The Door-To-Door Bookstore: German Film Festival 2025

The Door-to-Door Bookstore

The Door-to-Door Bookstore Rating

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1

This heartwarming film is a beautiful reminder of the goodness in humanity and the power of unlikely friendships (and books!).

Based on the novel of the same name by Carston Henn, the story follows Carl, an older gentleman. Carl’s job involves walking around the town (in Aachen, Germany), delivering books to a variety of interesting people.

Carl is an awkward, shy, but kind man, drenched in loneliness, and obsessed by books. So much so, that he refers to his regular clients by the nicknames he has (sometimes not so secretly) ascribed to them; based on fictional book characters, who each have their own quirks.

Nine-year-old Schascha has just moved to the town. In dealing with her own sadness in losing her mother, she also finds solace in books and reading.

Schascha begins to follow Carl on his daily book delivery, and an unlikely friendship develops. The two main characters end up working together to make some big, positive changes in the lives of the people Carl delivers his books to. As well as for themselves.

This enchanting story is full of themes of friendship, community, and embracing differences. It highlights the importance of kindness in humanity and community, and is a great reminder of the power of books and reading.

This is a wonderful film that the whole family will enjoy! The acting is brilliant from the entire cast. The cinematography is stunning for what is in essence quite a simple but powerful story of humanity.

Note that the film is in German, with subtitles in English.

The German Film Festival runs from 30 April to 28 May. To book tickets to The Door-to-Door Bookstore, or to any other films in the festival, please visit https://germanfilmfestival.com.au/.

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3 Malaysian Allstars Bring their Culture and Laughs to the Sydney Comedy Festival

Malaysian Comedy Allstars

Malaysian Comedy Allstars Rating

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3

In the Sydney Comedy Festival’s showcase, Malaysian comedians Kavin Jay, Rizel Van Geyzel, and Papi Zak took to the stage at the Riverside Theatre. They delivered a set filled with relatable anecdotes to an audience, the majority it seemed from their mother country, of their cultural observations. Their performances provided not only a glimpse into Malaysian life but also a humorous take on the quirks of everyday experiences in family and social life.

Kavin Jay opened the night with a blend of storytelling and observational comedy. His routine featured hilarious tales about his family, particularly his “Drugstore Aunty,” who dispenses medication to relatives for every conceivable ailment, even ignoring the seven year use-by date! Kavin Jay related personal stories and showed some into cross-border humour, joking about his neighbouring country, Singapore. His quips about the low crime rates there led to some laughter, especially the absurd image of a car chase lasting only 15 minutes before the criminal had to turn back due to the country’s tiny size. Kavin Jay’s jokes ventured into talking about everyone’s favourite topic- food. I particularly liked his view of the good old Bunnings sausage sizzle, as a culinary adventure fraught with danger.

Papi Zak followed Kavin Jay. His routine was a vibrant mix of observational humour and playful banter. He had a good rapport with the audience, which was a natural follow on, having had experiences hosting TV shows like The Halal Foodie and Happy Endings. Papi Zak was not shy about celebrating his own generous size, calling himself “Malaysia’s biggest comedian, (in size!)” and sharing his experiences with food and getting away with breaking some rules, by speaking in his American accent. It was funny to hear Papi Zak tell his stories in his American accent and peppering in Malaysian traditional sayings of “ay -yah!” and “lah!”. It was clever of Papi Zak to integrate Sydney’s unpredictable weather into his comedy routine, given our changeable current day to day weather, and this bit of localised humour enamoured him to the crowd.

Rizel Van Geyzel rounded out the trio with his positive energy that kept the audience engaged. Rizel’s easygoing retelling of stories relaxed listeners. One stand out part of the set was when he unveiled the ‘world’s sexiest Asian accent (according to a survey)’ -the Filipino accent! The introduction to this topic was entertaining, particularly with his anecdote about mishearing something a Filipino waiter had asked him, which had the audience in stitches.

His humour poking fun at himself shone through when he joked about being half Chinese and his amazing ability to grow facial hair, which perhaps some Chinese men relate to – as they are generally not seen with full beards and moustaches!

Another amusing moment was when Rizel talked about the Malaysian cultural practice of taking off his shoes when he went inside his non-Asian friend’s house. This personal story, where this custom was met with confusion by his friends, was enjoyable.

The night took a fun twist when Rizel introduced a special guest, Thomas, whom he had met on a plane on the way to Australia. Giving Thomas the chance to perform stand-up added an unexpected yet enjoyable element to the show. Thomas’s joke was well-received, and watching a comedian support a fellow funny person by giving him the opportunity to perform on stage and share his joke, was truly heartwarming.

