A Step Into The Unknown

Other Gods

Other Gods Rating

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The Melbourne Fringe Festival is in full swing and the Motley Bauerhouse in Carlton plays host to the debut performance of Other Gods.

The lights brighten to a minimalistic stage, a small room as though the audience have been invited in to an intimate moment in time.

It’s here we meet Tom (Sorab Kaikobad), a priest who has sworn celibacy. Yet as the play unfolds we see Tom face his most soul searching moment when he meets the enchanting Marina ( Emily Kruse). Tom must face the most difficult choice in his life- his love for the Gods he worships, or his heart.

Other Gods is an intriguing story, one that is set in a mysterious place and time.

It explores the themes of conflict, love, religion and identity.

Whilst the actors all give heartfelt performances though, the story never really takes off. It feels as though we are invited into the story half way through and there are pieces of the puzzle missing. The religion that is mentioned is only half explained, the characters don’t have a strong story arc, and the concept just feels a little unfinished.

 

 

The minimal set design does let the audience focus on the dialogue, which is effective and the soft lighting gives a nice atmosphere. The intimacy of the room makes the performance seem like we are strangers invited into a world and a snapshot in time.

Where does this intriguing world fit into ours- the question is never really answered, we only get a glimpse. However we know that it’s mythical- as the worship of Gods is mentioned several times.

A quite entertaining play, Other Gods certainly raises some interesting questions, exploring themes of love, conflict and turmoil.

The cast give good performances, the dialogue is intellectual and are enjoyable. There are moments of humour with Asher Griffith-Jones as Ant giving a comedic performance, bringing lighthearted moments to the play.

Other Gods is a play that even with it’s unusual fantasy setting manages to explore themes of love and inner turmoil in a way that is pleasant to watch and it is interesting to be allowed into the fantasy world the characters inhabit.

To book tickets to Other Gods, please visit https://www.melbournefringe.com.au/whats-on/events/other-gods.

Photographer: Tom Noble Creative

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Break a Leg at The MC Showroom

Break A Leg

Break A Leg Rating

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Imagine a bunch of social-media influencers landing roles in a high-stakes, Broadway-bound production—with zero stage chops. Rehearsals devolve into diva meltdowns, ego clashes, and utter mayhem. Then, in a desperate bid for team-building, they conjure spirits with a fake Ouija board… but the real ghosts show up. Cue the body-swap chaos—suddenly everyone’s in each other’s shoes, and opening night is just around the corner.

This is Break a Leg, a two-act comedy written and directed by Jason Ekonomides, playing at The MC Showroom from August 20 to 24, 2025

Prahran’s MC Showroom is an ideal match for this story. The intimate black-box layout ensures every grimace, costume flop, and ghostly flicker is close enough to touch. With seating capacity hovering around 80–100 depending on layout , the audience becomes part of the mayhem—not just observers. With minimal props, set design and an intimate atmosphere, actors are forced to rely on their craft- which is a huge pay off. It makes the production that much more authentic, as though we are just voyeurs, invited in for a sneak peek.

 

 

The performance offers quick pacing and over-the-top personalities ensure there’s never a dull moment. Body-swapping naturally demands expressive performance—from mannerisms to vocal tone—and the comedy thrives on it. The supernatural element isn’t just for show; it fuels plot momentum and raises the stakes. There are so many relatable moments for anyone who’s ever worked in a creative project—full of egos, deadlines, and “what even is blocking?” which garnered quite a few laughs from the audience. There are so many moments that garnered laughs, it’s hard to pinpoint the best one, which adds credibility to the skills of the cast, making the show incredibly entertaining. After all, when there’s no huge set and props are minimal, actors are left to their skills to draw the audience in, and they manage to succeed in this quite well.

Break a Leg is a rambunctious backstage farce that pairs clever body-swap hijinks with a comedic look at influencer culture and theatrical chaos. Performed in the cozy, tech-equipped intimacy of The MC Showroom, it’s a sharp, delightful night of theatre.

If you’re into rowdy humour, spirited performances, or backstage shows gone wildly off script—this one’s for you.

To book tickets to Break A Leg , please visit https://www.themcshowroom.com/whatson/break-a-leg.

Photographer: Billie Kennedy

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Yeah Nah Pavlova: The Laughs Keep Coming

Yeah Na Pavlova

Yeah Nah Pavlova Rating

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As the audience arrive into the cosy yet intimate venue that is Club Voltaire in North Melbourne, we are handed an ANZAC biscuit and asked to pick a side. Who invented the pavlova is the ultimate question.

Comedy duo Loud Jess (Jess Loudon) and Sandra Pace are immediately likeable, and the show hasn’t even started.

For one hour, they cover everything from politics to men, moving to New Zealand, rugby and the friendship between the two nations.

The main theme tying this show together is the age-old question: Who invented the Pavlova?

With audience participation that makes the show engaging, the duo are quick with their retorts, snappy one-liners, and they bounce off each other with incredible energy.

The women have great banter with each other, reminiscent of a young Gina Riley and Jane Turner ( Kath and Kim), and they’re incredibly comfortable in front of an audience. There’s no forced interactions, these two are naturally funny.

The show is dotted with dark humour. The subject of politics is candidly explored, and they look back on the era of Covid lockdowns, amongst other things, while talking about their lives in New Zealand – affectionately known as ‘ Across the ditch’.

The two have great energy, which is important in any comedy duo, but having a strong theme helps to tie the show all together, so it’s not just two loud girls rambling. It’s thought out, well-written and leaves just enough breathing room for improv and unplanned moments.

As for whether pavlova was invented in New Zealand or Australia, not to give away the ending, but we do get an answer as promised.

The comedy festival is wrapping up for another season, and before it goes, make sure to get down and have a laugh with Sandra and Jess. Their show is an hour of light-hearted comedy that never takes itself too seriously and is a refreshing reminder on why Australians and Kiwis love to give each other a hard time.

Yeah Nah Pavlova will be showing until April 20 at Club Voltaire in North Melbourne.

To book tickets to Yeah Nah Pavlova, please visit https://www.comedyfestival.com.au/browse-shows/yeah-nah-pavlova/.

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Jeremy Dooley: Comedy’s Rising Star Brings the Laughs with Daddy Cool

Daddy Cool

Daddy Cool Rating

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Melbourne Comic Jeremy Dooley brings his debut show Daddy Cool to Richmond for the Melbourne International Comedy Festival.

In an attic on Bridge Road, an intimate crowd gathers for Dooley’s stand up show. The lights are dim and the atmosphere is relaxed for this evening’s show.

Warming up the crowd is Canadian Richard Meneses who cracks jokes about being a backpacker, having left Canada to find himself. It’s a funny set that packs in a lot of laughs in a short time. Having cut his teeth on the Open Mic circuit Richard delivers a great set and performance that is memorable.

Lightly jogging onto the stage is the main act Jeremy Dooley, whose jokes are relatable and delivered perfectly with each punchline landing. He invites the audience to participate, which creates some very funny moments and makes for some great banter.

Being that this is a debut show, one could be mistaken for thinking Dooley has done the act before. He is comfortable being on stage, laughter comes easily, and he’s relaxed.

Dooley presents an hour of great storytelling, with some laugh-out-loud moments that captivate the audience. As the show winds up, Dooley has given the audience a solid hour of laughter and endearing moments that make for a fantastic show.

To book tickets to Daddy Cool, please visit https://www.comedyfestival.com.au/browse-shows/daddy-cool.

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