Spanish Film Festival: Jokes and Cigarettes

Jokes and Cigarettes

Jokes and Cigarettes Rating

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Director David Trueba says of his film Jokes and Cigarettes – “This is a film about humour, and about survival. Eugenio was one of the most popular comedians of the Transition. Everything about his appearance was at odds with humour: a serious man, with no gestures, hiding behind tinted glasses and a black shirt, with a lit cigarette behind a microphone, who would be the one to make a whole country laugh. But… what was hidden inside him?”

Directed and written by multiple Goya Award winner David Trueba and starring David Verdaguer in a virtuoso performance, Jokes and Cigarettes tells the story of the famous Catalan comedian Eugenio, the chain-smoking comedian known for his deadpan delivery, his smoked glasses and his trademark total black attire. It concentrates on his formative years as a comedian during the 60s and 70s, where he became a fixture on the TV sets of every Spaniard.

Barcelona, late 1960s. A young jeweller named Eugenio meets Conchita on a bus and it is smitten. Eugenio learns to play guitar to follow Conchita a singer, and, despite stage fright, they start to play together. When Conchita leaves Barcelona for two weeks, she convinces Eugenio to perform solo and Eugenio becomes a phenomenon in the city’s underground comedy scene. Helped by Conchita, he creates his comedy ego–the dark glasses, the black shirt, the barstool, the cigarettes and the high ball glass–the character that would soon become an unexpected success.

The producer Edmon Roch recalls, “I remember when I went to see the comedian who made people laugh before he’d even opened his mouth. I was ten years old, and I could see my parents laughing their heads off at the sight of this tall man sitting on a stool, stretching out his every movement with an unperturbed gesture before he started to speak. There was a liturgy, an expectation, a palpable ritual. Later, when I discovered Buster Keaton, I thought of Eugenio’s unflappable face, he’s still present in our memory and his humour lives on.”

Jokes and Cigarettes

David Verdaguer delivers a totally believable performance as Eugenio. His deadpan delivery as a comedian is perfection contrasting with his love for his wife and son. I particularly enjoyed the scene where he drops in on his son’s school concert, surprising his son who is doing an impersonation of his father’s comedy act.

Carolina Yuste is compassionate, loving and also totally believable as Eugenio’s wife, Conchita. Her early scenes with Verdaguer are a joy to watch and her death scene is a tearjerker.
Beautifully photographed, Jokes and Cigarettes also has a magical soundtrack of 60s and 70s Catalan music.

Jokes and Cigarettes is a film about humour and survival that explores what was hiding behind that serious man that made a whole country laugh!

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Bernie Dieters Club Kabarett

Bernie Dieters Club Kabarett

Bernie Dieter’s Club Kabarett Rating

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1

Bernie Dieter is back with a bootylicious BANG and its settings on stun!

Dare to enter if you can handle the heat. A sultry fusion of circus, song and sexy burlesque, where the thrill of the centre ring meets the seduction of the velvet curtain. Temptation breaks all the boring boundaries and sinks itself into your lap. Ach, mein Gott! What a ride! You must see it darling- it’s BEAUTIFUL!

Like a glittering diamond in the rough under the dome of the Moore Park Spiegeltent, ‘Bernie Dieter’s Club Kabarett’ is a lesson in surrendering to the decadence of hedonism and celebrating the human form in all its glory. Settled within the intimate shadows and velvety atmosphere, we are offered a tasty blend of gritty underground danger and pure, unadulterated flair without ever tipping the scales into crassness or whimsy. This requires astounding skill, my friend.

What’s the X-factor that makes this experience so uniquely delicious? It captures and embraces the unbridled spirit and liberated essence of Weimar-era cabaret. This show is a thoroughbred, real deal cabaret that knows exactly how to deliver and doesn’t hold back. Vibrantly avant-garde and at times ironically grotesque, it provocatively pushes buttons, relishing in its own signature sauce of salaciousness. A big juicy f**k you to conformity and the mundane.

Talent upon talent upon talent. The spotlight ignites seven heavenly bodies – titillating tornadoes of effortless circus expertise. Our hair is literally blown back, our eyes ache from the dazzle, our spirits soar with the thrill of it all. This is a full on fatal attraction of strength, skill, and seduction in the form of a mesmerising array of aerial feats, fiery displays, hoop artistry, whip cracking and contortionism. Eight outstanding acts deliver the perfect balance of clowning and spell binding agility, each one jaw-droppingly unforgettable in its own way and expertly woven together by the quick-witted banter of the incomparable Mistress of Ceremonies, the marvellous Miss Dieter, a ringmaster-class of song and repartee.

