The Secret Garden

The Secret Garden

The Secret Garden Rating

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A totally delightful evening was what my friend and I had going to see THE SECRET GARDEN at the cute Beaumaris Theatre. As soon as you step inside this special community venue you know you’re in for a good night. This was where I did my very first review too!

A popular novel by Frances Hodgson Burnett, published as a book in 1911, the set in front of us includes a hidden garden, which will change from barren to beautiful, and be accompanied by very clever use of a spotlight as a tiny robin bird. Add the authentic period costuming for seven characters and an even more authentic early wheelchair for one of them, the use of everything is impressive overall from the solemn lighting dimmed in the introduction to a bright and happy end.

The friend I had with me tonight is very much a supporter of theatre and sees many professional and amateur productions, but she had not been to Beaumaris Theatre before; she was equally impressed and her quote for the evening was:
“Mary was an absolute standout, captivating stage presence”

I agree, young Winne Wilson-Phillips (who has just turned 11) playing ‘Mary’, was faultless in this lead role, with a massive amount of dialogue and in a mastered Yorkshire accent. Winnie’s character was all things; sullen, sad, mad, rude, friendly, mean, caring and entertaining! A great deal of emotions for a young actress who got involved in drama by chance only three years ago when her sister won a term class at BDC Drama that Winnie took over and has been hooked on ever since – easy to see why.

Playing ‘Colin’ is talented young actor Ben Solomon. A year 7 student, Ben also had many different emotions to display and he managed to convey both serious and comic lines within very short changing emotional intervals seamlessly. We all had a good laugh when he chastised Mrs Medlock, argued with Mary, ordered elderly gardener Ben around, and learned to move again with Dickon’s exercise help.

‘Dickon’ played by year 8 student Max Turner had an obvious strong confidence throughout. Complete with an animal (not real) on his arm or shoulder, his role was full of positivity for helping others. As I read in the program that Max has already worked professionally with Jessica Mauboy in the Australian film ‘Windcatcher’, and also enjoys screenwriting and making his own movies, I am sure there will be no limits for his bright future in the Arts.

 

Both Shelley Dunlop as ‘Martha’ (housemaid) and Caroline Kinnear as ‘Mrs Medlock’ (housekeeper) right from the very start were fun to watch. Splendid surprise, worry and shock were all part of their course in these characters looking after the children. I was pleased to see that Mrs Medlock was good-at-heart in the end, as Martha had told Mary in the beginning. Caroline did such a good job of keeping her stern until then and I had forgotten many details since I saw The Secret Garden as a child at the movies and read in the book when I was in school way back when…. let’s not go there, but I knew I loved the story.

I did remember in the end that there was a reunion for father and son. Simon Coles as ‘Mr Craven’ is so well suited to this role and I especially enjoyed the scene watching him return to discover the garden and Colin in good health. Every parent in the audience felt his words.

Dan Bellis as ‘Ben Weatherstaff’ was very funny, whether he was leaning over the garden wall or discussing matters of ‘rheumatics’ with the children, he got continuous laughter bursts from the audience even in unexpected moments purely from his crusty mannerism or awkward posture adjustment.

This show is all about the joy of a garden; the magic that life can bring – all happening in a magic little place in Beaumaris.

Go see and love it!

Congratulations to Director Kristina Doucouliagos, Assistant Director Alarna Summers, Stage Manager Sarah Gow, Set Designer Fred Pezzimenti, Scenic Artist Sally Fleming, Lighting Designer Joshua Gardner, Lighting Operator Sam Johnson, Spotlight Operator Hal Foxworthy, Composer Harrison Ewart-Dart and costumes by Jenni Osburn.

Thank you to Debbie Keyt, president of Beaumaris Theatre Committee, for your invitation.

More information: https://www.beaumaristheatre.com.au/

Tickets: https://www.trybooking.com/au/event/1564158 playing until 22nd August

Instagram: @beaumaristheatre

The theatre is easy to find at 82 Wells Rd Beaumaris. Parking in the street. Canteen serves free tea and coffee with biscuits at interval and you can buy the usual popular choc-tops and other yummy stuff.

Side note recommendation: we had dinner prior at nearby ‘Creative Thai & Bar’

To book tickets to The Secret Garden, please visit https://www.beaumaristheatre.com.au/the-secret-garden.

