Tracks After Twilight – Tales in the Shadows

Tracks After Twilight - Tales in the Shadows

Tracks After Twilight – Tales in the Shadows Rating

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“It’s too late to leave, the door is already locked.”

These chilling words set the tone for one of the most innovative and immersive theatre experiences you’ll ever experience this century, or the last century for that matter.

As rail mysteries of the yesteryear are revealed at The Railway Museum, there couldn’t be a better setting for “Tracks after Twilight – Tales in the Shadows.” As you’re guided among the historic carriages and locomotives, you’ll start to picture the harsh conditions railway workers once endured. You’ll also gain a sense of what rail travel was once like, especially when piled into a crammed carriage where the air is thick with the ghosts and eerie tales.

Any romantic notions of railway travel may be dispelled, or heightened, depending on your leanings. As you’re taken back to a time way before public transport was taken behind the safety of mobile phones and noise-cancelling headphones, you’re confronted with the quirks of your fellow passengers for a train ride unlike any other.

Held alongside the Midland train line at The Railway Museum, and run by Rail Heritage WA, the modern trains whizzing by further add to the atmosphere and juxtaposition of the past and present.

Without giving too much away, the allure lies in the creepy surprises. So be prepared for nocturnal moans, audience participation and partial nudity as you’re regaled with stories inspired by real events, with plenty of artistic licence thrown in for dramatic effect.

Speaking of, Elite Audio Visual Productions cleverly designed the chilling effects, shrouding the actors in mystery right up until the door is unlocked and you’re released from the shadows of the past and back into present-day reality.

Reviewed during the preview, there were a few technical issues still to be ironed out, and at times, the stories felt a bit disjointed as the narrative moved between the carriages. Nonetheless, the performance was entertaining, and anyone with a love of trains, history and drama will appreciate the immersive storytelling set among WA’s historic trains.

Keep the rail theme going by popping into a train carriage for a burger at Alfred’s Kitchen, two train stops away in Guildford.

This first showing of Tracks After Twilight is completely sold out, but pay attention to the Railway Heritage Museum for future show runs of this innovative theatre style. In the meantime, checkout their website for more information @ https://www.railheritagewa.org.au/.

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About The Show – Blue by Thomas Weatherall

Blue by Thomas Weatherall

Today, we’re diving into the world of Blue, directed by Ian Wilkes and brought to life by Owen Hasluck. This powerful production navigates the intricacies of growing up, mental health, and resilience. Join us as we explore the inspirations and aspirations behind this powerful performance, which is making its West Australian premiere at Black Swan State Theatre.

About Blue by Thomas Weatherall

What is this Production about?

An unforgettable monologue brought to life by proud Whadjuk Noongar actor Owen Hasluck and celebrated Noongar director Ian Wilkes.

Black Swan State Theatre Company of WA is proud to present the West Australian premiere of Blue – a tender, poetic and emotionally powerful monologue by Kamilaroi writer and Heartbreak High star Thomas Weatherall, playing at the State Theatre Centre’s Studio Underground from 23 May to 8 June 2025.

Weatherall’s “very personal fiction” explores what it means to grow up – and keep going – when life throws you off course. Told through a lyrical, introspective lens, this one-man show dives deep into grief, mental health, and the strength it takes to keep moving forward.

Making his Black Swan debut in the role of Mark is Owen Hasluck, a proud Whadjuk Noongar man and rising star of Australian theatre. A 2023 NIDA graduate, Owen also completed WAAPA’s Diploma of Acting and Aboriginal Performance Course. In 2024, he made his mainstage debut in Songbird with Yirra Yaakin, and later that year performed in Operation Boomerang, also directed by Ian Wilkes.

Ian Wilkes is a Noongar man with connection to the Wadjuk and Ballardong people. A theatre-maker, director, performer, writer and dancer, Ian is a graduate of WAAPA’s Aboriginal Theatre course and a recipient of the Perth NAIDOC Award for Artist of the Year. His directing work includes York for Black Swan and Boodjar Kaatijin and Hobo for Yirra Yaakin. He co-directed and performed in Galup and Galup VR for Perth Festival, and in 2023 directed the Festival’s spectacular opening event, Djoondal. As a performer, he has appeared in Hecate, Honey Spot, The Tempest and Black Swan’s Barracking for the Umpire which toured throughout WA in 2024.

We’re thrilled to welcome Owen to Black Swan. Blue is a play full of heart, honesty, and hope – and with Ian at the helm, we know this WA premiere will be something truly special.

Winner of the 2024 Matilda Award for Best New Australian Work, Blue has been praised around the country for its emotional resonance, poetic writing, and honesty.

Whether you’re a regular theatre lover, or discovering Black Swan for the first time, Blue promises a moving and unforgettable experience – rich with cultural connection and raw humanity.

What sort of person is going to love this show?

If you love theatre that’s real, heartfelt and beautifully acted, this one’s for you. Blue will speak to anyone who’s ever juggled family expectations, wrestled with identity, or just wanted to be seen for who they really are. It’s powerful, honest, and surprisingly relatable — whether you’re a parent, a son, or someone who loves great storytelling.

What will the audience be thinking about in the car as they drive home after this show?

They’ll be thinking about their own families — the things they’ve said, and maybe the things they haven’t. They’ll be replaying those powerful moments of connection on stage, and probably having some honest conversations of their own. Blue leaves you feeling moved, a little raw, but ultimately hopeful. It opens up space to talk, reflect, and maybe even pick up the phone to someone you haven’t called in a while.

What’s going to surprise people about this show?

How quietly it sneaks up on you. You think it’s going one way, and then — bam — it hits you right in the heart. People might be expecting a heavy drama, but they’ll be surprised by how warm, intimate and human it is. There’s humour, tenderness, and a depth that really stays with you.

