Frozen Jr

Review: Frozen Jr

Review: Frozen Jr Rating

★★★★★

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Based on the Academy Award winning Disney animated feature film, Frozen, the Adelaide Theatre Academy’s limited season of Frozen Jr at the Goodwood Institute, is a first-class vehicle to highlight the outstanding flourishing talents of the young cast in this highly entertaining production that brings Anna, Elsa and the crew alive on stage.

The plot develops in the Kingdom of Arendelle as Young Anna and Young Elsa play as summer is celebrated by the Townspeople. Young Anna pesters Young Elsa to use her magical powers to create snow and ice. Queen Iduna and King Agnarr prompt them that Young Elsa’s powers must be kept a secret. That night they build a toy snowman called Olaf, and Young Elsa inadvertently uses her powers resulting in Young Anna becoming unconscious. The King and Queen enlist the help of the Hidden Folk and their leaders Pabbie and Bulda revive Young Anna and remove the memory of Young Elsa’s powers from Young Anna’s head. Fearful of her potentially harmful magic, Young Elsa vows to hide her powers and removes herself from everyone including her sister.

The King and Queen travel away from the kingdom but are lost at sea and the sisters are isolated from the outside world and each other. Later Elsa is to be crowned Queen and for the Coronation the castle gates are opened after being shut for many years. Anna becomes excited with the prospect of having people back in the castle. Anna falls in love with Prince Hans and Elsa again loses control of her powers and flees, Anna tries to find her sister leaving Prince Hans in charge of Arendelle. In her search she encounters Kristoff and his reindeer Sven, then Olaf the talking snowman who all join her in her quest to find Elsa.

The show includes the favourite songs from the original film, “Let It Go” and “Do You Want to Build a Snowman?” as well as new songs for the stage.

 

 

With the limited confines of the Goodwood Institute and the large size of the cast, the set design is minimal, relying on a series of ladders that are moved throughout the show. While practical considerations are obviously in play in relation to the minimal set design, the minimalism may lead to confusion with the story amongst younger audience members of which there was a large number in the session reviewed. There were also minor sound issues but not enough to mar the show. Costumes are very good, however the stylised Olaf costume may again lead to confusion for younger audience members.

Two casts alternate between sessions, a “Winter Cast” and a ” Summer Cast”. The session reviewed was performed by the “Winter Cast”. The whole cast has impressive developing talent. They all performed to a remarkably excellent level considering their age and would all seem to have bright futures. Given the excellent performance of all the cast it seems unfair to single out individual members, but the leads Claire Wilkes as Anna and Lucy Parkes as Elsa, deserve special mention for outstanding achievements. Lucy’s singing voice is already at an accomplished level. Special scene stealing mention also to Olive Kennedy as Olaf.

The Adelaide Theatre Academy should be proud of their production of Frozen Jr as it highlights the brilliant developing talents of the cast in this charming take on Disney’s Frozen characters.

Frozen Jr runs to 19 July 2025; remaining session dates and times are as follows:

– Friday July 18th – 10:15am & 6:30pm
– Saturday July 19th – 11:00am & 6:30pm

To book tickets to Frozen Jr, please visit https://theatrebugs.com.au/theatre-bugs-shows-and-events/.

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Breaking the Castle

Breaking the Castle

Breaking the Castle Rating

★★★★★

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Creating a successful one-man show is a Herculean task. It requires an enduring assurance of self, vigour of spirit and bold leaps of faith. If you have furthermore chosen to stage an autobiographical story, then the courage and confidence that is required of you is tenfold. Writer and performer Peter Cook has achieved great critical acclaim and impressive mileage from his one-man play Breaking the Castle currently showing at Theatre Works until the 19th of July. Since its premier on the Canberra stage in 2020, this show has undergone a few iterations and is promised to continue developing. If you don’t manage to catch it before the weekend, just quickly zip over to the Sydney Opera House where it will be showing from the 23rd to the 26th of July. Or keep an eye out for the film that will be sure to come out soon.

Upon entry the audience is greeted with a thrust stage (pun intended) designed by Raymond Milner. A menagerie of detritus from half-eaten takeaway containers, books by Shakespeare, alcohol bottles and lines of cocaine litter the space. Eminem’s proclamations of strength and grit fill our ears as we find our seats in one of three sides of the audience. It starts and we begin the journey of this man’s struggle with addiction, ambition and self-actualization.

 

 

Enter Davey: an aspiring actor who loves Shakespeare, one-night stands, alcohol and drugs. But this love affair comes at much too high a price. The cost of numbing yourself from unprocessed trauma means that you also lose touch with reality and who you want to be. To be or not to be, indeed.

Each emotional beat of this performance can be credited to director Dr Bridget Boyle and her keen eye for blocking and pacing. There is a strong sense of honest collaboration between the director and writer/ performer and this relationship of trust shines through onstage. You can almost see Boyle’s invisible guiding hand as Cook moves through the space, embodying various characters and voices. The use of Kimmo Vennonen’s soundscape and Ben Hughes’ lighting design further accentuated each dramatic moment as they transpire.

Breaking the Castle is earnest, defiant and deeply personal. It is no easy feat to present your life and bear the vulnerability of self reflection. Yet at its core, this show is about knowing the life you want and daring to pursue it. I wish Peter Cook all the best of luck in finding more things that he likes about himself and the beautiful journey that lies ahead.