How can I possibly describe this powerhouse of a woman? She’s a vocal force, delivering numbers with bodacious energy and precision that’s both captivating and rare. Backed by a very tight and pulsing 3 piece band, Dieter fearlessly embraces contrasts, pivoting from unbridled ferocity in ‘Rebel Yell’ to tender vulnerability in a haunting rendition of ‘Fake Plastic Trees’. A presence that’s both commanding and nuanced, she weaves a sonic tapestry that’s utterly immersive; she defies expectations and forges a connection that’s both raw and profound. Dieter IS cabaret.

The ultimate wild child of the Club circuit family, ‘Bernie Dieter’s Club Kabaret’ shatters the mold, of leaving similar variety shows for dust. The finale is a glorious personal homage to the alchemy of art and drinking, where transformation and reinvention converge in a dazzlingly gutsy and original song.

As you gather your wits to depart, the stage lies in perfect disarray, a telltale testament to the night’s divine debauchery. Littered with party popper innards, discarded costumes, confetti, shreds of balloon rubber, feathers and a spray of white powder which I suspect may represent an illicit substance 😉 This is the aftermath of a night of extravagant fun.

Bernie, you devil, you’ve done it again! You’ve released a kaleidoscope of creativity and set the bar ridiculously high with a night that revisits and then rewrites the rules of cabaret. The impossible is now possible and your imagination knows no bounds.

This is the ultimate winter retreat from the chill of a turbulent world. Indulge in the warmth of Dieter’s organised chaos to help you forget and play for a while, to remind you of the unapologetic, permissible pleasures of being human. All are welcome. So leave your inhibitions at the door, grab your favourite poison and sit back as the candles and stage are lit for a night you won’t forget.

Danke Darling Dieter!

‘Bernie Dieter’s Club Kabaret’ plays at Sydney Spiegeltent Moore Park Entertainment Quarter until July 28th. See https://www.entertainmentquarter.com.au/event/bernie-dieters-club-kabarett/ for details.
What are you doing??? Click the link and hustle those tickets!

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Limbo The Return – A Transcendental Glimpse into Another World

Limbo The Return

Limbo The Return Rating

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3

The cast of Limbo The Return, was extraordinary! Playing to a packed sell-out house at The Grand Electric, their opening Sydney performance transported the audience to a place of colour, music, and sensory loading. The award-winning creatives from Strut and Fret and director Scott Maidment will no doubt equal if not surpass the success of their previous show Blanc de Blanc last year and their encore in March, with this high energy vaudeville show.

There is no one particular category of entertainment that Limbo The Return can fit into. It has different elements of expertise in the acts. Limbo takes the music of the cool underground party club scene with a New Orleans feel, tosses it with a bit of French cabaret, modern dance, comedy, adding an aerial acrobatics circus spectacle to create a distinctly unique show.

The live music which continuously played throughout the show delved into the essence of each individual stage act, playing even when the crew were setting up the next performance. From the first introduction, I could tell that this was not going to be an ordinary soundtrack. We were introduced to the cast walking on stage, silently like models on a runway, to an encompassing and eclectic mix of music and sound. It was certainly a catwalk for the curious.

Composer and sound artist Sxip Shirey developed what he calls “jank” – sexy, crunchy, underground music – when he was travelling around the world.

The soundtrack not only featured traditional instruments such as synthesizers, keyboards, drums and guitar, but mostly unusual instruments such as the Polymba, designed and built by musical artist Mick Stuart, and the sousaphone – a big marching tuba, played by multi-instrumentalist Grant Arthur. Shirey, a sonic pioneer, is onstage with the band, creating sound stories using his voice with effects, a bullhorn, several harmonicas, whistles, marbles and even a glass bowl!

The cast of six took turns individually and at times together to perform gravity defying and jaw dropping acts. Each artist was a master of their trade. Choreographer Hilton Denis’ acts were comical and interactive, and at one time he even conducted the audience, involving them to be part of the music. His dancing was precise and interpretive.

David Marco Pintado held the audience spellbound with many of his acts, most notably his skill and acrobatic balance on the slackrope, even using a chair as his prop. Clara Fable’s vocals were beautiful during one of her acts, and at another time, she brought the stage literally alight with her synergetic relationship with fire. Her fire breathing and fire swallowing, amongst other things she did was incredible! Mikael Bres held us in awe with his prowess on the Chinese pole. He was so smooth with his movement gliding up the pole, he made himself appear weightless, especially when he stuck himself out at angles from the pole.

