Esther Hicks: So….What’s it like in the Vortex?

Esther Hicks is Vibrationally Speaking

Esther Hicks is Vibrationally Speaking Rating

Click if you liked this article

3

Last night I joined Esther and Jerry along with their ethereal counterpart ‘Abraham’ for “Esther Hicks is Vibrationally speaking” at the intimate PIP theatre space in Brisbane. The show is an engaging and quirky parody of the real-life teachings of American inspirational speakers Esther and Jerry Hicks.

From the very outset – and before we even take our seats, we’re allocated participant lanyards and instantly plunged into a simulated workshop that promises closer alignment to the vibrations inside the vortex and the laws of attraction!

The audience buzzed with playful anticipation of what was ahead of us. In just under an hour, award-winning director Elizabeth Millington cleverly guides us through the simulated interactive self-help workshop. Woven into this timeline is Jerry and Esther’s behind-the-scenes journey to inspirational speaking, which also hints at their increasingly tense relationship.

Claire Pearson (actor, writer, producer, comedian) and Kyle Walmsley (actor, comedian and RAW National finalist, 2012) hilariously bring Esther and Jerry Hicks to life with heart and conviction. Claire’s adept ability to morph into the entity ‘Abraham’ with such physical intensity made it impossible not to laugh! The show’s interactive nature encouraged the audience to ‘co-create’, ‘manifest’, and, in a mantra-like style, engage in a call-and-response communication, highlighting the powerful conformity of group behaviour.

Opposite Claire, Kyle delivers a strong portrayal of Jerry Hicks, the Ex-Amway businessman focused on sales, who grounds Claire’s whimsical Esther in the earthly plane.

The chemistry between Claire and Kyle is so palpable and convincing in their delivery that at one stage during the ‘workshop’ I found myself, along with other audience members reaching under our seats to find that elusive latest release book, which they hinted was there. They drew the audience into their world effortlessly, creating a shared experience that felt communal but also individual.

The minimalist set used subtle lighting to divide the stage, ensuring Esther and Jerry could be the central focus. They seamlessly moved from the cooler ‘on-stage’ left side to the warmer, soft purple glow of their home on the right side. The use of projected wall images effectively supports real-life excerpts of writings, teachings, and even a real video clip of Esther Hicks speaking.

The apt use of sound effects and music reminded me of the vibrations of a theremin instrument with an overlay of heartbeat sounds, adjusting the mood and pace of the show. The music signalling the show’s end was much more joyous and almost childlike.

Whether you’re a fan of self-help teachings or a curious sceptic, this show will resonate and make you laugh. Whilst there have been other iterations of inspirational teachings and books over the years, “Esther Hicks is Vibrationally Speaking” makes a brave move in highlighting the absurd attempts people make to find their true happiness.

If Abraham could speak to us now, he might say: “Are you ready to launch your rockets of desire and find your bliss?” With a blend of humour, tension, and unforgettable ‘mantra’ moments, “Esther Hicks is Vibrationally speaking” will leave a lasting impression and will likely resonate with audiences long after.

“Esther Hicks is Vibrationally Speaking” was performed as part of Pip Theatre’s annual Toucan Club festival, running until 21st December. For more details, visit www.piptheatre.org/toucanclub/.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Villanova Players Present: My Fair Lady

My Fair Lady

My Fair Lady Rating

Click if you liked this article

6

Villanova Players’ rendition of “My Fair Lady,” directed by Jaqueline Kerr, was a show that I looked forward to writing about. With such a diverse cast and creative set design, it was, for the most part, a pleasure to watch.

The stage was a rather limited but well-utilised space. Because of the large dancing numbers, including almost the entirety of the Chorus, opening the back curtains and allowing for slightly more space could have been to their benefit. There were also some issues regarding the security of the backdrops, as they were often seen swinging out of place, with parts of the props falling off or down on occasion. This was resolved quickly some of the time. The set design was cleverly planned, however, and involved three fold-able pillars on wheels. This assisted in the scene changes, creating a cleaner and more efficient method.

The choreography was simple but well thought out. Their use of space and shapes was reminiscent of old-school Broadway choreography, which was a joy to see. There were a few occasions when it seemed as though the Chorus required more practice or was overly nervous. Despite this, their vocals were almost always on point. Seeing how those in the Chorus were having a good time engaged the audience and allowed them to feel part of the revelry.

While the lighting and the timing of which was fairly polished, there were a few moments when the audio used throughout the show did not play at the correct moments. Or, possibly, the actors moved through the dialogue quickly enough to have a small amount of space between conversations and the beginning of the song. The cast played this off well, repeating lines and continuing on. It was good to see the actors attempting to work with the tech team. Having natural transitions and well-timed lighting and audio can make all the difference.

The casting of the lead roles brought the show together. Amelia Burton’s depiction of Eliza Dolittle was seamless and absolutely stunning. Her rendition of “I Could Have Danced All Night” can only be described as angelic and captivating. She captured the audience’s hearts from the very first note, perfectly portraying Eliza’s wit and tenacity. Andrew Alley played a highly convincing Professor Higgins, expertly portraying the emotional layers and theatricality that this role requires – and then some. His performance of “Let a Woman in Your Life” was thoroughly enjoyable and impressive.

Other notable mentions include Barry Hawarth (Col. Pickering), John Evans (Alfred Dolittle), Karen Marrinan (Mrs Pearce), Nicholas Sayers (Freddie/Chorus), and Jill Cross (Mrs Higgins). These are all admirable and charming depictions. The audience especially enjoyed Freddie’s “On the Street Where You Live” and Alfred Dolittle’s comedic stylings during the much-loved “I’m Getting Married in the Morning.” The male vocalists accompanying Dolittle’s songs were also praiseworthy and a joy to watch.