To book tickets to Breaking the Castle, please visit https://www.theatreworks.org.au/2025/breaking-the-castle.

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Terracotta Warriors: Legacy of the First Emperor

Terracotta Warriors: Legacy of the First Emperor

Terracotta Warriors: Legacy of the First Emperor Rating

★★★★★

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Nothing can really prepare you for coming face to face with one of the most iconic collections in the world. You might already be familiar with the history of the Terracotta Warriors, but until you’re standing in front of them, do you realise that it’s their unique expressions, powerful poses, hairstyles, weapons and uniforms that begin to tell their extraordinary story.

The Terracotta Warriors, currently on display at the WA Museum Boola Bardip, are being exhibited together globally for the first time, including some recently excavated pieces.

In one of the boldest exhibitions to ever come to Perth, over 225 Chinese artefacts include musical instruments, vessels, jade objects and animal figures, including a bronze swan. The exhibition sheds light on China’s first emperor, Qin Shihuang, exploring his life, legacy and afterlife over seven distinct areas, as well as China’s military, societal hierarchy and daily life.

In one of the greatest archaeological discoveries of the 20th century, the Terracotta Warriors depict Qin Shihuang’s army of around 8,000, created to protect him in the afterlife for all eternity. How so many warriors remained a mystery until their discovery in 1974 is a miracle. Qin Shihuang’s monumental burial chamber remains sealed and preserved in a secret underworld. The tomb took over four decades and more than 700,000 workers to build one of the largest archaeological reserves, and records depict opulent palaces and flowing rivers.

 

 

The life-size figures vary in height according to their rank, alongside chariots and horses, and are often referred to as the Eighth Wonder of the World. It’s easy to lose hours delving deeper and examining the artefacts before viewing the main event of eight life-size terracotta warriors and a horse. Although eight might seem like a modest number out of 8,000 warriors, considering they are over 2,000 years old, imagine the undertaking involved to transport the priceless exhibition, including a kneeling archer and a statuesque armoured infantryman.

One thing that really struck me was the way the terracotta warriors were exhibited behind reflective glass, and depending on where you stood in the gallery, their eerie reflections seemed to multiply to the point that you felt as though you were being observed, not the other way around.

Complimented by an immersive multimedia experience, images of the warriors are depicted in coloured uniforms, as they were once painted in a multi-coloured spectacle.

Historians and history-lovers will no doubt take full advantage of the season passes, allowing for unlimited visits throughout the exhibition for $90. General admission is $30 for adults and $15 for kids. Special events include illuminated warriors at night, talks, performances, school holiday programs and cultural events, including the Guzheng Grand Ensemble on Sunday 19th October.

Even if you’re not into history, there’s no denying it’s marvellous that archaeologists are still making such significant discoveries.

The Terracotta Warriors: Legacy of the First Emperor exhibition is held at WA Museum Boola Bardip at the Perth Cultural Centre until Sunday, 22nd February 2026. Located in Northbridge, it seems only fitting to time your visit with dim sum in Chinatown.

To book tickets to Terracotta Warriors: Legacy of the First Emperor , please visit https://visit.museum.wa.gov.au/boolabardip/terracotta-warriors-legacy-first-emperor.

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Heart Lines

Heart Lines

Heart Lines Rating

★★★★★

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Written and directed by West Australian award-winning playwright, Kerry Bowden, Heart Lines delivers a heartfelt and thought-provoking play between heart donor and heart recipient.

The play directs the audience to view the heart as being more than just a vital organ of the body.

Having never met the family of his heart donor, 23-year-old heart recipient, Noah, played by Nick Stevenson, records several video blogs to the family, expressing his gratitude and how his life has changed for the better since his heart transplant operation. This clever embodiment of these monologues in the form of video blogs in the play allows the character to speak from the heart directly to the audience.

Noah ponders on the type of person his heart recipient was and how he wished he knew more about the recipient.

Through a series flashbacks, the audience are taken back into of the lives of three young housemates living in Fremantle, Western Australia. Like many other young Australians in their early twenties, Anna, James and Tim are juggling university studies with part-time jobs whilst also squeezing a bit of time to socialize. At first, it is unclear as to which one of these housemates becomes the heart donor but as the play progresses, the new traits and hobbies Noah has developed since his operation are so strikingly similar to one of them that there’s a poignancy knowing this character is going to die.

 

Noah makes a point about the bittersweetness of heart transplants. The obtaining of a healthy heart has meant the death of another person. In this instance, that other person is only twenty years old.

The play is cleverly written as full-circle story. Noah, who is from the Gold Coast, is drawn to the other side of the country Perth, the hometown of his recipient and even more so to Margaret River where his recipient loved to surf. Although unaware, Noah also crosses paths with people who knew the recipient.

To effectively switch between scenes of Noah’s video blogs and the flashbacks, a warm spotlight is used on Noah, bringing an intimate feel to his messages whereas bright fluorescent lighting is used to capture the upbeat and carefree lives of the housemates in the flashbacks.

At only 70 minutes long, Heart Lines is a short and sweet play presented by the Melville Theatre Company who will contribute $1 for every ticket sold to the non-for-profit organization, The West Australian Heart and Lung Transplant Foundation. A worthy play for a worthy cause.

To book tickets to Heart Lines, please visit https://melvilletheatrecompany.au/current-production#cca6dbda-c607-4472-9f7c-054b47d62a0f.

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