Coco: The Time-Travelling Tart

Coco: The Time-Travelling Tart

Coco: The Time-Travelling Tart Rating

★★★★★

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Fast-paced, a little unhinged, and riotously funny, Coco takes audiences on a journey through the raunchier side of historical events. Already known and loved in the UK, Coco has boldly come to Australia in 2026 to give a sneak-peak into what really happened with many iconic figures such as Napolean, Queen Elizabeth the first, and right back to the original apple-tart herself, Eve.

Typically, there’s the expectation in Fringe season that everyone lets their hair down and just enjoys some entertainment. Intimately seated in the Yurt of the Courtyard of Curiosities at the Migration Museum, audience participation is an absolute must rather than just an option, as your hesitation or failure to respond will often lead you to take a bigger role in the evening’s entertainment that you might have planned. A delightful combination of Clowning, storytelling, and character comedy, Coco feeds off her audience’s laughter, shock, and heckles. Coco, a highly absurdist persona of comedian Max Norman, is a self-proclaimed enthusiast for champagne and shenanigans of the salacious variety throughout her historical ventures. Joyous and irreverent, she channels Patsy from Absolutely Fabulous with her statuesque frame, blonde hair, sunglasses, but with a much cheekier and more devious undertone. Drawing her audiences in with her smooth voice and cheeky grin, she cleverly keeps them engaged through courage and connection as the show progresses. From collaboratively creating pyramids in Ancient Egypt to electing a new Pope, this raucous expedition across time will have you complicit in some of the historical shenanigans that occur.

 

 

While the set is largely minimal, Coco certainly more than makes up for it through charisma and movement through the space. The sound and lighting do play large parts in moving the story along, predominantly through the initial setting of each era and the all-important time travelling taxi. From coloured lights and mini torches, simple sound cues, dry ice, and apples suspended on string, these subtle elements only enhance the performer’s efforts in storytelling.

While the later timeslot may deter some people, it certainly ensures that no one under 18 will likely wander this way. With a couple of warnings and a maturity rating for 15+, it assuredly indicates that this is not the show to bring your family to – unless you’re all adults with a quirky sense of humour. If you’re looking for something fresh, chaotic, and queer this Adelaide Fringe, Coco the Time Travelling Tart will have you laughing from shock and hilarity throughout.

To book tickets to Coco: The Time-Travelling Tart, please visit https://adelaidefringe.com.au/fringetix/coco-the-time-travelling-tart-af2026.

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Ireland The Voyage

Ireland The Voyage

Ireland The Voyage Rating

★★★★★

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From the producers of Celtic Illusion, comes a powerful new theatrical experience in Ireland: The Voyage, an epic celebration of Ireland’s history, heart, and heritage brought to life through authentic voices, live music, and world-class Irish dance. Emotional, exhilarating, and deeply immersive, Ireland: The Voyage invites audiences to feel the pulse of a nation – it’s triumphs, its tragedies, its music, and its unbreakable spirit, in a live experience you will never forget!

I was fortunate to be able to delve into this world of all things Ireland currently touring around our country.

Firstly, in my years in dancing (over five decades) I’ve only ever seen Irish dancing twice in my life before (shameful I know!). Once at a high school talent show, and once when I organised a display floorshow at one of our dance fundraisers (everyone commented afterwards how good it was).

This style of dance has sustained as entertainment for decades in theatres around the world, on cruise ships, feature festivals and more. And certainly now I can fully understand why. Whether or not you are Irish, love Irish dancing or music, or just enjoy any stage performances generally; Irish vibes are contagious and captivating!

This show however is much more than just an Irish jig to a whistling tune; it is a real journey of shared stories, history and spirit.

 

 

We learn in detail from our host Giselle about the interesting Irish instruments being played in the traditional Irish band, which remains in full view throughout the show on stage. Each band member is also introduced by name with a little of their Irish background and musical accomplishments. They are all simply brilliant musicians and together bring this show wholly to life.

Irish songs sung both in English and traditional language by Giselle O’Meara are truly unforgettable. Her superior voice carries off each and every note like a fine instrument you could easily listen to for hours. Not loud and showy, but gentle and sweet; welcoming and inviting us to just enjoy!