All in all, this production has a lot of potential, and I feel that with some polishing, it could be a triumph. Either way, it’s wholesome, fun, and a great evening out for all the family. I look forward to seeing where the Villanova Players go next.

The final show of the calendar year this season runs from 29 Nov – 8 Dec 2024. To book tickets to My Fair Lady, please visit https://www.villanovaplayers.com

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Scandalous Cabaret

Scandalous Cabaret

Scandalous Cabaret Rating

Click if you liked this article

Scandalous Cabaret is a fusion of Circus, Comedy and Cabaret all rolled into one travelling act in a tent. With a larger cast of twelve performers they advertise their show as a ‘hybrid’ adults only Circus, that delivers a sensually themed collection of acts.

The performance contained many old favourites from the Circus arts however with modern twists. We see the Unicycle, but also a miniature version, a three-wheeled version and a two-story off-centred version. Juggling is another classic, but performed with bounce, movement and up to 7 balls at once.

The absolute standout of the act was the talented Trapeze artist who also performed an aerial act with chains and neck spinning. She was mesmerising, with incredible strength and fluidity of movement. A great commendation is needed for the choreographer of the acts, as every performance had amazing flow of movement and contained many transitions.

The choreography knew when to contrast stillness and movement, and constantly used symmetry between the aerial artists. This was evident across the board, including a contortion routine that contained so much elasticity and smoothness of movement. Another standout was a fire performance containing skin transfers and fire eating. This act had great transitions and practical use of fire palms, bubbles and wands with excellent variation between these things.

 

The individual circus acts were to an incredibly high standard, where it seems that achieving a continuum would be within their grasp. The dance choreography had a very classic jazz style and made little interludes between acts, which was not unwelcome. There was mention of tracking ‘gossip’ surrounding relationships as a story-line for the performance, but this was quickly forgotten.

It would be nice to see this story-line develop more or play a more active role in the way things are staged. We did get a nice classic jazz number that was sung quite well, it would be nice to see more showcasing of vocal talents in their line-up in the future. The song choices and comedy included in the show feel a little crude and immature, not giving a high-class cabaret feel to the show. It would be good to see the staging and theming evolve to better showcase the fantastic talent contained within their cast.

Overall, Scandalous was not very much so, but a great showcase of fluid choreography and talent. It still proved an entertaining time with nice reinventions of older circus acts, and a large cast of professionals.

Scandalous Cabaret runs 15th November – 14th December.

To book tickets, please visit https://scandalous.com.au/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Author:

Spread the word on your favourite platform!

Delicious Aerialicious

Delicious by Aerialiscious Entertainment

Delicious by Aerialiscious Entertainment Rating

Click if you liked this article

3

Delicious is a scrumptious hybrid show mixing your favourite Burlesque and Circus acts, all themed around food and drink. The show as a whole imbues the audience with ecstatic energy, and satiates our hunger for entertainment.

It seamlessly blends comedy, acrobatics and eroticism in an extravaganza for any appetite. Our fantastic hosts, Chocolate Boxx and Clara Cupcakes bounce off each other brilliantly with quick witted remarks to introduce us to the world of ‘Delicious’ and its’ acts.

Initially we are met with Aline Chapet who performs a quirky routine with ‘Champagne’ bubbles. Her act brings the awe of a magician and the skill of a bartender to the stage, creating bubble art and playing with trapping and releasing smoke. Her act creates suspense and wonder as we wait for bubbles to pop, or not, as she skillfully crafts them. We were then rewarded with other unique acts such as Indie Berlin who performed a hilariously creative ‘Bread-lesque’ routine.

This combined the glitz and glam of burlesque with the comedic premise of feeding pigeons lots of bread; which was executed with elements of mime as well as expert choreography. Another creative act was Cello Bordello and her ‘hot-dog’ routine. This showcased a spunky burlesque number and a twist on sword swallowing except with a balloon. We were also delighted by some women’s Jelly Wrestling (Grace Law and Rachael Gibson); where you were still in the splash zone multiple rows back, causing eruptive laughter from the audience.

Our final unique act was Johnny Gash presenting a sweet ‘Candyman’ styled Drag King performance. Johnny Gash gave us the only vocal performance of the night, which was absolutely phenomenal and all but identical to Christina Augileira herself.

The circus acts included were incredible, with Andrea James Lui skillfully showcasing her amazing floorwork and Aerial Pole skills. With a quirky mad-hatter style, but incredible strength and fluidity she dazzled from the air. Elena Khaw graced us with an incredible show of contortion and flexibility, all whilst glazing herself in honey, keeping to the sweet theming.

Ambrose and Latonya brought some classic circus action with trapeze and Hula Hoop acts. Their Flow Art was smooth and polished, taking much coordination and strength. Finally, Tami Dawson presented hair suspension to close us out, which takes incredible, hair-raising skill.

With such a smorgasbord of talent, the audience was engaged and cheering from the start and this did not lull for the entire performance. The lighting and use of haze made all the performers look spectacular whether they be on the ground or in the air. The song choices were recognisable and energizing, bringing much enjoyment.

This show exudes confidence and really comes together beautifully, a perfect collection of talent, theming and taste. The cast and crew should be applauded for a delightful addition to the Melt Festival line-up.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Spread the word on your favourite platform!