Alice By Heart: Limelight Theatre

Alice By Heart

Alice By Heart Rating

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3

Originally presented at London’s National Theatre in 2012, Alice By Heart is an incredibly ambitious musical for Limelight Theatre to take on, but unsurprisingly, with a massive and dedicated team behind them, they manage to pull it off!

The story itself is quite ‘curious’ to put it simply. Set in the London Blitz of World War II, Alice tries to escape the devastation by entering back into her beloved story of Alice In Wonderland. The plot switching between the two worlds of the reality of the London blitz and the dream-like world of Alice In Wonderland is at times confusing. It also assumes you have an intimate knowledge of the story of Alice in Wonderland, and I would definitely recommend refreshing your knowledge of it before you go! The songs, though, are catchy and entertaining, and the jokes are flying fast (if you manage to catch them).

Keeley Roper’s choreography was incredibly professional, inventive, fascinating and always had you guessing what was coming next.

The ‘wearable art’ or costumes created by an enormous team of eight was also impressive, and I loved how creative and surprising the costumes were – they had a life of their own. There is one moment in particular that the reveal of a costume will surprise you!

This cast is strewn with WAAPA graduates, and after reading the program after the performance, this wasn’t surprising for me as the talent was apparent. Ella McCaughey has the voice of an angel, and she seems to hit every note effortlessly. I would have liked to see a stronger opinion of who Alice is from her, although this may be a limitation of the script. Blair Price-Morgan as Alfred was a great match vocally for Ella and I loved hearing their duets – so romantic! I would say that Price-Morgan’s dictation could have been clearer at times.

Zoe Violet’s singing voice as the Cheshire Cat was impeccable, although some more power behind it could have been nice. Brittany Isaia as the Red Queen/ Red Cross Nurse started off a little wobbly, but by the end, she really held her own in her solo, giving us some good laughs too. Alicia Lorie as The Hatter/Harold Pudding also is worth a mention for her characterisation and commitment. The rest of the ensemble were incredibly hardworking, and their dedication was clear.

The live band was a joy to hear and I am absolutely astounded at the professional and talented team that Limelight Theatre always seem to get behind them – it really is a credit to the whole extended community.

Overall this production is fabulous and a spectacle for your eyes! This kind of musical is rarely (if ever) done in Perth and I commend the director Naomi M. Capon for branching out and doing something different. If you want to see some unique theatre, this is not one to miss, and I recommend booking your tickets urgently before the rest of Perth gets wind!

To book tickets to Alice By Heart, please visit https://www.taztix.com.au/limelight/.

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The Door-To-Door Bookstore: German Film Festival 2025

The Door-to-Door Bookstore

The Door-to-Door Bookstore Rating

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This heartwarming film is a beautiful reminder of the goodness in humanity and the power of unlikely friendships (and books!).

Based on the novel of the same name by Carston Henn, the story follows Carl, an older gentleman. Carl’s job involves walking around the town (in Aachen, Germany), delivering books to a variety of interesting people.

Carl is an awkward, shy, but kind man, drenched in loneliness, and obsessed by books. So much so, that he refers to his regular clients by the nicknames he has (sometimes not so secretly) ascribed to them; based on fictional book characters, who each have their own quirks.

Nine-year-old Schascha has just moved to the town. In dealing with her own sadness in losing her mother, she also finds solace in books and reading.

Schascha begins to follow Carl on his daily book delivery, and an unlikely friendship develops. The two main characters end up working together to make some big, positive changes in the lives of the people Carl delivers his books to. As well as for themselves.

This enchanting story is full of themes of friendship, community, and embracing differences. It highlights the importance of kindness in humanity and community, and is a great reminder of the power of books and reading.

This is a wonderful film that the whole family will enjoy! The acting is brilliant from the entire cast. The cinematography is stunning for what is in essence quite a simple but powerful story of humanity.

Note that the film is in German, with subtitles in English.

The German Film Festival runs from 30 April to 28 May. To book tickets to The Door-to-Door Bookstore, or to any other films in the festival, please visit https://germanfilmfestival.com.au/.

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Tracks After Twilight – Tales in the Shadows

Tracks After Twilight - Tales in the Shadows

Tracks After Twilight – Tales in the Shadows Rating

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1

“It’s too late to leave, the door is already locked.”

These chilling words set the tone for one of the most innovative and immersive theatre experiences you’ll ever experience this century, or the last century for that matter.

As rail mysteries of the yesteryear are revealed at The Railway Museum, there couldn’t be a better setting for “Tracks after Twilight – Tales in the Shadows.” As you’re guided among the historic carriages and locomotives, you’ll start to picture the harsh conditions railway workers once endured. You’ll also gain a sense of what rail travel was once like, especially when piled into a crammed carriage where the air is thick with the ghosts and eerie tales.

Any romantic notions of railway travel may be dispelled, or heightened, depending on your leanings. As you’re taken back to a time way before public transport was taken behind the safety of mobile phones and noise-cancelling headphones, you’re confronted with the quirks of your fellow passengers for a train ride unlike any other.

Held alongside the Midland train line at The Railway Museum, and run by Rail Heritage WA, the modern trains whizzing by further add to the atmosphere and juxtaposition of the past and present.

