PleaseDon’tCatchMeWhenIFall.

PleaseDon'tCatchMeWhenIFall.

PleaseDon’tCatchMeWhenIFall. Rating

★★★★★

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PleaseDon’tCatchMeWhenIFall is a contemporary dance which invites its audience to pause, take a breath, and allow your mind to consider what is happening in and around your life while you absorb the show. There are information pamphlets provided before the show begins – I highly recommend reading it before the lights go down, or you won’t be able to enjoy the show to its fullest extent.

With lighting that is simple, smooth, and effective for what they were doing, each new lighting change is one of the few clues into the next movement. It was unobtrusive and moody, perfectly setting the scene and gently guiding your eyes where to look. Paired with music that was loud but not overwhelming, the lighting and sound entwined with one another to create an ethereal atmosphere that melded with their movements. If you are a person sensitive to louder noises in smaller spaces earplugs were being offered at the door to anyone who wanted or needed them.

The costumes and set design were simple in colour and design, and appropriate for their movements. Blue ribbons were carefully placed to hold together a dress, hold up long pants, and create an artfully draped backdrop to bring together the dancers and the set. The subtle but well-executed connection between dancers and set provided minimal distraction for the audience, allowing for their full focus to be on each moment and the two performers.

 

 

There were only two performers on the small stage, working as both the leads and the ensemble their comfort and teamwork were evident as they worked around and with each other through each act. Working together and against each other, they showcased their individual dance strengths and skill sets. Each dancer has their own strengths, dance background, and style that they bring to the stage, but this is a contemporary stylised performance (classically trained dancers in the audience will wince at the bent legs and flexed toes), and the dancing may not be what you would expect, even if you are prepared for a contemporary dance. Be prepared to expect the unexpected, watch for the smallest of inflections in body language, and appreciate the strength that can be found in repetitive movements.

There is some audience engagement in the final act of the show, but it is optional, and those who chose to participate enjoyed themselves and what they created together. The final act is an act of childlike joy, and a beautiful ending to what can only be described as a thought-provoking show.

Guaranteed to provoke different emotions, thoughts, and experiences from the audience, there are very few shows like PleaseDon’tCatchMeWhenIFall to see at the Fringe. Its originality and unique take on the interconnectedness between contemporary dance and relationships between both people and gravity will leave you somewhere between “that was powerful” and “what was that?”

To book tickets to PleaseDon’tCatchMeWhenIFall., please visit https://adelaidefringe.com.au/fringetix/pleasedon-tcatchmewhenifall-af2026.

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Coco: The Time-Travelling Tart

Coco: The Time-Travelling Tart

Coco: The Time-Travelling Tart Rating

★★★★★

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Fast-paced, a little unhinged, and riotously funny, Coco takes audiences on a journey through the raunchier side of historical events. Already known and loved in the UK, Coco has boldly come to Australia in 2026 to give a sneak-peak into what really happened with many iconic figures such as Napolean, Queen Elizabeth the first, and right back to the original apple-tart herself, Eve.

Typically, there’s the expectation in Fringe season that everyone lets their hair down and just enjoys some entertainment. Intimately seated in the Yurt of the Courtyard of Curiosities at the Migration Museum, audience participation is an absolute must rather than just an option, as your hesitation or failure to respond will often lead you to take a bigger role in the evening’s entertainment that you might have planned. A delightful combination of Clowning, storytelling, and character comedy, Coco feeds off her audience’s laughter, shock, and heckles. Coco, a highly absurdist persona of comedian Max Norman, is a self-proclaimed enthusiast for champagne and shenanigans of the salacious variety throughout her historical ventures. Joyous and irreverent, she channels Patsy from Absolutely Fabulous with her statuesque frame, blonde hair, sunglasses, but with a much cheekier and more devious undertone. Drawing her audiences in with her smooth voice and cheeky grin, she cleverly keeps them engaged through courage and connection as the show progresses. From collaboratively creating pyramids in Ancient Egypt to electing a new Pope, this raucous expedition across time will have you complicit in some of the historical shenanigans that occur.