Photographer: Pietro Giordano

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Top Silk, Top Class

Top Silk

Top Silk Rating

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David Williamson and Sydney’s Ensemble Theatre love each other. Whenever, Williamson pens a new play, he usually showcases it at the Ensemble. This time the Kirribilli-based theatre company, have resurrected a 1980s play, ‘Top Silk’. Interestingly a star from the 1989 production at Seymour Centre, Tina Bursill, was in the opening night audience. The playwright himself, David Williamson, was also in-attendance. I saw the original production, so felt a buzz of expectation as I entered the auditorium.

Jane Fredericks (Rachel Gordon) is a passionate legal aid solicitor who finds herself in a potentially tricky situation when she agrees to help an old flame from school days, Eddie (Jeremy Waters). Jane and Eddie grew up in Albury, but have taken much different paths. Jane’s father was determined for her to pursue a legal career in Sydney, whilst Eddie still has Albury connections. When Jane and Eddie meet again, it’s an awkward reunion. Jane is embarrassed by her once-snobbishness towards her former boyfriend and wants to make amends. Eddie is a small-time drug dealer, but is a facing a big gaol sentence. If Jane does get involved, there are immediate repercussions for her career and marriage to flashy barrister, Trevor (Nicholas Brown), who is intent on entering politics. Trevor Fredericks is a champagne socialist. We learn that he oversaw the eviction of housing commission tenants from a prime harbourside location, so the developers could move in. Trevor doesn’t want that issue to gain traction, as he seeks to be the Labor Party’s next Premier. An influential right-wing, media-mogul, Paul Bradley (Thomas Campbell), can give Trevor political expediency.

 

The growing chasm between the Fredericks is further tested by their differing parenting styles. Their son, Mark (Samir Nasser) is struggling academically, despite being at a posh private school. Trevor keeps paying for relentless bouts of tutoring sessions for Mark, but nothing seems to click. Jane, just wants her son to be happy and pursue his own dreams. Mark wears his Greenpeace t-shirt, to show that he is focused on the planet, not himself.

In typical Williamsonesque-style, as Trevor’s political aspirations reach full throttle, Jane’s association with Eddie, attracts the attention of power-broker, Tony Turner (Jamie Oxenbould). Turner threatens to expose Jane’s association with Eddie, as a way of derailing Trevor’s ambitions. However, Jane has a secret of her own to expose. After a brief affair with Turner, he pressured her to have an abortion. A stance that is in direct contradiction to his pro-life platform.

The play certainly gathers momentum in the second act. As the judge (Thomas Campbell) presides over Eddie’s case, the audience feels like they have been transported into a Downing Centre courtroom. The scene ends on a high (pun intended), as Eddie faces his fate. Jane and Trevor also face the fate of their marriage.

This 2026 staging of ‘Top Silk’, is a slick production. Mark Kilmurry being a devotee of David Williamson, has directed this play with obvious enthusiasm. Rachel Gordon is beguiling as Jane Fredericks. Gordon brings such warmth and likeability to the role. Nicholas Brown is utterly believable as the self-absorbed, Trevor Fredericks. He is in full bluster as the play reaches its climax. Samir Nasser as Mark brings authenticity. Samir has that star-is-born aura about him. Thomas Campbell relishes his role as the smug media mogul and is equally convincing as the experienced judge. Jamie Oxenbould brings a devilish quality to the shifty power-broker, Tony Turner. Laurence Coy rounds out the cast and is particularly adept as the crusty prosecutor. Williamson plays often sell-out at Ensemble, so book early!

To book tickets to Top Silk, please visit https://www.ensemble.com.au/shows/top-silk/.

Photographer: Prudence Upton

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The Lark

The Lark

The Lark Rating

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Noni Hazlehurst stars in a one woman show called ‘The Lark’ which has made its way to Wollongong, opening at the Illawarra Performing Arts Centre last night.

‘The Lark’ is an outstanding display of growth, love, and loss. It was despicably poignant and my vision got a little blurry about halfway through as I was just so invested in this story. Her nuanced facial expressions and body language were just so authentic and it felt very Australian. Despite sitting a packed theatre, it felt so intimate. It was just like listening to your own grandmother telling a story about how she grew up and getting distracted by stories about characters from the past with her little quips and side notes that are quintessential to the story even if you’re not really sure why. There were some well-placed laughs to break up the heavy feelings of moving on.

The premise of the story is so simple and yet, so beautiful. An old pub is about to be torn down as the suburb gentrifies and when it does, all these memories will be gone alongside it. People in 5, 10, 20 years will walk past and have no idea about the people who lived, worked, drank, laughed and cried in that building. From the first moment the lights went down and the sound effects of people chatting away in that very distinctive white noise only a pub can provide, I was leaning forward in anticipation. Hearing and seeing the love a daughter has for her father and the heartache of watching your parent grow old and fade away in front of you had me emotional.

