Limbo The Return – A Transcendental Glimpse into Another World

Limbo The Return

Limbo The Return Rating

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3

The cast of Limbo The Return, was extraordinary! Playing to a packed sell-out house at The Grand Electric, their opening Sydney performance transported the audience to a place of colour, music, and sensory loading. The award-winning creatives from Strut and Fret and director Scott Maidment will no doubt equal if not surpass the success of their previous show Blanc de Blanc last year and their encore in March, with this high energy vaudeville show.

There is no one particular category of entertainment that Limbo The Return can fit into. It has different elements of expertise in the acts. Limbo takes the music of the cool underground party club scene with a New Orleans feel, tosses it with a bit of French cabaret, modern dance, comedy, adding an aerial acrobatics circus spectacle to create a distinctly unique show.

The live music which continuously played throughout the show delved into the essence of each individual stage act, playing even when the crew were setting up the next performance. From the first introduction, I could tell that this was not going to be an ordinary soundtrack. We were introduced to the cast walking on stage, silently like models on a runway, to an encompassing and eclectic mix of music and sound. It was certainly a catwalk for the curious.

Composer and sound artist Sxip Shirey developed what he calls “jank” – sexy, crunchy, underground music – when he was travelling around the world.

The soundtrack not only featured traditional instruments such as synthesizers, keyboards, drums and guitar, but mostly unusual instruments such as the Polymba, designed and built by musical artist Mick Stuart, and the sousaphone – a big marching tuba, played by multi-instrumentalist Grant Arthur. Shirey, a sonic pioneer, is onstage with the band, creating sound stories using his voice with effects, a bullhorn, several harmonicas, whistles, marbles and even a glass bowl!

The cast of six took turns individually and at times together to perform gravity defying and jaw dropping acts. Each artist was a master of their trade. Choreographer Hilton Denis’ acts were comical and interactive, and at one time he even conducted the audience, involving them to be part of the music. His dancing was precise and interpretive.

David Marco Pintado held the audience spellbound with many of his acts, most notably his skill and acrobatic balance on the slackrope, even using a chair as his prop. Clara Fable’s vocals were beautiful during one of her acts, and at another time, she brought the stage literally alight with her synergetic relationship with fire. Her fire breathing and fire swallowing, amongst other things she did was incredible! Mikael Bres held us in awe with his prowess on the Chinese pole. He was so smooth with his movement gliding up the pole, he made himself appear weightless, especially when he stuck himself out at angles from the pole.

It was clear from her aerial circus skills that Maria Moncheva came from a background of ballet and contemporary dance. Her chain hanging act was a visual spectacle. Ben Loader completed this outstanding cast, most notably with his precise acrobatic skills on aerial rope. He captivated the audience with his strength and skill, seemingly playful with the rope, bending it to his will and defying gravity.

Whilst the artists were working their magic, the lighting (and set designer) by Philip Gladwell was mesmerising. He created a world in which these beautiful creatures were captured on stage, highlighting and shadowing as needed. One standout moment was the use of handheld mirrors and light, combined with the music to create an otherworldly perception.

The sexy and sometimes flamboyant, sometimes less-is-more costume design worn by the cast and musicians by Lucy Scott created the strong theme throughout this production.

Limbo is the place believed to be between heaven and hell, the setting for this show. The creators have told their story perfectly, amongst these unearthly, talented artists, floating white feathers and fire.

Limbo The Return is 100 minutes including interval. It is running from 30 May – 18 August 2024 at The Grand Electric, Sydney. Tickets from $60

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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The Last Word

The Last Word

The Last Word Rating

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3

With an eye-catching poster featuring an image of the star throwing a bunch of SCRABBLE tiles off the board into the air, one could be forgiven, walking into the Butterfly Club, on a cold Melbourne night, that the show, like the poster, may just be a bunch of ideas and various tiles haphazardly thrown together in the hopes a decent score is found. All doubt was removed at the second “The Last Word” star and creator slinked onto the stage.

It’s not often a performer that you are not familiar with, takes a stage, and with literally just a raise of their eyebrow has you giggling and instantly at ease, this is however the feat that Imogen Whittaker managed in her sold-out Monday night performance.

With nothing but a microphone and a piano, along with a whole bunch of therapy behind her (though, as Imogen tells us, she was dumped by her therapist- ouch!), she launches into song and starts the show. Within just a few bars, you know you are in the hands of an up-and-coming pro, instantly the clever, humorous wording has you thinking you are in the hands of a star like Tim Minchin. The music and lyrics already feel like they belong in a smash hit like Matilda (we won’t talk about Ground Hog Day), and the audience takes an audible sigh of relief knowing that the hard slog to get out on a wet Monday will well and truly be worth it.

