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Gin lovers Converge on the Timberyard

26 March 2025 Amanda Lee Starkey

Melbourne Gin FestivalLET THE FUN BE-GIN AT MELBOURNE GIN FESTIVAL THIS MARCH

LET THE FUN BE-GIN AT MELBOURNE GIN FESTIVAL THIS MARCH Rating

★★★★★

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The Melbourne Gin Festival was a paradise for gin lovers, showcasing an impressive lineup of Australian distilleries, each offering unique and innovative spirits. Crowds of people flocked to The Timberyard to gather and taste their favourite gins from all over the country. From Tasmanian gins to all the way from Darwin there was a broad representation.

The atmosphere was lively, with passionate distillers sharing their craft, and plenty of opportunities to taste some truly exceptional gins.

One of the most eye-catching products was Gingle Bells by Wild Hibiscus Flower Co. Their beautifully designed gin-filled baubles added a festive touch, and the botanical-infused flavours were both vibrant and well-balanced—perfect for gifting or enjoying over the holidays.

Noble Bootleggers impressed with their smooth, well-crafted gins that highlighted locally sourced botanicals, while Just B Distillery from Tasmania showcased their dedication to quality with gins that delivered a clean, crisp taste with a hint of wilderness.

Happenstance Distillery stood out with its trio of offerings—Fireside Gin, a smoky and warming delight; Fiesta Gin, bursting with citrus and spice; and Gin Noir, which had a deep, complex profile that was perfect for a sophisticated cocktail.

Teddy & The Fox from Bellarine presented a bright and refreshing gin with a coastal twist, ideal for summer sipping. Meanwhile, Naught Distilling wowed the crowd with their Sangiovese Gin, a rich, fruit-forward spirit that blended wine and gin beautifully.

The festival was a fantastic celebration of Australia’s gin scene, with something for every palate. Whether you’re a seasoned gin enthusiast or a newcomer, this event was the perfect place to explore, taste, and discover new favourites.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Amanda Lee Starkey

Maori Mini Film Festival: A Worthy Individual

2 March 2025 Kat Skarbek

Tai Rating

★★★★★

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It’s quite hard to review an animated film objectively when we are so accustomed to big-budget games and movies with high-end graphics, like Pixar Shorts.

However,Ta’i is a poignant short animated film by Mii Taokia about the wanton and targeted destruction of the abundantly resourced and beautiful pacific islands by the ‘Island Eaters’ – a system of corrupt government scientists.

The pastel-hued, blurred visuals heighten the islands’ lushness and give a sense of dreamlike beauty, juxtaposed against the more sinister imagery of their oppressors. This is all underscored by a modern lo-fi soundtrack that subtly contrasts the intimate devastation.

Even the island Gods, goaded into action, are unable to stop the destruction until they combine their powers and share them with a ‘worthy individual’.

The film’s central tenet is that a place’s most valuable but overlooked resource is its people and that sometimes, they are the only way to create real change.

Indeed, an individual taking a stand for what is right and good is all that has ever effected change, and this message feels especially resonant in today’s political climate.

To book tickets to the Maori Mini Film Festival, please visit https://www.bunjilplace.com.au/events/maoriland-film-festival

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Kat Skarbek

Maori Mini Film Festival: Walking Between Worlds

2 March 2025 Kat Skarbek

Tuia Ngā Here Rating

★★★★★

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It was a real pleasure to review this soulful short film by Ngā Aho Whakaari as part of the Maori Short Film Festival and not just because it’s so impressive to see filmmakers who can create something so beautiful, with such incredible production values, on a small budget.

Exploring important themes of land and belonging – environmental protection, the preservation of cultural identity and intergenerational familial relationships – we are introduced to 16-year-old Hiwa who returns home from boarding school to discover her beloved grandfather, the local ‘land legend’, is seriously ill and unable to tend to the forest he has spent his life protecting.

Whilst her younger brother Pōtiki, who has clearly inherited his grandfather’s deep affinity for the ‘whenua’ (land), is determined to follow in his Korua’s footsteps, Hiwa struggles to integrate her simple, traditional values with the ‘modern’ world she inhabits at school.

Both children wrestle with the shifting dynamics in their family, and the darkly green and lush scenery is a beautiful but ominous metaphor, reflecting both Hiwa and Pōtiki’s realisations of the importance of their new roles as the next generation of guardians for the land and their family.

This film was part warning, part love letter to land and culture. As someone who has a deep connection to land myself, it was an invitation to recognise the ways in which we are called to stand as protectors for that to which we ‘belong. ‘ It’s definitely one to watch.

To book tickets to the Maori Mini Film Festival, please visit https://www.bunjilplace.com.au/events/maoriland-film-festival

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Kat Skarbek

I Watched Someone Die On TikTok

25 January 2025 Manuela Kacomanolis

I Watched Someone Die on TikTok Rating

★★★★★

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With the show’s title, ‘I Watched Someone Die on TikTok,’ I had no idea what to expect from this show. All I knew was that it would be a one-person show. Sometimes these can be the best sorts of shows without any preconceived ideas.

As part of the Perth Fringe Festival, WAAPA alumnus Charlotte Otton delivers a quirky, commentary-style and partial biographical performance involving her relationship with the internet and social media.

Although the performance is delivered in a humorous manner, it touches on serious topical issues such as social media addiction, minors on social media, cyber-bullying and the multitude of disturbing content found on the internet.

Charlotte takes the audience on a journey from the early stages of the internet in the early 90s to the colossal digital platform it now is.

She makes a point of how the internet is filled with so much dark content and how easily accessible this content is to any person of any age. This content she refers to includes people dying in hospitals, beheadings and people being beaten to death. In the early internet days, it may have been a bit tricky, but certainly not impossible, to access such content, but nowadays, videos, regardless of whether they are age-appropriate or not, so easily pop up in social media feeds.

The strong grip social media has on people’s lives is real, and Charlotte brings this to focus. In one segment, the absurdity of some of the TikTok challenges is brought to life as she playfully takes up the challenge that the audience selects for her.

Any person who is guilty of doom-scrolling will relate to Charlotte’s commentary.

I found this show immensely entertaining and Charlotte to be an outstanding solo performer. I never knew which way the show would go or what Charlotte would do next. Mirroring much of how Tik Tok operates, she performs multiple segments in the show at a fast pace—keeping the attention of the audience glued to the stage.

To book tickets to I Watched Someone Die on TikTok, please visit https://fringeworld.com.au/whats_on/i-watched-someone-die-on-tiktok-fw2025

This year’s Fringeworld Festival Perth runs from 17 January to 16 February. For more information, please visit https://fringeworld.com.au.

Photographer: Sophie Minissale

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Manuela Kacomanolis

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