More Than Just A Dance Performance

Mother Nature An Arena Spectacular

Mother Nature An Arena Spectacular Rating

Click if you liked this article

11

The lights drop, plunging the stage and audience into darkness. The only sounds to be heard are excited, wriggling young audience members and the tap of the shoes onstage as the band makes their way to their instruments. A booming voice echoes throughout the arena …

The Australian Calisthenics Theatre Company (ACTC) bring to life a vivid story through dance, song, and light. Over the course of six scenes, the audience is introduced to the elements that make up Mother Nature: earth, fire, water, wind, light, and sun. Each element has a lesson to teach Mother Nature so she may grow into who she is meant to be. Each scene focuses on one element, and the choreography beautifully represents the emotion and inner turmoil Mother Nature experiences with her time spent with the element, as well as the element herself.

I say ‘the element herself’, because each of the elements are powerful women and girls, showcasing their hard-earned strength, athleticism, control, and finesse. For fans of calisthenics, you might be questioning if Mother Nature feels like a competition. It does not – you still get your typical march, free exercise, graceful, rods, and clubs, but this is a story, so each category melts together to bring a beautifully aesthetic performance carefully crafted to make you gasp, cry, sigh, and smile.

 

 

The lighting swirls on both stages, the colours reflecting the element speaking with Mother Nature, from a cooling green-blue to an almost alarming orange-red, and every colour in between. The lights roll and dance as though they are part of the ensemble, while the screen at the back of the stage rotates through images which reflect, and match, both the lighting and the dancers. Undulating lights breathe life into both of the stages, not only giving it life, but weaving into the story.

Unlike an average dance performance, Mother Nature not only boasts a double stage connected by two runways, but also a live band and singers. JD Smith (one of the Ten Tenors) was a visiting performer, pairing his vocals with female singer Chloe Castledine and ‘The Cast’ orchestra. The musical score is an original soundtrack for Mother Nature; inspired by the elements, each song carries the audience through the chapter, evoking emotion and a depth of emotion the likes of which was Broadway-worthy. Some of the songs were, in fact, Broadway songs, so remember to keep an ear out and you might find yourself admiring the Stars, while Defying Gravity and gazing Into the Unknown. Excerpts and covers of popular songs from Sam Smith, Lada Gaga, and Celine Dion also sneak their way into the performance, among many others, winding and melting together seamlessly.

The performance is so enrapturing that after two scenes, you couldn’t blame yourself for not realising the performers had already changed costumes multiple times. While Mother Nature has her signature look, each element has a leotard leaning closer to a work of art, and the ensemble joins with dazzling complementary pieces. The leotards boast thousands (if not hundreds of thousands) of jewels, gems, and beads, shimmering with every breath under the light.

The story of Mother Nature is one of strength, of perseverance, and hope. Inspiring not just to women, but all genders. Mother Nature celebrates storytelling, music, and life through dances designed to take your breath away and leave you full of wonder.

To book tickets to Mother Nature An Arena Spectacular, please visit https://www.auscalisthenicstheatre.company/whats-on/mother-nature.

Spread the word on your favourite platform!

Australia Really Does Have Talent!

Homo Grown

Homo Grown Rating

Click if you liked this article

Apologies in advance, I tried to catch as many names of these talented performers as possible but I have definitely missed some and will jumble them up. Homo Grown was an absolute treat! For this queer musical lover, it was like a slice of Heaven.

Host and co-founder of “Home Grown Aus”, Nick Ledger, opened us with Princess by Matthew Lee Robinson. Home Grown Aus, co-founded by Nick and husband Ben Nicholson, is the grassroots movement championing and producing original new works in Australian musical theatre. I actually attended a reading of “Mackenzie” by one my favourite musical theatre writers, Yve Blake, earlier in the week. That was produced by Home Grown and Hayes Theatre.

Our next act was a stunning cameo by Australia’s first female Prime Minister, performed by Mandy Isher. It brought the house down and the energy up to stay.

McBeanie and Hurley then performed a duet based on their musical chronicling the life and times of (very) obscure playwright, Robert Wiseman. This was a cute little back and forth called “The First Time I Met You” and left us with heart eyes for this real life couple.

Powerhouse Carla then took to the stage with “We’ve Got Chemistry” by Jordy Thomas. Those pipes!! Carla has power and presence and a sexy, sultry voice. With this melting “Ooh” that was like liquid chocolate! And I even I understood most of the chemistry puns, despite flunking science! Carla lights up the room and is an artful performer.

Yasheith performed “One Day In September” by Maverick and Cohen, about a closeted football star. Yakeith’s performance was earnest and nuanced, with unique use of dramatic timing. Such a beautiful voice too.

 

Nick Hedger returned to the stage with a love song for the gamers, nerds and misfits. It was a rock opera style ballad that hit the feels.

Robbie Alexander gave us a taste of the opening of their upcoming musical, warning it would be long and referred to it as their “Bohemian Rhapsody”. It was such a wonderful song that leaves me wanting to watch the whole musical. Charlie is the main character, who just can’t make main character status, so “Other Charlie” steals their limelight. The two Charlies and an ensemble of three delivered this number, with Charlie’s therapist’s voice being absolutely extraordinary!

Nick returned for an homage to Peter Allen which was poignant and touching.

The next was from a musical about netball. The names here got quite muddled for me. I think Sophie Davies and Harry Collins may be the composers. Lauren introduced the mother/daughter duo performance of “Married To Netball” which was absolutely hilarious and both Addie Robinson and Sinead Christado nailed the song.

We then finished with an entirely can’t-possibly-be-human performance by Carla once more. As a singer myself, I was left completely at a loss as to how one voice can do so many things and yet make it look like it’s the simplest thing in the world! I told my Plus One that Carla has to be AI!