Through the next 50 minutes or so, Imogen Whittaker draws you in with her charm, honesty, and a little self-deprecation. Managing to tell stories that are uniquely her own, though with wording and feelings that like today’s Astrology Star Sign forecast, the audience could easily interpret to be current and applicable to themselves.

A particular favorite was – Last First Date
“I think I’m going to get RSI
From how many times
I swipe left and right
And put on my nice shoes and dress
Just to be in evidently unimpressed”

A hilarious ode to the pitfalls of dating and kind of a Groundhog Day (not the Minchin one- no, this one wasn’t tedious) of first date after first date after first date and how they all start to feel the same, the guys all sadly similarly bland and not right and how Imogen wishes that she could find the one and have her “Last First date”. Knowing laughter from the audience and friends nudging each other in agreeance throughout.

The Last Word

Other stories of the wacky world of dating are put into song- like the one about the guy she dated for some time, to then find out the reason he was emotionally unavailable was that he was married and bumped into him and his wife at a country bakery where he introduced her as “a family friend”. Awkward. But hey, this ‘ACE’ of a guy brought her a piano- so I guess he is ok?

Another about a failed ‘showmance’ in what we are repeatedly and cheekily told was “the worst production of FAME ever staged” that leaves Imogen wondering if she was in love with the actor or the character. Then there is “Drunk Call”, awaiting an ex who has moved on, but she “Leaves my phone on even though I know you are out, in case I’m the one you‘re still thinking about”.

With brilliant lyrics and music that have you reminded of Missy Higgins, Musicals like Once and Matilda, and an instantly likable personality that draws you in, this was a joyous night at the theatre held by a performer who knows her talent and leans into it with grace and confidence. Despite some sound issues, from the microphone not sounding on for the first number to then barely being able to hear the wonderful piano playing for a few numbers, this is a highly recommended show.

“The Last Word” like the show’s promo poster, is a collection of letters and words of Imogen Whittaker’s experiences. She played a brilliant game and clearly won with the tiles of life that have been dealt her way.

I can’t help but feel that she still holds her ‘Q’ and ‘Z’ close to her chest. But I tell you, when she does decide to put them on the table, not only will she win again, she will score big and it will be one of the most exciting games. This is not Imogen’s last word, and I eagerly await her next.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Steel Magnolias

Steel Magnolias Rating

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22

Steel Magnolias is a well known 80s movie, but it may be less remembered that it was actually a play first, written by Robert Harling, and inspired by the true story of his sister, Susan. Having been performed on stages all around the world, this iconic show with a super-strong all-female cast is now on from 10-25th May 2024 at Beaumaris Theatre, a small welcoming bayside venue.

This amateur theatre group have consistently produced a wide variety of Theatre Arts since starting up in 1953 in the attic of Bill & Angela Martin; a bonus story I was interested to read about in the program. Amongst the many fantastic posters covering the walls are past promotions of comedies, dramas and musicals, so it seems this amateur theatre group is still very active and exciting. Steel Magnolias is their 302nd production and expertly directed by the vibrant Debbie Keyt, who was happy to chat amongst the attendees and gratefully thanked everyone for coming. Debbie is also president of the group’s Committee and this is her 25th show as a Director with the locally treasured Beaumaris Theatre.

Steel Magnolias is set in a beauty salon in Louisiana wherein six excellent Melbourne actresses will share with you a journey of friends bonded together through love and loss. A story about being both delicate and tough, hence the title name.

My first impression upon sitting in my seat, was the extremely accurate 80s era presence in the colourful set (I was a teen in the 80s myself). The audience is on the ‘mirrors’ side of the salon, so we would closely see into the ‘reflection’ of them for the next two hours. Splashing water, bright lighting, music on an old radio with some appropriate song choices and great sound tech. made for a most realistic setting.

First on stage is salon owner “Truvy” played by Trudi Sheppard and “Annelle” played by Caitlin Leong. Annelle is Truvy’s new assistant – a little mysterious at that and which side-story is portrayed instantly, so you are already intrigued and thinking “hmmm …what is going to happen with her?”.

Truvy is extremely loveable in each scene as the best hair stylist in town and the show depicts what probably actually does go on in every hairdressing salon, but especially in a country town. It’s typical tell-tale of women visiting their preferred salon where they feel they can literally ‘let their hair down’ to talk about what’s going on in their lives, what’s important to them and how they feel about each other and the people close to their hearts.

It’s hard to pick a favourite character, especially if you see it as a woman yourself – you will probably relate to each one of them in some way, or, picture in your mind, a friend you could easily have represented by one of them somewhere within the plot. Equally, you might smile at a visualisation of your husband, an in-law or a neighbour from the extended verbal storyline as you can clearly picture what is going on outside the salon’s window, even though you cannot see it.