Without giving too much away, the allure lies in the creepy surprises. So be prepared for nocturnal moans, audience participation and partial nudity as you’re regaled with stories inspired by real events, with plenty of artistic licence thrown in for dramatic effect.

Speaking of, Elite Audio Visual Productions cleverly designed the chilling effects, shrouding the actors in mystery right up until the door is unlocked and you’re released from the shadows of the past and back into present-day reality.

Reviewed during the preview, there were a few technical issues still to be ironed out, and at times, the stories felt a bit disjointed as the narrative moved between the carriages. Nonetheless, the performance was entertaining, and anyone with a love of trains, history and drama will appreciate the immersive storytelling set among WA’s historic trains.

Keep the rail theme going by popping into a train carriage for a burger at Alfred’s Kitchen, two train stops away in Guildford.

This first showing of Tracks After Twilight is completely sold out, but pay attention to the Railway Heritage Museum for future show runs of this innovative theatre style. In the meantime, checkout their website for more information @ https://www.railheritagewa.org.au/.

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About The Show – Blue by Thomas Weatherall

Blue by Thomas Weatherall

Today, we’re diving into the world of Blue, directed by Ian Wilkes and brought to life by Owen Hasluck. This powerful production navigates the intricacies of growing up, mental health, and resilience. Join us as we explore the inspirations and aspirations behind this powerful performance, which is making its West Australian premiere at Black Swan State Theatre.

About Blue by Thomas Weatherall

What is this Production about?

An unforgettable monologue brought to life by proud Whadjuk Noongar actor Owen Hasluck and celebrated Noongar director Ian Wilkes.

Black Swan State Theatre Company of WA is proud to present the West Australian premiere of Blue – a tender, poetic and emotionally powerful monologue by Kamilaroi writer and Heartbreak High star Thomas Weatherall, playing at the State Theatre Centre’s Studio Underground from 23 May to 8 June 2025.

Weatherall’s “very personal fiction” explores what it means to grow up – and keep going – when life throws you off course. Told through a lyrical, introspective lens, this one-man show dives deep into grief, mental health, and the strength it takes to keep moving forward.

Making his Black Swan debut in the role of Mark is Owen Hasluck, a proud Whadjuk Noongar man and rising star of Australian theatre. A 2023 NIDA graduate, Owen also completed WAAPA’s Diploma of Acting and Aboriginal Performance Course. In 2024, he made his mainstage debut in Songbird with Yirra Yaakin, and later that year performed in Operation Boomerang, also directed by Ian Wilkes.

Ian Wilkes is a Noongar man with connection to the Wadjuk and Ballardong people. A theatre-maker, director, performer, writer and dancer, Ian is a graduate of WAAPA’s Aboriginal Theatre course and a recipient of the Perth NAIDOC Award for Artist of the Year. His directing work includes York for Black Swan and Boodjar Kaatijin and Hobo for Yirra Yaakin. He co-directed and performed in Galup and Galup VR for Perth Festival, and in 2023 directed the Festival’s spectacular opening event, Djoondal. As a performer, he has appeared in Hecate, Honey Spot, The Tempest and Black Swan’s Barracking for the Umpire which toured throughout WA in 2024.

We’re thrilled to welcome Owen to Black Swan. Blue is a play full of heart, honesty, and hope – and with Ian at the helm, we know this WA premiere will be something truly special.

Winner of the 2024 Matilda Award for Best New Australian Work, Blue has been praised around the country for its emotional resonance, poetic writing, and honesty.

Whether you’re a regular theatre lover, or discovering Black Swan for the first time, Blue promises a moving and unforgettable experience – rich with cultural connection and raw humanity.

What sort of person is going to love this show?

If you love theatre that’s real, heartfelt and beautifully acted, this one’s for you. Blue will speak to anyone who’s ever juggled family expectations, wrestled with identity, or just wanted to be seen for who they really are. It’s powerful, honest, and surprisingly relatable — whether you’re a parent, a son, or someone who loves great storytelling.

What will the audience be thinking about in the car as they drive home after this show?

They’ll be thinking about their own families — the things they’ve said, and maybe the things they haven’t. They’ll be replaying those powerful moments of connection on stage, and probably having some honest conversations of their own. Blue leaves you feeling moved, a little raw, but ultimately hopeful. It opens up space to talk, reflect, and maybe even pick up the phone to someone you haven’t called in a while.

What’s going to surprise people about this show?

How quietly it sneaks up on you. You think it’s going one way, and then — bam — it hits you right in the heart. People might be expecting a heavy drama, but they’ll be surprised by how warm, intimate and human it is. There’s humour, tenderness, and a depth that really stays with you.

Call someone out by name: who must come see this production?

Dads. Sons. Mates who never talk about their feelings. Blue is the show you didn’t know you needed. And if you’re someone who’s ever said, “I’m fine” when you weren’t — this one’s for you. Come for the brilliant writing, stay for the gut-punch moments that’ll stick with you long after the final scene.

Where can patrons purchase tickets to this production?

This production runs from 23 May to 8 June 2025. To book tickets to Blue by Thomas Weatherall, please visit https://blackswantheatre.com.au/season-2025/blue.

Thank you to our interviewee for sharing their insights and passion. I wish you all the best with “Blue” – may it touch hearts and leave your audience profoundly moved. Break a leg!

Other production interviews can be viewed in our About The Production Series.

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