I closed my eyes a number of times purposefully to listen and take it all in. Not only am I learning along the way about Ireland, a place I loved visiting 25 years ago, I am growing a great appreciation for this music and sound.

Shining stars are evident in the Irish dance champions – a trio mesmerize us with unbroken unison of speed and grace, extraordinary flexibility and control in traditional Gaelic; skillful solo features of rapidly increasing intricate footwork are an honour to witness, and later in the show we will clap along to particular beats in joyful harmony encouraged.

This beautiful show was such a lovely relaxing night out, and my Mum who came with me went home to try and find the great Irish love song ‘Grace’ to add to her playlist.

Thank you so much to the cast, musicians and team at Base Entertainment for this chance to broaden my knowledge of Ireland whilst at the same time tapping my foot along to some incredible music and songs from this voyage on stage transporting us all in the lucky audience to the Emerald Isle afar.

Ticket link: https://www.irelandthevoyage.com/

INSTAGRAM: @ireland_thevoyage

Tour includes cities and towns all over Australia and New Zealand.

Cast:
Giselle O’Meara (Champion Irish dancer and former lead vocalist for Michael Flatley’s global phenomenon Lord of the Dance Arena Tour)
Sara O’Hara (World Top 20 Irish Dancing Championship)
Liam Mcweeny (former quadruple Australian National Champion Irish Dancer)
Corey White (runner-up Australian International Oireachtas)

Musicians:
Tim Gleeson (guitar and Irish drum, the bodhrĂĄn)
Cormac O’Hanlon (concertina)
Ciara McGoldrick (low and high pitch whistles)
Muireann O’Dwyer (harp)

To book tickets to Ireland The Voyage, please visit https://www.irelandthevoyage.com/australia.

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2026 HeARTflicks Charity Film Screening

Heartflicks Charity Film Screening

Heartflicks Charity Film Screening Rating

★★★★★

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Following its successful debut at the 2025 Adelaide Fringe, HeARTflicks Charity Film Screening returns for 2026 bringing together brilliant short films and one magnificent feature length film from around the world continuing HeARTflicks’ mission of raising community awareness of domestic and family violence to foster empathy, dialogue and meaningful community engagement of these issues. This year the organisers have expanded the number of screenings of the films with the remaining screening on Friday 20 March to include a Q&A session with the directors of the four films to be shown that night.

Curator Steven Coy’s international call for this year’s HeARTflicks gathered a group of remarkable films and the finalist award winners were:

– Tidal, director, Sofia Poli, Australia
– The Bull, director, Jevan Chowdhury, United Kingdom
– Spider-Zan, director, Maryam Khodabakhsh, Iran
– Football Crazy, director, Katie Harriman, United Kingdom
– All Three Counts, directors, Natalie Scarman and Aron Giagu, Australia
– A Perfect Night, director, Angelo Raaijmakers, Netherlands

 

 

From the earlier screenings audience members were asked to vote for their favourite film and Australian short Wise Words by director, writer and producer Louis Dickins was chosen as the People’s Choice Award – Best Picture winner. Also, the HeARTflicks judges chose their Judges’ Award – Best Picture which was won by Aphelion by director, writer and producer Steven Willems.

On the 20 March screening, Tidal, All Three Counts, Wise Words and Aphelion will be shown.

Tidal by first-time Australian director Sofia Poli, shows the consequences of arguments in the home and how the two sisters (Amelie Stone and Zara Rose) spend time to get away from abuse and how the abuse affects everyone connected.

In All Three Counts, which features Robbie Greenwell, Nic Micalakis, Vanessa Ricks, Steven Coy and Effie Dawson, directors Natalie Scarman and Aron Giagu depict the use of power and promotes the notion that those that see abuse should say something about it.

Louis Dickins’ Wise Words shifts gears for a lighter look at the power of simple conversation and how even a chat to a stranger on a park bench can inspire change. It features Don Bridges, Ani Priyo and Louis Dickins.