 

Not only was the delivery astounding, but the writing was also well done. A script can make such an impact on the performance, as an actor can only do so much with the material in front of them, but ‘The Lark’ proved what can happen when a dynamic and well-curated script is brought to life by the right person. It was an hour and 15 minutes of just her on stage talking and it was like time warped and we had nowhere else to be. This story could’ve gone on forever and I would’ve been sat all the same. I could’ve grown old staring at that bar and listening to Noni Hazlehurst talk about anything at all.

The staging was elegant. Alongside her description of the interior, the actual set of just three bar stools, a single table and chair, the most beautiful wooden bar with a single beer tap with the empty shelves behind brought you straight into the little hole in the wall. Once the light came streaming in as the sun came down, I found myself holding my breath a little as we finally got to see just how lovely and peaceful that view was after she had talked about it throughout the show.

I feel like I could go on and on about each tiny moment of this production until I’m blue in the face or I too begin to sound like rain. I felt like a totally different person coming out of that theatre and I genuinely feel like it’s the kind of story that everyone should hear, as we all have some kind of story that deserves to be listened to.

Buy a ticket from the Merrigong website https://merrigong.com.au/shows/the-lark/ and call your parents or grandparents to tell them you love them. (Or take them with you to let Noni Hazlehurst say it for you).

To book tickets to The Lark, please visit https://merrigong.com.au/shows/the-lark/.

Photographer: Cameron Grant, Parenthesy

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Marian St Theatre Campaign Update! Fundraising Goes Viral, Forcing Council’s Hand…

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An extraordinary community fundraising campaign has forced Ku-ring-gai Council back to the table in a last-ditch bid to save Marian St Theatre.

After more than 250 residents attended Rally in Red on Sunday, 215 supporters have contributed more than $76,000 towards the $100,000 needed to preserve the approved architectural plans for Marian St Theatre before they expire on 19 August.

In response to the campaign, Ku-ring-gai Council has called an Extraordinary General Meeting (EGM) for next Monday to consider rescinding its previous decision to abandon the project and instead undertake the urgent works needed to preserve the approved plans.

Marian St Theatre Action Chair Jessica Blaxland Ashby said the response had been extraordinary. “On Sunday we rallied because we were angry. In just three days, the community has raised more than $76,000 and forced Council back to the table.”

“If we can raise the remaining funds, Councillors have the opportunity to reverse their previous decision and preserve the only approved pathway to reopening Marian St Theatre.”

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The emergency campaign was launched after Council voted on 16 June to allow the approved architectural plans to expire. If the plans are lost, campaigners say more than 20 years of consultation, design work and planning, together with $1.7 million of public investment, will be wasted, and reopening Marian St Theatre would be delayed by another decade – or lost altogether. Due to the EGM announcement, the fundraiser has been extended from Thursday to Sunday.

The approved redevelopment, designed by leading theatre architects Tonkin Zulaikha Greer, would transform Marian St Theatre into a contemporary arts centre with spaces for theatre, music, dance, exhibitions and community events.

All donations will be tax-deductible and will be refunded if Council ultimately decides not to preserve the approved plans.

Blaxland Ashby said the campaign had demonstrated the depth of community support. “The community has been extraordinary. Hundreds rallied. Thousands have signed the petition.”

“But we’re not there yet. We still need the remaining funds before the end of Sunday.”

The campaign has attracted widespread community support following Sunday’s Rally in Red, which brought together performers, families, community leaders and artists in a sea of red outside Gordon Library.

Davidson MP Matt Cross reiterated his support for preserving Marian St Theatre both at the rally and in a speech today in state parliament, and encouraged signatures to the petition to the NSW Parliament. Federal Member for Bradfield Nicolette Boele described Marian St Theatre as “a clear case where, rather than building new infrastructure from scratch, we can step in now to preserve and revitalise the spaces that already exist.”

Blaxland Ashby thanked all the generous donors. “If Council won’t save Marian St Theatre, we, the community, will.”

GoFundMe: https://www.gofundme.com/f/urgent-save-marian-st-theatre-we-have-until-thursday
Petition: https://www.parliament.nsw.gov.au/parliamentary-business/petitions/sign-epetition?epetitionId=773&ref=10902
Website: https://marianstaction.com.au/

 

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