 

 

While the set is largely minimal, Coco certainly more than makes up for it through charisma and movement through the space. The sound and lighting do play large parts in moving the story along, predominantly through the initial setting of each era and the all-important time travelling taxi. From coloured lights and mini torches, simple sound cues, dry ice, and apples suspended on string, these subtle elements only enhance the performer’s efforts in storytelling.

While the later timeslot may deter some people, it certainly ensures that no one under 18 will likely wander this way. With a couple of warnings and a maturity rating for 15+, it assuredly indicates that this is not the show to bring your family to – unless you’re all adults with a quirky sense of humour. If you’re looking for something fresh, chaotic, and queer this Adelaide Fringe, Coco the Time Travelling Tart will have you laughing from shock and hilarity throughout.

To book tickets to Coco: The Time-Travelling Tart, please visit https://adelaidefringe.com.au/fringetix/coco-the-time-travelling-tart-af2026.

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Ireland The Voyage

Ireland The Voyage

Ireland The Voyage Rating

★★★★★

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From the producers of Celtic Illusion, comes a powerful new theatrical experience in Ireland: The Voyage, an epic celebration of Ireland’s history, heart, and heritage brought to life through authentic voices, live music, and world-class Irish dance. Emotional, exhilarating, and deeply immersive, Ireland: The Voyage invites audiences to feel the pulse of a nation – it’s triumphs, its tragedies, its music, and its unbreakable spirit, in a live experience you will never forget!

I was fortunate to be able to delve into this world of all things Ireland currently touring around our country.

Firstly, in my years in dancing (over five decades) I’ve only ever seen Irish dancing twice in my life before (shameful I know!). Once at a high school talent show, and once when I organised a display floorshow at one of our dance fundraisers (everyone commented afterwards how good it was).

This style of dance has sustained as entertainment for decades in theatres around the world, on cruise ships, feature festivals and more. And certainly now I can fully understand why. Whether or not you are Irish, love Irish dancing or music, or just enjoy any stage performances generally; Irish vibes are contagious and captivating!

This show however is much more than just an Irish jig to a whistling tune; it is a real journey of shared stories, history and spirit.

 

 

We learn in detail from our host Giselle about the interesting Irish instruments being played in the traditional Irish band, which remains in full view throughout the show on stage. Each band member is also introduced by name with a little of their Irish background and musical accomplishments. They are all simply brilliant musicians and together bring this show wholly to life.

Irish songs sung both in English and traditional language by Giselle O’Meara are truly unforgettable. Her superior voice carries off each and every note like a fine instrument you could easily listen to for hours. Not loud and showy, but gentle and sweet; welcoming and inviting us to just enjoy!

I closed my eyes a number of times purposefully to listen and take it all in. Not only am I learning along the way about Ireland, a place I loved visiting 25 years ago, I am growing a great appreciation for this music and sound.

Shining stars are evident in the Irish dance champions – a trio mesmerize us with unbroken unison of speed and grace, extraordinary flexibility and control in traditional Gaelic; skillful solo features of rapidly increasing intricate footwork are an honour to witness, and later in the show we will clap along to particular beats in joyful harmony encouraged.

This beautiful show was such a lovely relaxing night out, and my Mum who came with me went home to try and find the great Irish love song ‘Grace’ to add to her playlist.

Thank you so much to the cast, musicians and team at Base Entertainment for this chance to broaden my knowledge of Ireland whilst at the same time tapping my foot along to some incredible music and songs from this voyage on stage transporting us all in the lucky audience to the Emerald Isle afar.

Ticket link: https://www.irelandthevoyage.com/

INSTAGRAM: @ireland_thevoyage

Tour includes cities and towns all over Australia and New Zealand.

