Menopause: The Musical

Menopause The Musical

Menopause The Musical Rating

Click if you liked this article

Menopause the Musical has been packing theatres around the world for more than two decades, and its Sydney season shows why. Built as a one-hour revue without interval, the show wastes no time on plot, instead linking pop classics with menopause-themed lyrics and broad comedy. It’s a format that could easily flag, but in Cameron Mitchell’s brisk staging the pace feels more like momentum than overload, sustained by four performers who never let the energy drop.

The archetypes are simple—Professional Woman, Soap Star, Housewife, Earth Mother—but the cast injects them with distinct flavour. Tara Morice, remembered by many as Fran from Strictly Ballroom, brings a real edge to her Professional Woman, most memorably when she trades businesswear for a shiny black top, skirt, and denim jacket to belt What’s Love Got to Do With It. Erika Heynatz, cast with a wink as the Soap Star given her Home and Away past, proves the standout vocalist, carrying numbers with clarity and ease. Melissa Langton’s Housewife combines warmth and honesty with gleeful broad comedy—her romp in red lingerie over her clothes is a crowd-pleasing highlight. Cherine Peck, reprising her role as Earth Mother, leans into the playfulness of the part, giving the ensemble an effervescent lift.

 

 

Christine Mutton’s costumes start in recognisable shorthand—power suit, flowing layers, domestic comfort, showbiz glam—before sliding into sillier territory. The red lingerie gag and the final sparkly outfits underline the production’s refusal to take itself too seriously while still keeping the glamour dialled up. Frances Story’s set is functional but bright, leaving space for the performers, while Jasmine Rizk’s lighting design proves versatile: bold washes carry the big numbers, but subtler effects sneak in, particularly during the hot-flash sequences where the humour lands visually as well as vocally.

The songs themselves—rewritten classics from the baby boomer songbook—are instantly familiar, and that recognition is half the joke. For an audience of “ladies of a certain age,” as the program knowingly puts it, the combination of nostalgia, camp, and shared experience is irresistible. Saturday night’s crowd responded with knowing laughter, cheers, and a standing ovation.

Menopause the Musical is not a show for subtlety or story. It’s a night of energy, glamour, and communal release. In this Sydney staging, thanks to a committed cast and slick creative team, the formula still works—and then some.

To book tickets to Menopause The Musical, please visit https://menopausethemusical.com.au/.

Photographer: David Hooley, Joel Devereux

Spread the word on your favourite platform!

Family Fun and Wonder: Michael Boyd’s Magical Spectacle

Mystique

Mystique Rating

Click if you liked this article

Mystique: where magic meets emotion, and the impossible becomes an unforgettable reality. In a dazzling display of sleight of hand and showmanship, Michael Boyd proves that illusion is not just tricks, but an art form with a twist.

Boyd presents a world tour of magic – blending Asian exoticism, African rhythms, and Bollywood glamour, with lashings of Vegas spectacle, captivating and engaging a multigenerational crowd. From grandparents to grandchildren, everyone is on board for a thrilling journey across continents and illusions.

Featuring awe-inspiring wizardry, designed and crafted by the same team that brought us David Copperfield’s legendary shows, ‘Mystique’ blends jaw-dropping escapes, levitations and transformations with mind-blowing disappearances that leave the audience spellbound. An energetic soundtrack featuring contemporary songs and iconic film scores amplifies the energy and tension, whilst the exquisite showgirl costumes add glitz straight from The Moulin Rouge.

A great magic show combines skill and deception to evoke amazement, blurring reality and fantasy. Boyd does all of this, but amidst a haze of smoke and mirrors. Voilà! and Ta-da flair, this show refreshingly redefines the typical flash-and-dazzle mould. It breathes new life into familiar tricks thanks to Boyd’s authentic stage presence and effortless charisma, making this show accessible, unpretentious and terrific fun.

Boyd’s style is distinctly interactive, openly celebrating magic and its origins. He cleverly incorporates recognisable and much beloved classics – rings, scarves, and magic boxes – that spark nostalgia and inspire new generations. While these segments risk being cheesy, Boyd’s enthusiasm and charm make them work beautifully.

Eight-year-old Elijah joined him onstage for a delightful “Helping Hands” act, featuring a suitcase of face-paced tricks – blooming flowers, cards, and colour-changing scarves. This enchanting moment captures the essence of backyard birthday party entertainers, where the simplicity of yesteryear reigns supreme. Elijah’s face radiated pure elation as he took a bow centre stage – a future magician was born.

 

Six-year-old Katherine joined Boyd for a timeless table levitation routine. The beauty of the moment lies not in complexity, but in a child’s genuine wonder. She completely stole the show when Michael asked her how it feels to be a part of a trick. Everyone melted when she earnestly replied, “I believe in magic, and now I want to be a magician.”

The enchanting Music Box Act also whisks audiences away to a forgotten era. Beautiful ballerinas, dressed in elegant white tutus and glittering tiaras delight as they disappear and reappear. A change of tune occurs with a fabulous screwball “unplanned” moment unfolding when Suri “mishears” “banana” instead of “bandana,” revealing Boyd’s mastery of crafted comedic chaos.

Mystique seamlessly shifts between intimate, close-up magic and grand, theatrical illusions. The contrast is perfect, keeping the audience on the edge of their seats, eager for the next surprise. But it is the joy – the performer’s, the audience’s, and the magic itself – that transforms the evening into something truly special.

In a world where scepticism holds sway, magic reminds us of the power of fascination, the thrill of the unknown, and the simple pleasure of being transfixed. With the final bow, the awe lingers: we’re still baffled, but who needs answers? Mystery is the heartbeat of magic, and the soul of ‘Mystique’.

If you missed this show, don’t panic. THE CHRISTMAS SPECTACULAR, starring Michael Boyd and special guest Prinnie Stevens, will be the perfect end-of-year holiday treat at The State Theatre, 20-22 Dec 2024.

See https://www.aussietheatre.com.au/news/the-christmas-spectacular-starring-michael-boyd-and-special-guest-prinnie-stevens for details.

Spread the word on your favourite platform!

Spread the word on your favourite platform!