Emelia May

Romeo and Juliet, famously, only had eyes for each other. But what about the rest of poor old Verona? Enter ‘Shakespeare-In-Between: Romeo & Juliet’. In a new play created by Scott Jackson and Sorcha Breen, the townspeople of Verona are plucked straight from the margins of Romeo and Juliet’s romance and into the spotlight, revealing the hidden tensions, messy relationships and unlikely friendships across feuding houses.

As the Bard himself would say, ‘All the world’s a stage,’ and for this show, it couldn’t be truer. Set outdoors among flowering gardens, brisk breezes and the striking silhouette of a Victorian bluestone church, ‘Shakespeare-In-Between: Romeo & Juliet’ offers a little slice of Renaissance Italy in South Melbourne. Nature plays a leading role in fair Verona’s story: golden sunsets bathe star-crossed dallies, giving way to eerie twilight skies and the darkness of nightfall as misfortune and grief take hold. In a town doomed by the narrative, the passing of day only made it all the more inevitable.

Admittedly, my ‘Romeo & Juliet’ knowledge was a bit dusty going in. High school English and a few blockbuster flicks left me with only the broad strokes (boy meets girl, mum and dad disapprove, preventable tragedy ensues). For proper buffs, following along might have been a real ‘Shakespeare in the Park’, but I found myself losing the thread here and there. Perhaps a narration of some sort could have helped us novices stay on track with the plot – though to be fair, it’s one of the most famous plays ever written, so that might be on me.

That said, I thoroughly enjoyed the characters, even when I couldn’t quite place their original roles. And there were plenty of them too! The small cast of nine took on some thirty parts, juggling a number of personalities at the drop of a velveteen doublet.

Underexplored characters flourished in ‘Shakespeare-In-Between: Romeo & Juliet’: Rosaline (Seon Williams) reclaimed her role with headstrong resolve, while Peter, the bumbling butler (Scott Middleton), provided plenty of comic relief. The Nurse (Helen Hopkins) was delightfully extra, and Paris (Oscar Morphew) hilariously daft.

Meanwhile, familiar figures like Lady Capulet (Renee Palmer), Lord Capulet (Myles Tankle), Tybalt (Jett Chudleigh), Mercutio (William Hassal), and his companion Balthazar (Wolfgang Reed) brought depth and loads of charisma to their roles, commanding attention with every appearance. Together, their portrayals offered a compelling glimpse behind the curtain of the tragic teen tryst – and the destruction left in its wake.

‘Shakespeare-In-Between: Romeo & Juliet’ brings together a versatile cast of actors, comedians, musicians – even swordfighters (seriously, I’m expecting swordfights in every play now). Their talent packed into one cohesive, dynamic ensemble made for a fantastic showcase of Melbourne’s independent theatre scene. Bravo!

Pack thy best picnic blanket and join the good people of Verona for an evening of wit, music and top-notch live theatre. ‘Shakespeare-In-Between: Romeo & Juliet’ is playing at St Kilda South Port Uniting Church until November 23 – to miss it would be a tragedy.

To book tickets, please visit https://events.humanitix.com/shakespeare-in-between-romeo-and-juliet

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