Together, Kavin Jay, Papi Zak and Rizel offered an evening that celebrated not only the richness of Malaysian culture, but also the universal language of laughter. Their ability to weave personal narratives with broader social commentary left the audience in a good mood. Their performances were a testament to the power of comedy in bridging cultural gaps and highlighting shared human experiences.

The Malaysian Comedy Allstars was hosted at the Lennox Theatre inside Riverside Theatres in Parramatta and is part of the Sydney Comedy Festival.

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Grease: Hornsby Musical Society

Grease

Grease Rating

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8

The Hornsby Musical Society’s production of Grease lights up the Pioneer Theatre with infectious energy, impressive talent, and a wonderfully intimate atmosphere. While the Pioneer Theatre may not be a large venue, this actually works to the show’s advantage — the smaller space draws the audience closer into Rydell High’s world, making every laugh, wink, and dance move feel that much more immediate and engaging.

The cast bursts with enthusiasm from start to finish, and the choreography is a real highlight, especially in the big ensemble numbers. The high school dance scene is a standout, brimming with dynamic movement and fun character moments, while “Greased Lightning” roars to life with punchy, slick choreography that had the audience cheering.

Of particular note is Caitlin Parr as Sandy, who not only embodies the character’s sweetness and inner strength but also delivers some truly impressive vocal performances — her rendition of “Hopelessly Devoted to You” was a clear emotional high point, capturing both the vulnerability and power of the song.

Sarah Paull (Jan) and Zach Godsmark (Roger) deserve special mention for their utterly charming and funny duet in “Mooning.” Their playful chemistry brought warmth and laughter, and they fully leaned into the quirky, lovable sides of their characters. Meanwhile, Maddie Seddon turns up the heat as Rizzo, delivering a fiery, emotionally layered performance that grabs your attention every time she’s on stage. Her command of the role adds a sharp edge to the show’s emotional landscape.

Overall, the Hornsby Musical Society’s Grease is a lively, well-executed production that draws the audience in and leaves them smiling. It’s a fantastic local theatre experience packed with talent, heart, and toe-tapping fun.

Grease will be playing at the Pioneer Theatre in Castle Hill from Friday, May 9, 2025, to Sunday, May 18, 2025.

With just one weekend remaining, book your tickets for Grease by visiting https://hornsbymusicalsociety.com.au/grease-2025/.

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Interwoven Lives: A Review of Various Characters

Various Characters

Various Characters Rating

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‘Various Characters’ is an aptly titled play that explores the emotional terrain of six individuals, each living in their own world and caught in the tension between isolation and connection. Their lives – diverse, troubled, and at times tender – intersect by circumstance, creating a tapestry of modern identity, dislocation, and longing.

Set in early 21st-century Sydney, the play touches on themes of multiculturalism and cultural identity, exploring how difference both separates and defines us. Through these characters, we glimpse the struggle of living in a society where connection is craved but hard-won.

Each character wrestles with personal transformation. Nina (Georgia Da Silva) is plagued by uncertainty and fear; Raoul (Tony Goh) stumbles through his inability to express himself and fit into the community; Mile (Tate Wilkinson-Alexander) grapples with identity and the burdens of responsibility. Boris, played with wide-eyed charm by Maliyan Blair, lives in a romantic fantasy. Zita (Nashy MZ) attempts to exert influence on the world around her, while Greta, portrayed with particular depth by Kate Bookallil, seeks to rewrite her future and reclaim a sense of purpose.

Bookallil’s performance as Greta, a Croatian mother, is a standout – rich in authenticity, expression, and control. Her presence brings emotional gravity to the piece. Blair’s Boris is also noteworthy, his youthful optimism providing contrast to the more subdued characters.

Though engaging and evocative, the narrative at times lacked clarity. Some character motivations felt opaque, leaving the audience uncertain as to why certain events unfolded. Still, the emotional beats mostly land, offering poignant moments of insight.

Technically, the production was tight. Set changes were executed smoothly in near darkness, a testament to the cast’s discipline. The minimalist staging adapted cleverly to both indoor and outdoor settings, and the restrained use of music helped maintain focus on the dialogue and action.

Performed at Flight Path Theatre – appropriately named, given the frequent sounds filtering in from low-flying planes – the two-sided amphitheatre ensured an intimate viewing experience, with every seat offering proximity to the stage. The theatre holds 90-100 people and has a bar with snacks. The demographic of the crowd was mostly younger with a mix of ages and ethnicities.

Written and produced by Šime Knežević and directed by Victor Kalka, ‘Various Characters’ offers a glimpse into lives trying to make sense of themselves and each other. While not every thread resolves cleanly, the performance is heartfelt, timely, and thought-provoking.

This play has an approximate runtime of 80 minutes, with no interval. The season runs from May 7 to 17, 2025. To book tickets to Various Characters, please visit https://www.flightpaththeatre.org/whats-on/various-characters.

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