The topics quickly unfold of a mother and her daughter who is getting married, then having a baby under extreme circumstances, with the love and support needed from each other and from the ladies they catch up with and confide in at their salon visits.

Full of comical moments where you can be smiling one second, gasping the next and crying (or trying not to) when they cry, this play should not be missed by anyone who enjoyed the movie, loves celebrating women and friendship, or perhaps even for nostalgia of times at your own hairdressing salon, which, like the play, often does far more than just tease up a few curls!

The absolutely believable accents from the Deep South of America make the show extra entertaining and not once did these actresses slip up on their dialogue, which is extensive. Comic timing is also everything and I must applaud the cast for their obvious well rehearsed dedication in bringing this script totally alive to have me reflecting upon its message for the next week at least. I especially loved the part where the audience was dead silent in sadness and then within minutes we were all laughing hysterically at an almost girl-on-girl fight about expressing human reactions, ramped up with courageous spirit by Wendy McRae as “Ouiser” and Kate Harvey as “Clairee”. I could hardly believe they could do that scene without bursting into laughter themselves, I’m sure they did in practice!

I do hope that Claire Abagia, in her first production at Beaumaris, dreamily playing “Shelby” with her youthful outlook, and her stage-mom “M’Lynn” played with such great concerned emotion by Samantha Stone, a Drama and English teacher, enjoyed working together as much as we did watching them. As the two characters at the centre of this story, they could have genuinely been a real mother-daughter duo in their intense interactions. My favourite was the stare given from M’Lynn at Shelby’s new hairdo, it was exactly how I remembered my Mum once looking at mine. Later on, my Mum said she too had thought the same thing.

This production of Steel Magnolias is certainly lots of fun, and very memorable. As it was my first time taking my Mum out to see a play on Mothers’ Day too (the reason we chose initially to go for something different to do), the surprise afternoon tea provided by the theatre when the interval doors opened was also indeed, a hit!

Congratulation to the Beaumaris Theatre Team. I thoroughly enjoyed and highly recommend their latest rendition of Steel Magnolias.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Mystery Radio Theatre

Mystery Radio Theatre

Mystery Radio Theatre Rating

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3

If you need a night of laughter, intrigue, and a touch of whimsy, the Mystery Radio Theatre at The Butterfly Club in Melbourne is your perfect destination. This unique theatre experience is a triple threat, blending musical comedy, improv, and sketch shows into one captivating performance that will leave you wanting more.

From the moment you step into The Butterfly Club’s cozy confines, you’re transported to a world of mystery and mirth. The atmosphere is electric, and the anticipation is palpable as you settle in for an evening of entertainment.

This month’s original play, “Murder Me Again, My Darling,” delivers a punchy blend of gritty comedy-noir and slapstick humour. Led by the soft-boiled detective Jake Steele, the audience is thrust into a web of intrigue involving beautiful identical twins, crime bosses, corrupt politicians, and a gumshoe who still lives with his parents. It’s a hilarious homage to film noir, complete with unexpected twists and turns that keep you guessing until the end.

What truly sets Mystery Radio Theatre apart is its ensemble cast of talented actors who breathe life into each character. Their mastery of minimal rehearsal allows for a fresh, spontaneous performance that feels like improv. Quippy lines and charming ad-libs only add to the infectious energy of the show, creating moments that are as endearing as they are hilarious.

But it’s not just the performances that shine—The Butterfly Club is a star. Nestled in a classic Melbourne laneway, this quirky venue oozes charm and character. As you descend into the intimate performance space, you’re embraced by the crowd’s warmth and the madcap antics unfolding on stage. With no bad seat in the house, you’re treated to up-close views of every facial expression and comedic flourish, making you feel like a part of the show.

The attention to detail extends to the sound design, with cleverly timed sound effects that enhance the show’s overall ambience. From the crackle of a vintage radio to the footsteps of a gumshoe on the trail, every auditory cue adds to the immersive experience.

And the excitement doesn’t end with one show—each month brings a new live radio play with its unique storyline and cast of characters. From English country estates to Agatha Christie-inspired murder mysteries, there’s always something fresh and exciting. Live ad reads, musical guests, and interactive elements keep audiences engaged from start to finish, ensuring that no two performances are the same, and you’re always in for a delightful surprise.

With a stellar lineup of actors, a charming venue, and a rotating roster of original comedy murder mysteries, the Mystery Radio Theatre at The Butterfly Club is a must-see for theatre lovers and comedy enthusiasts alike. So, grab a cocktail, settle in, and prepare for an evening of laughter, suspense, and fun. Can you spot the killer? There’s only one way to find out.

Showing monthly from June to September this year, grab your seat now; the venue is small and will most likely sell out.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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