Cast:
Giselle O’Meara (Champion Irish dancer and former lead vocalist for Michael Flatley’s global phenomenon Lord of the Dance Arena Tour)
Sara O’Hara (World Top 20 Irish Dancing Championship)
Liam Mcweeny (former quadruple Australian National Champion Irish Dancer)
Corey White (runner-up Australian International Oireachtas)

Musicians:
Tim Gleeson (guitar and Irish drum, the bodhrán)
Cormac O’Hanlon (concertina)
Ciara McGoldrick (low and high pitch whistles)
Muireann O’Dwyer (harp)

To book tickets to Ireland The Voyage, please visit https://www.irelandthevoyage.com/australia.

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2026 HeARTflicks Charity Film Screening

Heartflicks Charity Film Screening

Heartflicks Charity Film Screening Rating

★★★★★

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Following its successful debut at the 2025 Adelaide Fringe, HeARTflicks Charity Film Screening returns for 2026 bringing together brilliant short films and one magnificent feature length film from around the world continuing HeARTflicks’ mission of raising community awareness of domestic and family violence to foster empathy, dialogue and meaningful community engagement of these issues. This year the organisers have expanded the number of screenings of the films with the remaining screening on Friday 20 March to include a Q&A session with the directors of the four films to be shown that night.

Curator Steven Coy’s international call for this year’s HeARTflicks gathered a group of remarkable films and the finalist award winners were:

– Tidal, director, Sofia Poli, Australia
– The Bull, director, Jevan Chowdhury, United Kingdom
– Spider-Zan, director, Maryam Khodabakhsh, Iran
– Football Crazy, director, Katie Harriman, United Kingdom
– All Three Counts, directors, Natalie Scarman and Aron Giagu, Australia
– A Perfect Night, director, Angelo Raaijmakers, Netherlands

 

 

From the earlier screenings audience members were asked to vote for their favourite film and Australian short Wise Words by director, writer and producer Louis Dickins was chosen as the People’s Choice Award – Best Picture winner. Also, the HeARTflicks judges chose their Judges’ Award – Best Picture which was won by Aphelion by director, writer and producer Steven Willems.

On the 20 March screening, Tidal, All Three Counts, Wise Words and Aphelion will be shown.

Tidal by first-time Australian director Sofia Poli, shows the consequences of arguments in the home and how the two sisters (Amelie Stone and Zara Rose) spend time to get away from abuse and how the abuse affects everyone connected.

In All Three Counts, which features Robbie Greenwell, Nic Micalakis, Vanessa Ricks, Steven Coy and Effie Dawson, directors Natalie Scarman and Aron Giagu depict the use of power and promotes the notion that those that see abuse should say something about it.

Louis Dickins’ Wise Words shifts gears for a lighter look at the power of simple conversation and how even a chat to a stranger on a park bench can inspire change. It features Don Bridges, Ani Priyo and Louis Dickins.

 

These are followed by Steve Willems’ intense Aphelion, which is set in a single room. The ninety minute feature stars Nick Drummond and Talia Davida who deliver superb performances as the darkness of drug addiction and cycles of abuse engulf them. The film is raw and confronting and Williems’s film making skills are outstanding as he brings the audience into the grittiness of the room.

In Australia, intimate partner violence contributes to approximately 41 deaths each year — the equivalent of one woman killed every nine days. HeARTflicks Charity Film Screening aims to do something about this terrible statistic in presenting these exceptional films. With the added bonus of a Q&A session from the directors, the screening on 20 March promises to be a marvellous night that all should try to attend.

Profits assist Zahra Foundation.

Reviewed by Rob McKinnon
Rating; 5/5

HeARTflicks Charity Film Screening
Remaining showing: Fri 20 Mar

Time: 7.00 pm

Venue: Cinema 1 at The Piccadilly

Booking details: HeARTflicks Charity Film Screening | Adelaide Fringe – 20 February – 22 March 2026

To book tickets to Heartflicks Charity Film Screening, please visit https://adelaidefringe.com.au/fringetix/heartflicks-charity-film-screening-af2026.

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