It was such a wonderful and joyful hour of celebrating queer musical theatre creatives. I am already a big fan of Home Grown and the work they are doing, and I am so excited to see these upcoming new works and more of these incredible performers. Australia really does have talent!

To book tickets to Homo Grown, please visit https://events.humanitix.com/homogrown/tickets.

Spread the word on your favourite platform!

A Campy, Quirky, Delightful Emotional Rollercoaster Ride That Will Delight

Madame Martha's Parisian Cabaret

Madame Martha’s Parisian Cabaret Rating

Click if you liked this article

Madame Martha’s Parisian Cabaret is a campy, quirky, delightful emotional roller-coaster ride, that will hit you in all of the feels, over a truly captivating hour of queer joy.

What better place for my first theatre review than my beloved Old Fitz, which I fell in love with with “Cut Chilli”, and have since frequented as a viewer, and even performed in their “Senseless & Fitz” Shakespeare night. The vibe is funky and atmospheric. The bartender very accommodating of requests for a “lemonade top up” when I realised that Negronis may look cool, but taste rather vile.

The welcome is warm as we enter the theatre. The set is very much in line with Parisian cabaret. Deep burgundies and mixed glass lampshades, doorways adorned with “show lights”. I sit in the second row, knowing all spots in this delightfully intimate theatre are a winner.

Then our beautiful trio enter; graceful, careful, flowing and enchanting as they fill they space with their bodies and soon their harmonic voices. With Meg Hickey having absolutely no limits to what can be achieved with those vocal pipes… and an accordion to boot. Their costumes are gorgeous and each artist moves with their own unique elegance as they dance and sing a rendition of “Bad Guy”.

It becomes clear their physical freedom, poetic exploration and musical gifts feed off the shared talent of the trio and their reverie is only broken by the omnipresent, fearsome watchful eye of “Madame Martha”.

The choreography is stunning. Every movement is full-bodied and intentional. There is a collective heart between this troupe that keeps you captivated, entranced and SAFE as deep themes are tackled through the many facets and layers of “cabaret” with a touch of Vaudeville. Be prepared for tits and tips (well, more than that, but I couldn’t resist the alliteration). The actors bare themselves both literally and figuratively on the stage with full abandon and celebration of their forms.

My eyes filled with tears as Iva Rosebud delivered a deeply moving “What Makes A Man A Man” taking us on a heartfelt musical journey.

Jens Radda is giving “Mother” energy and keeping the three of them connected and intertwined throughout.

The crowd favourite was clearly the extraordinary “Pink Pony Club” where the harmonies slayed, and the audience were ready and rearing when it became clear we could now sing and clap along.

This show lets you all the way in and touches you in deep places. It was a delight!

To book tickets to Madame Martha’s Parisian Cabaret, please visit https://www.oldfitztheatre.com.au/madame-marthas.

Photographer: Solitude & Co

Spread the word on your favourite platform!

The Countertenor – Bach’s Holy Spirit

The Countertenor - Bach's Holy Spirit

The Countertenor – Bach’s Holy Spirit Rating

Click if you liked this article

For a one-night-only performance on Wednesday, April 9, 2025, I had the opportunity to enjoy the presentation of The Countertenor—Bach’s Holy Spirit in the sacred surroundings of the Cathedral of St Stephen.

By going along to witness this performance of The Countertenor, I also discovered that a Countertenor is the male equivalent of a female alto singer. The Cathedral of St Stephen in Elizabeth Street is a very beautiful place to set a show featuring mainly Johann Sebastian Bach’s Baroque music. The venue’s reverent atmosphere and remarkable acoustics made it the perfect setting for a program steeped in spiritual and musical traditions.

Madeleine Easton is the Artistic Director of Bach Akadamie Australia and an extremely talented violinist. She has brought Reginald Mobley, an American Counter Tenor, on a tour of Australia, along with several other talented musicians: Simone Slattery (violin), Heather Lloyd (viola), Anthea Cottee (Cello), and Neal Peres Da Costa.

Together, they breathed life into J.S. Bach’s most religious works, some of which are universally considered to be among the greatest works the world has ever heard. Along with Bach’s existential works, Indigenous Australian composer Troy Russell was commissioned to write a piece inspired by Bach, which was also performed on the night.

The program title references the Lutheran theological belief that the alto voice represents the Holy Ghost—a voice that Bach reserved for some of his most heartfelt and moving compositions. The evening’s performance featured a selection of these sacred pieces, showcasing the purity and emotional resonance of Reginald Mobley’s voice, whose background also includes gospel and jazz.

The lyrics were all in German, but if you wanted to know what the words meant, they were written in English alongside the German in the programme. Madeleine Easton has done a wonderful job of arranging the music to suit the ensemble she presented. Classical music lovers filled the space, enraptured by the performance, and gave them a well-deserved standing ovation at the end of the evening.

The evening’s repertoire included:

  • Cantata BWV 170, aria 1: ‘Vergnügte ruh’
  • Obbligato Sonata No. 2 in A Major, BWV 1015
  • Cantata BWV 82, aria 3: ‘Schlummert ein’
  • Largo and Allegro Assai from Sonata no. 3 in C major, BWV 1005
  • Agnus Dei from Mass in B minor, BWV 232
  • Aria from BWV 201: ‘Aufgeblasne Hitze’
  • ‘Clans’ by Troy Russell, arranged for solo violin by Madelaine Easton
  • Cantata BWV 54: ‘Widerstehe doch der Sünde’

Photographer: Stephen Blake, Blake Photographic

Spread the word on your favourite platform!