Call someone out by name: who must come see this production?

Dads. Sons. Mates who never talk about their feelings. Blue is the show you didn’t know you needed. And if you’re someone who’s ever said, “I’m fine” when you weren’t — this one’s for you. Come for the brilliant writing, stay for the gut-punch moments that’ll stick with you long after the final scene.

Where can patrons purchase tickets to this production?

This production runs from 23 May to 8 June 2025. To book tickets to Blue by Thomas Weatherall, please visit https://blackswantheatre.com.au/season-2025/blue.

Thank you to our interviewee for sharing their insights and passion. I wish you all the best with “Blue” – may it touch hearts and leave your audience profoundly moved. Break a leg!

Other production interviews can be viewed in our About The Production Series.

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Perth Comedy Festival Gala

Perth Comedy Festival Gala

Perth Comedy Festival Gala Rating

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As the Perth Comedy Festival is currently in full swing, the biggest night of comedy for the festival was the Perth Comedy Festival Gala at the Regal Theatre with a line-up of international and Australian comedians. It was a showcase of 11 comedians giving the audience a taste of each of their shows.

Sean Woodland did a fantastic job as the MC getting the audience warmed up and it was a full house.

The first comedian was Ivan Aristeguieta all the way from the US. Ivan is Venezuelan married to an American woman. His perception of what he finds sexy was hilarious and it involves her having a Medicare card, not her salsa dancing.

Young Australian female comedian Sez had the audience chuckling at the funny side to her dyslexia and bisexuality.

LA resident John Wynn who grew up in Waco Texas but is of Vietnamese heritage was quite clever on his reasoning as to why couples are often referred to as “partners” which has to do with couples acting as detectives to find out why the wife is unhappy.

For those who enjoy a dry sense of humour, Australian Luke Heggie delivered that in spades. It’s common for comedians to talk about their family in their comedy acts and Luke was no different, especially regarding his wife and step-children. I think a lot of men in his situation would relate to his content.

Perhaps the quirkiest comedy act I have ever seen was Elf Lyons. The British comedian leapt onto the stage as though she was a character from a Hitchcock film in a monologue style, so she didn’t engage directly with the audience like the other comedians. Her performance was very theatrical and melodramatic, but I didn’t really understand most of what she was saying. However, I loved her gorgeous cocktail dress.

Another Californian, Ian Bagg absolutely roasted the front row. Joking that the older audience members most likely didn’t even pay full price for their tickets.

In the second half of the show, there were two Scottish comedians, Grant Mushet and Connor Burns, Englishman Kieran Hodgson and Aussies Chris Ryan and Sammy J. Grant Mushet tapped into Scottish culture for his take on parenting with a wonderfully wicked dry humour. Sammy J is quite well known within the Australian comedy scene using his piano-playing skills and song to relay his comedic talent.

Chris Ryan was hilarious in her impersonation of stall vendors. I always love a good impersonation. Another impersonator was Kieran Hodgson of Donald Trump who hit the mark with the mannerisms and the accent, and donning a red tie to top it off.

The final funny person of the night was another fellow Scotsman, Connor Burns, who got into Aussie slang.

Just as entertaining as the comedians was the Auslan interpreter, Diane. Normally, I don’t pay any attention to these interpreters, but I found myself constantly turning to her for her interpretation of what was being said.

All the comedians did their best in showcasing their talent. Their individual shows are worth checking out at this year’s comedy festival.

The Perth Comedy Festival runs from 21 Apr to 18 May. To book tickets to a show, please visit https://www.perthcomedyfestival.com/.

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Perth Comedy Festival: Tomas Clifford Got Stood Up

Tomas Clifford Got Stood Up

Tomas Clifford Got Stood Up Rating

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Heart, flair and talent to boot. That’s how to best summarise Tomas Clifford, who recently dazzled crowds at the understandable encore season of his cabaret Tomas Clifford Got Stood Up.

Having not been able to attend the initial run of the show during Perth Fringe, I was itching to see it, following nothing but praise from others who had snagged a ticket. Presented as part of the Perth Comedy Festival, and showing at the Rechabite – it was the perfect venue for this production, providing a sense of intimacy while also just enough grandeur to allow Clifford to milk his moment in the spotlight.

Though based on his own experience of a date gone wrong, whirlwind hour grapples with themes everyone can strongly resonate with – feeling alienated, the desire to be accepted and most importantly self love. Mostly sung through; the music and vocals – both written by Clifford – are outstanding, featuring an eclectic mix of genres that keeps audiences on their toes. His clever lyricism was both witty and thought-provoking, but it was ultimately his overall candidness that truly drove home the messaging. I really enjoyed the way the tunes were both performative yet conversational, helping to build rapport with the crowd.

Having previously seen Clifford on stage in acting roles, it was great to see his personality shine through here. The authenticity added a whole extra layer to the performance and it was very evident, as is told within the show, that he is so confident in who he is and was proud to celebrate that with the world.

Props must also go to the small but mighty band helping bring the story to life – drums, keys, bass and guitar, rounded out by the welcome brassy tones of a saxophone and trumpet – along with three backing vocals, all phenomenal in their own right. Clifford’s relationship with both his band and BVs was refreshing, ensuring they were just as much a part of the performance as he was – with the vocalists in particular helping to serve as other ‘characters’ in his life.

All in all, this was an excellently executed cabaret that audiences evidently had a lot of fun at – helped largely in part by that fact that Clifford was too. I cannot wait to see what he does next.

The Perth Comedy Festival runs from 21 Apr to 18 May. To book tickets to a show, please visit https://www.perthcomedyfestival.com/.

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