 

These are followed by Steve Willems’ intense Aphelion, which is set in a single room. The ninety minute feature stars Nick Drummond and Talia Davida who deliver superb performances as the darkness of drug addiction and cycles of abuse engulf them. The film is raw and confronting and Williems’s film making skills are outstanding as he brings the audience into the grittiness of the room.

In Australia, intimate partner violence contributes to approximately 41 deaths each year — the equivalent of one woman killed every nine days. HeARTflicks Charity Film Screening aims to do something about this terrible statistic in presenting these exceptional films. With the added bonus of a Q&A session from the directors, the screening on 20 March promises to be a marvellous night that all should try to attend.

Profits assist Zahra Foundation.

Reviewed by Rob McKinnon
Rating; 5/5

HeARTflicks Charity Film Screening
Remaining showing: Fri 20 Mar

Time: 7.00 pm

Venue: Cinema 1 at The Piccadilly

Booking details: HeARTflicks Charity Film Screening | Adelaide Fringe – 20 February – 22 March 2026

To book tickets to Heartflicks Charity Film Screening, please visit https://adelaidefringe.com.au/fringetix/heartflicks-charity-film-screening-af2026.

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A Heartfelt Focus Group For Theatre Lovers

Babyfleareindeerbag

Babyfleareindeerbag Rating

★★★★★

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The viewing of this show was Hannah’s preview show, and there were moments where the technology refused to cooperate and the projection decided the audience didn’t need to see Hannah’s social media handles (you can find her on Instagram, Facebook, X, and Substack). But Hannah took all of this in stride, explaining what the audience missed, and never losing her place in the script. Her vision for the performance is clear and elegant, and well worth the time.

Hannah brings forth an electric energy and undeniable desire for storytelling. As she says, she has taken her shows around some of the globe, “delighting tens of people around the world” and moments later compares live performance to a seemingly masochistic game of survivor, Hannah seeks to give her audience a show worth remembering.

Right from the beginning you realise this isn’t your typical Fringe show when Hannah encourages her audience into groups, and each group is to nominate a group scribe. While gently corralling everyone into said groups, the vibe from Hannah is supportive and encouraging, and the group work is not nearly as bad as you remember from those nightmarish group projects at school – you will want to participate. A Health and Safety officer is nominated from the crowd, and the lights drop. The pitch has begun.

Hannah begins her focus group meeting with an explanation of the difference between quantitative and qualitative feedback, and how we (the audience) are going to help her write her next show with our feedback throughout this focus group. Hannah showcases her actor profile on the projector, her height, her heterochromia (which is still up for debate), and her age. Because at the same age as she is, there are a few notable characters of literature and history who have accomplished great feats, and so she’s come to us with a desire to do more.

 

 

More being, a fresh show! Provided with introductory monologues and context for each idea for a new show, Hannah asks each group to note down ideas and feedback after each performance. With karaoke, graphs, and post it notes on a whiteboard, BABYFLEAREINDEERBAG feels more like a shared experience than that of a theatre performance. But as soon as Hannah shows us an inkling of an idea for a new show, performs a small scene, concept, or monologue, her performance is captivating, and the emotions she evokes are real. Especially when she makes eye contact with you mid-monologue.

Hannah is clearly in her happy place when she is performing, providing us with a heart-wrenching story of love, only to end with a one-line finish which will have you in stitches. Her stories she shares – all of which are up on the chopping board as potential future theatre shows – range from family to week-long romances, and all of them will give you something to think about once you’ve caught your breath from laughing.

The use of the microphone is sparing, but it adds a layer of emphasis and drama to otherwise simple lines. The lighting is simple but perfectly effective for each moment, and Hannah captivates with her use of the stage, the walkway, and round. No audience member is left forgotten, no space of the room left unused or underutilised, and no emotion left unchecked.

Be prepared when Hannah is ready to wrap up the show, as the real world may suddenly slap you in the face. But don’t let it deter you from seeing such an amazing performer doing what she loves – storytelling.

To book tickets to Babyfleareindeerbag, please visit https://adelaidefringe.com.au/fringetix/hannah-maxwell-babyfleareindeerbag-af2026.

Photographer: Lucasz Izdebski

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