It was clear from her aerial circus skills that Maria Moncheva came from a background of ballet and contemporary dance. Her chain hanging act was a visual spectacle. Ben Loader completed this outstanding cast, most notably with his precise acrobatic skills on aerial rope. He captivated the audience with his strength and skill, seemingly playful with the rope, bending it to his will and defying gravity.

Whilst the artists were working their magic, the lighting (and set designer) by Philip Gladwell was mesmerising. He created a world in which these beautiful creatures were captured on stage, highlighting and shadowing as needed. One standout moment was the use of handheld mirrors and light, combined with the music to create an otherworldly perception.

The sexy and sometimes flamboyant, sometimes less-is-more costume design worn by the cast and musicians by Lucy Scott created the strong theme throughout this production.

Limbo is the place believed to be between heaven and hell, the setting for this show. The creators have told their story perfectly, amongst these unearthly, talented artists, floating white feathers and fire.

Limbo The Return is 100 minutes including interval. It is running from 30 May – 18 August 2024 at The Grand Electric, Sydney. Tickets from $60

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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A Workout Disguised The Disco Loco Way

Disco Loco

Disco Loco Rating

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3

I found my musical inner dancing child on this Vivid Sydney Silent Disco Night Tour! A Silent Disco isn’t a new concept. It’s been popular since the 1990’s at outdoor parties and festivals, where partygoers wear headphones and continue to dance into the wee hours of the night without disturbing people in the neighbouring areas (and the wildlife!) Silent Discoers would have three channels on their headphones, each with different music playing so they could choose what they want to groove to.

Disco Loco have adapted this concept. Beginning outside the Chinese Garden of Friendship at Darling Harbour, we were given comfortable headphones and told how to adjust the volume on them. After a brief explanation of how the night was going to run, our host John started the music, our headphones glowed blue, and a burst of Bruno Mars’ Uptown Funk began our evening tour. Everyone had the same channel on, so the group of around thirty people immediately started moving in sync with each other. John was at the head of our tour, and we moved through the crowds of people like dancing pied piper followers. At some points it was tricky amongst the crowds of people to see John, but he always waited and made sure we all caught up and Sophie was at the back, so we didn’t feel like we would get lost. Perhaps John could carry a tall stick with a flashing disco ball on the top so we can spot him in a crowd!

This was the first time I had experienced a concurrent walk / dance and the pace was fairly brisk, but I soon found my own way, which was the point. Looking around, everyone appeared to have their individual dance moves going and more importantly, a smile on their faces.

John and the other Disco Loco host Sophie stopped us at certain points during the walk, pointing out some Sydney landmarks and tourist destinations around Darling Harbour. This would have been useful information for tourists. There were a couple of Vivid Sydney installations that we passed, a highlight being the Australian floral holographic light and laser display over Cockle Bay, by Hika Rakuyo. I expected to see more Vivid installations, but the overall vibrancy of Darling Harbour and the bustle of the King Street Wharf was enjoyable. There were fiery installations in Tumberlong Park near the beginning of the tour, and the Vivid Fire Kitchen along The Goods Line for those who wish to explore more of Vivid Sydney.

We played some fun trivia games throughout the night. John was an enthusiastic host, talking to us through our headphones and encouraging us to dance and sing aloud. (“Don’t stop me now!”) His outgoing manner put the group at ease, and I imagine that not too many people have seen a group of thirty in a public space sporadically belting out N Sync’s “Bye bye bye” into the night without hearing the song’s musical accompaniment or performing frenetic air guitar into the silence.

Being in a large group lessened the self-conscious aspect and allowed people to be free to let their inhibitions down. We even had another passer-by man join in and dance at the back of the group to “Greased Lightnin’” with us, flash mob style! This tour group was having fun, and I could see how a Silent Disco walking tour by Disco Loco would be an effective team bonding experience for a work social, or Christmas activity, a celebration such as a Hen’s Night or simply a unique date night.

The playlist was varied, from upbeat songs to classic slower songs such as Journey’s “Don’t Stop Believin’” and catered for people of all ages. With the addition of one more song, Bon Jovi’s “Living on a Prayer”, this playlist would have been perfect! In our group, I saw a few kids singing along with their parents. The 90-minute walk flew by and included one stop along the way for anyone who needed to use the amenities or buy a drink.

The Vivid Sydney Night Tour was an unexpected workout—a sneaky workout—for people of average plus fitness. There were ramps on the tour, so people in wheelchairs could join this entertaining evening. Disco Loco also runs a Michael Jackson Theme Tour and The Craziest Silent Disco Tour. The Sydney Vivid Night Tour is on multiple nights until June 15th, 2024. Tickets are $37 or $32 for a group of four +

This is the place to be, where you will dance like no one’s watching…even though they are.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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