentions regarding her family and personal relationships which created an intimate, personal atmosphere and allowed the audience to feel acquainted, at ease and more receptive to her material.

EJ talked about her self discovery and sexuality in a heartfelt entertaining presentation. What I loved most was how she seamlessly incorporated her original comedic songs, accompanied by her guitar, throughout the show. A very stylish guitar, too, I should mention. EJ sings with an authentic Australian accent and a reminiscent sweetness of Missy Higgins. I could draw comparisons to the comedian Garfunkel (Kate Micucci), whose work I also absolutely adore.

There was a steadfast theme of the brave and fearless Magpie bird which is cleverly intertwined throughout her material. I particularly loved the reference to a ‘Parliament of Magpies’ and their superior efficiency. There were also references to shallow peacocks and rainbow lorikeets which reinforced her ideas beautifully.

EJ Mann is undeniably bold and brave as the Magpie and reveals an authentic, raw, self-exposing performance with skilful comedic light. A solid and professional performance by an up and coming star in her field. It is hard to believe she has only been at this game for just a few years. EJ certainly portrayed the grace and confidence of a seasoned professional. I was truly impressed by her creative witty performance and wish her all the best with her remaining Fringe Festival performances.

To book tickets to Magpie, please visit https://newcastlefringe.com.au/events/magpie/.

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Mario The Maker Magician

Mario The Maker Magician

Mario The Maker Magician Rating

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1

Mario “the Maker Magician” Marchese is a New York-based performer, author, and maker. He tours worldwide with his wife, producer, and children. He incorporates DIY electronics and robotics into his projects, using magic to inspire limitless creativity in children and families.

This is a fun and amazing show for the whole family. Mario is a dynamic performer. Larger than life, he commands the stage. Even on one of the hottest days in Adelaide, he still put on a stunning show. But I feel we are grateful as he sprays water about the venue, cooling and more sleight of hand.

The audience was totally engaged with Mario’s every move. The hand-made props add a gorgeous charm to the show. They remind you of the toys that children would make themselves with cardboard, paint, and sticky tape. It took me back to my childhood, and I imagine that a lot of the parents were remembering their childhood.

It was also relatable to the younger audience members, the arts and crafts they like to do on a rainy day. Magician David Blaine, whom he has toured with, has labelled Mario “the best kids’ magician in the world”. He has appeared on the “Sesame Street’ show and with Jimmy Fallon on the Tonight Show. Even David Copperfield has heaped praise on Mario.

The show revolved around robots that Mario had hand-built. There was a lot of audience participation in the show, and the kids loved it. The kids loved the magic, and so did the adults.

Mario touches on his favourite teachers and what they mean to him, reminding the audience that teachers have had a pivotal role in our lives. This is part of the misdirection. In fact, the show starts with some simple, sleight of hand tricks. They immediately draw the audience in. Mario has us all hooked. The pace accelerates, and more tricks are revealed. We are introduced to the simple but fun robots.

The pace of the production helps with the sleight of hand and misdirection, which are important in this show. Mario makes positive statements about children and how the simple act of getting up on stage as a volunteer is a brave moment in their lives. We should applaud this.

The audience’s reaction throughout the show is something to behold. I have never seen an audience so captivated, engaged, and incredibly noisy. He owns the venue, and he takes along his magic journey, meeting those who have influenced him, like Andy Warhol.

As the show progresses to the finale the strings of the story come together. And with an ending we did expect it comes to a close. We are left wanting more. Which is how all shows should end.

The takeaway from this fun, glorious production is “Follow your dreams”.

Performed by Mario “the Maker Magician” Marchese
Written by Mario and Katie Marchese
Produced by Katie Rosa Marchese and Chris Cox

To book tickets to Mario The Maker Magician, please visit https://adelaidefringe.com.au/fringetix/mario-the-maker-magician-af2025.

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Popera: Sex, Death & Politics

Popera: Sex, Death & Politics

Popera: Sex, Death & Politics Rating

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2

Uma Dobia presents this performance as a fun and interactive opportunity to educate the audience on the perils of what it is like to be a female within the world of opera.

Despite her obvious love and clear depth of knowledge of opera, this diva soprano damsel in distress openly blames opera for the docile and tragic stereotypical female roles within this art form. Setting out to set the record straight by influencing the audience about the distaste she has for this long-held ‘norm, ’ Dobia and her accompanying pianist ‘Carol’ start a nonsensical game show that is inclusive of unsuspecting audience members as they become part of the onstage entertainment.

Costumed in a racy red jumpsuit and knee-high sparkling silver stiletto boots (very impressed and left wanting some of my own), Dobia acts as the gameshow’s host for the evening’s frivolity, spinning the wheel for the adults only styled entertainment.

After her assistant and heart throb Trevor left her high and dry, which the audience learns about via a video message left by said assistant, Dobia takes charge of the stage and the show…between the tears and tantrums and unfortunate visuals of Trevor consistently shown by the tech crew who have not been informed of Trevor’s sudden departure, the audience is taken on a ride that interweaves pop and opera music through Dobia’s stunningly performed vocals.

This Adelaide Festival Fringe show performed at The Mill, a venue that provides a wonderful ambiance for a smaller production, did not have a large audience; however, Dobia did an incredible job, working hard to ensure those in attendance were thoroughly entertained.

Although the multiple-choice game show questions were, for the most part, unanswerable by its participants unless they had a reasonably comprehensive knowledge of opera, Dobia’s impressive vocals and call to arms for opera to ‘do better’ does not go unnoticed in the creativity of this informative, entertaining and saucy production.

To book tickets to Popera: Sex, Death & Politics, please visit https://adelaidefringe.com.au/fringetix/popera-sex-death-politics-af2025.

Photographer: Zena Photography

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